The War On Drugs | Fonda Theatre | 10/3/14 [Photos & Setlist]

THE ACT: The War On Drugs | Facebook | Twitter | Instagram 

SOUNDS LIKE: 

THOUGHTS: When people ask me what music has been turning me on lately, I usually rattle off a list new LP’s that I’ve purchased at the local record shop. The one album that hasn’t left that list? The War On Drugs’ “Lost In The Dream”.

I remember when I bought the LP. I was thumbing through some racks of LPs at Origami Vinyl, when the text of “Limited Edition” and “Purple Vinyl” on the sticker caught my eye: “. Silly as it may be, since I’m a collector, things like that always interest me. I asked the proprietor about the album, and he told me that it was a solid album, giving me the history behind the band (how founding member Kurt Vile left the band in 2011, leaving Adam Granduciel to helm the band) and suggesting that if I purchased it, he was pretty sure I wouldn’t be disappointed. He was correct. In fact, he had gotten me to purchase an album that I have very high on list of “best albums of the year”. Well done, Origami Vinyl.

The album is brilliant. It’s a cohesive masterpiece of brilliantly engaging, dreamy rock, melding understated synths with soaring guitar licks. The album is only 10 tracks deep, and runs slightly over an hour, but the listening experience seems to conclude too early, as if the “dream” is the music causing the listener to get “lost” in it. A dream that you simply don’t want to wake up from. The lyrics, honest and emotional, is Adam’s voice … but really, it’s the voice of the everyman. When he sings about that moment of realizing heartbreak or admitting depression, he’s really writing, whether he meant to or not, for everyone one who has been there.

The War On Drugs’ live show is just as amazing as their album. Pulling from the band’s entire catalog, their set, and pardon the pun, was like an ocean with waves (a song of theirs is titled “An Ocean Between The Waves”). From sublime smoothness, to relentless ardor, the room swelled with the kind of natural energy only great music can create; hitting the right peaks and valleys with an emotional fervor.

And the music was played to perfection. Though they may have jammed out, extending songs longer than what are on the album, I closed my eyes at times and couldn’t hear the difference. The musicianship, and the technicality with which they played, was effortless.

After their performance, I hung out a while to see if I could get Adam to sign the LP that I had lugged with me in my camera bag. As his band was on stage taking down their equipment, I asked a stage hand as to whether Adam would be cool signing the LP for me. He shouted up to Adam and he jumped from the stage to greet me. A very real, and modest man, he was happy to sign my LP and was genuinely pleased (I could see it in his eyes) when I told him that their performance blew my mind. I asked him some more questions about the rest of his tour, and then went on my way; but needless to say, knowing that the man behind the music was as genuine and modest as the other, looking me in the eyes and paying attention to me with my small talk, made me appreciate his art more than ever.

SETLIST:

The War On Drugs | Fonda Theatre

VIDEO CLIPS:

PHOTOS:

Jackson Browne | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos & Setlist]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Jackson Browne | Facebook | Twitter 

SOUNDS LIKE: 

THOUGHTS: Closing out the Way Over Yonder festival was Rock and Roll Hall of Fame inductee Jackson Browne. Jackson Browne has recorded and released 14 albums during his prolific career. His latest album, “Standing In The Breach”, was released this year and his set was heavy with new material from the album. Though his music doesn’t necessarily “rock” my world (I’m more of a James Taylor fan), I can still appreciate the impact his music has had on the world. After all, not many artists from the early 70s can be deemed the “quintessential sensitive California singer/songwriter”.

SETLIST:

setlist-image-v1

PHOTOS:

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

Atomic Ape | El Cid | 1/31/14

IMG_3894

What do you get when you combine progressive rock, Balkan folk, Klezmer jazz and surf rock? Atomic Ape.

Formerly known as Orange Tulip Conspiracy, the 5 piece band led by Jason Schimmel performed a gig at El Cid on January 31, 2014 to celebrate the release of their latest album, “Swarm”. The intimate venue was packed (capacity 104), and those that were in attendance were treated to a musical barrage of styles and musicianship that is, in my opinion, both unique and unparalleled.

If you’re looking for simple, pop tunes, you should move on. If Atomic Ape’s music is anything, it is definitely not simple. The compositions and arrangements crafted by Jason Schimmel (who has previously played for Estradashere and still occasionally with Secret Chiefs 3) are about as masterfully complex as they come, as evidenced during their live performance with seamless transitions into different rhythms, themes, and styles within any particular composition.

But however complex the music may be, it is all still accessible, as long as you are willing to let the music engulf you. I was consistently amazed with the ways in which the band melded the aforementioned styles to create a sound wholly their own. Not only that, but each player was given time to shine with stand-out moments to demonstrate their individual musical chops. Guitarist Tim Young, who played next with Thruster!, and accordionist Max Wipple, each joined Atomic Ape on stage for a song or two.

Ingenious music like this doesn’t come around very often. If you missed out on their recent tour, I highly suggest picking up a copy of their latest album (which, I may add is superbly produced and mixed) to hold you over until they perform in your neck of the woods.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Remembering Dr. Martin Luther King, Jr Though Song

400martin_luther_king_jr

On January 15th, 1929, Dr. Martin Luther King, Jr. was born. He was an American pastor, activist and humanitarian who helped advance the case of civil rights for all. I thought I would share with you a couple of my favorite songs that pay tribute to, or was inspired by, Dr. King. I hope you enjoy. In no particular order:

“Why? (The King Of Love Is Dead)” by Nina Simone: This song was written, recorded and performed within three days after his murder.

“MLK” by U2: A haunting lullaby. My college a cappella group did a cover of this song, and it gave me chills each time we sang it.

“Up To The Mountain” by Solomon Burke. I love Patty Griffin’s original, but Solomon’s cover is more moving to me insofar as Solomon knew Dr. King.

I’ve included Patty’s version too.

“People Got To Be Free” by The Rascals: This song was written in reaction to the murder of Martin Luther King, Jr. In a sad twist of fate, right before the single was released, Robert F. Kennedy was assassinated. It was The Rascal’s last top ten single.

“Shed A Little Light” by James Taylor: As James’ soft voice reminds us to “[l]et us turn our thoughts today to Martin Luther King”, the sound alone makes me feel the meaning of Mr. King’s nonviolent, civil disobedience.

“Pride In The Name Of Love” by U2: “Early morning, April 4/Shot rings out in the Memphis sky/Free at last, they took your life/They could not take your pride.”

“Like A King” by Ben Harper: If you don’t know about the 1992 Los Angeles Riots, you should read up on it.

Finally: “Black Bird” by the Beatles: Though this song isn’t about Dr. King, it was inspired by the civil rights struggle for blacks, written by Paul McCartney after reading about race riots in the US.

 

Allen Stone | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Allen Stone at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone at The Beach Ball Festival 9/21/13 [ig: @methodman13]

About a year ago, while searching the web for new music, I came across a youtube video of a white soul singer from Seattle, Washington singing a soulful, acoustic version of one of his own compositions.  The chorus of the song, and the voice the singer, hooked me instantly.  The songs was called “Another Break Up Song” and the singer’s name was  Allen Stone.

On October 19, 2012, I was able to see him perform at The Fonda Theatre. His performance that evening was so good that it made it into the top 10 of the concert events I went to in 2012. Since I missed his early afternoon set at Coachella this year, I was ecstatic to hear that he would be performing at the Beach Ball Soul Revue.

If you are unfamiliar with Allen Stone, I would describe this self-professed “hippie with soul” as a throwback to those soul legends who sang lyrics embedded with social commentary. Stevie Wonder, Marvin Gaye, Donny Hathaway … I’m talking the heavy hitters. Lofty comparisons for a relative newbie in the music industry, but with a tenor voice as soulful as his, and poingnant songwriting ability, it’s hard for me not to make them.  Back in October 2012, I professed on my Facebook page that Allen Stone could be an artist that we’d see performing at the Hollywood Bowl or Greek Theatre sooner rather than later. I’m going to stick to my guns.

His performance at the Beach Ball was as good as I remembered him at the Fonda, if not more energetic. He fed off the energy from the crowd, who sang along to Allen’s more well known songs. The crowd loved his performance, and clearly loved the messages of love and togetherness Allen professed throughout his set.

After all of the concert festivities for the evening had concluded, I meandered to my “Cheers” (Ye Old Kings Head in Santa Monica) for a few drinks with friends. Out of the corner of my eye, I noticed that Allen and his crew were tucked away in a corner of the bar. Being the gregarious person I am … though, I’m sure the double Dewars I had just consumed also helped … I walked over to Allen’s table and introduced myself. I recall telling him that I was at his show at the Fonda, that I enjoyed his set on the pier, and how I’m always hoping that I’d get to hear him perform “Another Break Up Song”.

Me and Allen Stone at the Kings Head after the Ball Festival 9/21/13 [ig: @methodman13]
Me and Allen Stone at the Kings Head after the Ball Festival 9/21/13 [ig: @methodman13]

I offered to buy him a drink, but he told me that it was his turn to be the designated driver. I think I may have bought his manager a drink though. Not wanting to be a leech, I told Allen that I was really looking forward to hear his next album, and snapped a quick pic before minding my own. A friend of mine who manages the Kings Head has offered to hang a picture of me and Snoop on the celebrity wall of the Kings Head, but I’ve always refused because Snoop’s never been to the Kings Head.  I just may have to give him my picture with Allen.

Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Dead Sara | The Port Of Los Angeles | September 14, 2013

Click here to check out the other blog entries I wrote up for the bands (The Section Quartet, Nightmare & The Cat and Deap Vally) I was able to catch at the 2013 Port Of Los Angeles Lobster Festival.

Dead Sara.
Dead Sara.

Dead Sara: THE reason why I went to Lobster Fest at the Port of Los Angeles in the first place. I saw Dead Sara at the El Rey earlier this year, and their show kicked ass. In fact, it’s probably in my top 5 for “best shows of the year” in terms of sheer, overall awesomeness. My only regret from that show was that I wasn’t able to get a decent picture of Siouxie Medley shredding on her guitar.

Dead Sara
Dead Sara

Objective for their Lobster Fest gig? Snap that elusive picture while avoiding an elbow to the chest in the pit. LOL. I met up with members of the The DEADicated and joined them upfront against the railing. One of the members had been there since noon so as to ensure getting a front row spot. Now, THAT’s dedication.

Dead Sara have been in the studio recording new tracks for their next album and everybody there knew it. A lot of the conversations before their set consisted of  “What do you think they’ll be playing?” and “Do you think they’ll play any of their new stuff?”. The anticipation was high. Extremely high.

As Dead Sara took the stage to set up, I shouted, “I love you Siouxie!” then ducked behind another member of the DEADicated.  I noticed Siouxie look up from tuning her guitar, but I didn’t point myself out.  Talk about total, juvenile crush move there. Actually getting embarrassed thinking about it. LOL. I noticed to my left that there was a young girl and her father. I warned them that the crowd up front may start to get a little rowdy when the music got more intense, and told them that I’d do my best to make sure that his daughter wasn’t trampled.

Dead Sara setlist.
Dead Sara setlist.

The set started, and Emily started with the more mellow “Sorry For It All”, but as soon as the guitar lick for “Test On My Patience” kicked in next, the crowd started to swell and get anxious.  As soon as “Monumental Holiday” started, the moshing commenced. I’ll admit, it was kinda tough to take pictures, protect the little girl next to me, and mosh, but really, it’s hard to care when you love the music so much. After “Monumental Holiday”, Dead Sara unveiled, to the crowd’s delight, one of their new songs “Mona Lisa”. Two songs later they unveiled another named “Greaser”.  Videos taken of each are immediately below:

After “Greaser”, I decided to leave my spot up front and see if I could get better shots elsewhere.  Unfortunately, that didn’t happen, and by that time, the battery in my camera had expired. C’est la vie. I was able to get a few cool shots of band, and Siouxsie, but I still feel like I can get better with my Sony Cybershot. Well … looks like I’ll have to catch them again when they start gigging later this year. Ohhh, yeah … late November maybe? At least those are the rumors …

Sean Friday and Emily Armstrong of Dead Sara.
Sean Friday and Emily Armstrong of Dead Sara.
Dead Sara's Chris Null
Dead Sara’s Chris Null
Dead Sara's Siouxsie Medley
Dead Sara’s Siouxsie Medley
Emily Armstrong and Sean Friday of Dead Sara
Emily Armstrong and Sean Friday of Dead Sara
DSC04864
Siouxsie Medley of Dead Sara

Deerhunter | FYF Festival | August 24, 2013

To check out pictures of other bands I was able to catch at the festival, CLICK HERE.

Leaving The Locust, I headed back  to the main stage to meet up with some friends and to get a good spot for both TV on the Radio and Yeah Yeah Yeahs. Performing on the main stage, as I was walking toward it, was an experimental noise rock band from Atlanta, Georgia: Deerhunter.

Brandford Cox of Deerhunter at FYF Fest 2013
Brandford Cox of Deerhunter at FYF Fest 2013

I wasn’t familiar with the band, but from where I was, and what I could hear, it came off pretty good. I’ll have to admit, I was a little thrown off as I thought the lead singer was a woman. After all, he was wearing a dress and a wig, and his voice was kinda Yoko Ono-ish. It was more shocking than anything when he tore off the wig half way into the set, and for a minute there I was lost in my own confusion.

Though I arrived midway through their set, I could tell that the music hit on elements of alternative, punk and  shoe gazing. I was starting to get into it by the time their set came to a close, but before I knew it, Bradford Cox (the lead singer) put his wig back on, picked up a purse from the ground, and walked off stage.

The set list from setlist.fm:

  1. Cover Me (Slowly)
  2. Agoraphobia
  3. Neon Junkyard
  4. Don’t Cry
  5. Rivival
  6. Desire Lines
  7. Blue Agent
  8. Rainwater Cassette Exchange
  9. Nothing Ever Happened
  10. Sleepwalking
  11. Back to the Middle
  12. Monomania
Brandford Cox of Deerhunter at FYF Fest 2013
Brandford Cox of Deerhunter at FYF Fest 2013
Brandford Cox of Deerhunter at FYF Fest 2013 shredding behind the back.
Brandford Cox of Deerhunter at FYF Fest 2013 shredding behind the back.
Brandford Cox of Deerhunter at FYF Fest 2013
Brandford Cox of Deerhunter at FYF Fest 2013

Toddchella | Part II | The Record Company

893970_162238367266268_419438789_o

Continued from Toddchella | Part I | Tijuana Tears

I had noticed people behind me dancing with little LCD light bracelets, and I asked around to see where they got them. I was informed that a photography company named Harmonic Light was taking psychedelic pictures for the party, so I head into the nearby room (with a stripper pole) where they were set up.

With my scotch buzz settling in, I was cajoled into taking a pic.  I think it turned out pretty cool.

904156_452358094840672_1935249499_o

I grabbed an LCD bracelet and wrapped it around my wrist.  I socialized for a few minutes, then decided to head back out to the stage to catch the second band, The Record Company.  I was really looking forward to this band as I was particularly drawn to the music that they posted online (plus there was a free download of one of their latest EPs).

The Record Company = Unfiltered, unadulterated roots/blues/rock.  They’ve been around since 2011, but I was only introduced to this band through Toddchella. Marc Cazorla, Chris Vos and Alex Stiff are all Los Angeles transplants, and I couldn’t be happier to have them play this kind of music in Los Angeles.

IMG_2866They taste like the Black Keys, but are sprinkled with different spices. Chris Vos, the lead singer, has a voice that was as rich, or richer, than the 12 year Maccallan I was sipping on.  A husky baritone with second tenor range, I was transported by the bluesy vibe that emanated from the make-shift stage while they were performing. I was particularly impressed with Chris’ work on the slide guitar (see the video- which happens to have the best light of all of the videos I shot- below).

IMG_2867

They all seemed to have a good time, like performing this kind of music was second nature to them, and I was grooving with the sounds. After their set, I introduced myself and got the set list from Mark Cazorla.  Mark is a good guy.  Apparently, in my tipsiness, I forgot that I gave him my phone to write the set list.  He went out of his way to find me and return the my precious life-line… seriously …. I’d be lost without my phone. The set list is below, with links to the original recording that I could find.

1. Broken

2. “Born Unnamed”

3. “On The Move”

4. “Whatcha Want” (Beastie Boys Cover): Freaking Awesome. I best they could blues out any hip-hop song they wanted.

5. “This Crooked City”

6. “The Burner”

7. “Medicine Man”: This was one of my favorite cuts from their set.  Love the sound. Love the lyrics. Made me love my scotch.

8. “Don’t Let Me Get Lonely”

9. “In the Mood”

10. “That Alright Mama” (Ray Charles Cover)

11. “All Day, All Of Night” (The Kinks Cover)

IMG_2886

At this point in the evening, infused with good music and good scotch, the evening started getting a little hazy for me.  I had some nice conversations with various people … but I can’t remember any of their names… then again, that’s kind of par for the course for me, as anybody who knows me knows that remembering names is not my strong suit.

BUT, I do know and remember this.  If you are having a hankering for some bad ass roots/blues/rock music and you’re in Los Angeles, check the current issue of LA Weekly, or start Googling, and see if  The Record Company has a gig coming up.  They will satisfying that craving. Trust me.

Two bands down, one to go…

Click here to continue to Toddchella | Part III | We Were Indians

Click here to continue to Toddchella | Part III | We Were Indians

Beck Reimagines David Bowie’s “Sound and Vision”

Wow.

Sometimes covers put a new spin on old material. Sometimes the cover surprises. Most of the time, covers disappoint.  Some covers make you want to blog about it …

If you aren’t familiar with David Bowie’s “Sound And Vision”, listen to the video below: 

Beck “reimagines” this David Bowie staple and the YouTube description states the following:

“The Hello, Again performance started with an idea — Beck would reimagine David Bowie’s classic, “Sound and Vision.” But it became more than another cover. It became an experience that presented a fresh take on the possibilities of the once familiar, for both the audience and the performers.

In collaboration with Beck and a “band” of more than 160 diverse musicians, Director Chris Milk created a concert experience that was fully immersive for both the audience and the performers. By capturing the concert with 360-degree cameras and binaural microphones, online viewers will have the opportunity to experience the show from any and every seat in the house. Coming soon to http://www.hello-again.com.”

Check out Beck’s “re-imagining” below: 

All I’m saying  … if Beck ever tours with this, I’m the first one in line for tickets.