Dead Sara | The Echo | 5/6/14 (PHOTOS)

IMG_6037

Dead Sara, a Los Angeles based, hard rock band consisting of Emily Armstrong (lead vocals, rhythm guitar, Sean Friday (drums), Siouxsie Medley (lead guitar) and Chris Null (bass guitar), have been in the studio recording music for their highly anticipated sophomore album for the past half year. Having recently finished recording said album, they decided to bless their L.A. fans with three club gigs throughout the month of May (at The Echo 5/6/14, The Bootleg 5/14/14 and the Satellite on 5/21/14). I was lucky enough to snag a ticket (before all three shows sold out) to their gig at their first show of the year at The Echo.

I’m a huge fan of this group. When I heard the opening riffs of “Weatherman” for the first time, it was like love at first listen. When Emily started wailing over the music, I was hooked. I saw them perform twice in 2013 (once at the El Rey Theater and also as the headliner for the Lobster Festival at the Port of Los Angeles). Their live performance solidified my love for this group. They rock, and they rock hard. My passion for this group’s music was enough for me to get “inducted” as a member of “The DEADicated” (a group of die-hard fans that will go to great lengths, and travel great distances- across continents- to see Dead Sara rock).

The day of the show, The DEADicated arrived at the venue at 10:30am to secure their spots up front. I wasn’t there, but if I stopped dating a girl because she didn’t like their music (true story), I feel like I earned a right to be a member of The DEADicated too! LOL.

Their set consisted of music from their debut LP and music from their forthcoming release (“Evil”, “Radio”, “Suicidal”, “Traveling Band”, “Something Good” and “Mr. Mr.” were all performed live for the first time ever! Lucky me!). They performed their cover of Rage Against the Machine’s “Killing in the Name” and the audience even sang “Happy Birthday” for Emily, as it happened to be her birthday. Emily prefaced the show stating that the new music were still works in progress, and asked that no one video record them until they were performance proof.

I spent my time trying to find the right camera settings to take decent pics, but leave it to a DEADicated to post up videos  of their older songs from the show. Click through the video and check out other videos of their older songs from the show.

I’m still a newbie at taking concert photos in a venue with tricky lighting, but I think that I was able to snag a few decent shots with my DSLR. If anybody has any suggestions (other than getting a better – more expensive- lens), please chime in below in the comments. Hopefully, the next time I see them perform live, I’ll have it down pat.

Eric Hutchinson | House Of Blues (Sunset) | 4/29/14

 

IMG_5997

Eric Hutchinson is an American, singer-songwriter whose folksy, tenor voice; witty, lyrical writing; and humorous onstage banter always entertains me. I may be a bit biased though (full disclosure) as one of the first albums I really took the legal, paperwork reigns on was his breakthrough independent album “Sounds Like This” … that, and I consistently beat his fantasy basketball teams back when we all had time for that (sorry, Eric… had to throw that in there lol).

He is touring in support of his recently released album, “Pure Fiction”, but his set was mix of songs from his entire catalog. Though it’s been a few years since I’ve seen him perform live, his sound and performance style will still as energetic and soulful as ever.

He performed some of my favorites (not that anyone cares, but “Oh!” is still my favorite song), and cleverly integrated covers of popular songs (though it’s not identified in the photograph of the set list below, I was especially impressed with his inclusion of The Pharcyde’s “Ya Ma Ma” in “You Don’t Have To Believe Me”). Perhaps the most impressive thing to me was how some of his older “classics” have evolved since they were first written. I mean, I still have old demos he recorded from even before he was signed to Maverick Records, and they’ve all evolved into dynamic versions of the original.

Eric bantered to the audience between songs and, to the delight of the audience, even ventured among them to sing a song. It was great seeing Eric perform live again. If you haven’t already checked out his latest release, or even his older albums, I recommend that you do. His music may put smile on your face like it does mine.

I was not issued a photo pass for this concert, and all the photos below  were taken on Sony Cyber-shot.

 

The Warlocks | The Roxy | 4/25/14

IMG_5940

Opening for the Dandy Warhols at the Roxy was the American, psychedelic rock band The Warlocks. Founded in 1998 by Bobby Hecksher, the band has been playing with various lineups since, with Hecksher the only constant member.

With half a dozen albums released since it’s inception (with their latest album, “Skull Worship” being released in November of 2013), The Warlocks concert seemed to cover their entire repertoire (according to a The Warlocks fans standing next to me). When I snagged the setlist (which you can see below) off the lip of the stage, she took a look at it and noted (while giggling) how they abbreviated the names of the songs.

IMG_5952

The Warlocks’ music isn’t for everybody. If you aren’t familiar with them, you may assume that their sound is akin to the Grateful Dead (the Grateful Dead’s first name was The Warlocks), but you’d be wrong. Rather, their sound seems to be heavily influenced by the neo-psychedilia and experimental rock of the Velvet Underground. Personally, I was feeling it. I thought that perhaps the start of the set was a bit too downtempo for my tastes, but as it went on, the energy picked up and had me grooving by the end.

Hopeless Jack and the Handsome Devil | The Garage On Motor | 2/25/14

IMG_4160

The first time I saw Hopeless Jack & The Handsome Devil perform, it was at the Ink-N-Iron Festival in 2013, and I only caught the last few songs of their set. A two man band that plays hard hitting blues/roots rock; heavier hitting than the Black Keys, and more aggressive than Jack White. They are a band based out of Portland, so ever since I saw them for those 15 minutes live, I’ve been keeping tabs on their tour schedule to see when they would be playing in Los Angeles again.

I noticed on their Facebook fan page that they were playing gigs down the Pacific coast, but to my dismay, there was no scheduled gig for Los Angeles. Having had their album “Hopeless Love, Shallow Hearts” on repeat since I saw them that first time, I messaged them to as why they weren’t playing in L.A. They got back to me quick, letting me know that a show they had scheduled had been cancelled at the last minute, and that they were bummed they weren’t playing in Los Angeles. In passing, they also added that if I could find a place for them to play on the following Tuesday (which was in less than five days), that they would make the stop in Los Angeles to play. Maybe they were just throwing it out there for the hell of it, but bands should never underestimate the lengths their fans will go to make sh*t happen.

I logged off Facebook, and picked up my cell phone. The rolodex in my brain started going through the people I knew, and I started punching digits. After a few calls, I had a spot lined up. It was a make-shift venue … in fact it it would be the first time a band would ever be playing there … but a gig is a gig, and the wheels to make it happen went in motion.

When the band got to Los Angeles, they met up with my buddy Rob (hopefully, I’ll get a chance to tell some of his stories on this blog, because his life is total rock and roll) who offered to help out and work sound for the band. Even though the event was set up last minute, a decent sized crowd showed up to watch this hard-rocking duo from Portland do their thing. It was loud. It was raw. It was awesome.

That night, I not only got to appreciate some kick-ass music, but I also felt a sense of accomplishment. It was the first time I ever really “hooked up” a band with a gig, and – if we’re speaking frankly here- it felt good. It reinforced to me the notion that what indie band’s need most are fans that are willing to get the music out there. It’s gotta be something more than just posting a song on Facebook or sending out a Tweet (unless you have an obscene amount of friends and followers on Facebook or Twitter). If you’re a fan of an indie band’s music, and you are always wondering why they haven’t caught on with others, maybe you can help them out by being more proactive.

Setting up the gig was only part of the work. I also called and texted a bunch of people, and a handful of them made it out; letting me know afterwards that they were really impressed, bought merch, and even told me that they would let their friends know about the band. A fan here, a fan there … at the end of the day, even though it was a small gig, a fan is a fan. For me, that was perhaps the most gratifying part of the evening for me.

Hopeless Jack and the Handsome Devil are back in Los Angeles area for this years Ink-N-Iron Festival at the Queen Mary performing on the 6th and the 7th. The photos below aren’t very good, and I hope to have better pics (using a new camera) when I see them later this year.  I’ve included their latest video in this post because it was loud at the gig and the sound in my video is a bit muffled. If you watch my concert snippets, a word of warning …. It’s LOUD. Lower your volume accordingly.

Unfortunately, the Flickr slideshow below is not available on mobile devises. If you are on a mobile device, please click THIS LINK, to get redirected to the set of photos. If the slide show below isn’t working, the Flickr has disabled their embed option for WordPress, which totally BLOWS! If you can see the slide show below, hooray!

Terrace Martin | The Virgil | 1/22/14

IMG_3795

A tip for any avid concert goer living in Los Angeles: ALWAYS  find a concert or two to go to during Grammy Week. During the week immediately preceding the awards ceremony, amazing musical talent from all over the world flocks to Los Angeles to join in the celebration of music, whether to attend the ceremony as a nominee, to perform in the city of angels to showcase their own musical abilities for the throngs of A&R, talent agents, talent managers, critics and fans who happen to be in town to celebrate music with them or to just play gigs with their friends. Continue reading

Falling In Reverse & Escape The Fate | The Wiltern | 1/15/14

IMG_3518

How do you get me to go to a show for a band that I know nothing about? Offer me a free ticket.

The buddy of mine who went to the Nine Inch Nails concert with me last year gave me a call and invited me to see a band that he enjoyed listening to named Falling In Reverse. The band’s name rang a bell, so I looked them up online and came across the name of their lead singer, Ronnie Radke. I vaguely recalled reading some article in a music trade magazine about him starting his career up again, but that was years ago. The more research I did, I found out that in 2011 Ronnie had been named one of Revolver Magazine’s “Greatest Living Rock Stars” and in 2012 was on the shortlist both Kerrang’s “50 Greatest Rock Stars in the World Today”, “Villain of the Year” and “Hero of the Year”. I also read about his work in Escape The Fate, his issues with drug addiction, the family tragedy he went through, and his incarceration. Yeah, I had to see this guy perform live.

My buddy and I got to The Wiltern in time to see Escape The Fate, now fronted by Craig Mabbitt. Truth be told, the set was a little bit of a let down. For the first half of the set, technical issues seemed to plague the Mabbitt’s  microphone as his vocals were hardly audible. It was a shame, as the band seemed on point and heavy. Truth be told though, it really didn’t seem to matter too much as a good portion of the crowd sang along with most of the songs. It was a set that could have been better, but I’ll chalk the deficiencies up to the sound problems.

Thankfully, the sound for Falling In Reverse was just fine.

The crowd’s energy was electric, and they were screaming and singing louder than they had for Escape The Fate.  The music was more “friendly” than that of Escape The Fate’s insofar as it felt and sound like Falling In Reverse’s music had more catchy pop-hooks. “Good Girls, Bad Guys”, “Bad Girls Club” and “The Drug In Me Is You” are all solid, fun songs that had me shaking my groove thing with the twenty somethings standing around me.

Ronnie Radke commanded the stage with his presence, using his seemingly boundless energy to stride across the stage throughout the evening. In between songs he would address the audience, revealing both his goofy and humble side; reflecting on the weight he has gained since his career started grabbing at his non-existent fat during the following song, and thanking the audience for hanging in there with him through his tough times and being there, at The Wiltern, for the evening. All the accolades he received that I read about online … yeah, I can see why he got them. He’s a terrific performer and he sounded good.

I’ll be honest with you, I probably wouldn’t have known about, or gone to see, Falling In Reverse without my buddy inviting me.  I’m still on the fence as to whether I’d buy their latest CD, but I’m leaning towards yes because it’s really fun guilty pleasure, rock and roll music that I wouldn’t mind having shuffled into my iTunes playlist while I’m driving around town now and again. But I know for sure that if my friend were to invite me to another of their gigs, I’d gladly go.

Falling In Reverse Setlist:

  1. Rolling Stone
  2. I’m Not a Vampire
  3. Fashionably Late
  4. Champion
  5. Sink or Swim
  6. Goodbye Graceful
  7. Bad Girls Club
  8. Born To Lead
  9. Self-Destruct Personality (new song)
  10. Good Girls, Bad Guys
  11. Tragic Magic
  12. Raised By Wolves
  13. Alone
  14. The Drug In Me Is You
  15. Not Good Enough For The Truth In Cliche (with Escape The Fate)
  16. Situations (with Escape The Fate)

 

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.