Laura Mvula | El Rey Theatre | 9/17/13

IMG_2681

I remember the day I first heard Laura Mvula sing (January 18th, 2013) because I was so amazed by what I heard that I immediately posted a blog entry about it. I kept an eye (and ear) on her music and would post additional blog entries about some of her other songs (“That’s Alright” and “Jump Right Out”) because I was enthralled with her sound and excited about her debut album “Sing To The Moon”.

Laura Mvula’s music cannot be easily classified, as it is a sound that frankly defies stylistic categorization. As allmusic.com proffers, Laura’s music is “rooted in decades-old forms of gospel, jazz, R&B, and, most deeply, orchestral pop . Almost all of the material is as serious and as refined as it is majestic, with vocal showcases and hushed-belted-hushed-belted dynamics galore.” I agree with the assessment, and would even boil it down simply as classy and sophisticated, orchestral neo-soul music. Some seriously good, grown folk sounds for those who appreciate musicality and message in their music.

I was ecstatic when I found out that Laura was scheduled to perform April 16, 2013 at the Bootleg Theater, and I immediately snapped up tickets. As fate would have it, however, I was asked to speak at my Alma Mater that same week, and to my dismay, I had to give my tickets up. As a small consolation, I received my copy of Laura’s debut on vinyl (a UK export that has an amazing recording of Stevie Wonder’s “Something Out of The Blue”) and for the next few months listened to it whenever I needed to set my mind and soul at ease.

I received a notice (thank you social media!) that Laura was to do another round of touring in the United States with a stop in Los Angeles September 17th, and I agains purchased tickets to her show. This time, though, I made sure I had no conflicting appointments.

Laura’s show was simply amazing. Me and my friends were able to get up to the very front of the venue for the performance, and as fate would have it, Laura’s keyboard was basically in front of us, and thus we were privileged to have Laura performing no more than 5 yards from us for a majority of the show. I could see her every breath and read the emotions on her face with every lyric. It was a beautiful experience. A moving experience. During the most tender part of the concert, when Laura sang “Diamonds” and “Father, Father” back to back, you could feel the audience release a collective sigh following the last note of “Father, Father”. I did not have to look around to know that there were some  in the audience tearing up because … truth be told … I was busy dabbing the corners of my eye as well.

My anticipation for new music from her is at an all time high. My commitment to see her perform live again has been verified. An amazing concert by an amazing artist. Her performance at the El Rey has a spot in my top 10 concert performances of the year. Nuff’ said.

Setlist:

  1. Like The Morning Dew
  2. Let Me Fall (not in the album)
  3. Flying Without You
  4. She
  5. Is There Anybody Out There?/ One Love (Bob Marley& The Wailers cover)
  6. Sing to the Moon
  7. Diamonds
  8. Father, Father
  9. Green Garden
  10. That’s Alright
  11. Make Me Lovely (Encore)
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13

Charles Bradley | FYF Festival | August 24, 2013

To check out pictures of other bands I was able to catch at the festival, CLICK HERE.

Charles Bradley's mic.
Charles Bradley’s mic.

They call him the “screaming eagle of soul”, and Charles Bradley was one of the reasons I was so pumped for FYF Fest this year. I’m a big fan of the funk the soul music Daptone Records puts out. Even though I’m a fan of all music, if you were to make me choose one genre of music to live with for the rest of my life, I’d probably pick soul music. From Sharon Jones and the Dap Kings to Lee Fields, Daptone’s catalog is a soul music lover’s wet-dream.

Even though he released a highly regarded album, “No Time for Dreaming”, in 2011, I really didn’t know about his music until someone saw my Lee Fields LP and asked, have you ever heard Charles Bradley sing? My friend mentioned in passing that there was a documentary about him released in 2012, but I apparently didn’t pay attention. More to come on that point later.  I googled some videos on YouTube and I was hooked.

There was something about the way he sang. He seemed to be able to communicate so much pain and life through his music. I read up on some small articles online about his upbringing, and from what I read, he had led a hard life. When I found out that Mr. Bradley was doing an artist signing session at 3:00pm, I made it a point to get to the festival grounds early. I’m so glad I did.

DSC03099
Me and Charles

I got to have a chat with Mr. Bradley about his music, and about his motivation. What I asked him how he kept on pushing with music at the age of 65, all he looked me in the eyes and simply said, “The music kept calling”. He asked me if I was from Los Angeles, and when I responded yes, he told me that he once used to live on Los Angeles, but got a jaywalking ticket one day, even though there was nobody on the street, and said that that was probably a sign that he needed to move back to New York. When I asked him how it was performing with Bonnie Raitt, he told me that if I thought the day was hot, he had just arrived from Arizona  and it was hotter than I could have believed. He mentioned that he loved San Francisco, and said that he was playing a small gig there soon and that if I ever had a chance to catch him at a smaller, club venue, I wouldn’t regret the decision. When I asked him why it took so long to finally get some music out there, he said that nobody had faith in him years ago, and I told him that it’s always “better late than never”.  He nodded and with that the usher asked me to wrap it up as some people had just hopped in line. I asked him to sign the two LPs I had purchased (I already had one, by the way) and watched him methodically plan out what he wanted to write. He graciously thanked me for stopping by and I told him that the pleasure was all mine, and that I was eagerly looking forward to his set.

The spoils of the day.
The spoils of the day.

As an aside, I was reminded after the music festival that there was a documentary about Charles titled “Soul of America”.  I watched it when I got home late Sunday evening on Netflix. I may have been a little exhausted from the weekend full of music, but that movie moved me. I’ll admit, I asked some questions that easily could have been answered from watching the movie, but what moved me to tears were the little things that all made sense to me after the fact. Charles Bradley sings the truth because when he sings, he’s singing from his life. When I watched him sign my LP’s, I didn’t realize that he basically learned to read and write in the past few years. When I look at what he wrote, “Thank you Brother with Love” … I had a lump develop in my throat.

Charles’ set at FYF Festival is perhaps in my top 5, and quite possibly in my top 3, of 2013. It was all that I could have wished for and more. Hyperbole is warranted. I loved watching Charles Bradley perform. He was probably my favorite act so far this year to photograph. So much emotion. So much energy. Even at 65, he could out-perform almost all of the current pop stars under the rug. Backed by the tight sounding Menahan Street Band, his live show was truly something to behold. They call him the “screaming eagle of soul”, and he screamed that soul into the audience’s hearts and mind.

Towards the end of his set he imparted a little wisdom to his adoring fans.  He said, “The Brain is a computer, you tell it what to do. Do you want to do what it wants you to do, or do you want to do what YOU want to do.” I took it as his philosophy on life. Do what your heart tells you. His heart told him to follow music. 65 years into the game, his heart proved that the little morsel of wisdom true.

Cheers, Charles. You were the first act of all the acts I wanted to see at FYF Fest, and I could have easily left right after a satisfied customer.

DSC03144
The “screaming eagle of soul”, Mr. Charles Bradley
Charles Bradley's horn section.
Charles Bradley’s horn section.
DSC03185
Charles Bradley carrying the weigh of life on his back.
Charles Bradley's guitar section.
Charles Bradley’s guitar section.
The emotion of Charles Bradley.
The emotion of Charles Bradley.
DSC03199
The key for Charles Bradley.
DSC03217
Charles Bradley giving the audience everything he’s got.
Charles Bradley's drummer.
Charles Bradley’s drummer.
Charles Bradely on one knee, getting dirty for us and keeping it real.
Charles Bradely on one knee, getting dirty for us and keeping it real.
DSC03230
You give love, you get love in return. Charles Bradley meeting the fans after his set, and getting back all the love he gave to us.

Laura Mvula | “That’s Alright” (Video and Lyrics)

Unknown

2013 may very well be a GREAT year for new female vocalists.  I’ve already been smitten by Nai Palm, the lead singer of Hiatus Kaiyote … and now Laura Mvula is looking to squeeze her way into my heart as well.

My interest in Laura Mvula had already been stirring and I’ve posted short blog entries about her songs “Jump Right Out” and “She”, but she just release a new video for her latest single “That’s Alright” and it’s blowing me away. It heavy on rhythms and chants and really comes out punching.  Definitely contrasting to her more delicate fair that I’ve grown accustomed to.  With her rich alto tone, and jazz/soul/gospel sensibilities, she sings out rebelling against an unknown antagonist, proclaiming her autonomy and self worth and chastising him/her with a chorus of “Who made you the center of the universe”.

Her first major label album, “Sing to the Moon”, was released March 4, 2013 abroad, but the CD, LP and digital downloads don’t seem to be available yet in the U.S.  RCA needs to get on the stat. And if it’s never going to be released in the states, I may very well have to spend the extra cash to purchase imports…

For your listening pleasure, Laura Mvula’s “That’s Alright”:

(Verse)
I will never be what you want and that’s alright,
Cause my skin ain’t light and my body ain’t tight.
And that’s alright.
But if I might, I must stand and fight.

I will never be what you want and that’s alright,
I play my own damn tune, I shine like the moon.
And very soon, I’ll soon fly over you.
And what you gonna do when I fly over you?

(Chorus)
Tell me who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?

(Verse)
And every morning when I wake up I pray for you
And then I pray for me that soon you’ll see
How love can be, our love will set you free.
And what it’s gonna be, I see the beauty in your eyes.

(Chorus)
Tell me who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?

(Verse)
I will never be what you want and that’s alright,
Cause my skin ain’t light and my body ain’t tight.
I will never be what you want and that’s alright,
Cause my skin ain’t light and that’s alright.

(Chorus)
Tell me who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?

Nai Palm & Hiatus Kaiyote: Australian Soul

602249_492458240812178_1890327143_n

[If you want to read about their show that “blew my mind” click here]

Sometimes you can’t find soul. Soul finds you. Apparently it found a group of talented musicians in Australia.

Last weekend I went to see Jose James at the Del Monte Speakeasy. I bought tickets for that show online on the venue’s website a few months ago.  I noticed that there was a name I was unfamiliar with playing the following weekend. The venue site said they were from Australia (foreign bands always interest me, because it always seems that the best music these days comes from abroad, and it’s not often you can catch them playing in the United States)  and there was something unusual about the spelling of the second word of the name of the band, so I decided to click through the links landing on their official website.  Went straight to their band camp  link, and listened to their latest project titled ““Tawk Tomahawk”.  Impressed with what I heard, I decided to buy tickets that day, mostly because I liked the music, but also because tickets, at the time, were only $10 each. [If you want to read about their show that “blew my mind” click here]

I didn’t purchase the digital download of the album (I like to own LPs and CD, so I figured I’d wait), but I did download a free remix album and a live performance. I figured I should have something to listen too later, so I could know what to expect for the show.

A few weeks went by.  I went to the Jose James concert (which was amazing, by the way) earlier in the week, and now, on this Sunday, March 17th, 2013 while others are sipping beer dyed with green coloring on a warm, breezy southern California day, I’m at my desk working. I remember I have the extra tickets, and post on Facebook to see if any of my friends are interested. Having only listened to the band’s latest album a couple of times, and their “remix” album as couple times, I described it as “Bjork with a jazz/funk/soul slant.”  I’d like to take that back. They’re WAY more soulful than Bjork could be.

I hadn’t yet listened to the live download titled “Live at RRR FM”, so after posting on Facebook, I pressed start on my iTunes.  It’s a 40+ minute live recording, and it’s already on it’s third replay … today.

Really, I’m just floored by what I’m hearing.  I knew their recorded music was quality stuff.  After doing a little internet snooping, I find out that Erykah Badu loves the band. ?uestlove of The Roots Tweeted about them. But their live recording … what I had been listening to for most of today, is really impressive. So much soul. So much talent. The lead vocalist’s, Nai Palm, voice reminds me (sincerely) of Amy Winehouse.  The songwriting is filled with so much life. I think all of the jazz elements in the music breathes the life into it.

Spent a handful of distracted minutes to finding some quality live video links to share. I’m so looking forward to see them play next weekend.

This song is stunning. 

Okay … now back to work.  At least I have something to look forward to for next weekend.

Updated: 03/18/13: I found Nai Palm covering Stevie Wonder’s “My Cherie Amour”?  If you didn’t already know, I named my blog after one of Stevie’s albums.  I’m a huge Stevie fan. Nai gets SO many brownie points in my book. Can’t wait until the weekend.