Brothers Sam and Django Stewart are legacy in the music industry. After all, their father is Dave Stewart. You know … Half of that really popular band known as the Eurythmics? Yeah. I’d put some money on it that they have music in their blood.
It was the first time I had heard of the band, so I had no expectations or preconceived notions about their music. When doing some research on the band, I read reviews that stated that “’the Cold War Kids with the ambition and control of Arcade Fire’ Nightmare & The Cat is all we love about indie rock: Rough and ready drive with a blues edge.” Hmm…. The band was greeted warmly to the stage, with their female member receiving a few cat-calls from the more inebriated members of the audience.
Musically speaking, the band’s sound was quite polished. Each of the songs were very well written, complex even. I could see the Cold War Kids comparison, but I felt that Nightmare’s sound was a bit more polished. I would have said that they were more Muse than Cold War Kids.
They are currently signed to Capitol Records and have released an EP titled “Simple”. Currently on tour with Bastille, throughout September, you can catch them play at one of these venues.
Deap Vally is a Los Angeles based rock band consisting of Lindsey Troy (guitar and vocals) and Julie Edwards (drums and vocals). From what has been written about them, the two met at a crochet class. Their music, however, is anything but pedestrian. Following the path that the The White Stripes and The Black Keys blazed, Deap Vally’s sound is a mix of hard rock and blues … only they do it a little sexier.
Dressed in halter tops and short jean shorts, they took the stage to even more drunken cat calls than the female in the prior act was subject to. The two girls, visually speaking, at least from my vantage point, couldn’t have been more different. Lindsey was petit and blond. Julie was tall and redheaded. They both looked rock and roll, and they proved it. The cat calls stopped as soon as they started playing.
Raw and gritty, loud and grimy, and filled with attitude, while watching the rocking duo perform, it was hard for me to not oogle. I was particularly fixated on the drummer. With her curly red hair thrashing around her set, and her long leg stomping the high hat, I’ll have to say that a dirty thought may have crossed my mind here and there.
Some may say that Deap Vally’s style of music may have already been done, but that didn’t seem to bother their fans, who made sure that they told all “newbies” before the set that the band was really good.
I liked their set and wouldn’t mind catching them play a smaller, more intimate gig in Los Angeles.
Dead Sara: THE reason why I went to Lobster Fest at the Port of Los Angeles in the first place. I saw Dead Sara at the El Rey earlier this year, and their show kicked ass. In fact, it’s probably in my top 5 for “best shows of the year” in terms of sheer, overall awesomeness. My only regret from that show was that I wasn’t able to get a decent picture of Siouxie Medley shredding on her guitar.
Objective for their Lobster Fest gig? Snap that elusive picture while avoiding an elbow to the chest in the pit. LOL. I met up with members of the The DEADicated and joined them upfront against the railing. One of the members had been there since noon so as to ensure getting a front row spot. Now, THAT’s dedication.
Dead Sara have been in the studio recording new tracks for their next album and everybody there knew it. A lot of the conversations before their set consisted of “What do you think they’ll be playing?” and “Do you think they’ll play any of their new stuff?”. The anticipation was high. Extremely high.
As Dead Sara took the stage to set up, I shouted, “I love you Siouxie!” then ducked behind another member of the DEADicated. I noticed Siouxie look up from tuning her guitar, but I didn’t point myself out. Talk about total, juvenile crush move there. Actually getting embarrassed thinking about it. LOL. I noticed to my left that there was a young girl and her father. I warned them that the crowd up front may start to get a little rowdy when the music got more intense, and told them that I’d do my best to make sure that his daughter wasn’t trampled.
The set started, and Emily started with the more mellow “Sorry For It All”, but as soon as the guitar lick for “Test On My Patience” kicked in next, the crowd started to swell and get anxious. As soon as “Monumental Holiday” started, the moshing commenced. I’ll admit, it was kinda tough to take pictures, protect the little girl next to me, and mosh, but really, it’s hard to care when you love the music so much. After “Monumental Holiday”, Dead Sara unveiled, to the crowd’s delight, one of their new songs “Mona Lisa”. Two songs later they unveiled another named “Greaser”. Videos taken of each are immediately below:
After “Greaser”, I decided to leave my spot up front and see if I could get better shots elsewhere. Unfortunately, that didn’t happen, and by that time, the battery in my camera had expired. C’est la vie. I was able to get a few cool shots of band, and Siouxsie, but I still feel like I can get better with my Sony Cybershot. Well … looks like I’ll have to catch them again when they start gigging later this year. Ohhh, yeah … late November maybe? At least those are the rumors …