Cinquanta: Celebrating 50 Years Of Maynard James Keenan | Failure, A Perfect Circle & Puscifer | Greek Theatre | 5/10/14

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I won’t front. Back when I was freshman in high school, I wasn’t into Tool. The rock music that I was into at the time was more along the lines of Depeche Mode (who released “Violator”), Nine Inch Nail (who released “Head Like A Hole”) and INXS (who released “X”). I was a narrow minded, music snob then (which I truly regret), and I wasn’t willing to open my mind to other bands’ music.

It wasn’t until I had graduated from college that I really took the time to listen to what Maynard James Keenan’s music had to offer, and it was the first album from his second band, A Perfect Circle, that got me hooked. With “Mer de Noms”, songs like “Judith” and “3 Libras” sent shivers down my spine. I was a fool to have waited so long to discover that Maynard was a monster, rock vocalist. Not only able to belt out tunes like it’s nothing, he also adds a level of emotions to the underlying lyrics he sings, which sets him apart from other rock vocalists.

I first saw Maynard perform at Coachella in 2013 with his band Puscifer. Though the music was different from A Perfect Circle, I thought that it was one of the highlight performances of the day. It was fun, sexy and raunchy all at the same time. I still have the Puscifer Airlines candy that they threw out to the crowd from that day.

Cinquanta, a two night celebration of his 50th birthday at the Greek Theatre, was a ticket that any Maynard fan couldn’t pass up. Billed as a concert with Puscifer as a headliner with A Perfect Circle and Failure (who had reunited in late 2013 and acted as Tool’s supporting act for Tool’s recent tour) as “support”. But each band rotated sets  every 15-30 minutes, even collaborating with each other on certain songs, throughout the evening. Green Jelly (a band that Danny Carey- the drummer of Tool- and Maynard were members of) made a surprise appearance to perform “Three Little Pigs”Neil Hamburger made an appearance to sing “New York, New York”, and 3/4 of Tool (minus Adam Jones) performed the Tool classic “Sober”. Personally, I thought one of the out-of-the-box highlights of the show was when Carina Round sang the lead on “The Package”; a superb rendition.

Based on my notes, and what I was able to find online, below was the setlist:

  1. Failure: “The Nurse Who Loved Me” (w/ Maynard James Keenan, Billy Howerdel and Carina Round)
  2. Failure: “Saturday Savior”
  3. Failure: “Dirty Blue Balloons”
  4. A Perfect Circle: “Weak and Powerless”
  5. A Perfect Circle: “Orestes”
  6. A Perfect Circle: “The Noose”
  7. Puscifer: “Vagina Mine”
  8. Puscifer: “Trekka”
  9. Puscifer: “Polar Bear”
  10. Puscifer: “Breathe”
  11. Puscifer: “Oceans”
  12. Puscifer: “Monsoons” (w/ Billy Howerdel)
  13. Puscifer: “Horizons”
  14. Failure: “Another Space Song”
  15. Failure: “Frogs”
  16. Failure: “Solaris” (w/ Maynard James Keenan)
  17. A Perfect Circle: “The Hollow”
  18. A Perfect Circle: “Rose”
  19. A Perfect Circle: “The Package” (featuring Carina Round)
  20. Puscifer: “Conditions of My Parole”
  21. Puscifer: “Man Overboard”
  22. Puscifer: “The Undertaker” (w/ Ken Andrews)
  23. A Perfect Circle: “Counting Bodies Like Sheep To The Rhythm
  24. A Perfect Circle: “3 Libras”
  25. A Perfect Circle: “By and Down”
  26. Failure: “Blank”
  27. Failure: “Wet Gravity” (w/ Jeff Friedl)
  28. Failure: “Heliotropic”
  29. Puscifer: “New York, New York” (w/ Neil Hamberger)
  30. Puscifer: “Cuntry Boner” (An Electric Sheep cover w/ “Hildy” and Danny Carey)
  31. Puscifer: “3 Little Pigs” (w/ Green Jelly and Danny Carey)
  32. Puscifer: “Sober” (Tool cover w/ Justin Chancellor, Danny Carey and , and Zac Rae)
  33. Puscifer: “Humbling River” (w/ Danny Carey)

Wow.  Just looking at this setlist is making think that the $40 I spent on the ticket was definitely money well spent. Even if a song or two may not have been to one’s liking, the action on  stage, with the casual stage setting of lawn chairs and constant filling of chalices (presumably filled with adult beverages) gave the audience something to watch  as there was something going on onstage at all times, whether it was Maynard pouring drinks for others, performers taking selfies onstage, or individuals having private conversations in front of everybody, it was a concert that truly felt like a party. And when the audience sang along? The hairs on my arms stiffened. When they closed with “Humbling River”? I got shivers.

It was an amazing show. I don’t know what else to say. Happy Birthday, Maynard. You did it right. Simply kick-ass.

I wasn’t able to get permission to shoot the show, so all of the photos below were on my Sony Cyber-shot G, point and shoot that I couldn’t live without.

 

The Warlocks | The Roxy | 4/25/14

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Opening for the Dandy Warhols at the Roxy was the American, psychedelic rock band The Warlocks. Founded in 1998 by Bobby Hecksher, the band has been playing with various lineups since, with Hecksher the only constant member.

With half a dozen albums released since it’s inception (with their latest album, “Skull Worship” being released in November of 2013), The Warlocks concert seemed to cover their entire repertoire (according to a The Warlocks fans standing next to me). When I snagged the setlist (which you can see below) off the lip of the stage, she took a look at it and noted (while giggling) how they abbreviated the names of the songs.

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The Warlocks’ music isn’t for everybody. If you aren’t familiar with them, you may assume that their sound is akin to the Grateful Dead (the Grateful Dead’s first name was The Warlocks), but you’d be wrong. Rather, their sound seems to be heavily influenced by the neo-psychedilia and experimental rock of the Velvet Underground. Personally, I was feeling it. I thought that perhaps the start of the set was a bit too downtempo for my tastes, but as it went on, the energy picked up and had me grooving by the end.

The Naked and Famous | Coachella | 4/13/14 (PHOTOS)

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The Naked and Famous are an indie electronic/melodic pop, alternative rock band from Auckland, New Zealand. To the best of my knowledge, their performance at Coachella was the first after having recently wrapped up a stint opening for Imagine Dragons’ arena tour. They continue their touring in support their 2013 release “In Rolling Waves” with dates in the United States, Australia and Europe.

I enjoy their music. In fact, when I first heard their big single “Young Blood” years ago, I thought it was a Passion Pitt release, and I’m a huge Passion Pitt fan. My only criticism of their Coachella set is that I felt that their live performance lacked a bit of energy, which is odd because their music is so driving and lends to … well … energy. Now, don’t get me wrong … I enjoyed the set. In fact, I’d go see them perform again. I think I was perhaps just expecting a little more excitement. It may have had something to do with mid-day time slot, and perhaps their live act is much more suitable with an accompanying light show like this video on their youtube channel seems to demonstrate. It may have been the fact that I wasn’t entrenched in the dancing masses as I was watching them perform from the photo pit. If I do go seem them perform again, which I certainly would buy a ticket for, I’d make sure it was a club or theater venue as opposed to an outdoor festival.  As another, inconsequential aside, I like Alisa Xayalith’s hair longer. She’s still a cutie though… 😉 

The Naked and Famous Setlist Coachella Festival 2014 2014

 

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The 1975 | Coachella | 4/13/14 (PHOTOS)

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Earlier this year, I heard a little buzz about an indie-rock band from Manchester, UK called The 1975. I really didn’t know much about their music, but a lot of my female friends on Facebook had posted about them, so I decided to check out their set to see what they were all about.

I didn’t know much about their music, so I kind of assumed that it would be something akin to music of that era like Queen or Led Zeppelin (considering that they were from the UK and they were called The 1975). Rather, it was more like the pop-rock of HAIM. Don’t get me wrong, I’m a fan of 80’s influenced, indie rock, I suppose I was just anticipating, although a bit unfounded, something a little harder of an edge.

I liked their music. With the support and push of their label. I don’t think this band will have a problem breaking into the american, mainstream market. The tunes are catchy and consumer-friendly, and the lead singer, based on a female friend’s opinion, is “a good looking, if not waif, guy” … and I’m assuming that most of the crowd would have agreed as they seemed to be mostly female (you should click the instagram video below … It’s not surprising that there is a girl yelling, “I love you, Matty,” at the end).

I liked their music. If you like bands like HAIMCHVRCHES or Vampire Weekend, you should look into The 1975.

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Fishbone | Coachella | 4/13/14 (PHOTOS)

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After sleeping in to get get some much needed rest after two grueling days of “festivaling”, the first band I went to go see at Coachella on Sunday was Fishbone. Having recently seen Angelo Moore perform as Dr. Madd Vibe at the Troubadour, I knew that it was going to be a high-energy, positive set to kick the day off with.

Under the bright desert sun, Fishbone took to the main stage and played their brand of ska/punk/funk infused alternative rock to a raucous group of early festival arrivals. Angelo Moore’s energy was contagious, his stage presence easily filling the largest stage of the festival. He even abandoned the stage to sing to and greet those in the front of the audience. The definition of a showman.

The band was a well-oiled machine too. Horns, Bass, Keyboards … they all had there moment in the sun (no pun intended), and it was nothing short of wonderful. The third song they played summed up the overall feeling of their set, “Everyday Sunshine”, and from that moment on I knew it was going to be good day. The two highlights of the set, for me at least, were when (i) Angelo, Walter Kibby and John Norwood Fisher (the three founding members of the Fishbone who still play in the band) took center stage to perform, and (ii) when they covered Sublime’s “Date Rape”. Though I had been kicked out of the pit by that time, I felt that if there were another band that had the right to cover that classic tune, it would be Fishbone.

Sunday was off to a great start.

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Empire of the Sun | Coachella | 4/12/14 (PHOTOS)

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It didn’t surprise me that I didn’t make the cut to shoot Queens of the Stone Age’s set, so at the wise suggestion of a photographer from Canada, I decided to check out Empire Of Sun. Wow.

Empire of the Sun is an electronic music duo from Sydney Australia. Having achieved critical acclaim abroad, I was surprised that I had never heard of them before. Their set took place in the Sahara Tent, and I’ll be honest, I tried desperately to stay from that part of the festival grounds all weekend as it was usually overcrowded with molly-popping, inebriated, frat boys pushing their way to get in to rave. It was no exception this time around. Empire of the Sun absolutely packed the tent. Even after my time in the photo pit had ended, it took a good 5 minutes to get out of the photo pit area as security was trying to push back people trying to push their way in.

In terms of the music, truth be told, I really wasn’t paying too much attention to it at the time. I was more intrigued by the costumes, choreography and videos playing in the background. Total sensory overload. After the festival had ended, I looked up more of their music and as it turns out I actually enjoyed what I heard. One of their most recent singles, “Alive”, is really catchy.

On the photography front, being relatively short (5’8′), I noticed, for the first time, how high the Sahara stage was. I found it difficult to snap pics, which was a bit of a shame since the stage production for the band, costumes, videos and all, was pretty epic. I think I was still able to catch a few decent shots. What do you think?

 

 

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Pixies | Coachella | 4/12/14 (PHOTOS)

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When the Pixies were added last-minute to the Coachella line-up, I had a total flashback moment to my pre-pubescent years. I remembered buying a used copy of “Surfer Rosa” at The Wherehouse (remember those?) and being amazed that I was able to purchase a record with a topless woman on the cover.

I knew that Kim Deal was no longer performing with the band, so I knew that “Gigantic” (my favorite song) probably wouldn’t be performed, but I still wanted to catch some of my other favorite tracks sung by Black Francis like “Where Is My Mind”. When I read an article  that Paz Lenchantin was the bassist who they picked up in late 2013, my heart melted. Ummm, can you say high school crush?

When Pixes opened up with “Bone Machine”, I felt that the vocals could have been boosted a bit. I was standing close to a monitor, but it was hard for me to hear Black Francis singing. It really didn’t matter though. I spent most of that song singing along: “You’re looking like you’ve got some sun. Your blistered lips have got a kiss. They taste a bit like everyone”.

Watching three of the original members, and babe Paz, perform really brought my nostalgia into perspective. Though they recorded relatively few albums whose sales were modest, their legacy on rock music in the 90s is unquestionable. You can really their influence in all of the big time bands of that era. Nirvana. The Strokes. Pavement. Radiohead. The Pixies have their fingerprints and influence over all of their music.

The Pixies. Rock legends. Blessed to have been able to see them perform.

 

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Julian Casablancas | Coachella | 4/12/14 (PHOTOS)

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After leaving the mellow and sublime sounds of City and Colour, I made the trek across the festival grounds to check out one of the two last minute line-up adds to the festival: Julian Casablancas. Though I was more familiar with his earlier work with The Strokes, I figured catching his new music, with his new backing band The Voidz, would be as loud, fun and dirty as one would expect. I wasn’t disappointed. There was even a moment, when I recording a clip for Instagram, when he almost fell off the stage onto me (see the clip below). That was cool.

The only The Strokes song that he covered was “Ize of the World”, and the rest of the set was filled with new music. The music sounded heavier and more punk than his work with The Strokes, and I didn’t mind that at all. Knowing the caliber of musician that he is (having worked with other artists in the past like Queens of the Stone Age, Eddie Vedder, Danger Mouse and Pharrell), I’m excited to check out his forthcoming album (tentatively titled “Can I VHS you”) and was pleased to have caught his last-minute set.

 

 

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City and Colour | Coachella | 4/12/14 (PHOTOS)

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Though I hated having to leave CHVRCHES‘ set early, there was another band taking the Main Stage that I didn’t want to miss: City and Colour.  City and Colour is the acoustic/folk stage name of Canadian singer-songwriter Dallas Green, who previously was the lead guitarist and vocalist of the post-hardcore band Alexisonfire. As an aside, did you know that the name City and Colour is derived from Dallas (City) Green’s (Colour) name?

Truth be told, I wasn’t all too familiar with City and Colour’s discography, but having done a bit of research before attending the festival, I discovered that he had released 4 studio albums, 3 of which landing in the top 3 (two hitting number 1) of the Canadian Albums Chart, with his latest 2013 effort, “The Hurry and the Harm“, peaking at number 16 on the Billboard 200.

The music’s gentle grace swept over the crowd that had gathered for his set, and was given a much needed reprieve from the craziness of the past 24 Coachella hours. Truthfully, it was a the perfect set, at the perfect time. It reminded me of the time I saw Andrew Bird’s midday Coachella set in 2012; how the music enveloped me really put my mind at ease.

Dallas Green heads back up to Canada for a series of performance, but I recommend checking out City and Colour when he stops by in your town. Well worth it.

 

 

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White Lies | Coachella | 4/12/14 (PHOTOS)

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When I googled “White Lies” to check out some of the music videos they had out, I was immediately drawn to their sound. “There Goes Our Love Again” and  “Bigger Than Us” were the first two videos I found, and I quickly put a check mark next to their name to remind me that they were a band that I needed to see perform live at Coachella.

I got to the photo pit in the tent they were performing about 15 minutes before their set was to start, but they had fans already waiting at the railing; several wearing White Lies t-shirts. Though some critics may not fully appreciate their music, it was obvious to me that their fans thought otherwise. Personally, I liked their music. Though they may not be breaking any new barriers with their musical style, what they have recorded and released is something darkly lush and rings familiar … at least to me.

I’m glad I had the opportunity to catch them at the festival. Hopefully, they’ll come through Los Angeles in the future for a club gig. I’d pay to see that.

 

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