Morrissey | Staples Center | 3/1/13

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“England is Mine and It Owes Me a Living”. Poster that I bought at the concert.

I remember when I was first introduced to the music of The Smiths.  It was the summer after 8th grade, and I was shipped off to a summer, boarding program called C.T.Y. [Insert nerd jokes here]. I always enjoyed spending the summers away from home (I went to my first summer boarding school after 6th grade). Studying asides, I saw boarding school as an opportunity to meet new people and to learn to be somewhat autonomous.

At the time, I was listening to a lot of KDAY, so my music inclinations leaned more towards hip-hop. I had some alternative rock in my music collection, mostly Depeche Mode … in fact, at the time, my alternative music collection was all Depeche Mode… so every time I was introduced to new music I, tended to soak it all in.

There was a guy in my dormitory who was all about alternative music.  He listened to Jane’s Addiction, Pixies… and the Smiths.  We did a music swap, and made mix-tapes on cassette tapes (remember those?) for each other.  I wish I still had that cassette tape, but I remember some of the tracks were “The Boy With The Thorn In His Side“, “Girlfriend in a Coma” and “How Soon Is Now

I remember being taken aback by The Smiths music. It was a “new” type of rock music for me.  It had hints of pop and rockabilly, but what really got me, was Morrissey’s vocal style.  Morrissey’s croon captured my attention, and his lyrics, though very forlorn, was just so soothing to listen too.

After that summer, I kept up with Morrissey’s solo career, and over the years, I’ve amassed a nice little collection of The Smiths and Morrissey. Perhaps my favorite purchase is my most recent one, a live album titled “Panic!” of The Smith, which was recorded in Germany in 1986, that I bought November 24th, 2013. I even posted a picture of the album when I first played it on Instagram.

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Ironically enough, the day I purchased the album, was the day Morrissey was originally supposed to perform at the Staples Center. That show was cancelled due to his mother being hospitalized. I didn’t know it then, it wasn’t until a few weeks later when I visited another record store about the cancelled show. I saw the poster, and convinced the owner of Touch Vinyl to let me have it (after I bought a couple other albums). I figured it was a sign that I needed to get tickets to the rescheduled show, so I stopped by the box office when I was at the Staples Center for a Clippers game.  Morrissey had been cancelling some concerts in recent days due to health concerns (bleeding ulcer) … thankfully he didn’t cancel the March 1, 2013 show.

While Morrissey’s health may not be 100%, his voice sounded amazing.  It was a solid 19 song set, that mixed in old hits, new music and several The Smiths songs.  I was sitting in the nose-bleed section, and there was no video monitor projecting the performance on stage, but a ticket is a ticket, and it’s Morrissey.

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I could care less about Morrissey’s politics. I could care less about the news about meat being sold at the Staples Center. If you cared about that shit, you should have given your ticket to someone else who cared more about the music.

Morrissey and the band took their bows before they started playing. It’s the first time I have ever noticed a band or artist do so.  The crowd went nuts, and Morrissey kicked off his concert with The Smiths song “Shoplifters of the World Unite”, one of the songs that was on heavy rotation on KROQ back in the day, and it seemed like all of Los Angeles who grew up during that time, were at the show.

Morrissey’s performance was all that you could have expected.  His style hasn’t changed since I first heard him, and the themes that he’s known for … loneliness, heartaches, letdown, isolation … all came out through the music, though it did seem slightly ironic considering he sells out arenas.  And the crowd loved it. Morrissey’s set list is below, with some video clips I took.

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Immediately below is a clip of Patti Smith performing her classic “Because The Night”. She dedicated it to her deceased husband Fred “Sonic” Smith, and it was the highlight of her set. Maybe she was the perfect opening for Morrissey because the night really did belong to lovers … of Morrissey.

Morrissey Set List

  1. Shoplifters Of The World Unite 
(The Smiths song)
  2. Irish Blood, English Heart
  3. Alma Matters
  4. You Have Killed Me
  5. You’re The One For Me, Fatty
  6. Action Is My Middle Name
  7. That Joke Isn’t Funny Anymore 
(The Smiths song)
  8. I’m Throwing My Arms Around Paris
  9. Speedway
  10. Meat Is Murder 
(The Smiths song)
  11. Ouija Board, Ouija Board
  12. November Spawned A Monster
  13. To Give (The Reason I Live) 
(Frankie Valli cover)
  14. How Soon Is Now? 
(The Smiths song)
  15. Please, Please, Please Let Me Get What I Want 
(The Smiths song) 
  16. Everyday Is Like Sunday 
  17. Let Me Kiss You
  18. First Of The Gang To Die 

Encore

  1. The Boy With The Thorn In His Side 
(The Smiths song) 

Orange Tulip Conspiracy | El Cid | 2/22/13

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Had I been born in a different era, I would have probably spent my evenings sitting in the corner of a small jazz club, dressed in black, lighting up cigarettes and sipping on some scotch while letting the sounds of Duke, Miles or Coltrane take me away.  These days it’s hard enough to find a good jazz club, let alone smoke in a venue.

Jazz music is America’s indigenous art form.  It was born in America.  It’s even an American National Treasure.  But it doesn’t get the type of hype or attention from the kids today unless a loop is sampled into some hip-hop beat and made famous by some rapper who can’t pull up his own pants.  There are some “new” artists these days who are trying to infuse jazz back into music like Robert Glasper and Jose James, whose music I love, but jazz in modern pop seems to be limited to the R&B and Rap genres.

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A buddy of mine, Jason Schimmel, plays in the band Orange Tulip Conspiracy.  I saw the band first play September 21, 2012 at Mr T’s Bowl and I was excited to hear them play again at El Cid.  The band consists of 6 talented musicians, and each has learned to play complex arrangements as a cohesive unit.  It’s particularly satisfying, at least for me, when bandmates (especially the horns) play in tune with each other at break-neck rhythms.  As a personal opinion, I felt that their playing this time around was much tighter than the first time I saw them… which is saying something since I thought they kicked ass the first time too. lol.

Their Facebook page describes them as a “band that bends the genres of balkan, jazz, surf rock, and progressive rock with a cinematic twist and an experimental edge.”  I think that that’s a good description.  Not your R&B and Hip-Hop kind of jazz.  Jazz more suited for Ska and Rock.

As I stood there amongst the crowd at El Cid, with the sounds of the horns bouncing off  the red brick walls, I let myself get lost in the music.  I imagined for a moment what it must have been like when jazz was the highest musical art form, when jazz was truly America’s treasure.  I let the Jason’s guitars riffs speak to me, as the horns continued to dance around the composition.  As the set continued, the audience became more involved with the music, swaying back and forth and dancing to the rhythm.  You could feel the temperature of the room elevate throughout the set.  It was intense and complex, like the glass scotch of scotch in my hand.  Now if only I were allowed to smoke a cigarette …

Jose James’ “Park Bench People” (Live)- A Cover of a Freestyle Fellowship Classic

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Back when I was a young tyke, I was heavily influenced by jazz infused hip-hop. Tracks by A Tribe Called Quest, Guru and De La Soul were getting heavy spins on the radio, but I was more drawn in to the underground sounds of the Los Angeles based hip hop group (being an Angeleno) Freestyle Fellowship. Their album “Innercity Griots” is, by my standards, a hip-hop classic.

Earlier today, a Facebook friend posted a couple videos of a relatively new American vocalist named Jose James who blends modern jazz and hip hop to perfection. After snooping the inter-webs for more information about his albums, I found that he covered one of my favorite Freestyle Fellowship tracks, “Park Bench People”. 

Jose James’ cover of “Park Bench People” blew my mind, and I hope that it impresses you as much as it impressed me.

Enjoy.

http://www.youtube.com/watch?v=TZeBFeQBpmo&feature=youtu.be

Laura Mvula’s “She” (Live)… Amazing

Wow. I was eating lunch and surfing the web when I stopped what I was doing to post this video. I don’t know much, if anything, about this singer-songwriting, but I was immediately floored by her sound.

Born in Birmingham, United Kingdom (why does it seem like all of the great soul singers these days are coming from England… lol), this 26 year old talent simply floors me. I’ll be sure to pick up her album (on CD and Vinyl, if available) when it comes out because I have a sneaky suspicion that it’s going to be a classic.

Thank you internet. You made my day with this find.

“Get On The Ball” by No Doubt

I saw No Doubt perform at the Gibson Amphitheater on November 30, 2012 and I though they were awesome (Gwen Stefani, let me be your cabana boy… lol) but what I would give to have seen them perform back when they were starting out … back when they were performing in dive bars and college campuses when they were just getting their careers started … sigh.

Thank the music gods for youtube. At least I can see what they were like back then. Pure musical and performance awesomeness.

In my personal opinion: Older No Doubt Music > Newer No Doubt Music. But I digress….

Here’s a video I found from April 17th, 1993 of one of my older favorite No Doubt songs “Get On The Ball” performed at Cal Poly Pomona.