Social Distortion at the House of Blues (Sunset) 01/26/13

IMG_2505

Social Distortion sold out over 25 shows for a residency of various Southwest House of Blues (“HOB”) venues.  Their shows at the HOB Sunset location sold out almost a quickly as they went on sale.  I remember when those tickets went on sale … and I remember when I called in to find out that those tickets had sole out…  Thankfully, Social Distortion and HOB decided to add additional shows, and I was lucky enough to grab a few tickets!

Based on what I’ve researched, Social Distortion used to do a Southwest residency at a venue once a year, but the last time they did residency was five years ago.  Apparently, they’ve been touring relentlessly the past two years domestically and internationally.

IMG_2536

I’ll be honest with you… I didn’t grow up listening to punk and rockabilly.  I mean, I always knew that Social Distortion were one of the pioneering bands of the Southern California punk rock movement during the late 70s and 80s, but (and I’m somewhat embarrassed to admit it …) it wasn’t until I played “Story of My Life” on Guitar Hero III that I started to really pay attention.  When I read that Pearl Jam did a couple of shows with them back in 2009, I really started to pay attention.  Hell, if they were good enough for Eddie Vedder and Mike McCready, then it must be good for me!

Mike Ness, the lead vocalist and guitarist, and the only original member of the band, performed with the energy of a rock-and-roller half his age (50).  It was a good crowd at the HOB with the pit swirling around with male and female bodies alike.

They played songs I knew and songs I didn’t.  Most the crowd was singing along, but even though I didn’t know all of the words by heart, it really didn’t matter.  Getting lost in the music, dancing with abandon, in a cloud of some smoke from the hidden doobies people in the crowd were lighting, it was what I would have imagined it was like back in the late 70s and 80s had I gone to a show back then.  It was like everyone was immersed in some kind of nostalgic, punk era haze, where nothing mattered except the music. It was a good feeling.

It’s pretty crazy, but even though Social Distortion has been around since 1978, they’ve only released 7 studio albums and 1 live album, and I  only have two digital tracks: “Story of My Life” and “Ring of Fire” (by the way, not many artists can cover Johnny Cash and Social Distortion’s recording (and live performance) of “Ring of Fire” is as faithful to the original attitude as it gets.

I think it’s time for me to start buying the albums…. starting with “Mommy’s Little Monster”.

IMG_2520

The Stone Roses Headlining Friday Night of Coachella!

Image

The lineup for Coachella 2013 came out last night, and the first band listed, to my immense joy, was The Stone Roses.

There are other notable acts that were listed: Modest Mouse and Franz Ferdinand (2004 anybody?), Vampire Weekend, Grizzly Bear, Hot Chip and Passion Pit (Coachella 2010 revisited?), Lou Reed, Postal Service, OMD and New Order (British New Wave contingent?), Descendents, Violent Femmes and DInosaur Jr (80s, early 90s, throwbacks?)… BUT, my quest for the a “golden wristband” (Coachella issues wristbands instead of tickets) is ground in the fact that The Stone Roses are headlining Friday night.

Their self-titled debut album was a sensation. From the moment you pressed play, there was no reason to fast forward or skip through tracks because, as a whole, that album was perfect. Their brand of indie rock fused guitar pop with dance culture, but it’s attitude was all rock and roll.

Lead singer Ian Brown’s vocals assumed a laid back and nonchalant approach which seems almost to be contradictory in style to the underlying music, but it all meshed together. “I Am the Resurrection”, “I Wanna Be Adored” and “She Bangs The Drums” are highlights from the album.

I’ve noticed that a lot of the “kids” responding to the line-up news seem to be disappointed with some of the selections. They seem to be more upset that Daft Punk or other “dance” acts aren’t on the bill. What they don’t seem to understand is that The Stone Roses have musical, historical relevance in that they created an album that brought, and in late 80s and early 90s, “dance music to an audience that was previously obsessed with droning guitars, while it revived the concept of classic pop songwriting and the repercussions of its achievement could be heard throughout the ’90s.” (quoted from http://www.allmusic.com/album/the-stone-roses-mw0000653335)

It’s too bad that the younger generations can’t understand how big this act is in the context of music history. Hopefully, newbies at their crowd at Coachella will hear and feel the the amazingness of their music like I did when I first pressed play on that used cassette tape that I bought back in high-school.

Cheers, Goldenvoice and Coachella. You’ve made one hopeful patron very happy.

UPDATE: Click here to read my blog entry about Coachella and The Stone Roses performance.

Dubstep: This Generation’s Disco?

IMG_2456

I walked into the bathroom, and some dude with glazed eyes immediately asked me if I wanted mollies on paper.  I was about to refuse the offer, but before I could answer, my attention turned to the bathroom stall where someone was purging themselves.  I didn’t have to answer, as the dude offering, just left the bathroom.  Dubstep shows… Is this how they usually are?

I was invited to check out a live-art exhibition at a dubstep show in Glendale called Quality Control on January 4th.  A friend of mine, Mear One, was going to paint on stage while dubstep DJs worked their craft on stage.  Mear One is an artistic genius.

Mear One PaintingIMG_2475

The art aside, let’s get back to the music … I’ll be honest with you.  I don’t really know, or understand, what dubstep is.  I looked it up on Wikipedia [http://en.wikipedia.org/wiki/Dubstep] and they seem to do a pretty good job at breaking down it’s characteristics- albeit most of it went over my head- but I think that Allmusic.com’s description of it better suited my needs and describes it as “tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals.”

This wasn’t my first time going to a dubstep performance.  I had spent a few minutes at Coachella in 2012 checking out a dubstep DJ, but I didn’t stay that long, and I can’t even remember who the DJ was.  Gaslamp Killer, 12th Planet, SBTRKT and Skrillex all seemed to have pretty a pretty good 2012 (financially), but I never really understand what the “hook” of the music was.  Why is/was there an audience for dubstep?

Maybe it’s simply the “new” (even though the music has been around since the late 1990s) style of music.  Something for the kids to claim as their own.  The thought crossed my mind when I noticed a mosh pit in the center of the audience.  It harkened back my memory of the time when Nirvana and grunge came.  Grunge was the “new” sound of the times, and people tuned and listened because they hadn’t heard anything like it before.  Maybe dubstep is/was that “new” musical trend.

Maybe so, but at least with grunge, the lyrics were 50% of the music.  People tuned in, not only enjoy the music, but to also live the lyrics in the music.  Grunge, like heavy metal, evoked that kind of intense sentiment that made its listeners mosh.  On the other hand, since there really aren’t lyrics in dubstep, the audience moshes because the bass lines “make them”.

Click through on the link to see the mosh pit at the show: http://http://www.youtube.com/watch?v=pMj67XF1G00

IMG_2456

I still think that the “sound” of dubstep is exciting.  I think that you can easily use that sound in conjunction with real songwriting to write meaningful music.  But there still only so many times I can bear someone telling me, “Check out that bass line, bro. Soooo dirty. It’s gonna drop …. Wait for the drop … Here it comes… Uuunnnngh!”

Screen Shot 2013-01-09 at 12.41.35 AM

Maybe it’s partially because I’m probably a little older than the typical dubstep crowd.  I’m a little too old to pop mollies in the bathroom.  I’m not popping ecstasy so that I can “feel” the music.  But I still like the sound and I still think that with the right artists, you can transform the underlying dubstep instrumentals into something a little more meaningful.  Give the dubstep sound some heart.  Give it some meaning.  Don’t just leave it as a bass lines and drops.

Some people have called dubstep this generation’s disco.  But I think that if dubstep is going to stay relevant, it’s music needs to be written with relevance.  I mean, even disco, loathed by many as a passing fancy, has songs to this day that are still relevant, but that’s because those songs, however “cheesy” they may have been, connected with the audience on an emotional level.

Can dubstep can have that kind of longevity?  It’s hard to say … but until you give that sound some more soul … some more heart … I think you’ll be hard pressed to see a person 30 years from now saying, “Oh, I love this song with it’s wub-wub-wub, and bass drop”….

A Year of Concerts: 2012, 24 Concerts, 1 Favorite

Image

In 2012, I was blessed to have been able to attend 24 concerts.  This being the inaugural post of my blog, I thought it may be a good way to kick things off if I listed each of the concerts in the order that I enjoyed them (starting with the least favorite, and ending with my favorite), with a line or two of my thoughts.

24. Shuggie Otis– The Echoplex- Wed Dec 5

It’s hard to see an artist that you acknowledge as Los Angeles musical royalty without his gift.  By all accounts, a sad musical revelation for me.

23. The 10th Annual Korea Times Music Festival– Hollywood Bowl- Sat April 28

While I can appreciate the musicality of some of the K-Pop act thats performed throughout the evening, I’m assuming I didn’t truly appreciate it like the others because I just didn’t understand enough.  I’m a bad Korean-American.

22. Moby– The Annenberg Space for Photography- Sat Jul 14

Moby did two sets:  Live Folk and DJ.  Unfortunately, I wasn’t that impressed with either.  While I can appreciate his musical venture, I kind of want to hear the older hits that I grew up with.

21. Boyce Avenue– Club Nokia at LA Live- Sat Dec 08

By buddy proposed to his girl, on stage at this show.  He picked the perfect show.  Chicks dig Boyce Avenue.

20. Starting 6– Vanguard- Fri Aug 10

Hot, sweaty, party hip-hop.  These guys can rock a joint

19. Orange Tulip Conspiracy– Mr. T’s Bowl- Fri Sep 21

The musicality of this Jazz group is amazing. A must for any jazz aficionado. I hear they are recording a new album, and I can’t wait to her the new material.

18. The Airplane Boys– Roxy Theater- Wed Aug 15

Other level hip-hop.  I also saw them at Coachella.  They killed it at the Roxy like they killed it in the desert.

17. Bizarre Ride Fest– Bizarre Ride Live (Fatlip, Slimkid3, J. Swift, etc.)- The Roxy Theater- Sat Dec 29

The Pharcyde’s debut album “Bizzare Ride II The Pharcyde”, to quote my buddy David [@davidshein on twitter] is “just one of the best hip hop albums ever”.  I won’t disagree.  Even when it’s performed by only half of the original group, the music still holds up.

16. The Heavy– El Rey Theatre- Fri Sep 07

In support of the their most recent release, The Glorious Dead, I jammed out at this concert.  Their front man, Kevin Swaby, was born to perform.

15. Jason Mraz and Christina Perri– Tour Is A Four Letter Word- Hollywood Bowl- Fri Oct 05

I enjoyed Jason Mraz at the Hollywood Bowl, but I’ve seen him at The Wiltern (full band) and The Walt Disney Concert Hall (acoustic), and his music is better suited for more intimate venues.

14. Animal Collective, Flying Lotus and Huun Huur Tu– Hollywood Bowl- Sun Sept 23

Animal Collective delivered.  Huun Huur Tu entertained.  Flying Lotus blew my mind.

13. Raphael Saadiq and Band of Skulls– The Annenberg Space for Photography- Sat Aug 04

Such and odd concert pairing, but they both were amazing.  KCRW kicks ass.

12. Girl In A Coma, Pinata Protest and Sara Radle– The Echoplex- Fri Apr 27

Girl In A Coma is one of my favorite “new” bands.  These girls kick ass.  I wanted to see them again this year when they were opening for Grizzly Bear, but I couldn’t fit it into my schedule.  The lead singer, Nina Diaz, has a voice to die for.

11. Playboy Jazz Festival– Hollywood Bowl- Sun Jun 17

Ramsey Lewis is a musical savant.  I always pay money to watch genius perform.  Robin Thicke were Preservation Hall Jazz Band were good.  Was a slightly unimpressed with Spectrum Road.

10. Eric Hutchinson– Troubadour- Sat May 19

He was the first artist I truly “represented” back at my first job after passing the bar exam.  I couldn’t  be prouder of how far he’s come.

9. Allen Stone– The Fonda Theatre- Fri Oct 19

If this guys plays his card right, he could playing the Hollywood Bowl in a few years.  The first thought I had after the show ended?  “I’ll be able to tell my kids (when I have them), that I stood front row at an Allen Stone concert at The Fonda”.

8. Ben Harper– Vieux Farka Tour- Hollywood Bowl- Sun Jul 01

When Ben Harper sang a cappella, without a mic, at the front of the Hollywood Bowl stage, he earned by respect. He also played the one song I needed to hear, “Burn One Down”.  Can’t ask for more.

7. Hot Chip, Passion Pit and Omar Souleyman– Hollywood Bowl- Sun Sep 9

I went to the show to see Passion Pit. They met and exceeded expectations.  I was expecting more from Hot Chip.  I didn’t get to see Omar Souleyman.

6. Meshell Ndegeocello and James “Blood” Ulmer– Royce Hall- Fri Dec 7

Meshell Ngedeocello performed her interpretations of Nina Simone classics.  Mesmerizing.

5. Peter Gabriel– Back To Front- Hollywood Bowl- Sat Oct 6

I’m not going to lie.  I had a moment.  Flashing back to my younger years when he played “In Your Eyes”, mine started to water.  The power of music.

4. Fiona Apple– The Greek Theatre- Fri Sep 14

She may have been a bit too gaunt for my personal liking, but she can still sing.  A poetess with a voice.  There isn’t that many like her out there in the world.

3. Mint Condition– Club Nokia at LA Live- Sat Jan 28

Mint Condition has always been underrated.  In my humble opinion? They’re one of the best live, R&B bands out there, period.  Stokley’s voice is perfect for R&B.  I grew up with their music.  They are one of my favorite bands.

2. No Doubt– Gibson Amphitheatre- Fri Nov 30

I’ve always kicked my self in the rear when it comes to No Doubt.  They used to perform locally when I was growing out, but I never went to a show.  I can now cross this off my concert bucket-list.  Oh, by the way, I’m in love with Gwen…

1. The Coachella Valley Music and Arts Festival– Empire Polo Club- Fri Apr 13 through Sun Apr 15

Dr. Dre & Snoop.  Radiohead.  The Black Keys. Bon Iver. Swedish House Mafia.  At The Drive-In.  Florence and the Machine.  Girl Talk.  The Shins.  Mazzy Star.    Andrew Bird.  Need I go on?

I’ve written about most of the shows on my Facebook page, so if you want to know a little more about particulars, free to shoot me a tweet [@methodman13] and I’ll send over some other thoughts.

I hope your 2013 is filled with musical discovery, and that a song stirs your heart always.

Charles Bradley | Twilight Concert Series | Santa Monica Pier 9/11/14 [Instagram Videos]

CLICK HERE to check out other acts I caught at the Twilight Concert on the Santa Monica Pier!

Below are Instagram clips of some of the songs from Charles Bradley’s set at the Santa Monica Pier as part of the Twilight Concert Series. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at the Twilight Concert on the Santa Monica Pier!

King James & The Special Men | Twilight Concert Series | Santa Monica Pier 9/11/14 [Instagram Videos]

CLICK HERE to check out other acts I caught at the Twilight Concert on the Santa Monica Pier!

Below are Instagram clips of some of the songs from King James and the Special Men’s set at the Santa Monica Pier as part of the Twilight Concert Series. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at the Twilight Concert on the Santa Monica Pier!

Rudimental | Staples Center | Staples Center | 8/29/14 [Instagram Videos]

Click Here To Go Back To The Concert Review

Below are Instagram clips of some of the songs from Rudimental’s at Staples Center. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

Click Here To Go Back To The Concert Review

Ed Sheeran | Staples Center | Staples Center | 8/29/14 [Instagram Videos]

Click Here To Go Back To The Concert Review

Below are Instagram clips of some of the songs from Ed Sheeran’s at Staples Center. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

Click Here To Go Back To The Concert Review

The National| First City Festival | 8/24/14 [INSTAGRAM VIDS]

CLICK HERE to check out other acts I caught at First City Festival 2014!

Below are Instagram clips of some of the songs from The National’s set at First City Festival 2014. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at First City Festival 2014!

Cults| First City Festival | 8/24/14 [INSTAGRAM VIDS]

CLICK HERE to check out other acts I caught at First City Festival 2014!

Below are Instagram clips of some of the songs from Cults’ set at First City Festival 2014. Instagram’s embed settings are, unfortunately, too large for WordPress, but hopefully, you’ll still be able to click through to watch the video clips. Enjoy.

CLICK HERE to check out other acts I caught at First City Festival 2014!