Fascinator| Twilight Concert | Santa Monica Pier | 8/7/14 [PHOTOS & REVIEW]

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In conjunction with G’Day USA, the Twilight Concert series presented “Australia Rocks The Pier”.

The second act performing on the Santa Monica Pier was Fascinator. Fascinator is Johnny Mackay, an Australian based in New York, whose music is an experimental, electronic, psychedelic trip. Though the act was probably better suited for a smaller club venue, I could tell that the audience was getting into it … the smell of weed permeating my nostrils was my proof.

The music, and performance, was a bit out there. With odd hat-masks, long full length garb, and a hype-man who danced around the stage, I could feel the groove, but kept sniffing the air to see if I could get a second-hand high. If only I wasn’t “working” …

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CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

Phebe Starr | Twilight Concert | Santa Monica Pier | 8/7/14 [PHOTOS & REVIEW]

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

In conjunction with G’Day USA, the Twilight Concert series presented “Australia Rocks The Pier”.

The first act performing on the Santa Monica Pier was Aussie Native Phebe Starr. Like the opening act from the prior week, Phebe had been the winner of a competition to perform for the Twilight Concert audience.

I arrived at the pier after she had already started her set, but was able to get into the photo pit for the last half of her set.

Her music is synth pop akin to Lykii Li and Sia. Though I only caught a portion of her set, I could see the potential she has in developing her sound. She is in Los Angeles to record music, and it’d be interesting to see how Los Angeles inspires her songwriting.

Follow Phebe Starr on Facebook by CLICKING HERE.

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

Snarky Puppy | The Troubadour | 8/2/14 [PHOTOS]

Ever since Snarky Puppy beat my favorite neo-soul band of 2013, Hiatus Kaiyote for the Best R&B Performance Grammy this year, I had to look them up and figure out who they were.

I’ll admit … the first video clip  supporting their release of “Family Dinner- Volume 1”. It was Lalah Hathaway singing a song titled “Something” … and she harmonized with herself… let me say that again … SHE HARMONIZED WITH HERSELF!!!

That video was mind blowing, and I’ll have to admit the music, separate from the mind-blowing vocal gymnastics performed by Lalah, was pretty damn good.

Based out of New York, the band is led by Michael League, a Grammy Award-winning bassist. It’s players are part of collective that features nearly 40 musicians. They affectionately refer to themselves as “The Farm” and for this evening, they had 9 of them play at The Troubadour.

With the 10 players cramped on the stage, their music, which is a fusion of jazz, rock and funk, was loud and funky. I won’t lie, though … if you were hoping for some vocalists to jump onto the stage to join them for a song or two, you would have been disappointed. It was an all instrumental set with only the audience singing along with the chants on a song … the name of which totally escapes me, but you can see the video below.

I’m not one to complain though. When you have that many talented musicians on stage, it’s easy for me to get lost in some robust, Grammy Award winning music.

Terrace Martin | The Troubadour | 8/2/14 [PHOTOS]

When Terrace Martin invited me to his gig at The Troubadour opening for Snarky Puppy, lord knows that I couldn’t turn that down, especially when he mentioned that Robert Glasper would be joining him. Terrace Martin, Snarky Puppy AND Robert Glasper in one night at a legendary performance venue? Hell, yeah, I was going.

I arrived at the venue relatively early. Knowing that it was a sold out show, waiting in line would be the only way I could get up front with my camera to take pictures. After all, the lighting in The Troubadour makes it a tough venue to shoot in. Unfortunately, for me, there were about a hundred other people already in line by the time I got in line.

There isn’t much I can say about how dope Terrace’s set was. After all, I’ve already seen him perform twice this year (once at the Virgil in January and again at the Del Monte Speakeasy in February), and I’ve already preached how seriously amazing his live shows have been, so I won’t get into here. His music, and his musicality in interpreting jazz classics, is what modern jazz should aspire to be. As far as I’m concerned, he’s an ambassador of the West-Coast Jazz movement that I’ve noticed gained traction recently.

Though I usually never convert my photos to black and white, I had to in this instance. The lighting was so low in the venue, the only way I could get some of the images I liked to really pop was to convert them. Though I’m much more partial to having the photos presented in their natural light, without some really high end (and expensive!) photo gear, this was the best I could do. I took pretty decent pics of Cody Chesnutt’s performance at the Troubadour, but I was up in the front for that gig. I guess, with the gear that I’ve got, I’ll have to get up closer to the stage for good pics. You live and you learn.

Free Concert Alert | La Santa Cecilia & Sergio Mendoza Y La Orkesta at the Santa Monica Pier | 8/14/14 [Preview]

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On Thursday, August 14th, the Santa Monica Pier hosts La Santa Cecilia. I’ll be honest with you … before seeing them scheduled as a featured artist, I knew nothing about them. After snooping the internet a little, I come to find out that they recently won a Grammy Award for Best Latin Rock, Urban or Alternative Album in 2014. Hmm … maybe this is a band I should check out. lol.

This Los Angeles based band has been releasing albums since 2009, and their music fuses Latin elements like cumbia, bossa nova, bolero, etc. with, rock, jazz and ska. If there’s one thing that I’m looking forward to, it’s getting my “first taste” of this band at the pier. My only regret will be that I learned French instead of Spanish back in high school.

Follow La Santa Cecilia on Facebook by clicking here.

Also performing on the pier, opening for La Santa Cecilia, is Sergio Mendoza Y La Orkesta; “a mambo big-band like you’ve never experienced.” I’m excited to see how big the band will be for this performance (I’ve read that the orchestra can stretch to 19 pieces), but I’m sure the pier will be dancing to their sweet mambo and cumbia sounds.

Follow Sergio Mendoza Y La Orkesta on Facebook by clicking here.

To see the full list of acts performing at the Santa Monica Pier as part of the 20th Annual Twilight Concert series, CLICK HERE.

CLICK HERE to check out the other acts I plan on checking out this Summer at the Twilight Concert Series at the Santa Monica Pier!

Your Weekly Weekend Music Mix | 8/8/14 [MUSIC NEWS]

KILLER COVER: STEVE’N’SEAGULLS COVERS AC/DC

This cover is great. Steve’n’Seagulls. I don’t know much about this band. And their Facebook  page  doesn’t really help me either … it’s in a foreign language!!! … but their cover of hillbilly/folk cover of AC/DC’s “Thunderstruck” is internet gold.

MUSIC INSTA-BABE: SHANNON BEX

So, I just read that females pop/R&B group Danity Kane has broken up again. Though many of the people are more partial to either Dawn Richard’s slender figure of Aubrey O’Day’s curvy features, I’ve always been partial to Shannon Bex. Unfortunately, Shannon is married, but that doesn’t mean we can’t ogle her on her social media profiles.Why don’t you follow here, and there other members of Danity Kane (I’m assuming that following their band profile won’t do you any good). : @Shannon_Bex.

BEST MIX TAPE OF THE SUMMER

I haven’t see the movie yet, but the soundtrack of “Guardians of the Galaxy” is terrific. Quite possibly, the best soundtrack/mix tape of the year.

For your easy reference for the video above:

00:00 Hooked On A Feeling – Blue Swede
02:52 Go All The Way – Raspberries
06:13 Spirit In The Sky Norman – Greenbaum
10:16 Moonage Daydream – David Bowie
14:57 Fooled Around And Fell In – Elvin Bishop
19:33 I’m Not In Love – 10cc
25:36 I Want You Back – Jackson 5
28:35 Come And Get Your Love – Redbone
32:02 Cherry Bomb – The Runaways
34:20 Escape (The Pina Colada – Rupert Holmes
38:57 O-O-H Child The Five – Stairsteps
42:11 Ain’t No Mountain High Enough – Marvin Gaye , Tammi Terrell

THE WORST USE OF HIP HOP IN A CAR COMMERCIAL

Hip-hop has been used to sell a lot of products over the years, but we’ve come a long way from Eminem’s Chrysler commercial. Toyota made a commerical for the Sienna line, and …. it … is … just … terrible. I hope that Busta got paid a a nice penny for being a part of it.

MUSIC NEWS/STUFF YOU SHOULD KNOW ABOUT

Tom Petty scores his first-ever No. 1 album with “Hypnotic Eye”. It’s about damn time, Tom! lol.

I’m a music attorney, so I’m pretty familiar with the difference types of income that come in from the exploitation of a sound recording. Billboard.com put together a pretty nifty “cheat sheet” to help you musicians navigate the basics.

I’m not going to Outside Lands, but if I were, I would pick up a bunch of the stamps they are selling at the music festival. Why? Because they will debuting Janis Joplin Forever Stamps! Don’t worry about me though … I have friends in low places.

It sucks when musicians, who are trying to speak out on important social matters, get the assaulted for speaking their mind. Apparently, Blood Orange’s Dev Hynes was assaulted by Lollapalooza security guards after speaking out about police brutality. From having his apartment burn down, to getting beaten up by guards that are supposed to be there to protect him, I feel bad for the dude.

Wynonna Judd | KCRW’s “Country In The City” | 8/2/14 [PHOTOS & REVIEW]

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Closing KCRW’s final, concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” was one of the most popular and revered female country artists of her, and perhaps all, time: Wynonna Judd.

It’s funny. If you had asked me in high school if I wanted to go to a country concert, I would have played the “too cool for school” card and scoffed at the idea. Growing up in Southern California during the early 90’s, I was more interested in West Coast hip hop, ska and punk. Country music was far off my radar.

Flash forward to after I had graduated from college, and during my heavy R&B phase, I heard a cover of Brian McKnight’s “Back At One” … as a country tune … and I liked it. It was covered by Mark Wills, and it was at that moment I realized that good music is good music was good music, regardless of whether it’s sung with a twang or not.

Though I didn’t tout it to my friends, I started adding country music to my music collection with Rascal Flatts and Garth Brooks CDs, which has, over the years, exposed me to artists that I love like Loretta Lynn, Sugarland and Valerie June. When I got approved to be in the photo pit for Wynonna Judd’s set, I nearly lost my mind. I was so excited, that I actually posted a status update on my Facebook page about getting approved to … I guess … brag about it to my friends; even if a greater majority of them aren’t country fans themselves.

Look, we’re talking about an artist who has achieved legend status. With The Judds (an American country music duo with her mother, Naomi), she won seven straight Academy of Country Music awards for Top Vocal Duo, three straight Country Music Association Vocal Group of the Year awards, four straight Country Music Association Vocal Duo of the Year awards, and five Grammy Awards for Best Country Performance by a duo or Group with Vocal. As a solo artist, Wynonna has won an Academy of Country Music Female Artist of the Year award and earned a star on the Muisc City Walk of Fame. Wynonna isn’t just a country singer. She’s a country legend. Period.

Wynonna’s performance was a revelation.

Having started her career at the age of 16, she demonstrated her easy command of the stage. She expressed her whole range emotions during each of her songs, but would engage the audience in between songs with playful banter and sincere thanks.

She joked about having to be in a tour bus with her mother. When the audience laughed, she deadpanned, “It’s not funny. Have you ever been in a bus with your mom?”

While throwing out guitar picks to ravenous fans in the front row, she joked that she was, “here to satisfy all of your musical needs,” and kept throwing out music pics.

After performing “Why Not Me”, a song she labeled as The Judds’ theme song, someone in the audience yelled out another song titled with the hopes of it being performed. Wynonna looked in the direction of the over anxious fan and said, “Hold your horses, sister. I’ll get to it. And if you don’t hear your song tonight … I got one word…” (insert dramatic pause for effect), “Download.” The crowd erupted with laughter.

When she wasn’t being humorous, she told life stories and imparted personal, positive life mantras, at one point proclaiming that “We need to be mindful of what we have now… What makes it complete for me is seeing you all here enjoying my music,” and explaining that, “In country music, we take tragedy and turn it into triumph,” before talking about the accident that took her husband’s leg and the doctors who told him that he’d never play the drums again.

“Doctors are not god. My husband is now the bionic man,” point to he husband at his drum kit, revealing his prosthetic leg.

They had a special guest, bassist Nathan East, join them onstage for a song before they played their last song of the set.

“I love a funk man with a bass,” she said.

When Wynonna and the band left the stage, the crowd clearly didn’t want to leave, and an encore was in order. Her husband, and drummer, Cactus Mosher, reintroduced Wynonna, “Please welcome back the queen onto the stage.”

“Does that mean you want more?  All right, I don’t want to go anyways,” Wynonna slyly smiled.

She introduced her encore by reminiscing that she’s been performing for the past 30 years, and that she is planning on touring more this year, “getting away with as much as [she] could get away with”, hinting what was to come by stating that she grew up listening to roots rock.

And with that, she and the band jumped into a cover of Led Zeppelin’s “Rock and Roll”. Waling away during the chorus, the crowd was jamming to her rendition when it started to rain. Yup … Wynonna Judd made it rain. Now, that’s the stuff of legend.

The Big Noise – Band Members:

  • Cactus Mosher – Drums
  • Justin Weaver – Guitar
  • Tom Hannum – Steel guitar
  • Peter King – Keyboard/B3
  • Dow Tomlin – Bass

Set List: Wynonna Judd didn’t release a setlist, but I took a partial picture of what may have been the setlist for this setthat was taped on the bongos of her drummer’s drum kit. If you were at the show, and know what songs she performed, please put them in the comments and I’ll include them into the post.

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Nikki Lane | KCRW’s “Country In The City” | 8/2/14 [PHOTOS & REVIEW]

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

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Opening for Wynonna Judd at the third, and final, concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” was Nikki Lane.

Originally from Greenville, South Carolina, Nikki spent part of life in Los Angeles working in the fashion industry before heading out to New York City. In the city that never sleeps, she went through heartbreak that inspired her to write some music about her emotional roller coaster. Thank god for break-ups, otherwise Nikki would never have been on the stage performing in front of an enthusiastic Los Angeles crowd.

Accompanied to the stage with her band and her mother, Nikki started into her set with a series of songs about her failed marriage. You could tell that the music was her therapy. She gave brief explanations, and regrets, about the first several songs.

“I should have followed the lyrics to the song. Sorry, mom,” she said with a smirk as she look stage left to acknowledge her mother.

Her music was country music for the modern audience. Since relocating to Nashville, her latest album, “All or Nothin'” was produced by The Black Key’s Dan Auerbach, and you can tell that Dan’s musical influence had rubbed off on her. The tunes were as country as county comes, but also had a little something extra from other genres to make a finicky music lover’s ears perk up with interest.

Before parting the stage, she thanked the audience and KCRW for inviting her to perform, acknowledging that this was the largest audience she’s ever played for. She definitely picked up a few fans from her performance, myself included.

I had the good fortune of meeting Nikki as she was selling her goods at the merchandise table. I purchased a couple of her LPs at the concert, and had her sign my copies. If she keeps on making good music, I’m willing to bet that won’t be selling her own merchandise for long.

Nikki Lane – Band Members

  • Nikki Lane: Acoustic Guitar and Lead Vocal
  • Ben Eyestone: Drums
  • Eric Whitman: Bass Guitar
  • Alex Munoz: Electric Guitar
  • Matt Stoessel: Pedal Steel

Set List:

  1. Good Man
  2. I Want My Heart Back
  3. Man Up
  4. You Can’t Talk To Me Like That
  5. Seein’ Double
  6. Faded
  7. 700,000 Red Necks
  8. Gone, Gone, Gone
  9. All or Nothin’
  10. Right Time

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Omar Souleyman | Twilight Concert | Santa Monica Pier | 7/31/14 [PHOTOS & REVIEW]

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I missed Omar Souleyman when he played at FYF Fest in 2013.  When a close friend of mine told me the next day that Omar’s set was incredible … <slaps had to the forehead>

When I heard he was playing the pier, I knew it was a show I couldn’t miss.

I’ve always been fascinated with foreign music. I barely speak French. I hardly understand Korean. I obviously know nothing about the Arabic language. But good music is good music. Omar Souleyman’s traditional, electronic, Syrian folk-pop music is a groove inducing, infectious rhythm than really doesn’t need to be translated.

Wearing large sunglasses, a thick mustache and traditional Syrian garb, it was just him and his DJ sending sonic waves out onto the pier and into the beach. Looking over the crowd, all I could see were hands in the air, and bodies gyrating to the beat.

Though the traditional meanings of his music may have been lost on the crowd, it really didn’t matter. The crowd was lost in the foreign sounds of one of Syria’s most prolific recording artists.

Follow Omar Souleyman on Facebook by CLICKING HERE.

 

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

De Lux | Twilight Concert | Santa Monica Pier | 7/31/14 [PHOTOS & REVIEW]

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Opening for Omar Souleyman was the Los Angeles-based, indie neo-disco band De Lux. I had gotten a little sampling of their music online, but listening to this band’s music live was something else.

De Lux is a favorite of KCRW DJs across the board (they are one of the few acts that ALL of the DJs play in their sets). I could hear why.

They may be a young band, but their sound is pretty damn sophisticated. A little synth-pop, a little electronic, a little disco, a little punk, a little funk … their music is a mish-mosh of styles that really blends together into a unique, almost throwback, sound.

I got to chat with a couple of the guys in the band after their set, and couldn’t help but rave about their sound. Though they’ve heard it before, I really emphasized my observation that their music really reminded me of  the Talking Heads. Seaun Guerin, one of the founders and the lead vocalist, in particular, has a voice that’s as oddly wonderful as David Byrnes’ voice.

These guys are playing at the upcoming free music festival in Los Angeles, Echo Park Rising, August 15th-17th (TBD). I’m going to try and make it out for their gig. Hopefully, I’ll be able to snap some more pics of them jamming out.

Follow De Lux on Facebook by CLICKING HERE.

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!