Glen Hansard, The Head and the Heart and Iron & Wine | Hollywood Bowl | 8/10/14 [REVIEW]

There’s nothing I love doing more on a beautiful summer’s eve than catching a show, any show, at the Hollywood Bowl.

 

As luck would have it, a dear friend of mine had an extra ticket for her box seat in the terrace for Iron & Wine, The Head and the Heart and Glen Hansard. It would be my first Hollywood Bowl show of 2014, and it couldn’t have been a more sublime soundtrack for a summer’s eve feast under a Super Moon.

 

Opening the concert was Sam Beam aka “Iron & Wine”. I last saw Iron & Wine perform Halloween at the Orpheum Theatre. For that concert, he was backed by a full band, and played a set that was over two hours long. This time, it was just him and his guitar.

 

He joked with the audience that he was “dinner entertainment” as everyone in the audience was busy unpacking their picnic baskets to dine. Though the audience may have been a little distracted consuming food, it was hard not be entranced by Sam’s beautiful folk melodies.

 

In between songs, when audience members up in the privileged pool and orchestra sections began yelling out song titles, he joked with the audience that, “you get one, I get one,” though I’m not sure he really took the suggestions yelled from the audience.

 

His performance was much more subdued than the performance I saw at the Orpheum, but it worked well to exhibit the nuances of his music, especially the tender, emotional sentiments phrased in his lyrics. So powerful was his music, that by the end of his short set, the rustling of paper bags, plastic dinnerware, and the idle dinner chatter, subsided, as the audience was moved, literally, to silence when he finished his set. You could hear a pin drop. Chills. Wonderful chills.

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I first saw The Head and the Heart perform at Coachella a few years back. They caught my attention then, and I had a few songs that I was hoping to hear.

 

A Seattle based band, The Head and Heart’s folk revival is influenced by Americana, country-rock and pop. Their performance this time around seemed to be much looser and more self-assured from what I remembered at Coachella. They brought an energy to the Bowl that really got the crowd excited.

 

They expressed their sincere disbelief that they were sharing the Hollywood Bowl stage with Iron & Wine and Glen Hansard, when they closed with my favorite song of theirs “Rivers and Roads”.

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I went to the restroom after The Head and the Heart finished their set, and on my in, I noticed a familiar face pass by me. It was Chris O’ Dowd, the actor who plays the police officer/romantic interest in “Bridesmaids”. Seeing him walk by me, I figured that there were a whole lot of Irish celebrities in the audience.

 

When Glen Hansard took the stage, he walked to center stage by himself, armed with just his acoustic guitar, and ripped into a phenomenal cover of Van Morrison’s “Astral Weeks.” When I say phenomenal, it’s no exaggeration. I was floored by his intense energy.

 

The rest of his set was a collection of original songs and covers, demonstrating his ability to take any song and make it his own. A highlight of the evening was when he performed one of the wildly popular tunes from his motion picture “Once”, “When Your Mind’s Made Up”.

 

I was hoping that Marketa Irglova would have made a special appearance (it IS the Hollywood Bowl, after all), but no luck.

 

The only criticism of the concert was that it was just too damn short. With the Hollywood Bowl strictly adhering to it’s 10pm curfew, Glen acknowledge to the audience that he had lost track of time, and that he was, unfortunately, out of it, promising that he’d come back and do a proper three hour show.

 

He closed with a traditional Irish folk song, “The Auld Triangle” and, lo and behold, he called up Chris O’Dowd to sing a verse with him up on stage. Thereafter, Sam Beam and The Head and the Heart each took turns singing verses with Glen to end the concert in a rousing fashion.

 

Though I wish he would have performed “Falling Slowly” (I have a really personal connection to that tune), and though I wish Glen’s set could have been longer, it was a perfect show for my first concert at the Hollywood Bowl for 2014.

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I tried to get photo pass for this concert, but I wasn’t approved. The photos below were taken with my pocket-sized Sony Cybershot G.

 

A Year of Concerts: 2013

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Listed chronologically, the most recent show first.

Stevie Wonder | Songs In The Key Of Life | Nokia Theatre L.A. Live | 12/21/13

Shy Girls | The Spare Room and Bootleg Bar | 12/12/13 and 12/13/13

Snoopzilla and Dam Funk “7 Days Of Funk” Record Release Party | Los Angeles Exchange | 12/10/13

Thundercat | The Echoplex | 12/05/13

Moses Sumney | The Echoplex | 12/05/13

Pearl Jam | Los Angeles Sports Arena | Nov. 23-24, 2013

Ben Harper | Walt Disney Concert Hall | 11/18/13

The Record Company | The Satellite | 11/15/13

The Janks | The Satellite | 11/15/13

Nine Inch Nails | Staples Center | 11/08/13

Iron & Wine | The Orpheum Theatre | 10/31/13

Laura Mvula | The Orpheum Theatre | 10/31/13

Hiatus Kaiyote | Skirball Cultural Center | 10/30/13

Moses Sumney | Skirball Cultural Center | 10/30/13

Hanni El Khatib| El Rey Theatre| 10/25/13

Bass Drum of Death | El Rey Theatre | 10/25/13

Tijuana Panthers | El Rey Theatre| 10/25/13

The Secret State | Loaded Hollywood | 10/13/13

Filter Magazine’s Culture Collide 2013 | Echo Park | 11/10/13 – 11/11/13  (Wooster, Tiny Ruins, Maya Vik, Iza, Medicine, Jacco Gardner, Gemini Club and Great White Buffalo)

Fiona Apple and Blake Mills | Walt Disney Concert Hall | 10/7/13

Depeche Mode | Staples Center | 9/29/13

M83, Hollywood Bowl Orchestra and Phantogram | Hollywood Bowl | 9/22/13

The Beach Ball Festival: Soul Revue | Santa Monica Pier | September 21, 2013 (Myron & E, Lee Fields and the Expressions, Maceo Parker, Allen Stone and Aloe Blacc)

Laura Mvula | El Rey Theatre | 9/17/13

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Lobster Festival | Port of Los Angeles | September 14, 2013 (The Section Quartet, Nightmare & The Cat, Deap Vally, Dead Sara)

Girl in a Coma | The Echoplex | September 12, 2013

Trombone Shorty and Orleans Avenue | Twilight Concert Series | August 29, 2013

The Dustbowl Revival | Twilight Concert Series | August 29, 2013

FYF FEST | L.A. State Historic Park | August 24 and 25, 2013 (Mikal Cronin, Charles Bradley, The Breeders, Devendra Banhart, The Locust, Deerhunter, TV on the Radio, Yeah Yeah Yeahs, The Orwells, Pional, How To Dress Well, No Age, !!! (ChkChkChk), Shlohmo, MGMT, Solange, and Holy Ghost!)

Poncho Sanchez and his Latin Jazz Band |Burton W. Chace Park | August 17, 2013

The National | Jimmy Kimmel Live | August 12, 2013

Hanni El Khatib | Twilight Concert Series | August 8, 2013

Hiatus Kaiyote | The Bootleg Theater | July 31, 2013

Geographer | Getty Center | July 27, 2013

Tijuana Tears | The Virgil | July 24, 2013

Savages | El Rey Theatre | July 23, 2013

Alabama Shakes | Hollywood Palladium | July 17th, 2013

Rodrigo y Gabriela | Hollywood Bowl | July 14, 2013

Young, Gifted & Nina: A Tribute to Nina Simone | California Plaza | July 5, 2013

BET Experience | R. Kelly, New Edition & The Jacksons | Staples Center | 6/30/13

BET Experience | Snoop, Kendrick Lamar & J.Cole | Staples Center | 6/29/13

BET Experience | Beyonce | Staples Center | 6/28/13

Robert Plant and the Sensational Space Shifters | Shrine Auditorium | June 26th, 2013

Nina Diaz | Hotel Café | June 9th, 2013

Ink-N-Iron Festival | Queen Mary | June 8, 2013 (Girl in a Coma, Hopeless Jack & the Handsome Devil, Kaleigh Baker, The Fleshtones, Dead Kennedys and Iggy and the Stooges)

Illumination Road | The Roxy | June 4, 2013

Make Music Pasadena 2013 | June 1, 2013 (The Record Company, The Peach Kings, YACHT, Robert DeLong, Youngblood Hawke, Haunted Summer and The Likes of Us)

A Night For Jolie; A Night To Remember | Henson Recording Studios | May 31, 2013

Hanni El Khatib and The Black Angels | Mayan Theater | 5/21/13

What Made Milwaukee Famous | Central SAPC | 5/19/13

Dead Sara | El Rey Theater | May 9, 2013

New Build and No Ceremony/// | First Unitarian Church | April 27, 2013

Coachella 2013 | April 12-14 | Friday (Of Monsters and Men, Passion Pit, Palma Violets, Modest Mouse, Yeah Yeah Yeahs, Jurassic 5, Stone Roses and How To Destroy Angels)

Coachella 2013 | April 12-14 | Saturday (Ben Howard, Pucifer, Violent Femmes, Grizzly Bear, Postal Service, Franz Ferdinand and Phoenix)

Coachella 2013 | April 12-14 | Sunday (Alex Clare, Rodriguez, Vampire Weekend, Nick Cave, Wu-Tang Clan and Red Hot Chili Peppers)

Toddchella | Part I | Tijuana Tears

Toddchella | Part II | The Record Company

Toddchella | Part III | We Were Indians

The Weeks | Three Clubs | 3/29/13

Nik Kai | 12 Year Old Guitar Prodigy | The Future of Shredding

The Night Hiatus Kaiyote Blew My Mind At The Del Monte Speakeasy 3/23/13

Jose James | The Del Monte Speakeasy | 3/13/13

Morrissey | Staples Center | 3/1/13

Orange Tulip Conspiracy |El Cid | 2/22/13

Soundgarden | The Wiltern | 2/16/13

The Robert Glasper Experiment | The Roxy | 2/8/13

Social Distortion | The House of Blues (Sunset) | 01/26/13

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Iron & Wine | The Orpheum Theatre | 10/31/13

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I didn’t have much of a social life during law school, and that’s probably a good explanation as any as to why my music collection tends to lack albums released during that time of my life. Insofar as I didn’t have a television during that time, and the only recordings I listened to were recordings of lectures explaining aspects of civil procedure or property law, I relied on friends (mostly in law school) to tell me what was hip or “up and coming” in terms of music that was available.

Samuel Beam, professionally known as Iron & Wine, released his first album when I was in law school. A classmate of mine turned me on his music, and I used music from The Creek Drank the Cradle to help me fall asleep after hours of studying, hopped up on caffeine products. Beam’s gruff voice, and tender acoustic guitar playing lends itself to a soothing, mood-mellowing state of mind.

I’ve always been interested in seeing him perform live, and when I saw the announcement that he was to perform at the Orpheum Theater on Halloween Night, I figured that that would be a great venue to see him perform in, other than a grassy festival lawn or the Hollywood Bowl.

I bought two tickets as soon as their availability was announced, about 5 months in advance of the show. I wasn’t dating anybody at the time, but I figured that I couldn’t go to the show alone. I’ve been to these types of shows before. I had a feeling that it would be couples galore. Being overly optimistic, I bought two tickets with my fingers crossed that I’d have a special someone to ask. As it turns out, I did find a date, but I noticed during the show that we were literally the only couple not snuggling during the concert.

Iron & Wine's setlist for the show at the Orpheum Theatre 10/31/13
Iron & Wine’s setlist for the show at the Orpheum Theatre 10/31/13

The snuggling aside, Iron & Wine’s show was exactly what I expected, and more. Playing most of the show with a full band, each member costumed as a member of The Muppets, Sam Beam wooed the audience with selections spanning his entire catalogue. Playing over two and a half hours of his soul-soothing music, I enjoyed the show completely, but was particularly impressed when the band left the stage, and Sam Beam stood front and center, armed with only his guitar, Kermit tied to his microphone stand, with only two spotlights from the lighting tresses illuminating his position.

His solo set revealed to me the vulnerable and fragile tenderness of Iron & Wine’s music. Though the subject matter of his music tends to lean towards the darker facets of life and love, listening to his stories through lyrics, you always still had a sense of there being a silver lining through it all. I, like the rest of the audience, was drawn into Iron & Wine’s world, and enjoyed it all. Though, I probably would have enjoyed it more with someone to snuggle with… lol. I’ll keep that in mind for the next time I see him live.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Laura Mvula | The Orpheum Theatre | 10/31/13

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Earlier this year, I hit a little bit of a rough patch. It was one of those times when life just didn’t seem to go my way. My loving dog of 13 years, Samson, passed away while I was out of state, I was having some personal issues I was dealing with, and the icing on the proverbial cake was that a show I had planned on attending months in advance was rescheduled such that I couldn’t attend.

The show that I missed was Laura Mvula at the Bootleg Theater in April. If you’ve been following my blog this year, you probably saw my first post about her music back in January. I followed that post up with additional posts in February and March because I was so excited by her sophisticated sound. As fate would have it, Laura Mvula ended up scheduling another show in Los Angeles, which was a breathtaking performance at the El Rey Theatre in September. It appeared as if the music gods were throwing me a bone.

I had purchased tickets for Iron & Wine back in June, and at that time there was no opening act listed. It was almost an afterthought, since I had been wanting to see Iron & Wine live for years. About a week or two before the Halloween Eve concert, Laura Mvula posted on Facebook that she would be opening for Iron & Wine on a series of west coast dates. Needless to say, I was enthralled. At this point, I thought the music gods were serving me a t-bone.

I barely got there in time for the first song of her set. Watching her perform in the beautiful and historic Orpheum Theatre was truly a musical blessing. The fashionably late arriving Los Angeles crowd steadily filed in to their seats during her set, and I could only think to myself that they were fools to miss out on her glorious music. Their loss.

She bantered with the crowd and mentioned that her favorite song was “Let Me Fall” (which, ironically, wasn’t on her debut album)  and her second favorite song was “Flying Without You”. She performed a subdued version of “She” which sent shivers down my spine. After she sang the title track off her debut album, “Sing To The Moon”, and having heard that she had just recently lost out on the prestigious Mercury Prize, I yelled out from my seat, “You deserved the Mercury!”  She giggled and said, “That’s funny.” Really though … she should have won that award.

Though her set was obviously shorter than her concert at the El Rey, it was still filled with the deep musicality and unabashed emotion that makes her music so appealing to me. I eagerly anticipate her sophomore album, and the next time she’s back in the United States to perform for her fans.

Setlist (written down by me during her performance):

  1. “Like the Morning Dew”
  2. “Let Me Fall”
  3. “Flying Without You”
  4. “She”
  5. “Sing to the Moon”
  6. “Father father”
  7. “Green Garden”
  8. “That’s Alright”

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. To see the amazing pictures I took of her at the El Rey, please click here to see that blog entry (trust me, some of the pictures taken were amazing).