Hopeless Jack & the Handsome Devil | Redwood Bar | 10/21/14 [Photos, Videos & Tacos]

There’s aren’t many bands that’d I’d see four times in one year. Hopeless Jack & the Handsome Devil is the only one that I’ll have on my list this year.

Not only are they really cool dudes, but their music also rocks. This year, I saw them twice at Ink-N-Iron and personally arranged for them to play a gig at the Garage. When they told me they had a weekday gig in downtown L.A., I didn’t hesitate to put it in my calendar.

I get pumped to see these guys live, because they have an absurd amount of stage presence. From Jack growling into the microphone, wildly dancing while jamming killer riffs, to Pete’s eye’s menacing, almost possessed, look while he smashes the drums, these guys, at least to me, embody rock and roll. As a wanna-be photographer, getting chances to shoot bands like this is a thrill. If I can capture a moment of the pure, unrelenting joy that these guys perform with … that’s something that would make my day.

I got to the venue a little early, and the fellas were our front hanging in their tour van. Jack was greeting friends and Pete was munching on a slice of pie from California Pizza Kitchen. I told Pete that I liked some of their pizzas, and he told me that he never realized that California Pizza Kitchen was an actual restaurant. He always assumed that it was just a frozen pizza. I got a chuckle out of that.

Set times were running a little late, and friends, fans and the band were getting antsy. Jack, while puffing on a cigarette, was already making plans for after the set.

“Tacos, man,” Jack said while flicking out his smoke, “I need tacos.” Taking recommendations from friends, he already had location in mind. In a Pavlovian kind-a-way, I started craving tacos too.

Got to meet some of Jack and Pete’s friends, including a photographer named Jason who was touring with the band as a friends and roadie. This was one of the dope pics he took at the gig.

The light was dim and I had put pump the ISO on my camera (even though I know that the pics always come out noisy at a high ISO with my old-ass camera), but I still think I got a couple decent shots.

Again, they rocked (check out the video clips below).

After they had packed, the band, and some of the fans, made a short trip to the late-night taco stand. While waiting to order L.A. deliciousness, we noted a multi-storied, retro-fitted building across the street that was for lease. We started talking about what we would do if we could afford to buy the classic looking building. As we sipped on horchata, and devoured out grub, we fantasized about which floor would be rooms and which floor would be the studio … but I think we were all in agreement about having the ground floor be a performance venue/club.

Dreams and tacos. A perfect end to a terrific night of rock-and roll.

Do yourself and follow them on Facebook. You’ll want to catch their live show if they end up in your neck of the woods.

VIDEOS

We Met Tomorrow | Culture Collide | The Methodist Church of Echo Park | 10/18/14 [Review, Vids & Photos]

To Check Out Other Bands We Caught At Culture Collide CLICK HERE

THE ACT:  We Met Tomorrow | Facebook Instagram

SOUNDS LIKE: 

THOUGHTS:

I got to the festival earlier than my writer, so I decided not to waste any time and headed over to the church to check out a band that another music writer recommended. I’m glad I took her suggestion. A little bit of folk … a little bit of blues … a touch of alternative rock … We Met Tomorrow had a solid set that sounded very, very polished. Their tunes were filled with catchy hooks that truly reeled me in (pun intended). They are from Sweden, but I wouldn’t have been able to tell because their English pronunciation was accent-less. For an early afternoon set, it was a terrific start to a long day of music.

PHOTOS:

VIDEO CLIPS:

To Check Out Other Bands We Caught At Culture Collide CLICK HERE

Nathaniel Rateliff | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Nathaniel Rateliff | Facebook | Twitter Instagram

SOUNDS LIKE: 

THOUGHTS: If Little Hurricane was my surprise set on Friday, Nathaniel Rateliff was my surprise set on Saturday. Nathaniel is a burly gentleman with a scraggly beard, but his music, for the most part, was blissfully soft and emotional. Playing a set with just his voice and acoustic guitar, for moments, I got lost in his music, and I stopped taking pictures and/or recorded Instagram clips. His music reminded me of Iron and Wine, and it truly seemed to be coming from an intensely emotional place. As I was watching his performance from the eye of my zoom lens, I could see him envelop himself in his music, his eyes seemingly welling up with emotions. It was a personal, powerful set and I could only watch his performance with respect as he lay his soul out for the world (at least at Way Over yonder) to see.

PHOTOS:

 

VIDEO CLIPS:

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To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

The Lone Bellow | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: The Lone Bellow | Facebook | Twitter | Instagram

SOUNDS LIKE: 

THOUGHTS: These guys were great to watch live. This Brooklyn-based group of transplanted Southerners have a brand of Americana (a rocking and rolling, country sound) that is a perfect soundtrack for a beautiful summer afternoon by the sea. Having released an album in 2013, the group is planning to release their sophomore album in early 2015, and it was produced by Aaron Dessner, a member of The National who writes the majority of their music (Listen to the track by CLICKING HERE). Look, if The Lone Bellow are good enough for Mr. Dessner, it’s good enough for me.

PHOTOS:

 

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

The Record Company | Echo Park Rising | 8/17/14

To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.

THE ACT: The Record Company | Facebook Twitter Website

SOUNDS LIKE:

THOUGHTS: The Record Company. Seeing them perform at Echo Park Rising marks the 5th time I’ve seen them live the past year and a half. Needless to say, I’m a fan of their sound. You can read my thoughts about them here, and here, and here … and … here. A week after Echo Park Rising, I was at First City Festival when another photographer stopped to compliment The Record Company t-shirt I was wearing and agreed that they were a hell of a band. If you are a fan of blues rock, you should probably check them out.

 

 To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.

Hopeless Jack and the Handsome Devil | Ink-N-Iron | 6/7/14 [PHOTOS & VIDEO]

CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON

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Fresh off their late-night gig in the Queen Mary’s bar the night before, Hopeless Jack and the Handsome Devil took to one of the main stages at the festival to bring their raucous sound to the masses. I could recognize faces from the night before, and they filled the previously empty hall with the others who joined in to catch them play.

Their performance from the night before must have been a warm up, cause they took it up a notch for their late afternoon set, and tore the stage up. Their music was loud and rocking; their energy relentless and unstoppable. As they played their set, more and more people kept trickling into the room. Clearly, it was the music that was drawing them in.

Now, I love taking pictures, but I’m far from a “professional”. I still tinker with settings during sets, and I end up taking tons of pictures – thank god there’s digital, or I’d be spending a years salary on film. I’ll kick myself in the ass every once in a while when I miss a shot. The featured shot of this blog post was a shot that I almost didn’t get. Granted, I had to mess with the photo’s setting to enhance certain aspects, but of all of the “imperfect” shots I’ve ever taken, this is one my favorites.

At that moment, the crowd was going nuts. It was the last song, and the crowd was whooping and hollering all throughout, watching the Handsome Devil standing over, and smashing, his drum kit. The finale reached its climax when he mounted his drum kit- all while playing – and on the last beat, jumped into the sky. I could feel the room hold its breath. Everyone’s eyes were fixated on the tatted up drummer leap through the air, and there was a collective exhale when he landed, followed by instant cheers from fans old and new.

To me, that moment was surreal. This two man band commanded a stage that 10 piece bands had occupied the other day, and they filled the room with an insane energy that people couldn’t keep talking about after it was all said and done.

I overhead people in the audience proclaim,”That was the best thing I’ve seen in a while,” and “That’s got one of the best sets of the weekend”. I wasn’t going to disagree.

Follow them on Facebook. They’re my favorite band that you’ve never heard of. I want to see if I can change that.

CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON

 

Hopeless Jack and the Handsome Devil | Ink-N-Iron | 6/6/14 [PHOTOS & VIDEO]

CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON

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The first time I saw Hopeless Jack and the Handsome Devil perform live, it was Ink-N-Iron in 2013. I saw them perform one other time since Ink-N-Iron 2013, so when I heard that they were playing TWO sets this year, I knew that I had to catch both of their sets.

The first set they played was a late night, after hours gig in one of the bars of the Queen Mary.  In fact, it was so late night, that it was literally the last act to perform that day. Drunk festival goers who were lucky enough to book a room on the ship had all congregated to the bar to top off their buzz. They were in for a treat.

Hopeless Jack and the Handsome Devil ripped into their set and bar patrons took notice. Heads at the bar turned as soon as the loud blues/roots rock blasted through the speakers. The music must have attracted others from the down the halls of the legendary ship as more and more people kept filing into the room to join the party.

I spent most of their performance enjoying the show, so I didn’t take that much video or snap too many shots. I figured I’d make up for it, as they were going to be the first band that I checked out the next day.

Do yourself and follow them on Facebook. You’ll want to catch their live show if they end up in your neck of the woods.

CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON

 

Terrace Martin’s “3ChordFold Pulse” [REVIEW]

terrace-martin-3chord-pulse It feels just like yesterday that Terrace Martin released his last album, the sublime “3ChordFold”. But ever the relentless, working musician, you knew that he had more up his sleeve, ready to share with the world. His latest release, “3ChordFold Pulse” is a follow up worthy of some serious attention.

Not only does he once again call upon the help of some of the highest caliber musicians around (Robert Glasper, James Fauntleroy, Thundercat, Snoop Dogg, Kendrick Lamar, 9th Wonder and Ethan Farmer, just to name a few), but the album is a musical offering that, at least upon my initial listen, seamlessly covers the musical spectrum.

From the jazz elements in the title track “Pulse” (ft. Preston Harris) and “Its Yours” (ft. Robert Glasper, James Fauntleroy and Thundercat), to the soulful R&B vibes in “You and Me” (ft Preston Harris), “Come and Get Me” (ft. Wyann Vaughn) and All The Things (ft. Don Dolla), to the surprising blues offering in “Lets Go Get  Stoned” (ft. Snoop Dogg and Tone Trezure) to the jazz infused hip-hop of “Poetic Justice [Live in New York] (with Kendrick Lamar) and “Never Have To Worry” [Live in New York] (with Snoop Dogg) … this album has a little bit of everything.

Perhaps my favorite track on this release is Terrace’s live rendition of Herbie Hancock’s “Butterfly” which was recorded at the Del Monte Speakeasy, a show I was privileged to have been at, and features otherworldly performances from not only Terrace, but also Robert Glasper, Ethan Farmer, Marlon Williams and Ronald Bruner. It’s an amazing recording. I’m lucky that I’ll be able to purchase it to have in my collection for life.

Hey, Terrace? When are you dropping your albums on WAX?!?!? I NEED!

For some reason, I am unable to embed the media player into this post, so CLICK THIS LINK TO GET REDIRECTED TO THE DJBOOTH WEBSITE TO LISTEN TO THE ALBUM IN FULL.

Valerie June | Wiltern Theater | 3/25/14

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One of my favorite albums of 2013 was Valerie June’s “Pushin’ Against A Stone”. Produced by Kevin Agunas and Dan Auerbach (the Black Keys), it was album that caught my ear with its seamless mix of roots, blues and folk sung by a voice that seemed to have decades of earnest life lessons behind it.

Valerie June’s voice is unique. It’s a voice that you can’t confuse with another singer’s voice. She is … for lack of a better comparison … what Erykah Badu is to neo-soul/hip hop music. A voice so raw and sincere, singing music so traditional yet new, I found it hard not to fall in love with it upon my first listen, and have been telling my friends since that hers is a voice that will likely stand the test of time.

It was a week after I purchased tickets to see Sharon Jones and the Dap Kings when I found out that Valerie June was added to open the show … and I was ecstatic. At first, it seemed like an unlikely pairing, but upon retrospect, because both artists’ music styles are essentially modern-day approaches to “classic” styles of music, I figured the promoters knew what they were doing assuming that their audiences would be more knowledgeable and appreciative because of the historical slant to the music.

Valerie’s set was short but sweet. Clocking in at just over 30 minutes, it was charming mix of acoustic and band-backed versions of her songs, mostly coming from her latest release. After it was all said and done, I found myself wanting more. Not only that, but I decided then and there that if she would ever perform in a more intimate venue like the Bootleg Theatre, I would be the first person in line.

As an aside, while waiting in line to get into the venue, I noticed a woman with flowing dreadlocks and large sunglasses walk by me. It was Valerie June and I quickly asked the couple behind me to hold my spot as I caught up to her and asked her to autograph the LP I had packed in m bag. I assured her that I wouldn’t draw any more attention, and as we walked around the corner (she was heading to the artist entrance to get ready for her set), I pulled out the LP and professed my adoration of her “Pushin’ Against A Stone”. Her gorgeous smile made my day.

I also asked about her father, mentioning that my own father had heart surgery several weeks ago as well. Our conversation was brief, but in those few minutes I felt like I connected with her on a human level, which only made me appreciate her performance that much more that evening.

Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!

 

The Record Company | Hotel Cafe | 2/28/14

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Considering that this was the 4th time I’ve seen The Record Company perform live in the past year, I don’t think I need to restate all of the reasons why I dig their music. If you haven’t been following this blog, feel free to check out my previous blog entries HEREHERE and HERE.

I will, however, note two things.

First, for their final songs, the band brought a pianist to the stage. Though the audio from my video below may not really demonstrate the following observation, I must admit that the additional piano really did fill out the sound of the band. It added a lush fullness that added another dimension to their already solid sound.

Second, Chris Voss, the lead singer and guitarist, shared a humble moment with the audience noting that it was four years ago that he had arrived in Los Angeles. He went on to to mention that back when the band was starting out, they played the Hotel Cafe. This show was only the second time that they’ve been able to grace the Hotel Cafe stage, and Chris emphasized how much it meant to them to play there once again.

On April 4th, the band is playing a gig at The Satellite to promote the release of their EP “Feels So Good” on Vinyl. I recommend that you go.

Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, the Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!