Words by E. Flinn | Photos by D. Lee
It’s Grammy’s week in Los Angeles, which means everyone who is anyone in the music industry descends upon the city. Starting this past Monday, venues big and small played host to elite parties celebrating the industries best and brightest. Continue reading
Written By: E. Flinn
A lot has changed in the 36 years since Cat Stevens last toured the U.S. He left his western life behind, he changed his name to Yusuf Islam, and he converted to Islam. But one thing has not, and that is the universality and timelessness of his sound. Tens of thousands of artists have come and gone since Cat Stevens first came on the scene in the late 60s, most struggling to keep their relevance mere months after a song’s release. Meanwhile, he purposely moved further and further away from his life as a superstar, all the while continuing to inspire generation after generation around the globe. Continue reading
I’ve been to a lot of shows and I’ve met a lot of cool people in 2014, but one of the coolest persons I’ve met is a woman who I’ll call Ms. Rose. We both work in the music industry, and it just happened to work out that whenever either of us had an extra ticket for a show, the other just happened to be available to go. Well, the ball’s in my court now as she, thankfully, invited me to check out night one of KROQ’s Almost Acoustic Christmas concert at The Fabulous Forum. Continue reading
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
THE ACT: Chet Faker | Facebook | Twitter
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Chet Faker. Girls love him. Guys wish they could write music like him.
I saw Chet Faker earlier this year at The Roxy. Musically, there is no question that Nicholas James Murphy a/k/a “Chet Faker” has the musical goods. His sound (soulful, downtempo electronica) is baby-making music, plain and simple. It’s still early in his career (he’s only released one full length album, “Built On Glass” and a couple of extended plays) so it’ll be interesting to see how his sound develops going forward.
What I was more interested in observing this time around was his actual stage performance. At the Roxy, Chet Faker spent the length of the performance behind his keyboards under dim lights. On a couple of songs, additional musicians took the stage to perform as part of a backing band. This time around, with Red Bull as the sponsor of the event (and presumably a bigger budget), that his stage performance could have bit could a bit … more. The lighting at Mack Sennett Studios was definitely a step up from The Roxy’s lights, but on the large stage, it was again Chet behind his keyboards.
Now, don’t get me wrong. I love his music. I even brought my LP copy of “Built On Glass” just in case I could catch him for an autograph. But truly memorable musical performances are not only auditory; there has to be a visual component to it as well … for me, it takes both aspects to make a show complete. Chet looked so isolated on the large stage. I was really hoping that he could have hired a backing band play his arrangements, or at least a some video screens to actually see what he was doing at the keyboard consoles. I mean, you can see moving around behind his instruments, but it would have been so much more effective if there were more “action” on stage. I mean, take Flying Lotus, for example. Flying Lotus performs behind his consoles, but he’s got an elaborate laser/lighting show going on around him simultaneously.
I’m not suggesting that Chet Faker needs some intricate laser light show. I just wish I could have seen what his hands were doing. There musicality and artisanship in watching a professional maneuver a drum machine and keyboards. It would have been nice to see the action on the keys.
SETLIST (unconfirmed)
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PHOTOS:
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
THE ACT: James Supercave | Facebook | Twitter | Instagram
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If you are the kind of person who likes to check out new bands in concert, it would behoove you to not limit your perception of said band on just one performance. Personally, if I even slightly enjoy new band’s performance, I do my best to try and catch them again at a later date. There are a myriad of reasons to do this: (i) because a band that you are waffling on just could have had an off night, (ii) different venues offer different atmospheres which could really impact a band’s performance, or (ii) over time, said band’s performance could have gotten better or worse.
I saw James Supercave earlier this year at the Santa Monica Pier when they opened for Cults. I enjoyed their performance then, and I anticipated that their performance this night would be equally enjoyable. I was wrong. They were immeasurably better!
This time around, they had an energy and stage presence that I don’t recall from the first time I saw them perform. Joaquin Pastor, the lead singer, seemed to exude a subdued confidence that I don’t recall noticing the first time around; actively interacting with his band through the set. Maybe it was because he wasn’t wearing sunglasses this time around, and you could really see the music’s emotion in his eyes. Whatever it was, it was something that I noticed.
His bandmates, likewise, seemed to have more energy as well, and under the heavy purple lights, I found myself enjoying their onstage movements … and their music … especially when the rhythm picked up.
I was hoping to catch the guys after the show to ask them whether or not they would have agreed with me about comparing the two shows, and their own personal thoughts about their performance, but I wasn’t able to. Oh well. I suppose I’ll have to make it a point to go see them again.
PHOTOS:
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
THE ACT: denitia and sene. | Facebook | Twitter | Instagram
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Opening the 29th Red Bull Sound Select 30 Days In LA concert at Mack Sennett Studios was the R&B duo denitia and sene. Denitia Odigie and Brian “Sene” Marc use synthesizers to bring out a pulsing rhythm over which they croon and coo over. Their latest release, “the side fx. EP” was released by Red Bull Sound Select.
As an opener for for Chet Faker, their performance was a solid appetizer. Although there were a couple of moments where the vocals could have been better in tune with each other, the soothing effect that their music had over the audience definitely brought the sultry and seductive air to the venue.
PHOTOS:
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
THE ACT: Phosphorescent | Facebook | Twitter | Instagram
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Matthew Houck, a native of Athens, Georgia, is Phosphorescent. His music can be described as indie country and it has drawn favorable comparisons to Bob Dylan, with publications like the London Evening Standard declaring him “the most significant American in his field since Kurt Cobain” (source: Allmusic.com).
His last album, “Muchaco”, was released in 2013 was critically well received and perhaps a bit more experimental than his earlier output. Americana sounds incorporating electronic instrumentation doesn’t necessarily seem to a logical fit, but it works. Backed by a full band, the instrumentation didn’t obscure the singer’s voice, which can be described as “soulful folksy” and seemed to inflect a deep rooted emotional history of life spattered with hardship.
I’ve read that his songwriting, especially his lyrics, is superb. Since I was consumed with adjusting settings on my camera throughout his performance, I frankly couldn’t focus on the stories being sung. But based on what I heard, I’ve definitely earmarked his music to listen to in the future.
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VIDEOS:
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
THE ACT: Little Wings | Facebook
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Kyle Field is Little Wings. He’s been called a “musician’s musician” and his music has influenced a lot of popular artists (i.e. Feist’s named her film, Look At What The Light Did Now, after a Little Wings song). Continue reading
#DKLPHOTOS 