Falling In Reverse & Escape The Fate | The Wiltern | 1/15/14

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How do you get me to go to a show for a band that I know nothing about? Offer me a free ticket.

The buddy of mine who went to the Nine Inch Nails concert with me last year gave me a call and invited me to see a band that he enjoyed listening to named Falling In Reverse. The band’s name rang a bell, so I looked them up online and came across the name of their lead singer, Ronnie Radke. I vaguely recalled reading some article in a music trade magazine about him starting his career up again, but that was years ago. The more research I did, I found out that in 2011 Ronnie had been named one of Revolver Magazine’s “Greatest Living Rock Stars” and in 2012 was on the shortlist both Kerrang’s “50 Greatest Rock Stars in the World Today”, “Villain of the Year” and “Hero of the Year”. I also read about his work in Escape The Fate, his issues with drug addiction, the family tragedy he went through, and his incarceration. Yeah, I had to see this guy perform live.

My buddy and I got to The Wiltern in time to see Escape The Fate, now fronted by Craig Mabbitt. Truth be told, the set was a little bit of a let down. For the first half of the set, technical issues seemed to plague the Mabbitt’s  microphone as his vocals were hardly audible. It was a shame, as the band seemed on point and heavy. Truth be told though, it really didn’t seem to matter too much as a good portion of the crowd sang along with most of the songs. It was a set that could have been better, but I’ll chalk the deficiencies up to the sound problems.

Thankfully, the sound for Falling In Reverse was just fine.

The crowd’s energy was electric, and they were screaming and singing louder than they had for Escape The Fate.  The music was more “friendly” than that of Escape The Fate’s insofar as it felt and sound like Falling In Reverse’s music had more catchy pop-hooks. “Good Girls, Bad Guys”, “Bad Girls Club” and “The Drug In Me Is You” are all solid, fun songs that had me shaking my groove thing with the twenty somethings standing around me.

Ronnie Radke commanded the stage with his presence, using his seemingly boundless energy to stride across the stage throughout the evening. In between songs he would address the audience, revealing both his goofy and humble side; reflecting on the weight he has gained since his career started grabbing at his non-existent fat during the following song, and thanking the audience for hanging in there with him through his tough times and being there, at The Wiltern, for the evening. All the accolades he received that I read about online … yeah, I can see why he got them. He’s a terrific performer and he sounded good.

I’ll be honest with you, I probably wouldn’t have known about, or gone to see, Falling In Reverse without my buddy inviting me.  I’m still on the fence as to whether I’d buy their latest CD, but I’m leaning towards yes because it’s really fun guilty pleasure, rock and roll music that I wouldn’t mind having shuffled into my iTunes playlist while I’m driving around town now and again. But I know for sure that if my friend were to invite me to another of their gigs, I’d gladly go.

Falling In Reverse Setlist:

  1. Rolling Stone
  2. I’m Not a Vampire
  3. Fashionably Late
  4. Champion
  5. Sink or Swim
  6. Goodbye Graceful
  7. Bad Girls Club
  8. Born To Lead
  9. Self-Destruct Personality (new song)
  10. Good Girls, Bad Guys
  11. Tragic Magic
  12. Raised By Wolves
  13. Alone
  14. The Drug In Me Is You
  15. Not Good Enough For The Truth In Cliche (with Escape The Fate)
  16. Situations (with Escape The Fate)

 

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Moses Sumney | The Echoplex | 12/05/13

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When I purchased tickets to see Thundercat at the Echoplex, no opening acts were announced. Truth be told, the opening acts would have been an afterthought for me, as an evening watching a preeminent bass guitar player jam out in an intimate venue would have been worth the price of admission alone. When Moses Sumney was announced as an opening act, I got my moneys worth, and then some.

I was first introduced to Moses Sumney’s music when he and Nai Palm (of the recently Grammy nominated neo-soul band, Hiatus Kaiyote) freestyle, a cappella jammed backstage after Hiatus Kaiyote’s gig at the Bootleg Bar. Nai effusively urged me to check his music out. I did, and was impressed. When Hiatus Kaiyote performed their last Los Angeles gig at the Skirball Cultural Center, they had Moses Sumney open for them. His live performance was so amazingly raw and enchanting that it left me wanting more.

His set at The Echoplex was no less enchanting. His beautiful music was highlighted by his humble interactions with the crowd, and this time around he was able motivate the audience to act as his instruments, having us sing riffs or maintain rhythms through clapping during several of his songs.

Though the crowd was there for Thundercat, Moses Sumney definitely picked up new fans of his own. There was a heightened buzz after he left the stage, with people commenting on his sublime musicality. I even overheard one person state that the music was, “the type of music anybody can get into,” to which his big, scruffy friend followed  up proclaiming that he, “could listen to that shit anytime.”

If you haven’t heard of Moses Sumney, I suggest you check him out. Follow him on Facebook so that you can be updated about his performances so you can go see him perform live. I guarantee you that it will be worth the price of admission.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Hiatus Kaiyote | The Bootleg Theater | July 31, 2013

DSC02654Earlier this year, I saw  Hiatus Kaiyote on a whim, and they blew my mind. From Melbourne, Australia, this “future soul” band has a sound that I particularly love. As soon as I found out that they would playing in Los Angeles again, I bought tickets as soon as they went on sale.

Since the first time I saw them, back in March, the band has  toured internationally and signed to Salaam Remi‘s Sony-distributed Flying Buddha label, and re-released Tawk Tomahawk with a bonus track — a version of album highlight “Nakamarra” featuring a guest verse from Q-Tip.

IMG_2318I got to the venue and went straight to the merchandise table. I was specifically hoping  that the poster for the event, which was posted on Facebook a few weeks prior, would be available for sale. It was a gorgeous looking poster, and I wanted a copy very badly. Unfortunately, the posters were not for sale and the only ones that I could find were either pasted to a wall, or hanging from the bar. I asked the bartender if he’d sell me one of his posters, but said no, going as far as to say that he owned everything in “his” bar and that nothing except for drinks were for sale. I went back to the merchandise booth to ask the woman working there if I could carefully peel a poster from off the wall, and she said that she wouldn’t permit that, but as she was speaking she saw a poster drop to the floor.  She smiled and told me it was my lucky day. Indeed! I got the poster autographed after the show, and it’s going to have a permanent spot in my collection.

DSC02501The opening act was Contact Field Orchestra, an instrumental project from Damon Aaron. Using a box of 7” tapes of field recordings recorded almost entirely of hand-made instruments and contact microphones from the turn of the century that he purchased at an estate sale, he’s created a sound unique sound of ambient music shrouded in mystery. Prior to the set, he announced to the audience that we may need some medication to appreciate it. I was sober, and I still enjoyed the music.

After his set, the stage hands started setting up for Hiatus Kaiyote. The band’s set was delayed as people were still in line outside trying to purchase tickets at the door … um … don’t people know that they can purchase tickets in advance online? When the band finally got onstage, the lovely soul-stress Nai Palm humbly apologized for the delay, which was really no fault of their own, and the band commenced the audience’s journey to soul-town.

IMG_2320I am a music dweeb, and what I love about watching live shows is how the live performance compares to recordings that I’ve previously absorbed. The first time I watched Hiatus Kaiyote perform, I was only somewhat familiar with their music, but this time around, I must have listed to the original release of “Tawk Tomhawk” at least 15 times digitally, and 10 times spinning on vinyl (the original pressing from Australia that I purchased after seeing them the first time, which I also got autographed after the show), so I’d like to think I knew the tracks pretty well.

Paul Bender of Hiatus Kaiyote on Bass.
Paul Bender of Hiatus Kaiyote on Bass.
Simon Mavin of Hiatus Kaiyote on Keys.
Simon Mavin of Hiatus Kaiyote on Keys.
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Nai Palm of Hiatus Kaiyote.
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Nai with the glowing eyes and Perrin Moss on drums.

They blew my mind once again. They took all of the songs I knew and took them to places that amazed me. Nai’s vocals were as soulful and jazzy as ever. So much soul, it was overflowing. The band’s musical oneness was on full display. Paul Bender’s bass, Simon Mavin’s keys, and Perrin Moss’ drums exhibited a musical synergy that most bands can only dream of, each taking their moments throughout the set to exhibit their own personal flares of musical ingenuity. Paul Bender was steady on bass, but added his own funky flares. Simon Mavin’s effortless playing on the keys allowed him to flourish and expand upon those keyboard moments that I loved so much from the album. His playing on “The World It Softly Lulls” is mesmerizing: 

I was particularly impressed with Perrin Moss’ drumming as there were certain moments that shocked and lifted me; sneaky little drum licks that only lasted for a brief moment, but that caught me by surprise. Speaking with someone after the gig, I was told that he had spent the whole day in a drum session, so he was probably inspired to try new sounds for the set.

After the show, a friend of mine was able to get me back stage to hang out for a moment. I had a chance to talk with the members of the band and they spoke about their experiences from touring and their plans to record new recordings after their current tour.  Damon Aaron was also backstage  chopping it up with Miguel Atwood Ferguson and I politely interrupted the conversation to a get a photograph. I was also lucky enough to see Nai jam a cappella with Moses Sumney for an exclusive with KCRW DJ  Jeremy Sole. Magic.

Damon Aaron, Me and Miguel Atwood Ferguson.
Damon Aaron, Me and Miguel Atwood Ferguson.Me and the lovely Nai.
Me and the lovely Nai.

The band had to pack up an great ready to catch a 4:00am flight to Chicago, so my friend and I saw them off in their tour van.  If I recall correctly, they may be back in November for another gig and to record locally. Hopefully, I’ll be able to catch up with them on a personal level again, but most definitely I will be buying a ticket to see them perform.

Nai, Perrin, Simon and their tour manager.
Nai, Perrin, Simon and their tour manager in their tour van.

Add Hiatus Kaiyote on Facebook, and follow them on Instagram and Twitter using the handle @HiatusKaoiyote. You should follow them. You need to see them perform live. Do it.

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Rudimental | Staples Center | Staples Center | 8/29/14 [Instagram Videos]

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Below are Instagram clips of some of the songs from Rudimental’s at Staples Center. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

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Ed Sheeran | Staples Center | Staples Center | 8/29/14 [Instagram Videos]

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Below are Instagram clips of some of the songs from Ed Sheeran’s at Staples Center. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

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The National| First City Festival | 8/24/14 [INSTAGRAM VIDS]

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Below are Instagram clips of some of the songs from The National’s set at First City Festival 2014. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at First City Festival 2014!

Cults| First City Festival | 8/24/14 [INSTAGRAM VIDS]

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Below are Instagram clips of some of the songs from Cults’ set at First City Festival 2014. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at First City Festival 2014!

The Naked And Famous | First City Festival | 8/24/14 [INSTAGRAM VIDS]

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Below are Instagram clips of some of the songs from The Naked And Famous’ set at First City Festival 2014. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at First City Festival 2014!

Geographer | First City Festival | 8/24/14 [INSTAGRAM VIDS]

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Below are Instagram clips of some of the songs from Geographer’s set at First City Festival 2014. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at First City Festival 2014!

Lo-Fang | First City Festival | 8/24/14 [INSTAGRAM VIDS]

CLICK HERE to check out other acts I caught at First City Festival 2014!

Below are Instagram clips of some of the songs from Lo-Fang’s set at First City Festival 2014. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at First City Festival 2014!