Cody ChesnuTT | The Troubadour | 3/30/14

 

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On March 30, 2014, Cody ChesnuTT restored my faith in R&B music.

Over a decade ago, I first learned about Cody ChesnuTT  when he was featured on The Roots cover of his own recording titled “The Seed.” I made a mental note then to keep an ear out for more music from him, but for whatever reason, his music and my ears just didn’t cross paths.

Fast forward over a decade, and somehow I stumble on a live, radio-station, video performance of Cody performing songs off his latest release titled “Landing On A Hundred” without a backing band. I’m immediately amazed.

It was a sound so raw and soulful, it made me think of all of those legendary R&B and soul singers of the 70s. Music from the heart. Music from the soul. I absolutely fell in love with the music. Some people have compared Cody to Marvin Gaye. After listening to “Landing On A Hundred”, I’m willing to make that comparison as well.

As soon as my iPhone notified me that tickets for a show of his at the Troubadour were on sale (god-bless concert related iPhone apps!), I purchased tickets. Having gotten permission from Cody’s management to snap pics of the gig, I got to the venue early with a friend to get up close and personal. I just knew, in my gut, that it was going to be a mind-blowing performance. I was right.

When Cody, with his trademark helmet cocked on his head, and his band took to the stage, the audience erupted with a joy that I haven’t felt from an audience in a good while. A sudden emotional warmth enveloped The Troubadour, almost as if the venue itself exhaled at that moment. It was, at least for me, a surreal moment.

Cody’s performance was beyond enjoyable. In fact, with the breadth of emotion he revealed during his time on the stage; from pain, frustration and struggle, to joy, love and hope, I can truly say his performance is on my list of “favorites of all time”. Being able to capture some of those moments with my camera, gave me visual proof after the fact that I wasn’t just imagining it.

What made the performance so real was Cody’s interaction with the crowd. He engaged us. He talked TO us. He made us understand why the music he was singing meant so much to him. For example, he told us how the music on The Headphone Masterpiece saved his life; and though the music from that album came from a different time and space, having its own unique vibe, he could sing some of those tracks in the present because they matched and marched with his current vibe. He explained that “Love Is More Than A Wedding Day” was his favorite song off  “Landing On A Hundred”, further preaching to the audience that it takes effort to overcome martial struggles. He openly reminisced about the story of how his wife bought him his first guitar from a pawnshop; and how her belief in him and his dreams makes him want work that much harder to keep the relationship fresh.

Before he performed “5 On A Joyride,” he explained that that track was written after he had gotten dropped by Hollywood Records and ended up in a car with four friends tripping on magical mushrooms cruising the streets of Los Angeles. He even took a moment to give a shoutout to Suge Knight for being a man who actually gave him the creative freedom to create during his stint on Death Row Records.

I was blown away with Cody’s live show.  If you are a fan of R&B and Soul music that speaks from the heart, I beg you to attend one of his shows. You won’t regret it.

For the setlist, please click through the slideshow.

 

Dr. Madd Vibe | The Troubadour | 3/30/14

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Opening for Cody ChesnuTT at The Troubadour was a band billed as Madd Vibe. Now, I usually do my due diligence before I go to a concert when there’s a band performing that I’m unfamiliar with. In this instant, for whatever reason, I didn’t. When I got to the venue and the band took to the stage, I noticed that the frontman of the band looked familiar to me. I quickly pulled out my iPhone and Googled “Madd Vibe” to discover that Dr. Madd Vibe is the solo project of Angelo Moore, the founder and frontman of the seminal, Los Angeles based ska/punk/rock/funk band Fishbone! For those of you who don’t know who Fishbone are, they’re just one of the most influential, cult bands of the 1980s, influencing huge bands like No Doubt, Red Hot Chili Peppers and Alice in Chains. And guess what? … they’re one of the acts set to perform on Sunday at Coachella this year.

With the same type of energy that he used while fronting Fishbone when I saw them perform April 2010 at the now closed Air Conditioned Supper Club, he brought his punk-ska fused musical stylings to the Troubadour for a solid set that revealed the strength of his musical ability. Though his music is vastly different than Cody ChesnuTT’s, I think that the seemingly odd pairing was made because the talent bookers thought that anybody going to see Cody perform would appreciate Dr. Madd Vibe’s performance because of the legacy of Angelo Moore and what he has contributed to musical history.

A consumate performer, the energy he and his band had was infectious. I started to get my ska juices flowing at points, and reminisced of the days I rocked khakis, combat boots, a white t-shirt and suspenders. The set times for Coachella haven’t been released yet, but hopefully, I’ll be able to relive some more of my youth in Indio.

Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!

 

Illumination Road | The Troubadour | 2/17/14

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Last June, I went to go see Illumination Road at The Roxy; a band that writes and performs music with a distinctly classic rock edge. Now, I don’t usually go out on Mondays, but when I heard that they were scheduled to open for another band at The Troubadour, I had to suck it up and check them out. I’m glad I did.

I got to the venue early, and having not eaten anything for dinner, decided to grab a bite from the grill behind the bar. I ordered a grilled cheese and fries, and sat on a stool at the bar closest to the grill while waiting. While waiting, I noticed two things: (i) There was a female-fronted rock band on stage, and (ii) I was sitting next to Darren Criss. I’m not going to deny it, I’ve watched, and enjoyed, his covers of Katy Perry’s “Teenage Dream”, so I told him that I liked his work, and asked him who he was there to see. It turned out that he was at The Troubadour to support his girlfriend’s band Mad Moon Riot, who happened to be playing at that moment.

“Cool,” I said, and I let him be. I ordered a beer, and started to eat my grilled cheese when a buddy of mine arrived. He had brought his camera to take pictures of Illumination Road as well, so I asked him to sneak a picture of me eating my grilled cheese with Darren in the background. I tried to slyly make the picture funny, but it wasn’t. In fact, it was terrible. By the time I had finished my grilled cheese and beer, Mad Moon Riot had finished their set, and I made my way to the front of the stage to snap some pics.

When Illumination Road started their set, it was loud, glorious and hard-rocking. I enjoyed their show at The Roxy, but there was something this time around that was particularly more impressive. Whether they were inspired by the history of the venue, or whether they had just had more time to polish their live performance since the last time I saw them, it was an inspired set that I’m sure gained them some new fans. Chris Ayden, the lead singer, had a certain swagger and a commanding stage presence that night, that, truth be told, pleasantly surprised me.

If you’re looking for a new band reinvigorating the “classic rock” genre/sound, I suggest that you “like” them on Facebook and catch them live when they’re in your neck of the woods.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Robert Glasper Experiment | The Troubadour | 1/24/14

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If you are visiting Los Angeles, and music is your thing, hitting up a show at the Troubadour  (or another iconic performance venue) should be on your list of things to do. If you are a Los Angeles resident, and you haven’t been to the Troubadour … shame on you. I kid … kind of.

With a maximum capacity of 400,  the Troubadour has hosted music royalty like Elton John, Van Morrison, Bruce Springsteen, Guns N’ Roses, Radiohead, Prince, Nine Inch Nails, and the list goes on. Hell, even John Lennon and Harry Nilsson were kicked out of the club for heckling the Smothers Brothers back in the 70s. Needless to say, the tiny, iconic venue has a lot of history. As soon as I heard that The Robert Glasper Experiment was playing a gig there the Friday before the 2014 Grammy Awards, I immediately purchased a ticket.

Now, I was lucky enough to catch his performance at the Roxy in 2013, so I knew that it was a going to be a show filled with musicianship (and a special guest or two) that couldn’t be missed. That show at the Roxy was amazing, and my only regret was that I didn’t have a camera good enough to take pictures in a low lighted setting. That experience made me invest in a new camera that could.

Armed with a capable camera (you can check out some of my concert pics at my Instagram account [@Methodman13]), I got to the Troubadour with the hopes of staking out some prime real estate for the show, only to be told by the bouncers that I couldn’t’ bring my pocket sized, point and shoot camera into the venue. I could respect the policy for the show as they apparently were filming the evening for Robert’s forthcoming documentary titled “Of Dreams To Come: Robert Glasper” [To learn more about that project, head over to the website www.ofdreamstocome.com for more info]. Of course, the first thing I noticed when I got inside were people who had snuck their cameras into the venue, using the their flash no less. A bit of a bummer, as I literally had front row “seats”; but I learned that if I’m ever asked if I have a camera on my person, I am going to say, “No.” Little white lies never killed anybody, right?

I wasn’t going to let my not being able to bring the camera into the venue put a damper on the evening, and apparently the music gods saw fit to bless me with some great music karma. Let’s see ..

1. For the first time … ever … a group of three taller gentlemen, standing at least 6 feet tall each, offered to move around to give me an unobstructed view of the stage. Yeah, I’m short, and yeah, I totally appreciated that. It was a very cool gesture.

2. As expected, the music was beyond amazing, and special guests like Javier StarksAlgebra Blessett (who sang “Calls”), Wayne Brady (who covered an amazing version of Coldplay’s “Yellow”), Grammy Award winning songwriter PJ Morton (performing a song he co-wrote with Robert called “No Worries”), an amazing vocalist and Grammy nominated artist B. Slade, prolific trumpeter Keyon Harrold, and Malcolm Jamal Warner joining the incomproble Lalah Hathaway to perform a moving and powerful cover of Stevie Wonder’s “Jesus Children of America”, made the evening’s performance that much more memorable.

3.  I stood next to a pair of wonderful ladies who grooved with me throughout the set, even nudging my shoulder when songs hit magic moments of musicality, and who Robert poured drinks to from the stage (more to come on them later).

4. As soon as Robert ended his set, I took a chance, called out his name and asked for the small piece of paper that I noticed was resting on one of his keyboards. That small piece of paper was his “partial setlist”, and he gladly gave it to me.

5. My friend Terrace Martin was at the show, and happened to be on stage at the end of Robert’s set after I received the setlist, and I was personally introduced to him.

6. Robert spent time after the set greeting his fans, friends and family, so I waited until the crowd dispersed a bit before I approached him to ask for his signatures on my three Robert Glasper LPs. I started to apologize for interrupting him, when one of the wonderful ladies, who happened to be standing next to Robert at that moment, looked at him and basically vouched for me. THAT was freaking awesome.

If there are forces that control the destiny of musicians and those who love music, they were definitely watching over me that evening. Word can’t describe my glee when it was all said and done, and it’ll take a lot for the other concerts I plan on going to this year to compare. Hopefully, the music gods will be keeping an eye out on me …

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.