Iron & Wine | The Orpheum Theatre | 10/31/13

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I didn’t have much of a social life during law school, and that’s probably a good explanation as any as to why my music collection tends to lack albums released during that time of my life. Insofar as I didn’t have a television during that time, and the only recordings I listened to were recordings of lectures explaining aspects of civil procedure or property law, I relied on friends (mostly in law school) to tell me what was hip or “up and coming” in terms of music that was available.

Samuel Beam, professionally known as Iron & Wine, released his first album when I was in law school. A classmate of mine turned me on his music, and I used music from The Creek Drank the Cradle to help me fall asleep after hours of studying, hopped up on caffeine products. Beam’s gruff voice, and tender acoustic guitar playing lends itself to a soothing, mood-mellowing state of mind.

I’ve always been interested in seeing him perform live, and when I saw the announcement that he was to perform at the Orpheum Theater on Halloween Night, I figured that that would be a great venue to see him perform in, other than a grassy festival lawn or the Hollywood Bowl.

I bought two tickets as soon as their availability was announced, about 5 months in advance of the show. I wasn’t dating anybody at the time, but I figured that I couldn’t go to the show alone. I’ve been to these types of shows before. I had a feeling that it would be couples galore. Being overly optimistic, I bought two tickets with my fingers crossed that I’d have a special someone to ask. As it turns out, I did find a date, but I noticed during the show that we were literally the only couple not snuggling during the concert.

Iron & Wine's setlist for the show at the Orpheum Theatre 10/31/13
Iron & Wine’s setlist for the show at the Orpheum Theatre 10/31/13

The snuggling aside, Iron & Wine’s show was exactly what I expected, and more. Playing most of the show with a full band, each member costumed as a member of The Muppets, Sam Beam wooed the audience with selections spanning his entire catalogue. Playing over two and a half hours of his soul-soothing music, I enjoyed the show completely, but was particularly impressed when the band left the stage, and Sam Beam stood front and center, armed with only his guitar, Kermit tied to his microphone stand, with only two spotlights from the lighting tresses illuminating his position.

His solo set revealed to me the vulnerable and fragile tenderness of Iron & Wine’s music. Though the subject matter of his music tends to lean towards the darker facets of life and love, listening to his stories through lyrics, you always still had a sense of there being a silver lining through it all. I, like the rest of the audience, was drawn into Iron & Wine’s world, and enjoyed it all. Though, I probably would have enjoyed it more with someone to snuggle with… lol. I’ll keep that in mind for the next time I see him live.

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Myron & E | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Lee Fields, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Myron & E at The Beach Ball Festiva 9/21/13 [@methodman13]
Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron & E are a soul duo based in the Bay Area. They are currently signed to one of my favorite independent labels, Stones Throw, so even though I wasn’t too familiar with their catalog, I was relatively sure I would be pleased with their music.

The Stones Throw website introduces the band as follows: “The vocal duo is something of a rarity. There have been countless solo stars, trios, quartets and quintets, but the pairing of equally talented singers isn’t nearly as common. Sam and Dave, Ashford and Simpson, the Righteous Brothers and the Everly Brothers comprise a short list of standouts. Enter Myron & E.” A tall order to live up to, for sure, but I’m willing to bet that the Stones Throw folk know what they’re co-signing on.

They had the earliest set in the day so the crowd hadn’t reached critical mass yet, but they had their die-hard fans in the trenches, wearing their screen-print Myron & E T-shirts, and they performed with the type of gusto to satisfy their own, and to drawn in new fans. Half way through their set E mentioned it was Myron’s birthday, and the crowd joined in on an impromptu singing of “Happy Birthday”.

It was a solid set to establish the “soul” mood for the rest of the day, though at times I felt that some of the vocal tuning was a bit off, which I could attribute to the blazing midday sun, but it was good enough want me to follow them on Facebook so to keep up with their music and see how their sound develops.  You should too.

They are touring domestically and throughout Europe throughout the fall, so check them out when they are in your neck of the woods.

Myron & E at The Beach Ball Festiva 9/21/13 [@methodman13]
Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
E of Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
E of Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Lee Fields, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.