Sturgill Simpson | KCRW’s “Country In The City” Concert Series | 7/19/14 [REVIEW]

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Photo by Donato Sardella/Getty Images for Annenberg Foundation
Photo by Donato Sardella/Getty Images for Annenberg Foundation

KCRW has once again curated a summer concert series with talent overflowing. Inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” which will be on display through September 28th, 2014, KCRW’s “Country In The City” Concert Series brings to Los Angeles a country music line-up that any Nashville resident would be proud off.

Kicking off the concert series with Sturgill Simpson, KCRW brought a brand of outlaw country music that has had critics raving since his debut 2013 album, “High Top Mountain”. Since then Sturgill has been going at it hard, touring relentlessly, recording his follow-up album in four days, and releasing “Metamodern Sounds in Country Music” in May of 2014, gaining more and more fans along the way.

Perhaps it’s his gruff voice. Perhaps it’s his passionately effective lyrics. Perhaps it’s his unassuming and down-to-earth honestly. Whatever “it” is, it seems to be working.

Sturgill took the stage with his band (Miles Miller on drums, Kevin Black on bass and Laur Joamets on Guitar) and immediately announced to the audience that he was honored to be opening for Gregg Allman. After powering through the first song, he earnestly apologized to the audience for being less than 100%, promising the audience that he was still going to, “hit it hard, and try to get to 90%”.

His “country” humor came out when he introduced “Long White Line,” stating, “This ones for the ladies …. That’s bullshit. It’s all for the ladies”, and afterwards he introduced his band members, noting that his guitar player, who was effortlessly strumming country licks, Laur Joamets, was from Estonia.

“Just keeping it real,” Sturgill smirked with a sly look to his players.

He mixed in a little bluegrass, and some covers. Before playing his cover of Lefty Frizzell’s “I Never Go Around Mirrors” noted that this time last year when he played “the Hotel Cafe, there was 20 people there.” A look of appreciation beamed from his grizzled face as looked into the audience.

He even gave the audience a little history behind several of the tunes. For example, before closing the night with “Railroad of Sin”, he explained that when he was starting his path as a songwriter, his wife said that he had to have a song with a train in it cause every country artist had one. When it was all said and done, and before closing the set with “Railroad of Sin,” he told the audience how lucky they were to have Gregg Allman coming up proclaiming that, “That ain’t no bullshit.”

Happy he was going to have the rest of the evening off, he joked that he and the band usually stayed sober after gigs in order to travel to the next venue … but not tonight.

I certainly hope you had a chance to unwind Sturgill. You deserved it.

(Approximate) Setlist:

  1. Sitting Here Without You
  2. Water In A Well
  3. Long White Line
  4. Poor Rambler (Carter Stanley cover)
  5. Medicine Springs
  6. Life Of Sin
  7. Living The Dream
  8. I Never Go Around Mirrors (Lefty Frizzell cover)
  9. Railroad Of Sin

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Cults | Twilight Concert Series | Santa Monica Pier | 7/10/14 [PHOTOS & REVIEW]

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

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Headlining the first concert of the 2014 Twilight Concert Series at the Santa Monica Pier was the lo-fi, psychedelic, indie pop duo Cults. Madeline Follin and Brian Oblivian’s 60’s infused, experimental pop music received great acclaim in 2010 and 2011 with strong reviews by publications like NME and Pitchfork.

I was particularly attracted to their latest album “Static” (released in 2013) as it basically told the story of the duos tumultuous relationship, which ultimately didn’t last. The darkness and somber tones of the music and lyrics of that album, for me, is a great straight listen (meaning, you can press play on the album and not have to fast forward any of the songs).

However tumultuous their break up may have been, it was obvious that any personal antagonism between them had been squashed as there was no tension between the two while performing. In fact, the only tension I could sense was with the person working the mixing board as I could tell Madeline, perhaps, had a difficult time hearing herself. Was it just me, or were there no monitors on stage?

The Cults’ music, especially with their latest release, is quite intricate and layered with sound. And where the recordings delicately balanced the music against the vocals, with the vocals at times just hovering over the music, the mix for their performance had the music slightly overpower the vocals. For example, when the instrumentation was minimal, like on the verses of “So Far”, I could hear Madeline’s vocals just fine. But when there was a swell of music, it often drowned out the vocal performance.

Despite any hiccups with mixing, Cults powered through their set and performed all of their hits from both their first and second albums, and even returned to the stage for an encore. Having grown up in Southern California, they thanked the crowd and expressed their sincere appreciation for being able to perform back in their stomping ground.

CLICK HERE to check out a collection of Instagram videos of most, if not all, of the songs Cults performed at this concert.

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

Cults | Twilight Concert Series | Santa Monica Pier | 7/10/14 [INSTAGRAM VIDS]

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

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Below are Instagram clips from most, if not all, of the songs from Cults’ set at the Santa Monica Pier as part of the Twilight Concert Series. Enjoy.

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

Metronomy | The Fonda Theatre | 6/17/14 [PHOTOS & VIDEO]

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When it comes to buying music, I’m old school. I like to sift through racks of CDs or vinyl records to discover music. As a vinyl collector/lover, I often find myself spending hours at local record stores looking for new albums to add to my collection.

One Saturday, I was over at Origami Vinyl to purchase concert tickets to see The War On Drugs. As per usual, I got sidetracked and started looking at some of the records that were on display.

Then, as if it were pulled from the scene in “High Fidelity” where John Cusack’s character plays the Beta Band single “Dry The Rain”, some music started playing out of the store speakers that caught my attention.Neil Schield, the owner of the echo park record store, was manning the register when I asked what album it was. He told me it was the Beta … Metronomy, and that he was spinning their latest album, “Love Letters”. I left the store two of Metronomy’s albums, and I’ll have to say that “Love Letters” is on my list of favorite albums of 2014 (so far). I had to get a ticket for their show at the Fonda when I found out about it.

http://www.youtube.com/watch?v=ppJAkN4m9bY

Yup. It kinda happened just like that.

When the English band (Anna Prior, Gabriel Stebbing, Joseph Mount and Oscar Cash) too the stage, the audience erupted with an enthusiastic cheer. The men, dressed in their matching white suits, and the female drummer, in a similar white matching ensemble, jumped into a set of breezy synth pop that had the sold-out crowd dancing where space permitted.

Their music was extremely polished and on point. The mix at the Fonda was excellent, and the great sound of the venue definitely enhanced the band’s live performance. The played with joy and vigor, and it was clearly self evident with the steady smiles on their faces. They noted that this was their last performance on this particular tour and emphasized how much they were pleased to be playing the last gig of their current tour in Los Angeles.

I roamed the venue during their set to get an idea of whether their energy transferred up into the balcony. It did. Even in the balcony, fans were dancing the the isles. Even I couldn’t resist shaking my booting when I wasn’t trying to find a shot.

Metronomy is back in the United States for more touring in September and are back in Los Angeles October 21st at the Regent Theatre. I suggest you follow them on Facebook to know when they are back in your neck of the woods.


Getting a photo pass only allows photographers to take pictures during the first 3 songs of each set. I wish I had more time to take more pictures of Metronomy. Their stage set up allowed for great lighting at certain moments. I wish I had noticed the lighting patterns earlier. Oh well. Enjoy the pictures!

Cloud Control | The Fonda Theatre | 6/17/14 [PHOTOS]

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Opening for Metronomy at The Fonda Theatre was an award-winning indie alternative rock band from Australia: Cloud Control.  This Aussie quartet consisting of Alister Wright, Heidi Lenffer, Ulrigh Lenffer and Jeremy Kelshaw, released their first album, “Bliss Release” to great regional praise. So much critical adoration, in fact, their debut was nominated for two ARIA awards in 2010 for Best Rock Album and Breakthrough Artist, and was the winner of the 6th annual Australian Music Prize, among other accolades. They released their sophomore album, “Cloud Control”, on September 17, 2013, and had been supporting its release with international tours.

As this was my introduction to their music, I went in with open ears and came out a fan. Their performance was solid and their music was rather good. I could definitely understand why they are popular in Australia. Their music definitely has a psychedelic vibe, but it’s more Tame Impala than The Dandy Warhols. Their set had both upbeat dance numbers and mellow “chill-out” cuts, and I found that it was a great setlist. So great, that I even purchased a copy of the their newest album on wax (and got it signed!) after the show.

I always find it interesting when  bands have great support in their home countries, but take a while to break out in other territories. I spoke briefly with Heidi (the keyboardist and vocalist) and asked her what her thoughts were about that point. She exclaimed that that’s exactly what they were aiming to impact during this last round international tour dates. She explained that she hoped that touring with Metronomy and sneaking in festival and other performance dates earned them new ears and fans.

I hope it worked for them. Hey, at least it worked for me. Follow them on Twitter (@Cloud_Control) or Facebook (CloudController) and make sure you catch them when they are in your neck of the woods.

The setlist for their performance is below:

  1. Dojo Rising
  2. The Smoke
  3. Moon Rabbit
  4. Promises
  5. Gold Canary
  6. Nothing In The Water
  7. Scar

I wasn’t able to find any video clips of their performance online, so enjoy a playlist from their Souncloud account below.

The lighting for their set was rather dim, so I had to set my ISO higher than normal. Still think I took a couple decent pics though.

Chet Faker | The Roxy | 5/29/14 [PHOTOS]

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Nicholas Jame Murphy is Chet Faker, and chicks dig him. After hearing a couple of cuts from his latest album “Built on Glass” on NPR- God bless public radio- I scoured the internet to listen to more of his work. I was instantly hooked. To me, his take on electronic music reminded me of James Blake with a more soulful edge. When I heard he was wrapping his U.S. tour with a performance at The Roxy, I jumped at purchasing tickets as soon as they went on sale. Tickets for the show went so fast that The Roxy added scheduled another concert earlier in the week to accommodate the high demand.

Chet Faker is a producer, and his performance was, for the most part, just him, his console and his keyboard. For a couple of songs throughout his set, he brought on additional musicians (a guitarist and drummer) to fill out the sound, but in the dimly lit venue, it was essentially just him and the audience. Some reviews suggest that his performance was perhaps not best suited for a live setting, but I think that sentiment needs a qualifier.

Perhaps if he was performing at the Hollywood Bowl, or a venue whose capacity exceeds 1000, the performance could have used a full band or better stage design (i.e. lighting and effects), but we’re taking about the Roxy Theatre here (an intimate venue whose capacity is only 500), and in my opinion, the intimate setting, coupled with the intimate music, with the artist performing alone to the audience, was completely appropriate, and really the only way Chet should have be introduced to his legion of new fans for the first time. In fact, I thought his cover of Jeff Buckley’s “I Want Someone Badly” (the highlight of the show for me, considering that Jeff Buckley is a major favorite of mine) could have only performed by himself.

Speaking of fans, they were a mix of crazed young females who occasionally screamed, “I want to lick your beard,” to drunk frat boys who were trying to flirt with the girls who were fixated on main act. I could have done with the loud drunk frat boys (ok, maybe not frat boys … but definitely college aged kiddies who had no concept of how to handle their booze)  as I actually had a 5 second stare down to get one of them to shut the hell up during one of the songs, but the show was everything good that I anticipated.

Chet Faker is scheduled to perform at the sold-out FYF Fest in Los Angeles, August 23rd, and I am able to find- god, willing- a tickets, I’ll be anxious to see how his set then compares to what I saw at The Roxy.

 

Chet Faker Setlist The Roxy, West Hollywood, CA, USA 2014

The photos below were taken with a DSLR camera. As per usual at The Roxy, I found it difficult to get the shots I wanted with the equipment that I have. I’ll master my gear eventually … hopefully … lol.
I could only find one video of Chet Faker’s performance at the Roxy, so I included some other videos of his live performance for your viewing pleasure. If you know of another video clip of Chet Faker performing at The Roxy, please let me know in the comments so I can add it to the post.

Charles Bradley | The Fonda Theatre | 5/17/14 [PHOTOS]

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Charles Bradley is living proof that the American Dream is still alive.  After learning about his life from the documentary “Soul of America”, I made an effort to catch his afternoon set at FYF Fest in 2013. His performance was a highlight of that day. When I heard that he was to perform at the Fonda Theatre, I knew that it was a show that I couldn’t miss, so I bought myself some tickets, knowing that it would be a show that would ultimately leave a smile on my face, and put a groove in my step.

I’d been dreaming about seeing Mr. Bradley perform in a club venue since the first time I saw him perform. His performance at FYF Fest opened my ears to his music, but it was talking to him at the festival that really left an impression on me. He specifically told me that if I loved his show, that I should catch him in a more intimate venue. With a photo pass in hand, in a venue like The Fonda, I figured that this would be about as imitate as it would get for me.

Mr. Bradley’s performance was otherworldly. Watching him perform though the lens of my camera, I could see the all of the emotion emoting from his soul. The intense emotions expressed while singing “Why Is It So Hard” to the wild dance moves he bust out throughout the set, amazed me that a man at 65 could perform with such fervor. His voice, weathered by the rough life he has lived, covered the entire emotional spectrum, from passionate moans, to indignant rebellion, to tender cooing. It was all there.

Perhaps the most impressive thing to me was the love he openly expressed: his love for his band (the Extraordinaires), his love for the music, his love for the opportunity to perform … but most importantly, his love for his fans. It was a sentiment that was echoed by him throughout the evening.

“I love you!” he shouted out to the audience, “I love you so much. If it wasn’t for you,” he said pointing to the audience, “I,” moving his hands over his heart, “wouldn’t be here, singing for you all.”

His love was infectious. So much so, that he even had me yelling from the photo pit, “I love you, Mr. Bradley!” He glanced down in my direction after I yelled like a child, so I think he may have heard me.

But I wasn’t the only one reciprocating the love back to the stage. For as much as Mr. Bradley gave to the audience, the audience gave it right back to him tenfold. After finishing up his encore, he jumped off the stage to hug fans who were lined up at the front; each fan giving Mr. Bradley a tight embrace. A fitting conclusion, to a concert that was all about … love.

I couldn’t find a setlist online, so if anybody has it, or knows what it was, please let me know in the comments so I can add it to this post.

Charles Bradley is scheduled to perform a FREE concert on the Santa Monica Pier on September 11, 2014. I suggest you schedule your plans accordingly and attend that show.

 

Bizarre Ride Live | Welcome to Dillaville | El Rey Theatre | 5/12/14

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Following Slum Village’s tribute set to J Dilla, FatLip and SlimKid3 (two of the original members of the essential hip-hop group The Pharcyde), J-Swift and K-Natural performed cuts from Pharcyde’s seminal album, “Bizarre Ride II The Pharcyde.” I had already seen Bizarre Ride Live (what the band calls the performance) last year; in fact it was one of the first topics I blogged about when I started writing this blog, but I was still geeked to be seeing “Ya Mama”, “Oh, Shit”, “Otha Fish, “Soulflower”, and my personal favorite, “Passin’ Me By” (clips of some of the tracks are in the video below) performed live again.

Pharcyde’s relationship to Dilla runs deep. At one point, Dilla was even the group’s DJ. Dilla helmed the majority of production duties for The Pharcyde’s sophomore album, “Labcabincalifornia”, producing the hit single “Runnin’,” which peaked at #55 on the Billboard Hot 100.

Though I wished that all of the original members were performing the hip-hop tracks I listened to all throughout high school, there was absolutely no reason to complain. Each of J-Swift and K-Natural admirably performed the verses originally recorded by Imani and Bootie Brown. Fittingly, they concluded their set with a performance of “Runnin'”.

I don’t have a setlist to the songs that were performed that evening, but all you you have to do is listen to the album, and that’s all you need to know.

Slum Village | Welcome to Dillaville | El Rey Theatre | 5/12/14

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There’s a special place in my heart for James Dewitt Yancey, pka J Dilla. I’ve already written about the impact his music has had on my life, so I won’t rehash it here, but let’s just say his music has meant a lot to me. When I heard that Slum Village and Bizarre Ride Live (The Pharcyde’s Fatlip and SlimKid3 backed by Bizarre Ride producers J-Sw!ft and LA Jay) were paying homage to J Dilla with a  concert aptly titled “Welcome To Dillaville”, I made some calls to make sure that I could attend the event.

Slum Village is a hip hop group from Conant Gardens, Detroit Michigan that has gone through a lot of changes since it’s inception. Originally consisting of J Dilla, Baatin, and T3, only T3 remains as an original member, with both J Dilla and Baatin passing on way before their time (rest in peace). Currently the group is on record as featuring T3, Young RJ and Illa J (J Dilla’s younger brother), but for this show it seemed that only T3 and Young RJ handled MC duties.

With the ever sublime instrumentals produced by J Dilla, Young RJ and T3 faithfully spit verses from some of my favorite Slum Village tracks: “Fall In Love”, “Get Dis Money”, “Players” and, my personal favorite, “Tainted” (clips of which are all below). They had a couple of surprises appearances from specials guests, including Frank Nitt (a frequent J Dilla collaborator) and one other rapper that I didn’t know (but whose picture is below).

Before Slum dove into their set, Young RJ and T3 gave the audience a little presentation about their beloved, lost member. They gave a slideshow presentation of never seen before letters, track sheets, personal affirmations, and photos, telling stories that only they would know, and it was truly a pleasure to watch them reflect so fondly on their lost comrade.

I couldn’t find a setlist online anywhere, but if anyone has it, please let me know, and I’ll update this post accordingly.

 

 

Cinquanta: Celebrating 50 Years Of Maynard James Keenan | Failure, A Perfect Circle & Puscifer | Greek Theatre | 5/10/14

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I won’t front. Back when I was freshman in high school, I wasn’t into Tool. The rock music that I was into at the time was more along the lines of Depeche Mode (who released “Violator”), Nine Inch Nail (who released “Head Like A Hole”) and INXS (who released “X”). I was a narrow minded, music snob then (which I truly regret), and I wasn’t willing to open my mind to other bands’ music.

It wasn’t until I had graduated from college that I really took the time to listen to what Maynard James Keenan’s music had to offer, and it was the first album from his second band, A Perfect Circle, that got me hooked. With “Mer de Noms”, songs like “Judith” and “3 Libras” sent shivers down my spine. I was a fool to have waited so long to discover that Maynard was a monster, rock vocalist. Not only able to belt out tunes like it’s nothing, he also adds a level of emotions to the underlying lyrics he sings, which sets him apart from other rock vocalists.

I first saw Maynard perform at Coachella in 2013 with his band Puscifer. Though the music was different from A Perfect Circle, I thought that it was one of the highlight performances of the day. It was fun, sexy and raunchy all at the same time. I still have the Puscifer Airlines candy that they threw out to the crowd from that day.

Cinquanta, a two night celebration of his 50th birthday at the Greek Theatre, was a ticket that any Maynard fan couldn’t pass up. Billed as a concert with Puscifer as a headliner with A Perfect Circle and Failure (who had reunited in late 2013 and acted as Tool’s supporting act for Tool’s recent tour) as “support”. But each band rotated sets  every 15-30 minutes, even collaborating with each other on certain songs, throughout the evening. Green Jelly (a band that Danny Carey- the drummer of Tool- and Maynard were members of) made a surprise appearance to perform “Three Little Pigs”Neil Hamburger made an appearance to sing “New York, New York”, and 3/4 of Tool (minus Adam Jones) performed the Tool classic “Sober”. Personally, I thought one of the out-of-the-box highlights of the show was when Carina Round sang the lead on “The Package”; a superb rendition.

Based on my notes, and what I was able to find online, below was the setlist:

  1. Failure: “The Nurse Who Loved Me” (w/ Maynard James Keenan, Billy Howerdel and Carina Round)
  2. Failure: “Saturday Savior”
  3. Failure: “Dirty Blue Balloons”
  4. A Perfect Circle: “Weak and Powerless”
  5. A Perfect Circle: “Orestes”
  6. A Perfect Circle: “The Noose”
  7. Puscifer: “Vagina Mine”
  8. Puscifer: “Trekka”
  9. Puscifer: “Polar Bear”
  10. Puscifer: “Breathe”
  11. Puscifer: “Oceans”
  12. Puscifer: “Monsoons” (w/ Billy Howerdel)
  13. Puscifer: “Horizons”
  14. Failure: “Another Space Song”
  15. Failure: “Frogs”
  16. Failure: “Solaris” (w/ Maynard James Keenan)
  17. A Perfect Circle: “The Hollow”
  18. A Perfect Circle: “Rose”
  19. A Perfect Circle: “The Package” (featuring Carina Round)
  20. Puscifer: “Conditions of My Parole”
  21. Puscifer: “Man Overboard”
  22. Puscifer: “The Undertaker” (w/ Ken Andrews)
  23. A Perfect Circle: “Counting Bodies Like Sheep To The Rhythm
  24. A Perfect Circle: “3 Libras”
  25. A Perfect Circle: “By and Down”
  26. Failure: “Blank”
  27. Failure: “Wet Gravity” (w/ Jeff Friedl)
  28. Failure: “Heliotropic”
  29. Puscifer: “New York, New York” (w/ Neil Hamberger)
  30. Puscifer: “Cuntry Boner” (An Electric Sheep cover w/ “Hildy” and Danny Carey)
  31. Puscifer: “3 Little Pigs” (w/ Green Jelly and Danny Carey)
  32. Puscifer: “Sober” (Tool cover w/ Justin Chancellor, Danny Carey and , and Zac Rae)
  33. Puscifer: “Humbling River” (w/ Danny Carey)

Wow.  Just looking at this setlist is making think that the $40 I spent on the ticket was definitely money well spent. Even if a song or two may not have been to one’s liking, the action on  stage, with the casual stage setting of lawn chairs and constant filling of chalices (presumably filled with adult beverages) gave the audience something to watch  as there was something going on onstage at all times, whether it was Maynard pouring drinks for others, performers taking selfies onstage, or individuals having private conversations in front of everybody, it was a concert that truly felt like a party. And when the audience sang along? The hairs on my arms stiffened. When they closed with “Humbling River”? I got shivers.

It was an amazing show. I don’t know what else to say. Happy Birthday, Maynard. You did it right. Simply kick-ass.

I wasn’t able to get permission to shoot the show, so all of the photos below were on my Sony Cyber-shot G, point and shoot that I couldn’t live without.