Mötley Crüe: The Final (Maybe) Tour | Verizon Wireless Amphitheater | 7/22/14 [Concert Review]

THIS ENTRY WAS WRITTEN 8/8/14 BY A. LEVEL AND IS REPRINTED HERE BY PERMISSION.

The first time I saw Mötley Crüe, there was a brawl outside the venue. It wasn’t quite what I’d expected, considering it was at the Hollywood Bowl – a venue known more for Chardonnay and Beethoven than for people throwing punches. In retrospect, though, it belonged in the category “Things I Should Have Seen Coming.” That show was so much fun, brawling aside, that I knew I had to try to catch them again on their so-called “Final” tour. After inadvertently double-booking myself for the night of their LA show, I scrambled to get tickets for their Irvine date and corralled a friend to go with me.

 

 

Knowing that they wouldn’t go on until 9:30, I headed down to Orange County late and was sent out to a parking lot so remote that I nicknamed it Northeast Siberia. Continuing my trend of semi-hearing opening acts from the hallway or parking lot, I listened to Alice Cooper wrap up “School’s Out” as I trudged through the dirt and drunken crowds outside the venue. It turns out that my mom was right: you really *can* hear the bands perfectly in the parking lot at Irvine Meadows / Verizon Wireless Amphitheater. She said that all the place was missing was a bathroom, but they’ve now added porta potties to solve that problem. 

 

 

Fans on the lawn at Mötley Crüe. Flames not shown, though they kept setting fire to god-knows-what up there.
Fans on the lawn at Mötley Crüe. Flames not shown, though they kept setting fire to god-knows-what up there.

The crowd was the polar opposite of the Lady Gaga audience I’d seen the night before: loud, rude, drunken, chain smoking, pushing, etc. The venue had sent a series of desperate-sounding emails leading up to the event, begging people not to bring blankets, lawn chairs, coolers, or any of the items you normally take to a concert with a large lawn seating area. I’d speculated that they were anticipating a blanket brawl or a food fight, but reality was less ridiculous: they’d sold so many seats that the lawn area was Standing Room Only, and it was completely out of control. The guards seemed to have given up on the idea of stopping people from setting things on fire – what looked like flaming jackets, bonfires, etc., seemed to pop up each time I looked back at the pack just behind me. SoCal audiences have a tendency to stay seated all the way through most shows, but this audience was on their feet the whole night. The huge guys around us rocked out, singing along loudly when Vince Neil reached the “Seventh Veil” line of “Girls, Girls, Girls.” After the prior show, I’d driven home along Sunset and cracked up when I passed the place – it somehow hadn’t occurred to me before that they were dropping the names of real strip clubs, but they’re connoisseurs, after all.

 

 

Tommy Lee on the drumcoaster, about to start flipping over.
Tommy Lee on the drumcoaster, about to start flipping over.

I’ve long had a soft spot for 80s hair bands, dating back to the era when my only access to MTV & videos was at my grandmother’s house and when I already had a feeling that there was something she wouldn’t like about their songs. The word “sleazy” wasn’t in my vocabulary yet. Live, they’re pretty much exactly what you would expect: crude, loud, and rockin’. Mötley Crüe delivers the best stage show of the acts I’ve seen from their genre. They use a simple set with great lighting – rich, saturated colors from opposite sides of the color wheel, etc. Other than Muse, they’re the only band I’ve thought had such great live tech that I seriously considered what it would be like to quit my job and sign up to be a roadie. 

 

 

Vince Neil may now be twice the man he once was, but he still has great stage presence – as do Tommy Lee and Nikki Sixx. Mick Mars, though, may as well have been a road musician for all he stood out. Each one took solo time on stage, though Nikki Sixx devoted his moment to such a lengthy retelling of the band’s history that I thought of it as “Story Time with Uncle Nikki” and contemplated curling up for a nap. They rocked through all their greatest hits and kept my attention through the numbers I didn’t recognize. 

 

 

Mötley Crüe + pyrotechnics
Mötley Crüe + pyrotechnics

Their act was periodically interrupted by huge bursts of pyrotechnics, of course, including the guitar/crotch flamethrower Mick Mars wielded for one number. When you also take into consideration the fact that Vince Neil was wearing a huge codpiece, you have to wonder if they were overcompensating. I haven’t seen the infamous Pamela Anderson video – nor do I particularly want to – but I’m under the impression that it could be hard to measure up to Tommy Lee. And speaking of Tommy Lee… just wow. He’s famous for his drumcoasters, and this show didn’t disappoint. His drum kit was hooked onto rails that went up and hung over the stage. While it wasn’t quite as cool as the looping drumcoaster from the last tour, it was still incredible. Anyone who can keep on drumming as he flips over and over, without missing a beat, clearly possesses the fundamental tools of badassery. 

 

The band was also accompanied by two trashy dancers/back-up singers. While Lady Gaga seemed to have done dance auditions at an upscale S&M club, Mötley Crüe appeared to have found their dancers at a grungy truck stop strip club. Most of their dancing consisted of coordinated hair tossing, and it looked like they’d gotten their outfits during a 2-for-1 post-holiday sale at an “adult” shop. Sexy nurse? Check. Sexy Mrs. Claus? Check. Singing talent? Not so much.

 

 

Mötley Crüe + more pyrotechnics The big piece arching over the stage is Tommy Lee's drumcoaster.
Mötley Crüe + more pyrotechnics The big piece arching over the stage is Tommy Lee’s drumcoaster.

Mötley Crüe closed out the show with the requisite Power Ballad. While we could tell that they were somewhere in the crowd, I couldn’t see anything at first, even when I jumped on my seat. Then, suddenly, they rose up from the middle of the audience on a huge moving platform. I’d first seen that type of fan service at a SMAP concert in Nagoya back in something like 2002, and it’s a technique that seems to be making inroads here, too, in the past year. For those of us who are devotees of the cheap seats, it’s a welcome trend.

 

By the end of the show, I was drenched in (other people’s) beer, reeked of cigarette smoke, and was completely wound up. It was awesome. I’d missed a few key moments because some drunk had thrown my jacket on the floor and I had to track it down, but it’s okay — I can always see them on their next “Final” tour.

setlist-image-v1
This Blog entry is considered editorial. The opinions expressed herein are not the opinions of MusicOfMyMind14, but those of a third party.

The National | First City Festival | 8/24/14 [PHOTOS]

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

THE ACT: The National | Facebook | Twitter

INSTAGRAM VIDEOS: CLICK HERE

SOUNDS LIKE: 

SETLIST:

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THOUGHTS: The National. What a great way to end a perfectly sublime music festival. I’ve only seen them perform live once before, and that was a short set for Jimmy Kimmel Live. This time, I got a chance to see them perform an entire set … something I’ve been dying to do for the longest time. It’s taken me about 7 years to see them in all their glory, but it was well worth the wait. Performing music that is beyond heartfelt, with fans singing along all throughout their set, with Matt jumping into the crowd during “Mr. November” singing with the crowd, it was as intimate as a large music festival could get … and I doubt that I’ll ever experience that kind of thing ever again. Amazing.

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

Cults | First City Festival | 8/24/14 [PHOTOS]

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

THE ACT: Cults | Facebook | Twitter

INSTAGRAM VIDEOS: CLICK HERE

SOUNDS LIKE: 

THOUGHTS: I’m a big fan of Cults’ music. I saw them earlier this year at the Santa Monica Pier, and was excited to get the chance to shoot them again at First City Festival since I wasn’t completely satisfied with the pics that I had snapped on the pier. There were a few moments of decent lighting, but during the start of their set (the time photographers are allowed into the pit), the lights were heavy on blue, pink and purple … just like the last time I shot them! Oh well … them the breaks. Hopefully, I’ll get a third chance to shoot them. I need some keepers for my collection!

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

The Naked And Famous | First City Festival | 8/24/14 [PHOTOS]

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

THE ACT: The Naked And Famous | Facebook | Twitter

INSTAGRAM VIDEOS: CLICK HERE

SOUNDS LIKE: 

THOUGHTS: The first time I saw The Naked and Famous perform live was at Coachella this year. I was curious to see how much their stage performance had evolved from the first time I saw them perform, and I’ll have to admit that there was something about their performance at First Festival that really impressed me. They seemed to perform more freely and had a more loose air about them. Maybe it was great stage lighting. Maybe it was the gentle breeze the made Alisa Xayalith’s garments flow in the wind. Maybe it was the crowd singing along with the choruses of the popular songs. Maybe it was the act of the crowd throwing flowers onto the stage for Alisa’s birthday. Whatever it was, it reflected in their performance, and they delivered a tremendous set.

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

Geographer | First City Festival | 8/24/14 [PHOTOS]

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

THE ACT: Geographer | Facebook Twitter

INSTAGRAM VIDEOS: CLICK HERE

SOUNDS LIKE: 

THOUGHTS: The only scheduling conflict for the entire festival for me was between Geographer’s set and The Naked And Famous’ set. Geographer started at 7pm and TNAF started at 7:25, and being  approved for a photo pass, I was instructed to be at the media tent 15 minutes prior to main stage acts taking the stage to be led into the main stage photo pit. I decided to gamble a bit. After all, was I going to miss catching a band that I was into? They use a freakin’ upright, electric bass! How cool is that? <- Yes, I’m a music nerd. Luckily, Geographer’s set started on time, and they started their set with the songs that got me into them to begin with. I pushed the time limit, and left their set at 7:20, running across the fairgrounds to get to the media tent right when TNAF was supposed to start. Apparently, the photographers had already been led into the pit, but the production manager was cool enough to take me into the pit even though I had missed my deadline. Thanks, Joan!

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

Future Islands | First City Festival | 8/24/14 [PHOTOS]

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

THE ACT: Future Islands | Facebook | Twitter

INSTAGRAM VIDEOS: CLICK HERE

SOUNDS LIKE: 

THOUGHTS: To think that I almost missed out on seeing Future Islands perform at Coachella 2014. If it wasn’t for their lead singer, Sam Herring, convincing me to check them out, I would have missed out on music that I have perched high on my “best of the year” lists. When I found out they were performing at First City Festival, I urged all of my friends who were also attending to check them out. They, like me, were amazed by what they saw and heard. I think part of what makes Future Islands’ live performance so powerful to witness is the emotive stage presence of Mr. Herring. Every movement … every gesture … it all speaks to something, and it’s truly a revelation to witness. I suppose that why most of my shots of the band were of Sam. It really couldn’t be helped. I suppose that I should have bust out a wider angled lens to capture the entire band … hopefully, I’ll get a chance to do that in the future when they get back to Los Angeles for another gig.

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

Beck | First City Festival | 8/23/14 [PHOTOS]

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

THE ACT: Beck | Facebook | Website

INSTAGRAM VIDEOS: CLICK HERE

SOUNDS LIKE:  …. you know what Beck sounds like.

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THOUGHTS: Beck performed at Coachella this year, but only “approved” photographers were allowed in his photo pit. I wasn’t one of those approved photographers. I was pretty bummed about it, because I’m a big fan of Beck. My favorite Beck song? Earthquake Weather off of “Guero”. When I found out he was closing the first night of First City Festival, I kept my fingers crossed that there weren’t going to be the photographer restrictions like there were for Coachella. Thankfully, there weren’t! The only caveat was that we were only allowed to shoot for the first two songs. I was already getting nervous. A three song limit … at least for me … it tough enough. Two songs? The pressure mounts. What if one of those songs was “Motherfucker” (a two minute song)?!?!? Oi, my mind and nerves actually got a little rattled with the thought. Right before we were led into the photo pit, the production manager informed us that Beck had changed his rules to allow us to shoot for three songs. A reprieve! When the music started, I noticed that the lights were dim and red. Oi. Though we had the three songs, light was an issue. I don’t think I’ve ever edited so many photos, and converted so many photos to black and white, than for this set. I posted a lot of photos in this album, but only 3 or 4 of them are actually really usable. After we were led out of the photo pit, I joined my friends to enjoy the rest of Beck’s set, and it was glorious. With a catalog like Beck’s, it wasn’t surprising that his performance was like a greatest hits concert. People were singing along, dancing around, and just having a hell of a time. In the fairgrounds stadium, it really felt like a party, and the party was enjoyed by all.

To Check Out Other Acts that I Caught At First City Festival, CLICK HERE.

The Zombies | Twilight Concert Series | Santa Monica Pier | 8/21/14 [PHOTOS]

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

When I was approved to shoot The Zombies at the Santa Monica Pier, I was giddy. Being a supreme music dweeb, I was fully aware of their impact in popular music. Their sound basically redefined rock music.

I’d try to wax poetic about how amazingly (and truthfully, surprisingly) they performed on the summer eve, but Bob Lefsetz, a noted music writer, already wrote everything, and more, that I would have not so eloquently put pen to pad. CLICK HERE to read his stellar review.

The fact that two of the original members, Colin Blunstone and Rod Argent, both 69, are still in prime form was wonderful to witness. If you weren’t there, you missed out on a legendary performance, or legendary music, by legends. Your loss.

CLICK HERE to check out a collection of Instagram videos of some of the songs The Zombies performed at this concert.

The Zombies | Twilight Concert | Setlist

 

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

Reignwolf | Troubadour | 8/13/14 [PHOTOS & REVIEW]

About a year ago, a buddy of mine forwarded me a soundcloud link of a band based out of Seattle named Reignwolf. Knowing that he had good taste in music, I opened the link and and this song played:

 

Whoa. I was like, “Where did this come from, and why don’t I know anything about them?” I quickly remedied that problem. I started following them on Facebook and found out that Reignwolf was Jordan Cook. I started watching videos of his live solo performances on Youtube, and I was  hooked. I had missed out on his performance opening for Black Sabbath at the Hollywood Bowl due to a prior engagement, but when I found out he was headlining a show at the Troubadour, I logged on and bought tickets as soon as they went on sale. I’m glad I bought them when I did, since the tickets for the gig sold out.

 

Before Reignwolf took the stage, the anticipation was palpable. Accompanied by David T. Rapaport on bass and Joseph Braley on drums, Jordan took the stage to loud cheers. The music started and the rock had commenced.

 

It was as good a live show as I’ve ever seen. In fact, I’d say that is was the best club gig I’ve seen this year.

 

With Jordan bouncing around the stage, off the drum kit, and into the audience, the energy was frenetic. He kept the audience guessing as to what was coming next, taking control of the set by ripping out a jaw-dropping performance of “Electric Love” solo, playing the guitar and drums simultaneously, and by playing a song in the audience, using his logo emblazoned bass drum as a pedestal.

 

Midway through the set, I looked over to a friend I had invited to the show to see if she was doing all right. She didn’t have to say anything. Her mouth was agape, and her eyes were fixated on Jordan, with a “what’s the hell am I witnessing right now” look. Yeah, she was enjoying herself.

 

When Reignwolf came back to the stage for their encore, Jordan humbly expressed how lucky he was to be playing in the legendary venue. He mentioned how all of his music idols had once played at the Troubadour, and how he was sincerely appreciative of the chance to do the same. He then slyly looked around the room, pointed to the upstairs balcony area, and announced to the audience that though his sound guy wouldn’t appreciate it, he wanted to play up there.

 

Dragging his amp up to the rafters, he seated himself on the balcony railing, anchored by fans who made sure he wouldn’t fall. The crowds’ frenzy reached it pinnacle. At this point, even MY jaw was on the floor. It was definitely a first for me, and most likely a first for the Troubadour. I’ll not soon forget what I was witness to that evening at the Troubadour, because that show … seriously … was the stuff of legend.

 

Reignwolf Setlist

 

As much as enjoyed the show, I’ll be honest, I wasn’t all that happy with the photos that I snapped. I think part of the problem was that I was moving to the music too much while snapping pics (most of my shots were blurry). Also, I honestly think that the music being so good, I was distracted and missed moments when lights saturated the room. What can I say? It really couldn’t be helped. I was just having too much god-damn fun with the music. Hopefully, I’ll get another chance to redeem myself at some point. Ya hear me, Reignwolf? I want to shoot you again!!!

 

 

 

 

The Futures League | Troubadour | 8/13/14 [Photos]

Opening for Reignwolf at the Troubadour was an LA based rock band named the The Futures League. It was my first time catching them play, so I didn’t know what to expect, but I liked what I heard.

A mix of psychedelic and garage rock, with catchy riffs and a solid groove, it was a sound that definitely piqued my curiosity … so much so, that I started to record a video clip of them so I could remember what it was that interested me when I got home. I shut it down quickly though when a bouncer gave me the stare down and a hand gesture that indicated that I should shut it down asap. Needless to say, I liked them on Facebook. I’m interested to hear more of what the guys have to offer.

Setlist (unconfirmed)

  1. Give My Lovin a Try
  2. Too Many Lies
  3. Lucy
  4. Take/Give
  5. Mojo Back
  6. Never See Me Again
  7. I Wanna Go
  8. Digital Dreams
  9. Women Trials
  10. Jesus
  11. Tall Buildings