It didn’t surprise me that I didn’t make the cut to shoot Queens of the Stone Age’s set, so at the wise suggestion of a photographer from Canada, I decided to check out Empire Of Sun. Wow.
Empire of the Sun is an electronic music duo from Sydney Australia. Having achieved critical acclaim abroad, I was surprised that I had never heard of them before. Their set took place in the Sahara Tent, and I’ll be honest, I tried desperately to stay from that part of the festival grounds all weekend as it was usually overcrowded with molly-popping, inebriated, frat boys pushing their way to get in to rave. It was no exception this time around. Empire of the Sun absolutely packed the tent. Even after my time in the photo pit had ended, it took a good 5 minutes to get out of the photo pit area as security was trying to push back people trying to push their way in.
In terms of the music, truth be told, I really wasn’t paying too much attention to it at the time. I was more intrigued by the costumes, choreography and videos playing in the background. Total sensory overload. After the festival had ended, I looked up more of their music and as it turns out I actually enjoyed what I heard. One of their most recent singles, “Alive”, is really catchy.
On the photography front, being relatively short (5’8′), I noticed, for the first time, how high the Sahara stage was. I found it difficult to snap pics, which was a bit of a shame since the stage production for the band, costumes, videos and all, was pretty epic. I think I was still able to catch a few decent shots. What do you think?
Chvrches, a trio from Scotland, is band that got a lot of praise from critics in 2013, and its easy to hear why. They debut album, “The Bones of What You Believe”, is an album that is sonically precise, bringing back to life the late 80s, synth pop sounds of Depeche Mode and Erasure, and the lead vocalist, Lauren Mayberry, is … well … cute as a button with an equally cute voice.
As their set was during the middle of the day, I didn’t get to experience the light show that usually accompanies their live performance that I’ve heard so much about, but it really didn’t matter. The music carried their set and I enjoyed the half hour that I was able to watch.
Lauren Mayberry was easy to photograph. Her natural beauty makes it easy for the camera to find a shot, no matter the angle. Ironically enough, my favorite two shots of her are the ones that some, perhaps, may not think are the prettiest. Rather, one is a close up shot of her squinting in the sun, reaching for notes a song (above), and another is a close up candid of her on stage when she stepped away from the mic and the wind caught her hair as she caught her breath. What do you think?
After catching two post punk bands, I decided to switch gears and slow it down a bit and check out Banks. Jillian Banks grew up in Southern California and I first noticed her when she did a stint opening for The Weeknd‘s international tour in 2013. Her album, “Goddess,” is still on my list of LPs that I still need to pick up.
Though I thought her set would have been better suited for a time slot later in the day given the downtempo nature of her music, perhaps Goldenvoice knew that she would be a strong draw no matter what time she performed before because she packed the Gobi tent at 3:45pm.
I had a difficult time snapping quality pics of her with the mid-day, natural light beaming into the tent, stage lights, and large hat worn by Banks which cast a sizable shadow over her face, but I did what I could. What do you think?
Unfortunately, there is no setlist available online for Banks performance the first weekend of Coachella. If any of you Banks fans know what songs she performed, please let me know in the comments so that I can add it to the body of this blog entry. Thanks!
When I go through a lineup to decide which bands I want to check out, I make sure that I at least watch a video or two on youtube of the act’s music. When I googled Woodkid, I found some videos that immediately caught my attention. The videos were visually stimulating, sharp and stark, mostly in black in white, but what kept my attention was the music. Heavy instrumentals and booming drums, with a contrasting voice that was smooth and subtle.
Woodkid’s stage production, like his music videos, had the black/white effect. All of the players in the band were wearing black, with gothic images projecting on the screen behind him, and the bright white light that shone down on him not only gave me the opportunity to snap some pretty decent photos, but also gave the performance a highly dramatic effect.
Woodkid’s performance was the surprise of my Friday. I’d keep my eye out on Woodkid and his music. With the right type of exposure, I can imagine him doing big things state-side.
Jagwar Ma is three piece, Australian psychedelic/dance band that formed in Sydney. Their first full length album, Howlin’, in my opinion, reminded me a bit of the Stone Roses, and being a Stone Roses fan, I wanted to check out their live set. After my time in the photo pit had ended (side note: I had problems with my camera settings, and a lot of the pics that I thought were good came out underexposed <- insert sad face here), I spend another 15 minutes laid out on the grass under the shade of the the tent to let their clean, unique sound envelope me. If I hadn’t had a schedule of bands I wanted to shoot over the weekend, I would have bought myself a beer, and stayed there sprawled on the grass, in the shade, until the their set had ended. I’ve been a bit hesitant to purchase their LP, but I think I’ll need to remedy that the next time I’m at the local record shop.
What intially hooked me to How To Dress Well’s music was twofold. First, the music leaned dark, simple and atmospheric; the kind of music you could press play on a rainy day, lie on a couch and let it sooth you to sleep. Second, I was very partial to Tom’s tender and vulnerable vocals stylings. A lot of male singers can use their falsetto, but not all male singers can use it the way Tom does.
Before the set started, I scanned the room to see what kind of audience was in attendance. I didn’t have to ask. By the looks of it, I may have been the oldest one in the room. I was a bit impressed insofar as the music that’s been released thus far is quite mature (both lyrically and musically). I asked the two fresh faced kids standing to the right of me (who weren’t wearing drinking bracelets) how they got into How To Dress Well’s music, and they said Spotify. I asked the young girl standing to my right the same question. She said Spotify. A quick non-sequitor … even if major recording artists are complaining about the amount they get paid from streaming services like Spotify, it would appear that Spotify led at least 3 kids to spend their extra cash to buy a ticket to see an act like How To Dress Well perform at a Hollywood club on a Tuesday night. Just saying …
The music of the evening was stellar. I knew that Tom was in the process of recording new material, but I wasn’t expecting that he’d be showcasing a lot of the new songs at the gig. It was truly a pleasant surprise for me. He had the drummer from Broken Social Scene play with him (he used a drum machine at FYF Festival) and that added a new life to the music’s live effect. I was again impressed with the way he used his two-mic set up (one mic without reverb and one mic with) to give his songs layers of depth and feeling.
And I was right about wanting to see him perform in an intimate venue. The concert-going experience was magnified 10 fold for me. For How To Dress Well’s music, you want to be captivated. You want to focus on the emotion that Tom is purging from his body and hang on very word/note. Being in an intimate venue afforded Tom the ability to interact and really connect with the audience. When introducing songs, I really got the sense that Tom wanted the audience to connect with its meaning, and it’s a lot easier to do so when the audience is captivated rather than tent-hopping at a festival. When I say intimate, I don’t necessarily mean a small club venue. In fact, if could pick another venue for Tom to perform in, I’d love to see him perform at The Orpheum.
I didn’t quite catch the names of all of the new songs (some of them were still untitled) but I did my best to list them below, together with little concert notes that I took.
“Two Years” (?): A song about his father
“The Power” (?)
“What You Wanted” (?): A song about how you feel when you have a desire that you can’t control
“Cold Nites”: After he sang this song, he told that audience that he got shivers while he was singing it stating, “That felt really good”
“If You Were My Girl” (?): A dance song
“No More Death” (?): He asked for the venue to turn the lights down since it was a “really dark song”
“I Don’t Know What’s Best For Me” (?)
“Suicide Dream 1”: A song about a friend
“Childhood Faith in Love” (?): Inspired by “You Can Have The Best Of Me” by the Starting Line
“Repeat Pleasure”: A song about controlling emotions even though you know that “if you do something once, you’ll probably do it again”, Tom suggested that this was perhaps the most “poppy” songs he’s written and that it was going to be a big hit
“Words I Don’t Remember” (?)
“Set It Right”
Encore
“Baby” (?): Tom mentioned that in the next part of his life, he wants a baby, but that this song is his fear of the fragility of babies, derived from a fear of wondering if a baby is alive while its sleeping (A cappella)
“Lovers Start” (A cappella)
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
Gemini Club is a four-piece indie-electronic band from Chicago, Illinois that have been earning a lot of praise recently opening for the likes of Chromeo, Two Door Cinema Club and Chateau Marmont. When I was doing research to decide which bands I wanted to see perform at Culture Collide, I found a couple videos of this band’s live performance and I was immediately interested. Though the band’s stage set-up was flanked by two stacks of keyboards, Gemini Club’s live music isn’t preprogrammed. Centered around a drummer, the electronic dance music is a live as live can be. Taking full advantage of MIDI, who says a laptop isn’t an instrument?
I was new to their music, so I wasn’t too familiar with the lyrics of their music, but in this particular instance, I was more focused on their vibe and sound, dancing and grooving to their tunes. Phoenix, Simian Mobile Disco, Hot Chip, Two Door Cinema Club … Gemini Club’s music is on par with the bands listed. Though the set was cut a little short due to set times running late at the venue, their set was filled with the kind of energy that only a confident band with devoted fans could evoke.
There are a lot of electronic bands flooding the music market these days. Gemini Club is an independent band that lacks the backing of a major so it’s their live performance and the word of mouth circulated by their fans that’ll get them noticed in the marketplace. Their live show is solid, and it’s my opinion that if they keep touring relentlessly, they’ll be able to lock in fans for the long haul. Follow them on Facebook, and check out their music. You may want to check them out when they are in your neck of the woods.
Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.
Phoenix, Daft Punk, Justice … France turns out some great electro, synth pop bands. Oh yeah … M83 is pretty damn good too. Named after the spiral galaxy Messier 83, M83’s music is as cosmic as that system of stars. Adding a full orchestra and choir to their already sonically complex arrangements like “Midnight City” only raised the level of their cosmic sound.
I wasn’t planning on attending the show. In fact, I had been offered to get in on tickets when they first went on sale, but passed it up since I purchased some tickets for other shows and funds, at the time, were running low. But as fate would have it, a dear friend of mine called me up last minute the day before the concert to see if I wanted to attend the sold out show, and I got to attend the last installment of KCRW Radio’s World Festival series. The stars were definitely aligned for me …
The indie pop/Electronic rock band Phantogram opened for M83. It was my first time listening to their music, but I could tell why they were opening for M83. Their songs were all dance friendly, and had catchy hooks. Sarah Barthel’s vocals were strong and sexy. The band didn’t seem intimidated by performing on the famous stage, but they expressed their humble gratitude by acknowledging the hallowed stage they were on, and thanked the audience for listening.
M83’s performance, back by the Hollywood Bowl Orchestra and its choir, was stunning. For a band whose music is already big with layered synths, guitars and voices, I wondered how the orchestral arrangements would come off and how it would alter the original arrangements. Surprisingly, the orchestra didn’t overpower the band’s sound. Rather, at least in my humble opinion, they seemed to be used only to accent the original sound. Truth be told, it was hard to me to actually note when the orchestra was playing and when they weren’t. M83’s sound, alone, is that big.
M83 used a lot visual media in their performance. Though it was hard for me to actually glean what the purpose of some of the visual montages were, I supposed that it was used to evoke mood and metaphors for the audience to come up with. As visually stunning as the montages were, personally, I think that the performance could have done without it, as I hardly spent time watching the video screens.
M83 brought up a couple of special guests during their performance: grade-school aged Zelly Meldal-Johnsen (performing “Raconte Moi une Histoire”) and Brad Laner (from the band Medicine) and though each special guest’s performance was entertaining (Zelly’s song about the frog was especially cute), I was hoping that the special guests, especially at the Hollywood Bowl, would have been more exciting or well-known…. After all, it IS the Hollywood Bowl.
Special guests notwithstanding, M83’s performance was the kind of show you hope to see- and is typically delivered- at the Hollywood Bowl. Grand in scale. Aurally pleasing. Toss in a seat in a Terrace Box, with great friends on a lazy Sunday? Perfect.
Raconte-moi une histoire (with Zelly Boo Meldal-Jophnsen)
Skin of the Night
Midnight City
Lower Your Eyelids to Die With the Sun
Encore:
Oblivion (Susanne Sundfor)
Outro
Couleurs
Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.
To check out pictures of other bands I was able to catch at the festival, CLICK HERE.
Nic Offer of !!! (ChkChkChk) getting into the audience during their set.!!!’s latest album cover.
Over the past 5 months, while perusing a local store, I kept noticing an album cover for a band that I wasn’t familiar with (see right). The band’s name was !!! (pronounced ‘ChkChkChk’) and a record store employee told me that they were from Northern California and described their style of music as dance. I didn’t ask to hear any of the music play on the store sound system, and for some reason I neglected to look them up online each time I got home, but I was often reminded of them often because the cover to their LP was always staring me in the face whenever I entered that record store .
Fast forward to the FYF Festival, I noticed that they were listed as an early evening set. I decided to check them out, and anticipated an energetic set. I was not disappointed. A large band consisting of 8 members, the music was groove centric, the band was tight, and the lead singer was singing and busting moves all over the stage. In fact, the lead singer’s energy was off the charts and it spread into the audience as everybody around me was bouncing to their tunes. My first impression was that !!!’s sound was if David Byrnes of the Talking Heads started up in the 2010s, with splashes of LCD Soundsystem and Hot Chip. Take a listen/look at the video clip below to make your own opinion.
Nic Offer of !!! “saluting” the crowd.
The photographers in the press pit left after their second song, and Nic Offer, the lead singer, yelled out, “Hey, where you guys going?!?! I’ll only get cuter and cuter as the set goes on!” He laughed into the mic, and the band kept the set rolling. His stage manner had a likable, cocky air to it and it was infectious, as everybody was, while eyes transfixed on the stage, moving to the rhythm. The vibe was so positive that time seemed to pass instantly. When their set had ended, I was left wanting more, and it was a good indicator that I should probably purchase that LP to add to my collection and catch them when they are back in town.
To check out pictures of other bands I was able to catch at the festival, CLICK HERE.
Pional performing at FYF Festival.
Pional was the act right before How To Dress Well, so I decided to watch his set and try to get a good spot for the next act. Pional is a Spanish producer, remixer and electronic musician from Madrid and is highly regards as a “mainstay” of the national electronic music scene in Spain.
I hadn’t heard of him before, but his music reminded me a little of Yeasayer. When he was singing, he was very reliant on vocal effects so it was hard to gauge whether his singing ability was any good. It was a decent vibe, but I had a tough time really enjoying the music because I spent most of the time trying to think of what other artist’s it sounded like. The crowd around me, who were much younger than myself (no drinking bracelets), were having a good time, but I think that could have been partially because of the GHB (or whatever clear liquid substance) they were passing around.
Pional performing at FYF Festival.Pional performing at FYF Festival.
#DKLPHOTOS 