Jose James’ “Park Bench People” (Live)- A Cover of a Freestyle Fellowship Classic

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Back when I was a young tyke, I was heavily influenced by jazz infused hip-hop. Tracks by A Tribe Called Quest, Guru and De La Soul were getting heavy spins on the radio, but I was more drawn in to the underground sounds of the Los Angeles based hip hop group (being an Angeleno) Freestyle Fellowship. Their album “Innercity Griots” is, by my standards, a hip-hop classic.

Earlier today, a Facebook friend posted a couple videos of a relatively new American vocalist named Jose James who blends modern jazz and hip hop to perfection. After snooping the inter-webs for more information about his albums, I found that he covered one of my favorite Freestyle Fellowship tracks, “Park Bench People”. 

Jose James’ cover of “Park Bench People” blew my mind, and I hope that it impresses you as much as it impressed me.

Enjoy.

Happy Bday, DJ Quik!

This is one of my favorite DJ Quik singles. Quik can write and spit lyrics with the best of them. He’s also a bad-ass producer.

Here are the lyrics to my favorite verse of DJ Quik’s “You’z A Ganxta”:

See some don’t realize the power of lyrics
’cause when you rap about death you talkin’ to spirits
You see you can say the things that can help us all ball
or you can say things that make it bad for us all
fix the problem the only way is come to the source
don’t be a Trojan Horse help us change the course
everybody knows that it’s bad in the ‘hood
so check what you rappin’ about if it ain’t to the good
I did my part a long time ago I changed my views
ain’t no gang bangin’ & slangin’ just hangin’ with trues
give it up to my Creator & that you can quote
but mothafuckas still see me as a scapegoat
yeah like that night when Biggie died at Quincy Jones spot
like 400 other people yeah I heard some shots
broke away with the crowd nervous obviously
& the mothafuckas blamed it on me
What the hell!?!

Dubstep: This Generation’s Disco?

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I walked into the bathroom, and some dude with glazed eyes immediately asked me if I wanted mollies on paper.  I was about to refuse the offer, but before I could answer, my attention turned to the bathroom stall where someone was purging themselves.  I didn’t have to answer, as the dude offering, just left the bathroom.  Dubstep shows… Is this how they usually are?

I was invited to check out a live-art exhibition at a dubstep show in Glendale called Quality Control on January 4th.  A friend of mine, Mear One, was going to paint on stage while dubstep DJs worked their craft on stage.  Mear One is an artistic genius.

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The art aside, let’s get back to the music … I’ll be honest with you.  I don’t really know, or understand, what dubstep is.  I looked it up on Wikipedia [http://en.wikipedia.org/wiki/Dubstep] and they seem to do a pretty good job at breaking down it’s characteristics- albeit most of it went over my head- but I think that Allmusic.com’s description of it better suited my needs and describes it as “tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals.”

This wasn’t my first time going to a dubstep performance.  I had spent a few minutes at Coachella in 2012 checking out a dubstep DJ, but I didn’t stay that long, and I can’t even remember who the DJ was.  Gaslamp Killer, 12th Planet, SBTRKT and Skrillex all seemed to have pretty a pretty good 2012 (financially), but I never really understand what the “hook” of the music was.  Why is/was there an audience for dubstep?

Maybe it’s simply the “new” (even though the music has been around since the late 1990s) style of music.  Something for the kids to claim as their own.  The thought crossed my mind when I noticed a mosh pit in the center of the audience.  It harkened back my memory of the time when Nirvana and grunge came.  Grunge was the “new” sound of the times, and people tuned and listened because they hadn’t heard anything like it before.  Maybe dubstep is/was that “new” musical trend.

Maybe so, but at least with grunge, the lyrics were 50% of the music.  People tuned in, not only enjoy the music, but to also live the lyrics in the music.  Grunge, like heavy metal, evoked that kind of intense sentiment that made its listeners mosh.  On the other hand, since there really aren’t lyrics in dubstep, the audience moshes because the bass lines “make them”.

Click through on the link to see the mosh pit at the show: http://http://www.youtube.com/watch?v=pMj67XF1G00

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I still think that the “sound” of dubstep is exciting.  I think that you can easily use that sound in conjunction with real songwriting to write meaningful music.  But there still only so many times I can bear someone telling me, “Check out that bass line, bro. Soooo dirty. It’s gonna drop …. Wait for the drop … Here it comes… Uuunnnngh!”

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Maybe it’s partially because I’m probably a little older than the typical dubstep crowd.  I’m a little too old to pop mollies in the bathroom.  I’m not popping ecstasy so that I can “feel” the music.  But I still like the sound and I still think that with the right artists, you can transform the underlying dubstep instrumentals into something a little more meaningful.  Give the dubstep sound some heart.  Give it some meaning.  Don’t just leave it as a bass lines and drops.

Some people have called dubstep this generation’s disco.  But I think that if dubstep is going to stay relevant, it’s music needs to be written with relevance.  I mean, even disco, loathed by many as a passing fancy, has songs to this day that are still relevant, but that’s because those songs, however “cheesy” they may have been, connected with the audience on an emotional level.

Can dubstep can have that kind of longevity?  It’s hard to say … but until you give that sound some more soul … some more heart … I think you’ll be hard pressed to see a person 30 years from now saying, “Oh, I love this song with it’s wub-wub-wub, and bass drop”….

A Year of Concerts: 2012, 24 Concerts, 1 Favorite

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In 2012, I was blessed to have been able to attend 24 concerts.  This being the inaugural post of my blog, I thought it may be a good way to kick things off if I listed each of the concerts in the order that I enjoyed them (starting with the least favorite, and ending with my favorite), with a line or two of my thoughts.

24. Shuggie Otis– The Echoplex- Wed Dec 5

It’s hard to see an artist that you acknowledge as Los Angeles musical royalty without his gift.  By all accounts, a sad musical revelation for me.

23. The 10th Annual Korea Times Music Festival– Hollywood Bowl- Sat April 28

While I can appreciate the musicality of some of the K-Pop act thats performed throughout the evening, I’m assuming I didn’t truly appreciate it like the others because I just didn’t understand enough.  I’m a bad Korean-American.

22. Moby– The Annenberg Space for Photography- Sat Jul 14

Moby did two sets:  Live Folk and DJ.  Unfortunately, I wasn’t that impressed with either.  While I can appreciate his musical venture, I kind of want to hear the older hits that I grew up with.

21. Boyce Avenue– Club Nokia at LA Live- Sat Dec 08

By buddy proposed to his girl, on stage at this show.  He picked the perfect show.  Chicks dig Boyce Avenue.

20. Starting 6– Vanguard- Fri Aug 10

Hot, sweaty, party hip-hop.  These guys can rock a joint

19. Orange Tulip Conspiracy– Mr. T’s Bowl- Fri Sep 21

The musicality of this Jazz group is amazing. A must for any jazz aficionado. I hear they are recording a new album, and I can’t wait to her the new material.

18. The Airplane Boys– Roxy Theater- Wed Aug 15

Other level hip-hop.  I also saw them at Coachella.  They killed it at the Roxy like they killed it in the desert.

17. Bizarre Ride Fest– Bizarre Ride Live (Fatlip, Slimkid3, J. Swift, etc.)- The Roxy Theater- Sat Dec 29

The Pharcyde’s debut album “Bizzare Ride II The Pharcyde”, to quote my buddy David [@davidshein on twitter] is “just one of the best hip hop albums ever”.  I won’t disagree.  Even when it’s performed by only half of the original group, the music still holds up.

16. The Heavy– El Rey Theatre- Fri Sep 07

In support of the their most recent release, The Glorious Dead, I jammed out at this concert.  Their front man, Kevin Swaby, was born to perform.

15. Jason Mraz and Christina Perri– Tour Is A Four Letter Word- Hollywood Bowl- Fri Oct 05

I enjoyed Jason Mraz at the Hollywood Bowl, but I’ve seen him at The Wiltern (full band) and The Walt Disney Concert Hall (acoustic), and his music is better suited for more intimate venues.

14. Animal Collective, Flying Lotus and Huun Huur Tu– Hollywood Bowl- Sun Sept 23

Animal Collective delivered.  Huun Huur Tu entertained.  Flying Lotus blew my mind.

13. Raphael Saadiq and Band of Skulls– The Annenberg Space for Photography- Sat Aug 04

Such and odd concert pairing, but they both were amazing.  KCRW kicks ass.

12. Girl In A Coma, Pinata Protest and Sara Radle– The Echoplex- Fri Apr 27

Girl In A Coma is one of my favorite “new” bands.  These girls kick ass.  I wanted to see them again this year when they were opening for Grizzly Bear, but I couldn’t fit it into my schedule.  The lead singer, Nina Diaz, has a voice to die for.

11. Playboy Jazz Festival– Hollywood Bowl- Sun Jun 17

Ramsey Lewis is a musical savant.  I always pay money to watch genius perform.  Robin Thicke were Preservation Hall Jazz Band were good.  Was a slightly unimpressed with Spectrum Road.

10. Eric Hutchinson– Troubadour- Sat May 19

He was the first artist I truly “represented” back at my first job after passing the bar exam.  I couldn’t  be prouder of how far he’s come.

9. Allen Stone– The Fonda Theatre- Fri Oct 19

If this guys plays his card right, he could playing the Hollywood Bowl in a few years.  The first thought I had after the show ended?  “I’ll be able to tell my kids (when I have them), that I stood front row at an Allen Stone concert at The Fonda”.

8. Ben Harper– Vieux Farka Tour- Hollywood Bowl- Sun Jul 01

When Ben Harper sang a cappella, without a mic, at the front of the Hollywood Bowl stage, he earned by respect. He also played the one song I needed to hear, “Burn One Down”.  Can’t ask for more.

7. Hot Chip, Passion Pit and Omar Souleyman– Hollywood Bowl- Sun Sep 9

I went to the show to see Passion Pit. They met and exceeded expectations.  I was expecting more from Hot Chip.  I didn’t get to see Omar Souleyman.

6. Meshell Ndegeocello and James “Blood” Ulmer– Royce Hall- Fri Dec 7

Meshell Ngedeocello performed her interpretations of Nina Simone classics.  Mesmerizing.

5. Peter Gabriel– Back To Front- Hollywood Bowl- Sat Oct 6

I’m not going to lie.  I had a moment.  Flashing back to my younger years when he played “In Your Eyes”, mine started to water.  The power of music.

4. Fiona Apple– The Greek Theatre- Fri Sep 14

She may have been a bit too gaunt for my personal liking, but she can still sing.  A poetess with a voice.  There isn’t that many like her out there in the world.

3. Mint Condition– Club Nokia at LA Live- Sat Jan 28

Mint Condition has always been underrated.  In my humble opinion? They’re one of the best live, R&B bands out there, period.  Stokley’s voice is perfect for R&B.  I grew up with their music.  They are one of my favorite bands.

2. No Doubt– Gibson Amphitheatre- Fri Nov 30

I’ve always kicked my self in the rear when it comes to No Doubt.  They used to perform locally when I was growing out, but I never went to a show.  I can now cross this off my concert bucket-list.  Oh, by the way, I’m in love with Gwen…

1. The Coachella Valley Music and Arts Festival– Empire Polo Club- Fri Apr 13 through Sun Apr 15

Dr. Dre & Snoop.  Radiohead.  The Black Keys. Bon Iver. Swedish House Mafia.  At The Drive-In.  Florence and the Machine.  Girl Talk.  The Shins.  Mazzy Star.    Andrew Bird.  Need I go on?

I’ve written about most of the shows on my Facebook page, so if you want to know a little more about particulars, free to shoot me a tweet [@methodman13] and I’ll send over some other thoughts.

I hope your 2013 is filled with musical discovery, and that a song stirs your heart always.