R and B – Page 2 – #DKLPHOTOS

Aloe Blacc | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Allen Stone) at The Beach Ball Festival: Soul Revue.

Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

My first exposure to Aloe Blacc‘s music was years ago (late 90’s) when he was performing as a rapper/singer in a hip-hop group called Emanon with the producer Exile, but it wasn’t until 2010 that I really started to get interested in his sound. The HBO series Entourage had just ended, and its fans (like me) were anxiously waiting for HBOs new series How to Make It in America, hoping that it would have the same kind of energy and characters of its predecessor.

I was always impressed with Entourage’s soundtrack, so I anticipated How to Make It in America to have as good a soundtrack. As soon as the show’s intro song played, I had to run to my computer and perform a google search to find out the name of the song and who performed it. It was Aloe Blacc’s “I Need a Dollar“, a modern recording with a vintage sound, a sound that I am very partial too, and strong social commentary.

As a native Southern Californian, his closing of the Soul Revue festivities was apropos. Backed by a full band with a terrific horn section, and dressed in a form fitted black suit with a fedora, his set was both visually and sonically the embodiment of traditional soul music. His doting fans lapped up the performance and clearly appreciated every theme of Aloe’s music which ranged from groove shakers to songs of substance.

During his set he called the well known poet, IN-Q, to the stage to recite a poem titled “85”. By that point in the evening, the camera in my battery was dead, so I couldn’t video record it, but thankfully, a video of it being performed at Witzend was posted Jan 11, 2013. A truly lovely performance.

IN-Q performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

After his set closed, Aloe was cheered back to the stage for an encore. The audience clearly didn’t want the day of soul music to end, but curfew ordinances are curfew ordinances and the glorious day of soul music had come to an uplifting conclusion. I went backstage to get some water before moving on with my evening, and happened to see Aloe hanging out with some friends and/or fans. I “happened” to have his 12” single recording of “Get Down” in my backpack so I asked his manager if he could sneak me a signature. He graciously obliged, and not only did I get an autograph, but I also got a pic with Aloe . As I’m typing this right now, I’m wondering why I don’t have an LP copy of Aloe’s “Good Things” (would totally be worth having on vinyl).

Me and Aloe Blacc (with his 2006 12'' Single of "Get Down") at The Beach Ball Festival 9/21/13 [ig: @methodman13] — Me and Aloe Blacc (with his 2006 12” Single of “Get Down”) at The Beach Ball Festival 9/21/13 [ig: @methodman13]

It was a terrific day of soul music, and I hope that the festival organizers can put together another strong line-up for the soul revue next year. Kudos are deserved for KCRW and The Echo for putting together a terrific lineup. It was a great way to end the summer.

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Allen Stone) at The Beach Ball Festival: Soul Revue.

September 28, 2013September 28, 2013 by dklee13 Categories: ConcertsTags: Aloe Blacc, alternative r and b, beach ball, beach ball festival, funky, I need a dollar, kcrw, neo soul, R and B, reivew, Review, santa monica, soul, soul music, soul revue, the echo, throwback Leave a comment

Allen Stone | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Allen Stone at The Beach Ball Festival 9/21/13 [ig: @methodman13]

About a year ago, while searching the web for new music, I came across a youtube video of a white soul singer from Seattle, Washington singing a soulful, acoustic version of one of his own compositions. The chorus of the song, and the voice the singer, hooked me instantly. The songs was called “Another Break Up Song” and the singer’s name was Allen Stone.

On October 19, 2012, I was able to see him perform at The Fonda Theatre. His performance that evening was so good that it made it into the top 10 of the concert events I went to in 2012. Since I missed his early afternoon set at Coachella this year, I was ecstatic to hear that he would be performing at the Beach Ball Soul Revue.

If you are unfamiliar with Allen Stone, I would describe this self-professed “hippie with soul” as a throwback to those soul legends who sang lyrics embedded with social commentary. Stevie Wonder, Marvin Gaye, Donny Hathaway … I’m talking the heavy hitters. Lofty comparisons for a relative newbie in the music industry, but with a tenor voice as soulful as his, and poingnant songwriting ability, it’s hard for me not to make them. Back in October 2012, I professed on my Facebook page that Allen Stone could be an artist that we’d see performing at the Hollywood Bowl or Greek Theatre sooner rather than later. I’m going to stick to my guns.

His performance at the Beach Ball was as good as I remembered him at the Fonda, if not more energetic. He fed off the energy from the crowd, who sang along to Allen’s more well known songs. The crowd loved his performance, and clearly loved the messages of love and togetherness Allen professed throughout his set.

After all of the concert festivities for the evening had concluded, I meandered to my “Cheers” (Ye Old Kings Head in Santa Monica) for a few drinks with friends. Out of the corner of my eye, I noticed that Allen and his crew were tucked away in a corner of the bar. Being the gregarious person I am … though, I’m sure the double Dewars I had just consumed also helped … I walked over to Allen’s table and introduced myself. I recall telling him that I was at his show at the Fonda, that I enjoyed his set on the pier, and how I’m always hoping that I’d get to hear him perform “Another Break Up Song”.

Me and Allen Stone at the Kings Head after the Ball Festival 9/21/13 [ig: @methodman13]

I offered to buy him a drink, but he told me that it was his turn to be the designated driver. I think I may have bought his manager a drink though. Not wanting to be a leech, I told Allen that I was really looking forward to hear his next album, and snapped a quick pic before minding my own. A friend of mine who manages the Kings Head has offered to hang a picture of me and Snoop on the celebrity wall of the Kings Head, but I’ve always refused because Snoop’s never been to the Kings Head. I just may have to give him my picture with Allen.

Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

September 28, 2013September 28, 2013 by dklee13 Categories: ConcertsTags: 2013, allen stone, beach ball, beach ball festival, highlights, hippie with soul, kings head, neo soul, neosoul, photo, photos, pics, pictures, pop, R and B, R&B, Review, rock, santa monica, santa monica pier, soul music, soul revue, video, ye old kings head, ye olde kings head 1 Comment

Maceo Parker | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Lee Fields at The Beach Ball Festival 9/21/13 [ig: @methodman13]

If you’re a fan of soul or funk music, you’ve probably heard Maceo Parker play … even if you don’t have any of his solo albums. After all, his sax play is also over James Brown most famous recordings. “Papa’s Got A Brand New Bag”, “I Got You (I Feel Good”), “Sex Machine”, “Cold Sweat” … yup … that saxophone solo? That sound that’s a building block of funk music? That’s Maceo. That’s his sound.

What’s that you say? You’re not a James Brown fan? What about Parliament-Funkadelic, Keith Richards, Red Hot Chili Peppers, De La Soul, Prince, Deee-Lite or Living Colour? Well, he’s played on their records too. Point? The man is an integral part of music history. Perhaps, one of the most prolific sidemen in the history of music. But let’s not get it twisted. His solo albums are pretty damn good too. I was excited to have the opportunity to watch this saxophone legend play up close at the Beach Ball Festival. I was ready to get funky and to shake my groove thing.

Maceo and his band brought their musicality and funk to the stage. Maceo not only played like the legend he is known to be, but he also brought a level of showmanship that could only come with years of seasoning. His set seemed to cover the entire the breadth of his career (as a solo artist and sideman), touching on a few James Brown classics and even incorporating a tribute to one his greatest influences, Ray Charles, during which Maceo donned a pair of sunglasses. He gave time to each of his players to allow them to shine on their instruments, proving that each was capable of holding their own, but at the end of the day, as the sun set into the Pacific, it was Maceo who shined the most.

Lee Fields performing at The Beach Ball Festival 9/21/13 [ig: @methodman13] — Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

Maceo Parker and his band performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

September 27, 2013 by dklee13 Categories: ConcertsTags: alto saxophone, beach ball, beach ball festival, concert, funk, Funkadelic, james brown, jazz, Maceo Parker, Parliament, photographs, photos, pics, pictures, R and B, R&B, Review, saxophone, saxophone legend, soul, Soul Jazz, soul music, soul revue, tenor saxophone, The J.B.'s Leave a comment

How To Dress Well | FYF Festival | August 25, 2013

To check out pictures of other bands I was able to catch at the festival, CLICK HERE.

How To Dress Well's double mics. — How To Dress Well’s double mics.

Though he released a highly acclaimed album back in 2010, I didn’t become familiar with Tom Krell’s (p/k/a How To Dress Well) music until earlier this year. While I was reviewing the various acts that were slated to perform at the festival this year, I clicked on the musician’s link from the FYF Festival website and thereafter spent the next hour playing his music. I was hooked, and circled his 5:20pm set time as “must attend”.

I spent the months leading up to the festival buying albums of all of the artists that I was interested in, when I purchased How To Dress Well’s 10” EP “Just Once”. It may be one of the best purchases I’ll have made this year. Limited to 1000 copies, that vinyl is described as a one time-only, orchestral release, part of proceeds from sale of which went to MindFreedom.com to benefit those with mental health issues. It was recorded in the memory of one of Tom Krell’s friends and was simply, amazingly, hauntingly beautiful.

I was able to get up front for his set. While the stage hands were setting up, a DJ was spinning some 90s era music. An Aaliyah song started to play and I noticed Tom offstage singing along. When he took to the stage, he was accompanied by a keyboardist and a violinist. Using the a two-microphone technique, he jumped into his set opening with a new song tentatively titled “For Cyril.” Amazing. And it kept on coming.

His music, with sparse drums and layered, falsetto vocals, set a mellow vibe as haunting as the recordings I had purchased. It may have been a rather dark set for the middle of the day- which Tom acknowledged half way in when he introduced an upbeat song with, “This is a dance song, because it’s too early to be this dark”- but I was loving every minute of it. He further made light of the dark set by also telling the crowd that it was his mom’s birthday. He mixed R. Kelly’s “I Wish” into one of his songs to his audience on their toes. At the end by telling the audience that if there was anything he would want to impart on the audience before he left, it was to be, “Be nice to people.” A simple message amongst complex, stunning music.

His set met my expectations, save but a few technical difficulties, and I will definitely be keeping an eye out for any more intimate club gigs that he may have in Los Angeles in the future.

The setlist was sourced from setlist.fm: