In Memoriam | Kurt Cobain | 1967-1994

Kurt-kurt-cobain-1285543-1024-768February 20, 1967, one of the most iconic figures in rock music was born. Kurt Donald Cobain, best known as the lead singer and guitarist of Nirvana.  Nirvana’s legacy is well documented.  They made “alternative music” cool, bringing that which was part of the “underground”  into the foreground, and popularized a new genre of music that we call “grunge”.

Whether he wanted it to or not, Kurt Cobain became the voice of a generation.  For all of the Gen X kids, his voice spoke to our frustrations and Nirvana’s music was the outlet. His early death immortalized his legacy, and it is a shame that there isn’t more music with him featured out there.

Below are three video clips of my favorite Kurt Cobain moments:

1.  For Nirvana’s MTV unplugged TV performance, Nirvana closed with “Where did you Sleep Last night’.  The song itself is heavy and brooding, and quite repetitive. Kurt’s vocals starts off muted, and suspicious, but slowly  rises to intense accusation.  As he escalates the tension throughout the song, it culminates (at around the 4:40 mark) in the deepest and most intense breath in taped music performance history.  A breath, which to me, signifies a final realization that he in fact knew where his lover was.  So intense.  The exact way I want to remember Kurt Cobain.

2. If you  google “Kurt Cobain, interview” and watch whatever is pulled up from the search engines, you will see that Kurt Cobain was real person.  Very human.  The following interview is quite long (20 minutes), but it’s the kind of interview that made his fans adore him.  No pretentiousness.  Honest talk. 

3. When Nirvana was asked to play for England’s “Tops of the Pops”, and play to a pre-recorded, instrumental track, the band decided to have some fun at the show’s expense.  With the band faking to play their instruments, and Kurt doing his best (or worst) Johnny Cash impression, this is pure comedy awesomeness. 

4.  I’ve only read about this, but damn … I wish I was there.

“Amidst rumors that Nirvana was breaking up, not to mention Kurt Cobain’s questionable mental and physical state at the time, the band makes a scheduled appearance at the annual Reading Festival. Many fans, doubting that Cobain will even show, is rolled out on stage in a wheel chair. Krist Novoselic addresses the sea of the people, “With the support of his friends and family, he’s gonna make it.” Cobain stands up, sings a Bette Midler tune, and collapses on the stage. He then rises to his feet and leads Nirvana in a performance that Novoselic calls his highlight of the year. If Cobain dressed in a hospital gown wasn’t funny enough, the band later performs Boston’s “More Than A Feeling” (Boston had said “Smells Like Teen Spirit” was a rip-off of their hit song). Cobain also delivers a classic line of stage banter during the set: This is our last show–until the next one.”  – From IFC’s list of “Top 10 Nirvana Moments”. http://www.ifc.com/fix/2009/04/lists-top-10-nirvana-moments

As an added bonus, here a list of Kurt Cobain’s 50 favorite albums (written in his own hand).  I’m proud to say I have a lot of them:

tumblr_lkartoEOnc1qc17jm

I hope you’re resting in peace, Kurt.

Music Tidbit: “Tuesday Heartbreak” by Stevie Wonder

Screen Shot 2013-02-19 at 4.25.48 PM

“Tuesday Heartbreak” was track 4 on Stevie Wonder’s 15th album “Talking Book“.  The album’s first track was “You Are the Sunshine of My Life“,which earned Stevie Wonder his first Grammy Award for Best Male Pop Vocal Performance.  “Talking Book” is a must have for anybody who wants vintage, hit-making Stevie.

“Tuesday Heartbreak” is one of my favorite tracks off of the album.  Written by Steve, a notable player on the track is world renowned alto saxophonist  David Sanborn. “You Are the Sunshine of My Life” was released as a 7 inch vinyl single.  On the “B-Side” is “Tuesday Heartbreak”.  My copy of this vinyl single is perhaps may favorite Motown collectible.  I shot the video using a small digital camera…. it sounds a lot better in person… 😉

Album Review: Alphonso Johnson’s “Yesterday’s Dreams”

Front

Hardly known, and often overlooked, Alphonso Johnson was an electric bass player of the highest order in the 70s. He has played alongside some jazz music’s greats, including, Horace Silver, Woody Herman, Chuck Mangione, and Chet Baker. His popularity rose to its heights during the late 70’s had was able to record solo albums while simultaneously playing Weather Report.

“Yesterday’s Dream” epitomizes Alphoso Johnson’s expertise in jazz fusion and funk.  While the album, as a whole, is average, passages do reveal why Alphonso Johnson’s playing ability in those genres was at the time, and currently, in such high demand.

The album is mostly instrumental.   Though there are some notable features and musicians on the album (i.e. Sheila E, Philip Bailey, Mark Jordan, and Grover Washington Jr.), the songwriting doesn’t live up to Alphonso’s, or his sidemen’s, talent.  It’s a shame too, because with all the talent on the album, I wish I could remember something to hum other than just the introductory bass line riff at the start of “Balls To The Wall”.

“Yesterday’s Dream” is an interesting listen, but I’d rather save my money and buy another Victor Wooten album.

Below is the track and ratings with my video clips of the songs I enjoyed the most.

1. “Loves The Way I Fell’ Bout Cha”-***

2. “As Little as You”- **** 

3. “Scapegoat”- ***

4. “Show Us The Way”- ***

5. “Balls to the Wall”- **** 

6. “Tales of Barcelona”- ***

7. “Flight to Hampstead Heath”- ***

8. “One to One”- **** 

 

Album rating: ***.

In Memoriam | George “Shadow” Morton | 1940-2013

Shadow_Morton_Vanilla_Fudge_3

On February 14, 2013, George “Shadow” Morton passed away.  The casual music fan won’t realize it, but Shadow’s legacy in music history is quite profound.  Having introduced The Shangri-Las to the world in the 1960s, he set the stage for the evolution of women of music, giving women a “tough girls” persona, as compared to their contemporaries.  Music historians and critics point to Shadow as one of the original building blocks of  punk, pointing to the New York Dolls, and women in punk, particularly pointing to Blondie, as being influenced by The Shangri-Las.

He wrote all of The Shangri-Las biggest hits.  His discography credits him with having worked with, or written songs that were covered by,  artists ranging from Aerosmith to Janis Ian to Vanilla Fudge to The New York Dolls.  RIP, Shadow.  Your legacy should not be forgotten.

21 Songs for the Heartbroken

Now, it’s not like someone broke my heart recently or anything, but I know that for some (myself included) listening to sad love songs after you’ve had your heart torn out of your chest by someone can often times be therapeutic … This post has been moved to the www.BLURREDCULTURE.com site. Head on over by CLICKING HERE! Continue reading

In Memoriam | J Dilla | 1974-2006 | “We reminisce over you”

J+Dilla+JDilla+CUT

A lot of people don’t know this, but before I went to law school, I worked at a small boutique entertainment law firm in Santa Monica, CA.  One of our clients was the production company that had signed Slum Village as an artist.  One of the first albums I got my entertainment law hands dirty with was “Fantastic, Vol. 2”.  I took great pride while working on the project because I knew there was something special with the talent in that group, particularly the talent of the producer J Dilla, who produced the ENTIRE album, which is amazing.

When I entered my second year at law school, I decided to work part-time, splitting my time  hustling in the class room, and hustling in the office.  Though J Dilla decided to move on from Slum Village, he produced a couple tracks off of Slum Village’s next album, “Trinity (Past, Present and Future)”.

James Dewitt Yancey, pka J Dilla, born February 7, 1974, passed away February 10, 2006 from a blood disease, and I remember feeling a great sense of loss.  He was part of my professional evolution and maturation, and is a reason why I love this business so much.  To work, albeit somewhat remotely, with talent makes it all worthwhile.

His instrumental album “Donuts” and his first solo album “The Shining” are 4 and 5 star albums based on my own personal rankings.  NPR, in their obituary, stated that J Dilla “was one of the music industry’s most influential hip-hop artists, working for big-name acts like A Tribe Called QuestDe La SoulBusta RhymesThe Pharcyde and Common.”

This is a terrific four part interview of J Dilla from back in 2003. You want and in-depth take of his come up and the way he produced, and what inspired, his music? You need to set aside 40 minutes of your day and listen to this interview.

https://www.youtube.com/watch?v=YKGm3wc3qOE&list=PLE2DFC45C5359365C

https://www.youtube.com/watch?v=4FdAeJR3jng&list=PLE2DFC45C5359365C

https://www.youtube.com/watch?v=UqFhmYDDrMU&list=PLE2DFC45C5359365C&index=7

https://www.youtube.com/watch?v=dtEQTvjMSM8&list=PLE2DFC45C5359365C

Here’s a great video of man who lucked out and scored a storage unit of J Dilla’s record collection. I hope all of that wax is being taken care of.

http://www.youtube.com/watch?v=HfPPldrw9mU

Below are some of my favorite J Dilla Tracks.  RIP, Mr Yancey.  Truly a visionary.  Lost but not forgotten.  “We Reminisce Over You”.

Note:  If any of the links don’t work, let me know, and I’ll find an alternate version:

Social Distortion at the House of Blues (Sunset) 01/26/13

IMG_2505

Social Distortion sold out over 25 shows for a residency of various Southwest House of Blues (“HOB”) venues.  Their shows at the HOB Sunset location sold out almost a quickly as they went on sale.  I remember when those tickets went on sale … and I remember when I called in to find out that those tickets had sole out…  Thankfully, Social Distortion and HOB decided to add additional shows, and I was lucky enough to grab a few tickets!

Based on what I’ve researched, Social Distortion used to do a Southwest residency at a venue once a year, but the last time they did residency was five years ago.  Apparently, they’ve been touring relentlessly the past two years domestically and internationally.

IMG_2536

I’ll be honest with you… I didn’t grow up listening to punk and rockabilly.  I mean, I always knew that Social Distortion were one of the pioneering bands of the Southern California punk rock movement during the late 70s and 80s, but (and I’m somewhat embarrassed to admit it …) it wasn’t until I played “Story of My Life” on Guitar Hero III that I started to really pay attention.  When I read that Pearl Jam did a couple of shows with them back in 2009, I really started to pay attention.  Hell, if they were good enough for Eddie Vedder and Mike McCready, then it must be good for me!

Mike Ness, the lead vocalist and guitarist, and the only original member of the band, performed with the energy of a rock-and-roller half his age (50).  It was a good crowd at the HOB with the pit swirling around with male and female bodies alike.

They played songs I knew and songs I didn’t.  Most the crowd was singing along, but even though I didn’t know all of the words by heart, it really didn’t matter.  Getting lost in the music, dancing with abandon, in a cloud of some smoke from the hidden doobies people in the crowd were lighting, it was what I would have imagined it was like back in the late 70s and 80s had I gone to a show back then.  It was like everyone was immersed in some kind of nostalgic, punk era haze, where nothing mattered except the music. It was a good feeling.

It’s pretty crazy, but even though Social Distortion has been around since 1978, they’ve only released 7 studio albums and 1 live album, and I  only have two digital tracks: “Story of My Life” and “Ring of Fire” (by the way, not many artists can cover Johnny Cash and Social Distortion’s recording (and live performance) of “Ring of Fire” is as faithful to the original attitude as it gets.

I think it’s time for me to start buying the albums…. starting with “Mommy’s Little Monster”.

IMG_2520

REM’s “Losing My Religion” (the original) Turned Happy

http://vimeo.com/57685359#

A friend of mine posted this digital reworking of REM’s “Losing My Religion” on Facebook and I had to share it. The video takes the original tune, set in a minor key, and digitally reworked it (the original, mind you) and transformed the instrumental and vocals to fit in a major scale.

This blew my mind. Prepare to have you minds blown as well.

Warning:  It may mess with your head for a few minutes afterwards…

Music Tidbit of the Day

http://www.youtube.com/watch?v=QX-xToQI34I

Did you know that Katy Perry’s album “Teenage Dream” became the first album in history recorded by a female artist to spawn 5 number one Billboard Hot 100 hits (“California Gurls”, “Teenage Dream”, “Firework”, “E.T.” and “Last Friday Night (T.G.I.F)”?

That’s impressive.

Happy Bday, Sam Cooke!

http://www.youtube.com/watch?v=gbO2_077ixs

Sam Cooke, deemed by many as the “King Of Soul” who died too early at 33, was one of the first black artists to attend to the business side of his music career starting both a record label and publishing company for his music.

During his short life, he was active in the Civil Rights Movement, and perhaps wrote on of the most poignant compositions of his era: “A Change Is Gonna Come”, which was listed as #12 on Rolling Stone’s “500 Greatest Songs of All Time”. It is a song that still resonates today as a call for people to take action to chance society’s general indifference to those who have no voice.

The lyrics of “A Change Is Gonna Come” is posted below:

“I was born by the river in a little tent
Oh and just like the river I’ve been running ever since
It’s been a long, a long time coming
But I know a change gonna come, oh yes it will

It’s been too hard living but I’m afraid to die
‘Cause I don’t know what’s up there beyond the sky
It’s been a long, a long time coming
But I know a change gonna come, oh yes it will

I go to the movie and I go downtown
Somebody keep telling me, “Don’t hang around”
It’s been a long, a long time coming
But I know a change gonna come, oh yes it will

Then I go to my brother
And I say, “Brother, help me please”
But he winds up knockin’ me
Back down on my knees

Oh there been times that I thought I couldn’t last for long
But now I think I’m able to carry on
It’s been a long, a long time coming
But I know a change gonna come, oh yes it will”