Tag: punk rock
Bad Religion | Mayan Theater | Red Bull Sound Select’s “30 Days In LA” | 11/9/14 [Review, Photos, Setlist & Videos]
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
THE ACT: Bad Religion | Facebook | Twitter | Instagram
SOUNDS LIKE:
THOUGHTS: (Excerpted from M. Sloves full article which you can read by clicking HERE)
“[…] Bad Religion religion finally took the stage and started just as you’d expect them to: minimal bullshit, maximum intensity. At 50 these guys still look like freaking rock stars. Well, all of them except for Graffin. With his horn rimmed glasses held on by a pair of Chums, receding grey hairline, and an endearing middle aged dad-gut testing the tensile strength of his polo shirt, he looks more like a high school chemistry professor or an engineer from TRW. But it doesn’t really matter. Dude still runs the crowd like a G.
The set opened with “Fuck Armageddon… This is Hell”. For some reason my first impulse was to close my eyes. Kinda weird for me. But I wanted to eliminate the visual. Take everything out of the equation except for the sound. Verdict?
So damn fresh!
They’ve been doing this for so long – for decades – and yet it wasn’t even remotely stale. Instead it felt fast and crisp and …communal. Looking around The Mayan you could really feel the shared sense of stoke and mutual recognition that only happens when a group of people all bear witness to a voice that speaks truth to power.
During the front end of the set, there was very little hesitation. The band plowed forward, each song more classic than the last. But there were a few songs that hit a little harder than others. For me, the first moment where I really felt them pull at the heartstrings of nostalgia was when at about the quarter-mile mark when they burst into “Stranger than Fiction”. Hearing this song live was …electric. Literally raised the hair on my arms – and that’s not easy because I’m a hairy bitch. When they hit the chorus, I felt myself jerked straight back to UCSB circa ’97. In our crash pad on Sabado Tarde, my Orange County brochachos and I weren’t always on the same page (I was both token Jew and token South Bay member of the house) but we always agreed on three things: Cantina Breakfast burritos, Seinfeld, and Bad Religion. Generator, Against the Grain, Recipe for Hate – these albums fueled many days and many more nights of benevolent ape-shittery …and why was this night different from any other night? Because Bad Religion was cramming 30 years of punk rock classics into a single evening of musical rad.
[…]
[…] And the crowd expressed its stoke by ditching the aforementioned bro-nods for a wholesome and healthy all-American mosh pit. It was long overdue and it was also cool to see the multi-generational makeup of the moshers coexisting and functioning on the same page. For me, it was precisely Bad Religion and Fishbone who many moons ago taught me the ethics and the essence of a proper mosh pit – a lesson lost on many a meathead who still doesn’t get it. Because it’s about communal expression, not individual testosterone. You move, you shove, you take an elbow, you throw an elbow, youslam – it’s violent, no doubt – but the intention is never to take someone out and when someone goes down, the obligation is always to help them back up.
It takes a village to rage. And inside the Mayan, the village was strong.
[…]
[…] The whole night felt like a series of reencounters. Every song gave me the feeling that I was bumping into an old friend or finding that missing sock I thought I’d lost at the laundromat. So recognizable. So familiar. Filling empty space where I didn’t know anything was missing. So many of their songs are so classic and so provocative that hearing them was like standing up straight and spreading my arms after sitting slouched and hunched over in front of computer screen for hours…days…years. It was liberating …and powerful.
I think I really felt it most when they played “New America”. What a kickass anthem! What a righteous call to arms. I mean, I’m cool listening to Taylor Swift sing about ex-boyfriends. I’m not a hater. But there’s a saturation point, isn’t there? Which always causes me to wonder: where is the political in popular music? Folk was swallowed up in the angst of singer/songwriters who can’t get laid. Funk got eaten by disco which was then euthanized in the 80s. Rap started political but by the late 90s it had largely cannibalized its own prophets. Rock has pretty much sucked since Rage Against the Machine (except maybe for System of a Down). What are we left with? Basically a lot of narcissism.
[…]
But punk continues to live in a largely political realm. It’s a purpose driven music that offers more than mere catharsis. It’s not all genius but when silverbacks like Graffin, Gurewitz, Dimkich, and Bentley hold it down, most of it is.
At one point Greg Graffin PhD looked up at the plaster cast Mayan carvings that line the walls of the theater and blurted out: “These hieroglyphs are not authentic.”
Maybe that one moment summed up the entire night. Bad Religion remains relevant because they remain authentic. When they scream “Fuck you!” it sounds just as urgent and outraged as it did 30 years ago. When 55 year olds and 22 year olds are packed shoulder to shoulder on the dance floor with their fists in the air screaming the chorus to every song, for one night at least, Los Angeles indeed is burning.”
SETLIST:
PHOTOS:
VIDEO CLIPS:
To Check Out Other Bands We Caught During Red Bull Sound Selects “30 Days In LA” CLICK HERE
PINS | Culture Collide | World Stage | 10/18/14 [Review, Vids & Photos]
To Check Out Other Bands We Caught At Culture Collide CLICK HERE
THE ACT: PINS | Facebook | Twitter | Instagram
SOUNDS LIKE:
THOUGHTS [Written by Kate M.]:
I love this band for their total sound and style. This UK band is what the Go Gos circa 2014 would sound like if they went dark Indie Rock, or, if they stayed Punk circa 1978. Pins’ lead vocalist even has a vocal tone or quality that reminds me a little of Belinda Carlyle, but she’s not Belinda, xo Belinda! Pins is the combined musical talents of Faith, Anna, Lois and Sophie from Manchester, UK and their music is unapologetic, tough yet feminine, and natural compared to their Electronic and Pop peers. By that I mean, the Pins’ sound includes effortless dark chanting and rock rhythms of unfinished or unconcluded emotions, unmistakably heard in their beats, guitar riffs and even in their vocal harmonies – it’s a dope sound. To me, this is a distinct sound and musical road than the more polished emotions and lyrics usually heard more in the Electronic and Pop genres. The Pins’ lyrics are about relationships, feelings and love, tough and dark but with exposure, flaws and soul searching, like any good female rock band. I am always looking for a good female rock band and the only other one I’ve heard live lately is Deap Vally (no “e”), two female rockers who shred. Deap Vally is a stronger more pure rock sound, but I use the comparison to emphasize, there aren’t many bands that can claim girl rockers out there right now. Pins’ vocals don’t have the muscular sound of classic female rockers, but I am excited about their sound. They recently played the CMJ Music Marathon and they are playing (sold out) shows in the UK in the coming months and I know why.
PHOTOS:
VIDEO CLIPS:
To Check Out Other Bands We Caught At Culture Collide CLICK HERE
Cloud Nothings | Culture Collide | TAIX Main Stage | 10/17/14 [Photos]
To Check Out Other Bands We Caught At Culture Collide CLICK HERE
THE ACT: Cloud Nothings | Facebook | Twitter
SOUNDS LIKE:
PHOTOS:
VIDEO:
To Check Out Other Bands We Caught At Culture Collide CLICK HERE
Dead Dawn | Echo Park Rising | 8/17/14
To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.
THE ACT: Dead Dawn | Facebook
SOUNDS LIKE:
THOUGHTS: This was the surprise set of the day for me the last day of Echo Park Rising. This band kicks ass. Dark and heavy, and with tons of attitude, their set was raw and pretty damn badass. When the music got more aggressive, I felt shades of Savages. Hell, even the lead singer of the band had a Jenny Beth haircut. They may have had a little technical difficulty for a few minutes when the guitarist’s (who’s a babe, btw) guitar got disconnected, but that just made the performance more punk. Loved them. Killer first impression.
To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.
Sex Stains | Echo Park Rising | 8/16/14
To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.
THE ACT: Sex Stain | Facebook | Twitter
SOUNDS LIKE:
THOUGHTS: Unbeknownst to me, Punk and Riotgrrrl veteran Allison Wolfe started a new band named Sex Stains, featuring vocals by her and Mecca Vazi Andrews, Sharif Dumani (guitar), Pachy Garcia (bass) and David Orlando (drums). I really dug their set. I had to leave a little early to snap pics of another band … and I regret that because ALICE freaking BAG joined them onstage for a song or two (I found that out on Instagram). I should have stayed. My loss.
To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.
FEA | AMPLYFi | 6/13/14 [PICS & VID]
FEA (pronounced FAY-ah) is the feminine form of the Spanish word for “ugly”. It’s also the name of a Riot Grrrl, side project of some bad ass rockers from Texas.
Back in 2012, I discovered the music of a band from Texas named Girl In A Coma. It was love first listen. The trio consisting of Jenn Alva and sisters Nina and Phanie Diaz steamrolled my ear drums with their brand of San Antonio flavored indie rock.
As Nina Diaz recently recorded her own solo project (and who’ll be Southern California Thursday July 24th at Alex’s Bar in Long Beach and Friday July 25 at Levitt Pavillion in MacArthur Park supporting her latest album), Phanie and Jenn decided to put together a new band, FEA, with singer Theresa Moher and guitarist Aaron Lee Magana. Raw with no frills, FEA’s music puts the punk back into punk rock.
The venue they played at, AMPLYFi, seemed to be the perfect setting for their Riot Grrrl music. It was a small, unassuming venue that seemed to be on par with the “do it yourself” Riot Grrrl mentality of the 90s. Their set was relatively short but it was as aggressive and shredding. They even threw in a little rockabilly flavor covering Wanda Jackson’s “Fujiyama Mama”.
Only time will tell whether Phanie and Jenn keep this musical incarnation going; I’m just glad I got to see them do their thing.
I’ll have to admit, I had a difficult getting any real quality shots at this venue. I used my DSRL, but lacking true proficiency at adjusting settings to accommodate for the quickly change lighting and the low light, and not having the greatest aperture, I’m thinking I probably could have snapped better pics with my point and shoot. C’est la vie. Practice, practice, practice … I’m hoping, will lead to perfect.
The Damned | Ink-N-Iron |6/7/14 [PHOTOS & VIDEO]
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
Formed the year I was born, 1976, The Damned are a rock band from London, England. I was particularly interested in checking out there set as they are known to be one of the forerunners of the “gothic” music genre: a music style that is a mix of post-punk and alternative rock. I was especially excited that they were playing Ink-N-Iron because I couldn’t recall the last time they toured the United States.
Though their line-up has changed up over the course of their existence, three of their original members performed on this night on the Queen Mary: lead singer Dave Vanian, guitarist Captain Sensible and keyboardist Monty Oxymoron.
Dave Vanian’s performance was particularly impressive. His dark (dressed in black, with sunglasses and gloves) and mysterious stage presence was quite a contrast from Lee Ving’s performance. He performance demonstrated an understated bravado that really demonstrated, to me, a terrific command of the stage.
The audience, who had just before been moshing with reckless, and violent, abandon the set before, was now bouncing about with more fun and freedom. 37 years after they had formed, it appeared to me that they still had plenty in the tank, with their classically punk attitude in full form.
I couldn’t find a setlist of their set online, so if you attended the event and know what their setlist was, please post it in the comments, and I’ll add it to the post.
Immediately below are some videos I found of The Briefs performing at the festival and also the Ink-N-Iron pre-party. If you know of any other videos that are online, please post the link below in the comments so that I can add it to the playlist.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
Fear | Ink-N-Iron |6/7/14 [PHOTOS & VIDEO]
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
California hardcore punk took shape in the late 70s and early 80s. Heavier and more abrasive than regular punk rock, bands like Black Flag, the Circle Jerks and Fear were the seminal bands that helped paved the way that particular sound and style. Fear’s music and live show is known to be aggressive and confrontational . Their performance on Saturday Night Live back in 1981 is the stuff of legend, as they invited a pack of skinhead slam-dancers on-stage resulting in costly studio damage and even on-mike profanity. That story alone was enough to make me curious enough to catch their set.
I got the stage after the band had already started, but I’m glad that I wasn’t up close to snap pictures. Mosh pits had formed and I’m assuming that either me, or my equipment, could have easily been broken. lol.
Fronting the band is Lee Ving; the only original member of band since its formation in the late 70s. His sharp tongue and vocal thrashing of the mic was still on par. For a man in his mid-60s, his band’s music elicited from the crowd a teenage abandon of angst and straight up punk. Just watching the swirling pits got my juices flowing.
I couldn’t find a setlist of their set online, so if you attended the event and know what their setlist was, please post it in the comments, and I’ll add it to the post.
Immediately below are some videos I found of The Briefs performing at the festival and also the Ink-N-Iron pre-party. If you know of any other videos that are online, please post the link below in the comments so that I can add it to the playlist.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
The Briefs | Ink-N-Iron |6/7/14 [PHOTOS & VIDEO]
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
The Briefs are a punk rock band from Seattle, Washington. Critics have described their brand of punk rock as a throwback to 70’s British punk and early 80’s L.A. bands. However you may want to classify them, their music rocks.
I tried doing some research about the band before the festival to learn more about them, but other than their Wikipedia entry and their Facebook Fan Page, there wasn’t much press I could find about them. Based on what I could glean, the band took a little hiatus sometime around 2007 as one of their members joined a new band.
Notwithstanding the little info I could find about them, and based on what I watched and listened to on youtube, I decided I’d check them out. I’m glad I did.
Rapid power chord progressions with catchy hooks, and performed with a cocksure attitude, these guys were a fun kind of punk that really got me ramped up. I may not have been keen on their lyrics (as I was basically being exposed to their music for the first time), but what I heard was good enough for me to make me want to check out there music some more.
I couldn’t find a setlist of their set online, so if you attended the event and know what their setlist was, please post it in the comments, and I’ll add it to the post.
Immediately below are some videos I found of The Briefs performing at the festival and also the Ink-N-Iron pre-party. If you know of any other videos that are online, please post the link below in the comments so that I can add it to the playlist.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON