Aloe Blacc | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Allen Stone) at The Beach Ball Festival: Soul Revue.

Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

My first exposure to Aloe Blacc‘s music was years ago (late 90’s) when he was performing as a rapper/singer in a hip-hop group called Emanon with the producer Exile, but it wasn’t until 2010 that I really started to get interested in his sound. The HBO series Entourage had just ended, and its fans (like me) were anxiously waiting for HBOs new series How to Make It in America, hoping that it would have the same kind of energy and characters of its predecessor.

I was always impressed with Entourage’s soundtrack, so I anticipated How to Make It in America to have as good a soundtrack. As soon as the show’s intro song  played, I had to run to my computer and perform a google search to find out the name of the song and who performed it.  It was Aloe Blacc’s “I Need a Dollar“, a modern recording with a vintage sound, a sound that I am very partial too, and strong social commentary.

As a native Southern Californian, his closing of the Soul Revue festivities was apropos. Backed by a full band with a terrific horn section, and dressed in a form fitted black suit with a fedora, his set was both visually and sonically the embodiment of traditional soul music. His doting fans lapped up the performance and clearly appreciated every theme of Aloe’s music which ranged from groove shakers to songs of substance.

During his set he called the well known poet, IN-Q, to the stage to recite a poem titled “85”. By that point in the evening, the camera in my battery was dead, so I couldn’t video record it, but thankfully, a video of it being performed at Witzend was posted Jan 11, 2013. A truly lovely performance.

IN-Q performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
IN-Q performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

After his set closed, Aloe was cheered back to the stage for an encore. The audience clearly didn’t want the day of soul music to end, but curfew ordinances are curfew ordinances and the glorious day of soul music had come to an uplifting conclusion. I went backstage to get some water before moving on with my evening, and happened to see Aloe hanging out with some friends and/or fans. I “happened” to have his 12” single recording of “Get Down” in my backpack so I asked his manager if  he could sneak me a signature. He graciously obliged, and not only did I get an autograph, but I also got a pic with Aloe . As I’m typing this right now, I’m wondering why I don’t have an LP copy of Aloe’s “Good Things” (would totally be worth having on vinyl).

Me and Aloe Blacc (with his 2006 12'' Single of "Get Down") at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Me and Aloe Blacc (with his 2006 12” Single of “Get Down”) at The Beach Ball Festival 9/21/13 [ig: @methodman13]

It was a terrific day of soul music, and I hope that the festival organizers can put together another strong line-up for the soul revue next year. Kudos are deserved for KCRW and The Echo for putting together a terrific lineup. It was a great way to end the summer.

Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Allen Stone) at The Beach Ball Festival: Soul Revue.

Maceo Parker | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

 

Lee Fields at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Lee Fields at The Beach Ball Festival 9/21/13 [ig: @methodman13]

If you’re a fan of soul or funk music, you’ve probably heard Maceo Parker play … even if you don’t have any of his solo albums.  After all, his sax play is also over James Brown most famous recordings. “Papa’s Got A Brand New Bag”, “I Got You (I Feel Good”), “Sex Machine”, “Cold Sweat” … yup … that saxophone solo? That sound that’s a building block of funk music? That’s Maceo. That’s his sound.

What’s that you say? You’re not a James Brown fan? What about Parliament-Funkadelic, Keith Richards, Red Hot Chili Peppers, De La Soul, Prince, Deee-Lite or Living Colour? Well, he’s played on their records too. Point? The man is an integral part of music history. Perhaps, one of the most prolific sidemen in the history of music. But let’s not get it twisted. His solo albums are pretty damn good too. I was excited to have the opportunity to watch this saxophone legend play up close at the Beach Ball Festival. I was ready to get funky and to shake my groove thing.

Maceo and his band brought their musicality and funk to the stage. Maceo not only played like the legend he is known to be, but he also brought a level of showmanship that could only come with years of seasoning. His set seemed to cover the entire the breadth of his career (as a solo artist and sideman), touching on a few James Brown classics and even incorporating a tribute to one his greatest influences, Ray Charles, during which Maceo donned a pair of sunglasses. He gave time to each of his players to allow them to shine on their instruments, proving that each was capable of holding their own, but at the end of the day, as the sun set into the Pacific, it was Maceo who shined the most.

Lee Fields at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker and his band performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker and his band performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Lee Fields and the Expressions | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]

Lee Fields has been doing his thing for over 40 years, but I only got really familiar with his music this year. A work associate was selling some LPs in his collection, and while I was looking through his rack, he pulled out Lee Fields LP “Problems”. He assured me that it was an excellent listen, and I trusted him. I’m so glad I did.

When I played “Problems” on my record player, I was immediately immersed in some deep, soulful funk that I was embarrassed to realize I was unfamiliar with. “Problems” was released in 2002,  and I realized that I was over 10 years late to the party … but as they say, “better late than never”.

I found out later that he was scheduled to perform at the Troubadour in support of his most recent album “Faithful Man”, but was saddened to discover that the show had sold out. I didn’t see any tickets for sale on second hand ticket brokers websites, so I can only assume that those who were lucky enough to snag tickets, were keeping them for themselves. My extreme loss. Thankfully, for my sake, he was scheduled to perform at the Beach Ball Festival.

Critics compare Lee Fields to artists like Wilson Pickett and James Brown, but those critics should really just focus on what Lee Fields brings to the current music scene. Perhaps, if Lee’s latest albums were released back in the hey day of soul music (i.e. the 60’s), he may have been talked about in the same breath with the soul stars of that time. But, they weren’t. Rather, the albums are part of the current music scene, and they are diamonds in the rough. Current artists, and popular music, don’t make albums like Lee Fields. There are only a handful of artists today (Sharon Jones and Charles Bradley, to name a few) that provide modern day music fans with the kind of throwback soul that existed back in soul’s hey day. That kind of music is unique in today’s musical landscape, and should be judged on their own merits. Just my thoughts …

Lee Fields brought his brand of retro-soul to the stage, and knocked the audience out. Dressed in his bright red, yellow and blue, plaid blazer, he brought an infectious energy to the stage that the crowd couldn’t help but feel. Interacting with the crowd, strutting and dancing back and forth across the stage, swooning and belting the lyrics to his music, his performance was the embodiment of soul music, and he had me smiling dimple to dimple throughout the whole set.

My "Problems" LP signed by  Lee Fields!
My “Problems” LP signed by Lee Fields!

After his performance, I head back to the back stage area with the hopes of meeting Mr. Fields. Some people may think that I take my music too seriously, but I felt compelled to bring along my copy of the “Problems” LP in case I was lucky enough to meet him to get it signed. The soul stars must have been lined up, because as soon as I made my way back, Mr. Fields was snapping some pictures with a photographer for the event. I got him to sign my LP and snap a picture, told him how much I enjoyed the show and wished him the best for the rest of the tour.

Mr Fields, terrific set. The pleasure was all mine.

Me and Lee Fields.
Me and Lee Fields.

Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields in repose at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields in repose at The Beach Ball Festival 9/21/13 [@methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

The Beach Ball Festival: Soul Revue | Santa Monica Pier | September 21, 2013

Instagram: @methodman13
Instagram: @methodman13

I LOVE soul music. I listen to all genres, but if I had to guess, I’d venture to guess that probably a third of my music collection (iTunes indicates that I have 19,452 songs that last 54.4 days) consists of soul tracks and about half of my vinyl collection consists of soul LPs. From Aretha Franklin to Amy Winehouse, Marvin Gaye to D’Angelo, I have a thing for soul music. Period.

When I heard that KCRW, in association with the Echo/Echoplex, was having a Soul/Reggae Festival, I was excited. As soon as I saw the line-up, I bought tickets. The Bay Area soul duo, Myron and E; The prolific and enduring Lee Fields; one of the architects of Funk, Maceo Parker; the hippie with soul, Allen Stone; and the former rapper turned soul-man, Aloe Blacc: I knew and respected all of these artists and there was no way I was going to miss out on this full day of soul music. I bought an “early bird” VIP ticket which only cost me $45, and my Saturday, September 21st was set.  Below is a list of the artists whose performances I had the pleasure of catching.  Click through on their names to read my thoughts, see pictures and watch performance snippets.  If there is a “(pending)” notice next to the name, follow my blog, twitter (@methodman13) or Instagram (@methodman13) for updates.  Hey…. these entries just don’t write themselves! LOL.

  1. Myron & E
  2. Lee Fields and the Expressions
  3. Maceo Parker
  4. Allen Stone
  5. Aloe Blacc

Beach+Ball++Soul+Revue++Reggae+Fest+BBPOSTER11x17_FIN

Myron & E | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Lee Fields, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Myron & E at The Beach Ball Festiva 9/21/13 [@methodman13]
Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron & E are a soul duo based in the Bay Area. They are currently signed to one of my favorite independent labels, Stones Throw, so even though I wasn’t too familiar with their catalog, I was relatively sure I would be pleased with their music.

The Stones Throw website introduces the band as follows: “The vocal duo is something of a rarity. There have been countless solo stars, trios, quartets and quintets, but the pairing of equally talented singers isn’t nearly as common. Sam and Dave, Ashford and Simpson, the Righteous Brothers and the Everly Brothers comprise a short list of standouts. Enter Myron & E.” A tall order to live up to, for sure, but I’m willing to bet that the Stones Throw folk know what they’re co-signing on.

They had the earliest set in the day so the crowd hadn’t reached critical mass yet, but they had their die-hard fans in the trenches, wearing their screen-print Myron & E T-shirts, and they performed with the type of gusto to satisfy their own, and to drawn in new fans. Half way through their set E mentioned it was Myron’s birthday, and the crowd joined in on an impromptu singing of “Happy Birthday”.

It was a solid set to establish the “soul” mood for the rest of the day, though at times I felt that some of the vocal tuning was a bit off, which I could attribute to the blazing midday sun, but it was good enough want me to follow them on Facebook so to keep up with their music and see how their sound develops.  You should too.

They are touring domestically and throughout Europe throughout the fall, so check them out when they are in your neck of the woods.

Myron & E at The Beach Ball Festiva 9/21/13 [@methodman13]
Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
E of Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
E of Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Lee Fields, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Laura Mvula | El Rey Theatre | 9/17/13

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I remember the day I first heard Laura Mvula sing (January 18th, 2013) because I was so amazed by what I heard that I immediately posted a blog entry about it. I kept an eye (and ear) on her music and would post additional blog entries about some of her other songs (“That’s Alright” and “Jump Right Out”) because I was enthralled with her sound and excited about her debut album “Sing To The Moon”.

Laura Mvula’s music cannot be easily classified, as it is a sound that frankly defies stylistic categorization. As allmusic.com proffers, Laura’s music is “rooted in decades-old forms of gospel, jazz, R&B, and, most deeply, orchestral pop . Almost all of the material is as serious and as refined as it is majestic, with vocal showcases and hushed-belted-hushed-belted dynamics galore.” I agree with the assessment, and would even boil it down simply as classy and sophisticated, orchestral neo-soul music. Some seriously good, grown folk sounds for those who appreciate musicality and message in their music.

I was ecstatic when I found out that Laura was scheduled to perform April 16, 2013 at the Bootleg Theater, and I immediately snapped up tickets. As fate would have it, however, I was asked to speak at my Alma Mater that same week, and to my dismay, I had to give my tickets up. As a small consolation, I received my copy of Laura’s debut on vinyl (a UK export that has an amazing recording of Stevie Wonder’s “Something Out of The Blue”) and for the next few months listened to it whenever I needed to set my mind and soul at ease.

I received a notice (thank you social media!) that Laura was to do another round of touring in the United States with a stop in Los Angeles September 17th, and I agains purchased tickets to her show. This time, though, I made sure I had no conflicting appointments.

Laura’s show was simply amazing. Me and my friends were able to get up to the very front of the venue for the performance, and as fate would have it, Laura’s keyboard was basically in front of us, and thus we were privileged to have Laura performing no more than 5 yards from us for a majority of the show. I could see her every breath and read the emotions on her face with every lyric. It was a beautiful experience. A moving experience. During the most tender part of the concert, when Laura sang “Diamonds” and “Father, Father” back to back, you could feel the audience release a collective sigh following the last note of “Father, Father”. I did not have to look around to know that there were some  in the audience tearing up because … truth be told … I was busy dabbing the corners of my eye as well.

My anticipation for new music from her is at an all time high. My commitment to see her perform live again has been verified. An amazing concert by an amazing artist. Her performance at the El Rey has a spot in my top 10 concert performances of the year. Nuff’ said.

Setlist:

  1. Like The Morning Dew
  2. Let Me Fall (not in the album)
  3. Flying Without You
  4. She
  5. Is There Anybody Out There?/ One Love (Bob Marley& The Wailers cover)
  6. Sing to the Moon
  7. Diamonds
  8. Father, Father
  9. Green Garden
  10. That’s Alright
  11. Make Me Lovely (Encore)
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13
Laura Mvula at the El Rey Theatre 9/17/13

Trombone Shorty and Orleans Avenue | Twilight Concert Series | August 29, 2013

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The first time I heard of Trombone Shorty, he was a recurring character on the HBO Series “Treme”. At first I thought he was fictional character, but as I did more research on the music played in the show, I discovered that he was, in fact, a highly acclaimed trumpet and trombone player who grew up a child prodigy from a musical family. I can truly say that a television show helped me delve into New Orleans R&B, Funk, Soul and Jazz.  I watched many videos of him perform (like the one immediately below) and I knew that talent like that needed to be seen live. When I heard he was to have a free concert on the Santa Monica Pier, I “penciled” it into my calendar.

I love horn sections. Earth Wind and Fire, Blood Sweat and Tears, Chicago. They each had amazing horn sections that gave their hit songs an extra something. Every so often, I’ll hear a popular, modern album that utilizes a great horn section, and I think that there’ll be a resurgence or renaissance of that type and style of music, but it hasn’t happened yet.

Dustbowl Revival did a great job warming the crowd up, and when Trombone Shorty took the stage the audience was adequately lubricated for some funky, jazzy goodness and with the first note, the dancing began.

Trombone Shorty and his backing band, Orleans Avenue, wowed the audience with their musical prowess. While his singing was good, it was his work on the trumpet and trombone that truly mesmerized the audience. The highlights of his set, for me at least, was when he showcased his impressive circulatory breathing, holding notes for what seemed to be forever. A partial video clip is in the highlights I posted below, and they are partial because I had to stop filming as I had to watch him hold that note with my own eyes instead of the through the lens of the camera.  It was amazing.

He played to the audience’s local leanings by covering snippets of popular Los Angeles hip hop standards by Snoop and Dre and added his own flare to classic jazz standards (snippets of each are included in the video montage below).

Watching Trombone Shorty perform made me long for another trip back to New Orleans. When that trip happens, I’ll make sure it coincides with a Trombone Shorty performance at a New Orleans club.

Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.
Trombone Shorty.

Charles Bradley | FYF Festival | August 24, 2013

To check out pictures of other bands I was able to catch at the festival, CLICK HERE.

Charles Bradley's mic.
Charles Bradley’s mic.

They call him the “screaming eagle of soul”, and Charles Bradley was one of the reasons I was so pumped for FYF Fest this year. I’m a big fan of the funk the soul music Daptone Records puts out. Even though I’m a fan of all music, if you were to make me choose one genre of music to live with for the rest of my life, I’d probably pick soul music. From Sharon Jones and the Dap Kings to Lee Fields, Daptone’s catalog is a soul music lover’s wet-dream.

Even though he released a highly regarded album, “No Time for Dreaming”, in 2011, I really didn’t know about his music until someone saw my Lee Fields LP and asked, have you ever heard Charles Bradley sing? My friend mentioned in passing that there was a documentary about him released in 2012, but I apparently didn’t pay attention. More to come on that point later.  I googled some videos on YouTube and I was hooked.

There was something about the way he sang. He seemed to be able to communicate so much pain and life through his music. I read up on some small articles online about his upbringing, and from what I read, he had led a hard life. When I found out that Mr. Bradley was doing an artist signing session at 3:00pm, I made it a point to get to the festival grounds early. I’m so glad I did.

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Me and Charles

I got to have a chat with Mr. Bradley about his music, and about his motivation. What I asked him how he kept on pushing with music at the age of 65, all he looked me in the eyes and simply said, “The music kept calling”. He asked me if I was from Los Angeles, and when I responded yes, he told me that he once used to live on Los Angeles, but got a jaywalking ticket one day, even though there was nobody on the street, and said that that was probably a sign that he needed to move back to New York. When I asked him how it was performing with Bonnie Raitt, he told me that if I thought the day was hot, he had just arrived from Arizona  and it was hotter than I could have believed. He mentioned that he loved San Francisco, and said that he was playing a small gig there soon and that if I ever had a chance to catch him at a smaller, club venue, I wouldn’t regret the decision. When I asked him why it took so long to finally get some music out there, he said that nobody had faith in him years ago, and I told him that it’s always “better late than never”.  He nodded and with that the usher asked me to wrap it up as some people had just hopped in line. I asked him to sign the two LPs I had purchased (I already had one, by the way) and watched him methodically plan out what he wanted to write. He graciously thanked me for stopping by and I told him that the pleasure was all mine, and that I was eagerly looking forward to his set.

The spoils of the day.
The spoils of the day.

As an aside, I was reminded after the music festival that there was a documentary about Charles titled “Soul of America”.  I watched it when I got home late Sunday evening on Netflix. I may have been a little exhausted from the weekend full of music, but that movie moved me. I’ll admit, I asked some questions that easily could have been answered from watching the movie, but what moved me to tears were the little things that all made sense to me after the fact. Charles Bradley sings the truth because when he sings, he’s singing from his life. When I watched him sign my LP’s, I didn’t realize that he basically learned to read and write in the past few years. When I look at what he wrote, “Thank you Brother with Love” … I had a lump develop in my throat.

Charles’ set at FYF Festival is perhaps in my top 5, and quite possibly in my top 3, of 2013. It was all that I could have wished for and more. Hyperbole is warranted. I loved watching Charles Bradley perform. He was probably my favorite act so far this year to photograph. So much emotion. So much energy. Even at 65, he could out-perform almost all of the current pop stars under the rug. Backed by the tight sounding Menahan Street Band, his live show was truly something to behold. They call him the “screaming eagle of soul”, and he screamed that soul into the audience’s hearts and mind.

Towards the end of his set he imparted a little wisdom to his adoring fans.  He said, “The Brain is a computer, you tell it what to do. Do you want to do what it wants you to do, or do you want to do what YOU want to do.” I took it as his philosophy on life. Do what your heart tells you. His heart told him to follow music. 65 years into the game, his heart proved that the little morsel of wisdom true.

Cheers, Charles. You were the first act of all the acts I wanted to see at FYF Fest, and I could have easily left right after a satisfied customer.

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The “screaming eagle of soul”, Mr. Charles Bradley
Charles Bradley's horn section.
Charles Bradley’s horn section.
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Charles Bradley carrying the weigh of life on his back.
Charles Bradley's guitar section.
Charles Bradley’s guitar section.
The emotion of Charles Bradley.
The emotion of Charles Bradley.
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The key for Charles Bradley.
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Charles Bradley giving the audience everything he’s got.
Charles Bradley's drummer.
Charles Bradley’s drummer.
Charles Bradely on one knee, getting dirty for us and keeping it real.
Charles Bradely on one knee, getting dirty for us and keeping it real.
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You give love, you get love in return. Charles Bradley meeting the fans after his set, and getting back all the love he gave to us.

Toddchella | Part I | Tijuana Tears

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House parties in Los Angeles can be hit or miss.  More often misses, than hits.  At Toddchella, I discovered what it takes to make a house party a sure-fire hit (i) have the house party at a really cool location, (ii) have fully stocked bars with bartenders, (iii) have vending machines that dispense party essentials (i.e. lighters, cigarettes, condoms…), (iv) have a free taco truck, (v) have a very cool photographer capture the evening, and (vi) have live music that kicks some serious booty.

Toddchella
Toddchella

Held at the Penfield Mansion, Toddchella  celebrated the birthday of Todd Hurvitz. Though I had only met Todd once- perhaps twice- before, I’ve hung out with his friends on several occasions at concert events like Coachella, and they were the ones organizing the shindig.  The location aside, the party flyer listed three bands that’d be performing that evening: Tijuana Tears, The Record Company and We Were Indians. Me, being the music junkie that I am, checked out each band’s music. I immediately RSVP’s for the festivities.

Penfield Mansion is located in Woodland Hills, so I booked an inexpensive room at a local hotel so I could have a place nearby to crash. Such a good call.  Unaware that there would be full spread of food at the party, I stopped by a local market to pick up some late night munchies (roast beef sandwich, mac and cheese, and a large bottle of water) just in case. After settling into the hotel, I called a cab to drive me 2 miles to the spot.

One of the hostesses with the mostessess... handling business.
One of the hostesses with the mostessess… handling business.

I have the cab pull me up to the entrance of the driveway, and I notice a black SVU parked out front.  Inside is my friend Lyndsey who was one of the peeps in charge of putting the event together. I say, “Hi,” then let her alone to take care of her business with the bouncer of the event. After walking up the steep driveway, I let myself into the house that Frank Sinatra once lived in.

It was early, about 8:00pm, but the party seemed to have already been kick-started.  I do a short walkthrough of the venue, especially impressed with the views and the full bar, then make my way to the kitchen/living room area where the early crowd had congregated to watch the end of the final four matchup between Michigan and Syracuse. I see a couple of my friends hanging out on the couches, and I pull up a wooden rocking chair to join them. Even though there was a full bar, I still brought a good bottle of scotch to sip on (Macallan 12) and open it up, pouring glasses for my friends that wanted some. Following the conclusion of the game, I head to the back yard where the bands had set up. The first band was about to take the make-shift stage.

Tijuana Tears was the first band to take the stage. A five man band that came together in 2012, they released a 5 song EP on September 14, 2012 called “Phantasmic Consciousness”. Team Toddchella did good in having this band open the night.  Their sound was kind of music you want to hear when you’re starting the evening.  It was the kind of music that lets you know that the party was about to get fun. Having only released one EP, their set was relatively short, but it was the perfect kick-off. Reza in the band gave me the set list, and it is below:

1. “Oceans”:  When this song started, I felt that there was definitely a Cali influence. For some reason it reminded me (excluding the intro) of the Red Hot Chilli Peppers. The bass line and vocal melody felt very Flea and Keidis.

2. “Howl”: When this song started, I had a feeling that some of the guys in the band were from Texas.  A very Tex Mex punk, hillbilly vibe.

3. Bryce Alber guitar solo.

4. “Beloved Venus”: A solid pop-rock song.

5. “Woman To Serve”: A solid rock and roll, blues number. A song that cresendos into a heavy frenzy.

6. “Phantasmic Conciousness”: They concluded their set with a song that I liked the most off the EP.  It’s sound reminded me of Local Natives, but with more soul. Especially effective use of using call and response with the audience to sing along at the end with, “Whoa, what I say goes”.

IMG_2857The evening had officially started for me.  This band got the adrenaline in my system pumping. As the band was putting away their equipment, I briefly introduced myself to the band. I ended up having a brief convo with Bryce, the singer. I offered the band some of my scotch. Bryce accepted.

This is a band that you need to see live. Their recordings are great, but their live sound has so much energy and joie-de-vivre. I was especially impressed with Bryce’s vocal timbre. With the scotch starting to set in, I think I may have made some silly comparisons, like telling Bryce that he reminded me of how Jamiroquai may have sounded if he grew up in the mid-west, and how during certain passages of certain songs I had Jeff Buckley flashbacks.  Needless to say, I was impressed with his live performance.

One band down, two to go…

Click here to continue to Toddchella | Part II | The Record Company

Click here to continue to Toddchella | Part II | The Record Company

Laura Mvula | “That’s Alright” (Video and Lyrics)

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2013 may very well be a GREAT year for new female vocalists.  I’ve already been smitten by Nai Palm, the lead singer of Hiatus Kaiyote … and now Laura Mvula is looking to squeeze her way into my heart as well.

My interest in Laura Mvula had already been stirring and I’ve posted short blog entries about her songs “Jump Right Out” and “She”, but she just release a new video for her latest single “That’s Alright” and it’s blowing me away. It heavy on rhythms and chants and really comes out punching.  Definitely contrasting to her more delicate fair that I’ve grown accustomed to.  With her rich alto tone, and jazz/soul/gospel sensibilities, she sings out rebelling against an unknown antagonist, proclaiming her autonomy and self worth and chastising him/her with a chorus of “Who made you the center of the universe”.

Her first major label album, “Sing to the Moon”, was released March 4, 2013 abroad, but the CD, LP and digital downloads don’t seem to be available yet in the U.S.  RCA needs to get on the stat. And if it’s never going to be released in the states, I may very well have to spend the extra cash to purchase imports…

For your listening pleasure, Laura Mvula’s “That’s Alright”:

(Verse)
I will never be what you want and that’s alright,
Cause my skin ain’t light and my body ain’t tight.
And that’s alright.
But if I might, I must stand and fight.

I will never be what you want and that’s alright,
I play my own damn tune, I shine like the moon.
And very soon, I’ll soon fly over you.
And what you gonna do when I fly over you?

(Chorus)
Tell me who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?

(Verse)
And every morning when I wake up I pray for you
And then I pray for me that soon you’ll see
How love can be, our love will set you free.
And what it’s gonna be, I see the beauty in your eyes.

(Chorus)
Tell me who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?

(Verse)
I will never be what you want and that’s alright,
Cause my skin ain’t light and my body ain’t tight.
I will never be what you want and that’s alright,
Cause my skin ain’t light and that’s alright.

(Chorus)
Tell me who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?
Who made you the center of the universe?