Snoop Dogg | UCLA Jazz Reggae Fest | 5/25/14

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Working for Snoop, I’ve gone to my fare share of his concerts. One would think that after going to more shows than I can count on my fingers and toes, I’d be bored or indifferent to watching him perform. This is far from the truth.

Snoop’s passion for his art always impresses me. His live show, which features a live band, is always entertaining and is simply superior to those acts who rap over series of pre-recorded beats. Though this performance may have been lacking in some familiar faces (R.I.P. Uncle June Bugg), it was filled with all of his hits spanning his over two decades of hit-making.

Though it was Jazz Day, and not Reggae Day, he opened his set with one of my favorite tracks off his reggae album “Reincarnated”, “Here Comes The King”.  He paid tribute to Nate Dogg with his performance of the 213 songs “So Fly”. He performed his verses from 50 Cent duet of “P.I.M.P.” He performed “Lodi Dodi,” “Gin & Juice,”Drop It Like It’s Hot,” “Who Am I (What’s My Name)” and on and on and on. He even dropped his verse from Katy Perry’s single, “California Gurls” in the middle of his set.

Snoop, dressed in a custom made, all-black, UCLA jersey with the number 19, stitched on, played to the crowd and used his charming stage-manner to his have the crowd vibing off of him throughout the entire set. It was either that, or the copious amounts of weed that was being lit up while he was performing. As an aside, UCLA has a campus-wide no-cigarrette smoking policy. In fact, I was forced to toss my cigarettes into a trash can before entering the festival grounds, and even noticed security actively enforcing the policy all throughout the day. But weed smoking? Naw. That’s all good. LOL.

When Snoop closed his set with “Young, Wild & Free,” he had the entire crowd singing along. He finally took his sunglasses off to address the crowd to keep singing along. When the music ended, and he hustled off stage to head off to his DJ gig in Las Vegas that evening, the crowd was still buzzing, perhaps still high from the weed that was smoked during the set, but more likely high from the hit filled set that they had just listened too.

I couldn’t find a complete setlist for Snoop’s performance at this event online, so if anybody happens to know what it was, please post it in the comments so that I can add it into this post. Thanks!

CLICK HERE TO CHECK OUT OTHER ARTISTS I WAS ABLE TO SNAP PICTURES OF AT THE FESTIVAL!

Aloe Blacc | UCLA Jazz Reggae Fest | 5/25/14

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I was a fan of Aloe Blacc before he was … Aloe Blacc. Being a fan of the underground, L.A., hip-hop scene back in the mid 90s, I was listening to Aloe Blacc’s music before he broke-out, commerically, with “I Need A Dollar” in 2010.

I saw Aloe Blacc first perform at The Beach Ball Festival: Soul Revue September of 2013. As much as I liked his hip-hop leaning music from back in the day, I absolutely love his soulful leaning music that he’s focusing on today, so not hearing his jams like “Blind World” or “Close To Me” was something I could easily accept … although, I wouldn’t mind him sprinkling in a song or two in future sets.

Dressed in a classy fitted suit, topped with a sharp fedora, he took the sun drenched stage and dazzled the audience with his bright personality and hit singles.  From “I Need A Dollar” to “Wake Me Up” to “The Man”, the audience was treated to songs that have been permeating the radio airwaves for the past several years. He even performed a slowed-down cover of Michael Jackson’s “Billie Jean” that really had the audience eating out of his hands.

I wasn’t able to find a set lit of the of the songs that Aloe Blacc performed at UCLA’s Jazz Reggae Fest, so if you happen to know which songs were performed, please leave them in the comments below and I will add them to this post.

CLICK HERE TO CHECK OUT OTHER ARTISTS I WAS ABLE TO SNAP PICTURES OF AT THE FESTIVAL!

The Internet | UCLA Jazz Reggae Fest | 5/25/14

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I saw a lot of bands at Coachella this year (2014), but there was one band that was on my list, that I regret missing: The Internet.

The Internet is a neo-soul band consisting of Odd Future members Syd the Kyd and Matt Martians as well as Tay Walker, Patrick Paige and Christopher A. Smith. They debuted in 2011, and released their debut album, “Purple Naked Ladies” that same year. They released their sophomore album, “Feel Good” in 2013, and have been touring in support of it since its release. When I found out they were performing at UCLA Jazz Reggae Festival, I knew I had to make it in time to see their afternoon set.

The Internet’s performance at Jazz Reggae Fest was, in truth, my first real introduction to the band. Sure, I was familiar with some of the Odd Future music by Tyler, The Creator, Frank Ocean and Earl Sweatshirt’s music, but I really didn’t know too much about The Internet other than the video clips I was able to find on Youtube. Watching them live, I was impressed with what I saw and heard.

Their take on late ’90s neo-soul/R&B was something that really hit the spot for me. Syd and the band played a set that really was perfect for the mid-afternoon. Syd’s smooth and understated voice and the band’s clean groove, together with their improvisational playing and singing abilities really demonstrated to me  how capable they were as musicians and how smart they were as performers.

The catalog of music is relatively small having only released two albums, but they covered one of my favorite GAP band songs (“Outstanding”) and I was especially impressed with their cover of Jamiroquai’s “We’re Too Young To Die” (one of my favorited cuts off of “Emergency on Planet Earth”, an album that really pushed the boundaries of British funk/acid jazz to new limits). That cover alone would have been enough to convert me as a fan. It’s an extremely tough song to sing. A clip of that performance is in the video below. Maybe it will make you a fan as well.

I couldn’t find the band’s setlist online, so if you were there and know what songs they performed, let me know in the comments below and I’ll add it to the post.

CLICK HERE TO CHECK OUT OTHER ARTISTS I WAS ABLE TO SNAP PICTURES OF AT THE FESTIVAL!

Little Dragon | Coachella | 4/13/14 (PHOTOS)

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I absolutely adore Little Dragon‘s music. Ever since their 2007, full length self-titled debut, I’ve been dying to see their music manifest live. It’s taken 7 years, but I finally got the chance to see them perform at Coachella, at it was absolutely marvelous.

I was pleased to see that they had packed the tent they were performing in, especially since their set was matched up against uber DJ Calvin Harris on the main stage, but this band from Gothenberg, Sweden (consisting of lead vocalist Yakimi Nagano, Kakan Wirenstrand, Erik Bodin and Fredrik Kallfren Wallin), proceeded to smack the audience in the face with their brand of downtempo, trip hop, and gave us exactly what we wanted.

Yukimi Nagano, in her flowing, bulbous dress captivated the audience with her understated vocal performance as the band expertly explored and delved into the futuristic sound that is present on all of their albums. Simply put, I loved their set at Coachella and I kicked myself wondering what took me so long to see them perform live. Well, better later than never. Though they’ve already wrapped up their west-coast tour engagements, I will certainly be keeping my eye out for tickets for when they are back in Los Angeles in the future.

As an aside, I just noticed that this year at Coachella there were many acts fronted by asian females (The Naked and Famous, Little Dragon, and Jhene Aiko [whose blog entry is forthcoming]). Being Asian (Korean) myself, and knowing how hard it is for Asians to break into the music industry, I am particularly proud of the fact that we were represented so strongly by women whose stage presence left a lasting, positive impression. Okay, enough of the social mumbo-jumbo. Enjoy the pics. 🙂

Little Dragon Setlist Coachella Festival 2014 2014

CLICK HERE TO CHECK OUT BLOG ENTRIES OF OTHER BANDS I SAW AT COACHELLA!

Cody ChesnuTT | The Troubadour | 3/30/14

 

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On March 30, 2014, Cody ChesnuTT restored my faith in R&B music.

Over a decade ago, I first learned about Cody ChesnuTT  when he was featured on The Roots cover of his own recording titled “The Seed.” I made a mental note then to keep an ear out for more music from him, but for whatever reason, his music and my ears just didn’t cross paths.

Fast forward over a decade, and somehow I stumble on a live, radio-station, video performance of Cody performing songs off his latest release titled “Landing On A Hundred” without a backing band. I’m immediately amazed.

It was a sound so raw and soulful, it made me think of all of those legendary R&B and soul singers of the 70s. Music from the heart. Music from the soul. I absolutely fell in love with the music. Some people have compared Cody to Marvin Gaye. After listening to “Landing On A Hundred”, I’m willing to make that comparison as well.

As soon as my iPhone notified me that tickets for a show of his at the Troubadour were on sale (god-bless concert related iPhone apps!), I purchased tickets. Having gotten permission from Cody’s management to snap pics of the gig, I got to the venue early with a friend to get up close and personal. I just knew, in my gut, that it was going to be a mind-blowing performance. I was right.

When Cody, with his trademark helmet cocked on his head, and his band took to the stage, the audience erupted with a joy that I haven’t felt from an audience in a good while. A sudden emotional warmth enveloped The Troubadour, almost as if the venue itself exhaled at that moment. It was, at least for me, a surreal moment.

Cody’s performance was beyond enjoyable. In fact, with the breadth of emotion he revealed during his time on the stage; from pain, frustration and struggle, to joy, love and hope, I can truly say his performance is on my list of “favorites of all time”. Being able to capture some of those moments with my camera, gave me visual proof after the fact that I wasn’t just imagining it.

What made the performance so real was Cody’s interaction with the crowd. He engaged us. He talked TO us. He made us understand why the music he was singing meant so much to him. For example, he told us how the music on The Headphone Masterpiece saved his life; and though the music from that album came from a different time and space, having its own unique vibe, he could sing some of those tracks in the present because they matched and marched with his current vibe. He explained that “Love Is More Than A Wedding Day” was his favorite song off  “Landing On A Hundred”, further preaching to the audience that it takes effort to overcome martial struggles. He openly reminisced about the story of how his wife bought him his first guitar from a pawnshop; and how her belief in him and his dreams makes him want work that much harder to keep the relationship fresh.

Before he performed “5 On A Joyride,” he explained that that track was written after he had gotten dropped by Hollywood Records and ended up in a car with four friends tripping on magical mushrooms cruising the streets of Los Angeles. He even took a moment to give a shoutout to Suge Knight for being a man who actually gave him the creative freedom to create during his stint on Death Row Records.

I was blown away with Cody’s live show.  If you are a fan of R&B and Soul music that speaks from the heart, I beg you to attend one of his shows. You won’t regret it.

For the setlist, please click through the slideshow.

 

BINKBEATS Performs and Recreates J. Dilla Beats Solo. Dope. (VIDEO)

I’ve been a big fan of J Dilla’s since  Slum Village released “Fantastic Vol. 2“, so whenever someone posts some new J Dilla material, or music inspired by J Dilla, I take the time to check it out.

The video clip above released on Youtube back on December 20, 2013, but I just stumbled upon it. I’d never heard of BINKBEATS until now, but I’ll have to say that he’s impressed me with this 7 minute video. Performing all of the instruments himself, he’s able to recreate some of J Dilla’s unique sounds live to create a wonderful “live” video that mixes in four of J Dilla’s beats: “Make’em NV”, “E=MC”, “Wont’ Do” and “Fall in Love”.  I’ve found videos of the foregoing tracks that you can check out, and compare, below.

Well done BINKBEATS. I’m sure J Dilla would be happy.

Robert Glasper Experiment | The Troubadour | 1/24/14

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If you are visiting Los Angeles, and music is your thing, hitting up a show at the Troubadour  (or another iconic performance venue) should be on your list of things to do. If you are a Los Angeles resident, and you haven’t been to the Troubadour … shame on you. I kid … kind of.

With a maximum capacity of 400,  the Troubadour has hosted music royalty like Elton John, Van Morrison, Bruce Springsteen, Guns N’ Roses, Radiohead, Prince, Nine Inch Nails, and the list goes on. Hell, even John Lennon and Harry Nilsson were kicked out of the club for heckling the Smothers Brothers back in the 70s. Needless to say, the tiny, iconic venue has a lot of history. As soon as I heard that The Robert Glasper Experiment was playing a gig there the Friday before the 2014 Grammy Awards, I immediately purchased a ticket.

Now, I was lucky enough to catch his performance at the Roxy in 2013, so I knew that it was a going to be a show filled with musicianship (and a special guest or two) that couldn’t be missed. That show at the Roxy was amazing, and my only regret was that I didn’t have a camera good enough to take pictures in a low lighted setting. That experience made me invest in a new camera that could.

Armed with a capable camera (you can check out some of my concert pics at my Instagram account [@Methodman13]), I got to the Troubadour with the hopes of staking out some prime real estate for the show, only to be told by the bouncers that I couldn’t’ bring my pocket sized, point and shoot camera into the venue. I could respect the policy for the show as they apparently were filming the evening for Robert’s forthcoming documentary titled “Of Dreams To Come: Robert Glasper” [To learn more about that project, head over to the website www.ofdreamstocome.com for more info]. Of course, the first thing I noticed when I got inside were people who had snuck their cameras into the venue, using the their flash no less. A bit of a bummer, as I literally had front row “seats”; but I learned that if I’m ever asked if I have a camera on my person, I am going to say, “No.” Little white lies never killed anybody, right?

I wasn’t going to let my not being able to bring the camera into the venue put a damper on the evening, and apparently the music gods saw fit to bless me with some great music karma. Let’s see ..

1. For the first time … ever … a group of three taller gentlemen, standing at least 6 feet tall each, offered to move around to give me an unobstructed view of the stage. Yeah, I’m short, and yeah, I totally appreciated that. It was a very cool gesture.

2. As expected, the music was beyond amazing, and special guests like Javier StarksAlgebra Blessett (who sang “Calls”), Wayne Brady (who covered an amazing version of Coldplay’s “Yellow”), Grammy Award winning songwriter PJ Morton (performing a song he co-wrote with Robert called “No Worries”), an amazing vocalist and Grammy nominated artist B. Slade, prolific trumpeter Keyon Harrold, and Malcolm Jamal Warner joining the incomproble Lalah Hathaway to perform a moving and powerful cover of Stevie Wonder’s “Jesus Children of America”, made the evening’s performance that much more memorable.

3.  I stood next to a pair of wonderful ladies who grooved with me throughout the set, even nudging my shoulder when songs hit magic moments of musicality, and who Robert poured drinks to from the stage (more to come on them later).

4. As soon as Robert ended his set, I took a chance, called out his name and asked for the small piece of paper that I noticed was resting on one of his keyboards. That small piece of paper was his “partial setlist”, and he gladly gave it to me.

5. My friend Terrace Martin was at the show, and happened to be on stage at the end of Robert’s set after I received the setlist, and I was personally introduced to him.

6. Robert spent time after the set greeting his fans, friends and family, so I waited until the crowd dispersed a bit before I approached him to ask for his signatures on my three Robert Glasper LPs. I started to apologize for interrupting him, when one of the wonderful ladies, who happened to be standing next to Robert at that moment, looked at him and basically vouched for me. THAT was freaking awesome.

If there are forces that control the destiny of musicians and those who love music, they were definitely watching over me that evening. Word can’t describe my glee when it was all said and done, and it’ll take a lot for the other concerts I plan on going to this year to compare. Hopefully, the music gods will be keeping an eye out on me …

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Moses Sumney | The Echoplex | 12/05/13

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When I purchased tickets to see Thundercat at the Echoplex, no opening acts were announced. Truth be told, the opening acts would have been an afterthought for me, as an evening watching a preeminent bass guitar player jam out in an intimate venue would have been worth the price of admission alone. When Moses Sumney was announced as an opening act, I got my moneys worth, and then some.

I was first introduced to Moses Sumney’s music when he and Nai Palm (of the recently Grammy nominated neo-soul band, Hiatus Kaiyote) freestyle, a cappella jammed backstage after Hiatus Kaiyote’s gig at the Bootleg Bar. Nai effusively urged me to check his music out. I did, and was impressed. When Hiatus Kaiyote performed their last Los Angeles gig at the Skirball Cultural Center, they had Moses Sumney open for them. His live performance was so amazingly raw and enchanting that it left me wanting more.

His set at The Echoplex was no less enchanting. His beautiful music was highlighted by his humble interactions with the crowd, and this time around he was able motivate the audience to act as his instruments, having us sing riffs or maintain rhythms through clapping during several of his songs.

Though the crowd was there for Thundercat, Moses Sumney definitely picked up new fans of his own. There was a heightened buzz after he left the stage, with people commenting on his sublime musicality. I even overheard one person state that the music was, “the type of music anybody can get into,” to which his big, scruffy friend followed  up proclaiming that he, “could listen to that shit anytime.”

If you haven’t heard of Moses Sumney, I suggest you check him out. Follow him on Facebook so that you can be updated about his performances so you can go see him perform live. I guarantee you that it will be worth the price of admission.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Hiatus Kaiyote | Skirball Cultural Center | October 30, 2013

Nai Palm of Hiatus Kaiyote
Nai Palm of Hiatus Kaiyote

Hiatus Kaiyote is one of two bands who I’ve seen perform live 3 times this year. Clearly, I’m a big fan of their music. They blew my mind at the Del Monte Speakeasy in March, and amazed me at the Bootleg Theater in July. Performing for the last time in Los Angeles in 2013, I jumped at the chance to buy tickets to their show at the Skirball.

Once again, they delivered beyond my expectations.  Like their show at the Bootleg Theater, their musicality was on full display. Though I knew all of their music, what I heard that evening was beyond unreal. They took the musical themes of almost every song, and improvised and jammed new life into them. It was as if the audience was being treated to master-class remixes of the original recordings. It was wonderfully brilliant. If you are already familiar with their music, you should check out the video snippets from the show below. I think you’ll catch my drift.

IMG_3106They played a couple new songs that they were working on for their next album (“Breathing Under Water” (titled “Breathing” on the setlist) and “Don’t Mind With My Atoms” (titled, I think, “Bordershiine” on the setlist). After their gig, I caught up with some of the band members who told me they were going to head back home to write and record their next album. That being said, I realized that their next trek through Los Angeles wouldn’t probably be until they support their next album. Their performance at the Skirball will hold me over for a spell, but I have a feeling that I’ll be jonesing to see them live by Spring of 2014.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Add Hiatus Kaiyote on Facebook, and follow them on Instagram and Twitter using the handle @HiatusKaoiyote. You should follow them. You need to see them perform live. Do it.

Moses Sumney | Skirball Center | 11/30/13

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On July 31, 2013, I went to go see Hiatus Kaiyote at the Bootleg Theater. Following the gig, and due to a year long set of fate-induced circumstances, I was lucky enough to hang out with the band for a bit before they had to run to the airport for travel. The lead singer, Nai Palm, was hanging outside with KCRW DJ, Jeremy Sole, and another singer, doing some freestyle, vocal jamming.  Afterwards, Nai introduced me to the gentleman with, “This Moses. He’s amazing. You NEED to check his stuff out.”

I did, and I was immediately hooked. It was a distinctive vocal style which blends equal parts jazz and soul. The recordings makes adept use of loopers, creating a sound that led me to tell him, when I saw him afterwards at Laura Mvula’s show at the El Rey Theatre on 9/17/13 that he sounded like a modern day Bobby McFerrin. I don’t dole out high praise like that often, but I thought it was deserved. How pleased was I when I heard that he would be one of the opening act for Hiatus Kaiyote’s gig at the Skirball?

Armed with just a couple microphones, a looper and a guitar, he performed a remarkable set. His vocal arrangements were simple but lush. His melodies were smooth but firm. What I enjoyed most about his live performance was watching him use his looper to create the music right before us. Having sung in vocal groups in high school and college, I’ll have to admit … I was totally geeking out.

I follow his fan page on Facebook to keep track of when his next performances are (and you should too to find links of some high quality videos and recordings of his current work)  as his live act is definitely something that I would pay to see again. In fact, as fate would have it, I’ve recently learned that he will opening for one of  my last concerts of the year: Thundercat at the Echo on December 5th, 2013.  I suppose, it was just meant to be.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.