Your Weekly Weekend Music Mix | 8/8/14 [MUSIC NEWS]

KILLER COVER: STEVE’N’SEAGULLS COVERS AC/DC

This cover is great. Steve’n’Seagulls. I don’t know much about this band. And their Facebook  page  doesn’t really help me either … it’s in a foreign language!!! … but their cover of hillbilly/folk cover of AC/DC’s “Thunderstruck” is internet gold.

MUSIC INSTA-BABE: SHANNON BEX

So, I just read that females pop/R&B group Danity Kane has broken up again. Though many of the people are more partial to either Dawn Richard’s slender figure of Aubrey O’Day’s curvy features, I’ve always been partial to Shannon Bex. Unfortunately, Shannon is married, but that doesn’t mean we can’t ogle her on her social media profiles.Why don’t you follow here, and there other members of Danity Kane (I’m assuming that following their band profile won’t do you any good). : @Shannon_Bex.

BEST MIX TAPE OF THE SUMMER

I haven’t see the movie yet, but the soundtrack of “Guardians of the Galaxy” is terrific. Quite possibly, the best soundtrack/mix tape of the year.

For your easy reference for the video above:

00:00 Hooked On A Feeling – Blue Swede
02:52 Go All The Way – Raspberries
06:13 Spirit In The Sky Norman – Greenbaum
10:16 Moonage Daydream – David Bowie
14:57 Fooled Around And Fell In – Elvin Bishop
19:33 I’m Not In Love – 10cc
25:36 I Want You Back – Jackson 5
28:35 Come And Get Your Love – Redbone
32:02 Cherry Bomb – The Runaways
34:20 Escape (The Pina Colada – Rupert Holmes
38:57 O-O-H Child The Five – Stairsteps
42:11 Ain’t No Mountain High Enough – Marvin Gaye , Tammi Terrell

THE WORST USE OF HIP HOP IN A CAR COMMERCIAL

Hip-hop has been used to sell a lot of products over the years, but we’ve come a long way from Eminem’s Chrysler commercial. Toyota made a commerical for the Sienna line, and …. it … is … just … terrible. I hope that Busta got paid a a nice penny for being a part of it.

MUSIC NEWS/STUFF YOU SHOULD KNOW ABOUT

Tom Petty scores his first-ever No. 1 album with “Hypnotic Eye”. It’s about damn time, Tom! lol.

I’m a music attorney, so I’m pretty familiar with the difference types of income that come in from the exploitation of a sound recording. Billboard.com put together a pretty nifty “cheat sheet” to help you musicians navigate the basics.

I’m not going to Outside Lands, but if I were, I would pick up a bunch of the stamps they are selling at the music festival. Why? Because they will debuting Janis Joplin Forever Stamps! Don’t worry about me though … I have friends in low places.

It sucks when musicians, who are trying to speak out on important social matters, get the assaulted for speaking their mind. Apparently, Blood Orange’s Dev Hynes was assaulted by Lollapalooza security guards after speaking out about police brutality. From having his apartment burn down, to getting beaten up by guards that are supposed to be there to protect him, I feel bad for the dude.

Your Weekly Weekend Music Mix | 7/11/14 [MUSIC NEWS]

MUSIC INSTA-BABE: Katy Perry

Katy Perry is a babe. She’s been able to be both America’s sweetheart and America’s pin-up at the same time without having to bear more than she has to.  Class with curves. I’m hooked. Follow her on Instagram: @katyperry

KILLER COVER: Fiona Apple covers “Pure Imagination”

Written by the prolific composers and lyricists Leslie Bricusse  and Anthony Newley, “Pure Imagination” was written specifically for the movie Willy Wonka & the Chocolate Factory and originally sung by Gene Wilder who portrayed Willy Wonka. Though I never imagined that Fiona Apple would agree to perform a song for advertisement to a fast-food chain (even a healthy fast-food chain), I am glad she did as it yielded this gem of a recording. Your welcome.

FOR THE TRUE MUSIC NERDS (LIKE ME)

Below is a video of “The Oldest Song in the World”. You can click through the Youtube links to read a more in-depth history of the music in this video, but long story short, a professor deciphered clay tables excavated in Syria. Her conclusion? The inscriptions on the clay tablets reveal the oldest existing song in the world. Pretty darn cool if you ask me.

JUST FOR LAUGHS

Of all of the late night hosts that graced our television screens, Jimmy Fallon is by far the most musically inclined. His impersonation of Neil Young is always spot on. His cover of Iggy Azalea’s “Fancy”? Hilarious. The fact that he got Crosby, Stills & Nash to join him in the performance? Epic.

MUSIC NEWS/STUFF YOU SHOULD KNOW ABOUT

I would have guessed that if you had a multiplatinum single that saturated the radio waves all of last year, your follow up album would AT LEAST have reasonable sales upon it’s release. Well, Robin Thicke proved me wrong. His opening week sales were dismal. In fact, in all of Australia, he didn’t even sell 100 copies of his album. Hell … I could sell 100 copies of an album out of the truck of my car. I guess cheating on your wife is, in fact, a momentum/career killer.

If your friend sleeps with your dad, she probably shouldn’t be your friend. Somebody should tell Beyonce what’s up.

Coachella made BANK this year. Over $78,000,000 for two weekends? I need to figure out how to set up a music festival.

Taylor Swift wrote a terrifically optimistic and smart op-ed for The Wall Street Journal. Yeah … I think I’m in love with her.

If you love watching professionally shot, live music clips, then you’ll love what Youtube has recently done. Youtube has worked out an arrangement with Wolfgang’s Vault (a private archivist/memorabilia shop) to publish over 13,000 amazingly classic never before seen live performances and interviews by historic and vintage acts. Everyone from Santana, to Aerosmith, Lou Reed, Van Morrison, Bruce Springsteen … the list goes on and on and on. If you use youtube, YOU MUST subscribe to the Music Vault account. Trust me … it’s worth your while. Her’e a terrific video of Van Morrison performing “Try For Sleep” below. I’m thinking I’ll be posting a weekly video from this account.

 

Your Weekly Weekend Music Mix | 7/4/14 [MUSIC NEWS]

MUSIC INSTA-BABE: Christina Milian

http://instagram.com/p/p5hMBzsWiL/?modal=true

Christina Milian is an R&B/hip-hop/pop artist who released her first album in 2001. A multitalented performer, she not only sings, but also has starred in various feature films like “Love Don’t Cost a Thing” and “Be Cool”. Though there are rumors that she may be dating Lil Wayne, as far as I’m concerned, until she says so, she’s single (wishful thinking, I know). Follow her on instagram: @christinamilian

KILLER COVER: Iron Horse Bluegrass covers Metallica

A bluegrass band covering Metallica? I never though it could have been possible … until now. Covering Metallica’s “Enter Sandman”, Iron Horse Bluegrass proves that virtually any well written song, can cross genres. Such a terrifically fun cover.

If You Haven’t Seen It Already

Music journalist Zane Lowe had a rare opportunity to interview Rick Rubin, and it is a terrific interview that any music enthusiast should take the time and watch. The interview runs just short of an hour, but trust me … the hour is well worth your time.

Music In Movies

Any motion picture worth its salt needs to have have killer soundtrack. The soundtrack for “Reality Bites” (a motion pictures that every young adult related to during the mid-90s) has one of the best. Perhaps it’s most iconic scene is the one where (most of) the main characters bust out in dance to the Knack’s “My Sharona”. You’re welcome.

Speaking of Music In Movies ….

The official trailer for the new Jimi Hendrix biopic “Jimi: All is By My Side” starring Outkast’s Andre 3000 was released this week. I must say, Andre 3000’s portrayal of Jimi Hendrix is amazingly good. Definitely a movie that I plan on catching when it hits the theaters. Check it out.

MUSIC NEWS/STUFF YOU SHOULD KNOW ABOUT

Afrika Bambaataa and The Universal Zulu nation calls out World Star Hip Hop as being not hip-hop at all. In an open letter, he sets forth the negative impact the globally popular website has had on the hip-hop community at large. I’ve always felt the same way. I’m glad someone is speaking out about it now.

Are you fan of punk or heavy metal? Do you venture into the mosh pit at shows? Do you have “Mosh Pit Etiquette”. The Village Voice wrote a great article. You should check it out. Speaking of heavy metal, does anybody else find it interesting that countries where heavy metal is popular are more wealthy and content with life?

You hear about Google buying Songza? Though Songza isn’t as popular as Pandora, iHeartRadio, iTunes Radio … basically every other streaming services, Google bought Songza because of their technology. Trust me … Google can pick up music catalogues down the road. They are doing the smart thing.

In a Facebook post to their fans, Death Grips have apparently called it quits (a copy of their handwritten note is below). I’ve had the chance to see them two times … and I ended up not going to see them perform. D’Oh! Add that to my list of things to regret.

fff-letter

365 Songs in 365 Days: A Woman’s Commitment To Sing

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I feel like I do a good job at picking friends whose passion for music is as strong as, or greater than, mine. In fact, for some of them, the music is actually in their blood. Literally.

Tina Watkins is a friend of mine since elementary school (her brother was in my 6th grade class). I remember going to her parent’s house and hanging out in their home recording studio. It wasn’t until years later that I discovered that Tina’s mother was a member of The Sylvers; a very popular  R&B/soul and disco group during the 1970s who released 11 albums between 1972 – 1984. Let me assure you, she got the music genes in the family.

Earlier this year, sometime in March, she posted a youtube video wherein she proclaimed that she was going to try her best to sing one song for every day of the year: 365 songs in 365 days. Whether with instrumental backing or a cappella, in her kitchen or in the car, by herself or with friends, armed with only the video in her phone, she’s been religiously knocking them out.

I caught up with her to find out what motivate her to do this project. Here’s what she had to say:

MMM14: For those who don’t know you, who are you and why did you start this 365 songs in 365 days project?

TINA: Well, like I told my dad- It’s good for goodness’ sake. He loves watching them. I’m a writer, fiancée, friend, daughter, sister, dog/ cat/ turtle parent, cook, fashion designer, artist and community activist. I work to make the world a better place, one day, one song, one smile, one act of kindness at a time.

One Monday night in March I was singing my heart out in the shower (happens often) and just didn’t feel like stopping. I was having fun. And I thought, why should I stop, and why shouldn’t I share?

My promise to me is to share a song a day: If even one person enjoys it then I’ve spread some joy. And that’s a good thing. I started the next morning.

MMM14:  What’s your background in music (lessons, projects, musicals, etcs)?

TINA: According to my mom I started singing at age four. In harmony. Singing in public used to terrify me, so about 15 years were spent in groups (choir/ a cappella/ girl bands etc.) The more voices I could hide behind the better. I remember singing with you in Chadwick’s a cappella group Ted led for a while, you have an amazing voice.

MMM14: <blushes>

TINA: At Occidental college I studied opera for a couple years under voice scholarship. More than anything else, my learning came through blending in harmony with different female vocalists (Ella Fitzgerald, Billie Holiday, Dinah Washington, India Arie, Mariah Carey, Aretha Franklin, Whitney Houston, Christina Aguilera, Sade, Jill Scott.)

Believe it or not I’ve written more than a hundred songs, but most have never seen the light of day (thank goodness- a lot of them were awful).

MMM14: Do you have the songs already planned out? Do you take requests? What are you planning as a last song?

TINA: Nope. Maybe. No idea.

Honestly, there’s no plan at all. All I’ve committed is not to spend too much time on them. Which is hard because it’s such fun and I’m a perfectionist. From the moment I begin thinking about the song for the day to when it’s posted takes around 15 minutes every day. I’ve made up some of them as I sang.

It’s especially challenging when it’s been a hard day because that comes out in my singing. Being authentically joyful really is a choice and this has reminded me every day to choose happiness and share that.

I’m looking forward to seeing how far I can get without having to learn new songs. So if a request happens to be a song I already know I’ve taken it. I’m getting married this year also, so seeing how this fits around my life is fun.

No idea what the last song will be… Maybe something original. Something with interpretive dance (insert evil laugh). Something fun. Something good.

I don’t think she has to worry about what song she sings (even if she makes it up, which she’s done on occasion). Odds are it will be something fun … definitely good.

Other people have tried doing this as well. Some with professional production, and fancy cameras, but Tina’s endeavor proves that the joy of singing really doesn’t need fancy production. With technology being what it is today, you can use your phone to record video and share you passion or joy with whoever is willing to listen. Ah, the joy of singing.

Here are some of my favorites. Follow her  Youtube account to see what else she decides to post.

As an added bonus, another youtuber “remixed” her a cappella performance of Anita Baker’s “Sweet Love”. See, the Internet can be fun!

 

 

Your Weekly Weekend Music Mix

 

MUSIC INSTA-BABE: Jhene Aiko

http://instagram.com/p/oKBprnD350/

Jhene Aiko is an R&B, soul singer with the voice of an angel who is of mixed race background: her mother is of Japanese, Spanish and Domincan Descent, while her father is of African American, Yaqui, Choctaw, Cherokee, Navajo and German Jewish descent. What ever she is, she is super find. Follow her on Instagram @JheneAiko. I’m pretty sure you won’t regret it.

KILLER COVER: Kings of Leon Covering Robyn

I like Swedish, synthpop  recording artist Robyn plenty, but I happen to like the Kings of Leon a lot more. Their cover of Robyn’s hit single “Dancing On My Own” is an example of how talented musicians can make a composition used in seemingly disparate style of music their own.

OH, FIDDY. STICK TO THE RAP GAME

Some musicians are athletic enough to play certain sports. 50 Cent is a ripped dude. Maybe his muscles got in the way.

MUSIC NEWS YOU SHOULD KNOW ABOUT

Beats By Dre was purchased by Apple Inc. for $3 BILLION! Surely, this will make Dr. Dre the first hip-hop billionaire. Hopefully, he uses some of the pocket change to help bolster the community he grew up in.

As reported in an interview with Rolling Stone magazine, Jack White goes OFF on everybody from Adele to the Black Keys.

UK crooner Sam Smith comes out of the closet. I still wonder why this kind of stuff is “news”.

Oh, and Steve Perry, the ORIGINAL lead vocalist of Journey performed live for the first time in two decades. The video below brings tears of joy to my eyes. Hopefully, he keeps popping up at shows to perform songs here and there. His voice has been missed.

BECAUSE IT’S HISTORY

I’m Korean, but I’m not a fan of K-Pop. The fact that PSY’s “Gangnam Style” music video passed the 2 Billion view mark this week, making it the most viewed video on youtube, proves that I know nothing about music. Want to be a part of music history? Watch the video below, and be able to say, for the millisecond that Youtube registers your view, that YOU broke the world record for PSY. LOL.

Proof That Music Is Good For The Soul [VIDEO]

This video has been making the rounds across the internet. Originally posted on May 17, 2014, it already has a staggering 10,000,000 hits (as of May 22, 2014), and it deserves every view. It’s a moment in time where a street performer jamming on his acoustic guitar when two passerby’s join him in an impromptu jam session.

The description from the original Facebook post states: “I was walking to kroger and saw this guy playing a song. It sounded good so I decided to record it. By the end of the song three guys started jamming. This truly is music in its simplest form. It really reminds of the Austin days. Enjoy”.

This is proof that music is good for the soul. How anyone could live without it is beyond me. Enjoy.

UPDATE: 5/22/14: Apparently this virtual moment was so good, Jimmy Kimmel found some of the fellas who performed and had them recreate the moment for his late night TV show … with a little bit extra 😉

Blood Orange | Coachella | 4/13/14 (PHOTOS)

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Devonté “Dev” Hynes is a British singer/composer/songwriter and producer who performs under the stage name “Blood Orange”. What you may not know about him, however, is that he is a prolific song writer who has worked with high profile recording artists like The Chemical Brothers, Florence and the Machine, Sky Ferreira and Britney Spears, to name a few

He performed at Coachella in support of his fourth solo album “Cupid Deluxe”. Critics have described his music as alternative dance, “chill wave” or indie electronic, but his 80’s and 90’s influenced music can simply be described as … for lack of better words … “sexy-time” music. The mood Dev Hynes sets with his compositions is amazingly seductive. I would have preferred a set time in the evening- that would have really enhanced the overall mood of the set- but even under the blazing, desert sun, I noticed couples grinding to the music.

For his performance at Coachella, he was accompanied by several of the vocalists who appear on “Cupid Deluxe”: Caroline Polachek of Chairlift (on “Chamakay” and “Chosen”) and Friends‘ Samantha Urbani (on “You’re Not Good Enough” (my personal favorite), “It Is What It Is” and “Always Let U Down”).

CLICK HERE TO CHECK OUT BLOG ENTRIES OF OTHER BANDS I SAW AT COACHELLA!

How To Dress Well | The Roxy | 3/18/14

 

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The first time I saw Tom Krell p/k/a “How To Dress Well” perform live, I thought to myself, “I really need to see him perform in an intimate club venue.” On March 18th, at The Roxy Theatre, I got my chance.

What intially hooked me to How To Dress Well’s music was twofold. First, the music leaned dark, simple and atmospheric; the kind of music you could press play on a rainy day, lie on a couch and let it sooth you to sleep. Second, I was very partial to Tom’s tender and vulnerable vocals stylings. A lot of male singers can use their falsetto, but not all male singers can use it the way Tom does.

Before the set started, I scanned the room to see what kind of audience was in attendance. I didn’t have to ask. By the looks of it, I may have been the oldest one in the room. I was a bit impressed insofar as the music that’s been released thus far is quite mature (both lyrically and musically). I asked the two fresh faced kids standing to the right of me (who weren’t wearing drinking bracelets) how they got into How To Dress Well’s music, and they said Spotify. I asked the young girl standing to my right the same question. She said Spotify.  A quick non-sequitor … even if major recording artists are complaining about the amount they get paid from streaming services like Spotify, it would appear that Spotify led at least 3 kids to spend their extra cash to buy a ticket to see an act like How To Dress Well perform at a Hollywood club on a Tuesday night. Just saying …

The music of the evening was stellar. I knew that Tom was in the process of recording new material, but I wasn’t expecting that he’d be showcasing a lot of the new songs at the gig. It was truly a pleasant surprise for me. He had the drummer from Broken Social Scene play with him (he used a drum machine at FYF Festival) and that added a new life to the music’s live effect. I was again impressed with the way he used his two-mic set up (one mic without reverb and one mic with) to give his songs layers of depth and feeling.

And I was right about wanting to see him perform in an intimate venue. The concert-going experience was magnified 10 fold for me. For How To Dress Well’s music, you want to be captivated. You want to focus on the emotion that Tom is purging from his body and hang on very word/note. Being in an intimate venue afforded Tom the ability to interact and really connect with the audience.  When introducing songs, I really got the sense that Tom wanted the audience to connect with its meaning, and it’s a lot easier to do so when the audience is captivated rather than tent-hopping at a festival. When I say intimate, I don’t necessarily mean a small club venue. In fact, if could pick another venue for Tom to perform in, I’d love to see him perform at The Orpheum.

I didn’t quite catch the names of all of the new songs (some of them were still untitled) but I did my best to list them below, together with little concert notes that I took.

  1. “Two Years” (?): A song about his father
  2. “The Power” (?)
  3. “What You Wanted” (?): A song about how you feel when you have a desire that you can’t control
  4. “Cold Nites”: After he sang this song, he told that audience that he got shivers while he was singing it stating, “That felt really good”
  5. “If You Were My Girl” (?): A dance song
  6. “No More Death” (?): He asked for the venue to turn the lights down since it was a “really dark song”
  7. “I Don’t Know What’s Best For Me” (?)
  8. “Suicide Dream 1”: A song about a friend
  9. “Childhood Faith in Love” (?): Inspired by “You Can Have The Best Of Me” by the Starting Line
  10. “Repeat Pleasure”: A song about controlling emotions even though you know that “if you do something once, you’ll probably do it again”, Tom suggested that this was perhaps the most “poppy” songs he’s written and that it was going to be a big hit
  11. “Words I Don’t Remember” (?)
  12. “Set It Right”

Encore

  1. “Baby” (?): Tom mentioned that in the next part of his life, he wants a baby, but that this song is his fear of the fragility of babies, derived from a fear of wondering if a baby is alive while its sleeping (A cappella)
  2. “Lovers Start” (A cappella)

 

Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!

 

The Weeks | The Satellite | 2/21/14

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The last, and first, time I got to hang out with the fellas from The Weeks, I got drunk, rocked my face off and got late night taco-truck tacos with some of them after the gig. This time, I decided to take a more professional approach.

I had asked for permission to take some pictures during their sound check and show using a DSLR camera a buddy loaned me, and the day before the scheduled event, Alex “Admiral” Collier (the keyboardist), texted me letting me know that I was good to go. Making the hour and a half long drive in traffic, I thought that I had arrived too late for sound check, but luckily the band was still setting up. Upon retrospect, I’m glad that the band let me come early to snap some pics because the lighting during the show was extremely low. Even with a decent camera, you still need light.

A couple of the fellas seemed to have remembered me from their last L.A. gig, and that was a pleasant surprise. What was even more of a surprise was that they let me hang out with them and their friends after the sound check, before the show. Admiral got me an “all-access” sticker, presumably left over from their international touring dates with the Kings of Leon, and I slapped it on my chest with pride.

The guys treated me like one of the crew and it revealed to me how down to earth and gracious they were. They included me in their group conversations, lit my cigarettes and had me laughing with some of their observations about California living. While waiting in line for tacos at the taco-truck parked outside with Dee Bone (the bassist), I found out that my after-show taco excursion with them the last time out was not an anomaly, since Dee Bone truly loves tacos and gets them whenever he has the chance. I found out that Admiral’s hand was in a cast because of a car accident he was in (not his fault), and only recently joined the band on tour as he was recouperating. I wished Uel-Dee (the guitarist) a happy birthday as he autographed my vinyl copy of “Dear Bo Jackson” (their latest album) and I found out that Shelly Colvin was getting into town to perform with the band coming from a gig she had in San Diego the night before, making me giddy with the possibility that she’d perform her duet with the Weeks titled “Bad Enough”, which is one of my favorite cuts from the album.

By the time the band got on stage for their set, I was glad that I had staked out, and stood in, my spot up front. The packed crowd was tipsy with eager anticipation for the southern rockers to take the stage. A  girl, and her friend, squeezed in next to me, as she professed her love of the band’s music to me with her alcohol tinged, warm breath watering my eyes. The couple right behind me told me that they had travelled from Ohio to catch the band play in Los Angeles.

Most of their set came from “Dear Bo Jackson”, but they did include songs from their critically lauded album “Gutter Gaunt Gangster” and “Rumspringa”.

  1. Lawman’s Daughter
  2. King-Sized Death Bed
  3. The House We Grew Up In
  4. Gobi Blues
  5. Brother In The Night
  6. Bad Enough
  7. Slave To The South
  8. Ain’t My Stop
  9. Chickahominy
  10. Wo Is I
  11. White Ash
  12. Steamboat

The music rocked big and loud, with everyone in attendance throwing up their hands and dancing in what space they could find. The vocal mix could have been a little louder, at least from where I was standing, but it really didn’t matter all too much since the concert-goers around me seemed to know all the lyrics to the songs anyways, singing along when they could. Funky, steady and thumping, once again, like that night at the The Three Clubs, I was particularly impressed with Dee Bone’s bass playing. Equally impressive was Admiral’s playing on the keys with essentially one hand. His work on “Slave To The South” sounded superb.

After the set, I snagged a setlist from the stage, and shmoozed a bit with some of my friends that had attended the show. On my way out, I had the band members, and Shelly, sign the setlist. I had a long drive ahead of me, so I stepped outside to take off when I noticed that the taco-truck was still parked out front. I wasn’t drunk, so I wasn’t in the mood to eat, but I decided to buy an assorted plate of tacos for Dee Bone. When it was presented to him, his eyes widened with joy.

So I didn’t get taco’s with the band after show, but my parting words to them was, “Next time.” And I certainly hope there will be a next time sooner rather than later. The taco-trucks are waiting.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Shy Girls | The Spare Room and Bootleg Bar | 12/12/13 and 12/13/13

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I was driving around town while listening to KCRW when the silky vocals and opening keyboard chord progression of a smooth jam gently flowed through my car’s speaker circuits. A rhythm guitar stealthily crept in, sweeping into a late 80’s, early 90’s, drum program with a subtle flourish line added to the chords that caught my attention. I know it’s dangerous to fiddle with your phone while driving, but I had to open up Shazam to find out who the artist was. It was Shy Girls and the track was “Voyeurs Gaze”. A throwback to the smooth R&B I grew up with.

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When I got home, I immediately got online to listen to more tracks by Shy Girls. After listening to tracks from their latest EP “Timeshare”, I pulled out my credit card and purchased the LP. I’m selective about the vinyl that I buy, only purchasing records that I could let the pin drop and let play without having to get back up to skip tracks. For me, “Timeshare” was one of those albums.

After finding the artist’s Facebook page, I noticed that they had two scheduled performances the following week in Los Angeles, one at the Spare Room and the other at the Bootleg Bar. Being that the artist was from Portland, Oregon, I decided that this may be my only chance to see them perform for a while, so I planned on attending both shows.

I had a feeling that the shows would have been perfect for a date with a significant other, but c’est la vie en Los Angeles. The music is sensual. Being single, and living in Los Angeles (where convincing people that the music you like is in fact good is like pulling teeth), I’ll admit that I had second thoughts at the idea of going solo. I shrugged it off.

I was right. On both nights, Dan Vidmar and his band brought a mood I haven’t heard at a concert since I saw at Maxwell at the Hollywood Bowl. Like Maxwell, Dan Vidmar made good use of his breathy, falsetto singing engaging the audience to willingly become seduced. If I were at the show with a date, I would have made my move after the first song.

If “Timeshare” is the precursor to a full length album, there’s a lot for me to look forward to, and hopefully, by the time he goes on tour to support that album, I’ll have a date for the show.

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The lighting in the venues was extremely difficult to deal with, but I did what I could. Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.