Sturgill Simpson | KCRW’s “Country In The City” Concert Series | 7/19/14 [REVIEW]

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Photo by Donato Sardella/Getty Images for Annenberg Foundation
Photo by Donato Sardella/Getty Images for Annenberg Foundation

KCRW has once again curated a summer concert series with talent overflowing. Inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” which will be on display through September 28th, 2014, KCRW’s “Country In The City” Concert Series brings to Los Angeles a country music line-up that any Nashville resident would be proud off.

Kicking off the concert series with Sturgill Simpson, KCRW brought a brand of outlaw country music that has had critics raving since his debut 2013 album, “High Top Mountain”. Since then Sturgill has been going at it hard, touring relentlessly, recording his follow-up album in four days, and releasing “Metamodern Sounds in Country Music” in May of 2014, gaining more and more fans along the way.

Perhaps it’s his gruff voice. Perhaps it’s his passionately effective lyrics. Perhaps it’s his unassuming and down-to-earth honestly. Whatever “it” is, it seems to be working.

Sturgill took the stage with his band (Miles Miller on drums, Kevin Black on bass and Laur Joamets on Guitar) and immediately announced to the audience that he was honored to be opening for Gregg Allman. After powering through the first song, he earnestly apologized to the audience for being less than 100%, promising the audience that he was still going to, “hit it hard, and try to get to 90%”.

His “country” humor came out when he introduced “Long White Line,” stating, “This ones for the ladies …. That’s bullshit. It’s all for the ladies”, and afterwards he introduced his band members, noting that his guitar player, who was effortlessly strumming country licks, Laur Joamets, was from Estonia.

“Just keeping it real,” Sturgill smirked with a sly look to his players.

He mixed in a little bluegrass, and some covers. Before playing his cover of Lefty Frizzell’s “I Never Go Around Mirrors” noted that this time last year when he played “the Hotel Cafe, there was 20 people there.” A look of appreciation beamed from his grizzled face as looked into the audience.

He even gave the audience a little history behind several of the tunes. For example, before closing the night with “Railroad of Sin”, he explained that when he was starting his path as a songwriter, his wife said that he had to have a song with a train in it cause every country artist had one. When it was all said and done, and before closing the set with “Railroad of Sin,” he told the audience how lucky they were to have Gregg Allman coming up proclaiming that, “That ain’t no bullshit.”

Happy he was going to have the rest of the evening off, he joked that he and the band usually stayed sober after gigs in order to travel to the next venue … but not tonight.

I certainly hope you had a chance to unwind Sturgill. You deserved it.

(Approximate) Setlist:

  1. Sitting Here Without You
  2. Water In A Well
  3. Long White Line
  4. Poor Rambler (Carter Stanley cover)
  5. Medicine Springs
  6. Life Of Sin
  7. Living The Dream
  8. I Never Go Around Mirrors (Lefty Frizzell cover)
  9. Railroad Of Sin

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Yuna | Twilight Concert Series | Santa Monica Pier | 7/17/14 [PHOTOS & REVIEW]


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Talib Kweli | BET Experience: Acoustically Speaking | 6/28/14 [PHOTOS]

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Hosted by the former Rap City and 106 & Park host Big Tigger, perhaps my favorite part of the BET Experience FREE Fan Fest was the intimate afternoon of performances at the Acoustically Speaking showcase. Taped live in front of an audience of not more than 300, the performances and interviews gave me an opportunity to “Experience” the sounds of some seriously talented, developing and established recording artists.

Each artist performed a short set of 4-5 songs. Each performance was followed by a one-on-one interview with Big Tigger. The performances and the interviews gave audience members an opportunity to really connect with each of the artists. It was truly a one of a kind performance experience.

The only rapper to perform at the Acoustically Speaking showcase was Talib Kweli, a Brooklyn-bred rapper who started his career collaborating with Mos Def as the collective, Black Star. Accompanied by two horns, a upright, string bass, keys and a guitars, his performance was filled an energy and vibrance that you don’t often get from hip-hop/rap concerts nowadays.

Perhaps one of the more eloquent rappers in the game, Talib Kweli’s interview with Bigg Tigger touched on some of the social topics that he is known to support, like the influence of hip-hop culture on society at large. The interview was as good as the performance, and trust me, the performance was fire.

Hopefully, BET will air the entire performance and interview at some point, but in the meantime, CLICK HERE to check out what video clips have been posted on BET’s website.

CLICK HERE to check out a collection of Instagram videos of most, if not all, of the songs Talib Kweli performed at this concert.

By this time in the day, my second (and last) battery pack was running on empty. My camera intermittently shut off while I was shooting this performance, and I didn’t really have time (or the battery) to set the camera to the right settings, so I shot with whatever setting my camera was already set at. I wish the photos could have been better, but I guess I’ll have to live with them. Next time, I’ll remember to bring a THIRD battery pack. LOL.

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

Alice Smith | BET Experience: Acoustically Speaking | 6/28/14 [PHOTOS]

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

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Hosted by the former Rap City and 106 & Park host Big Tigger, perhaps my favorite part of the BET Experience FREE Fan Fest was the intimate afternoon of performances at the Acoustically Speaking showcase. Taped live in front of an audience of not more than 300, the performances and interviews gave me an opportunity to “Experience” the sounds of some seriously talented, developing and established recording artists.

Each artist performed a short set of 4-5 songs. Each performance was followed by a one-on-one interview with Big Tigger. The performances and the interviews gave audience members an opportunity to really connect with each of the artists. It was truly a one of a kind performance experience.

The second artist to perform was Alice Smith, a recording artist whose musical styles are anchored in rock, R&B, blues, jazz and soul, and whose latest album, the 2013 release “She” is a powerfully, emotional album that shines a light on all of her musical leanings. I love the eclectic nature of the album, and it’s one that I intend to pick up on wax if I can find it somewhere.

After her set, the videographer I was sitting next to and I looked at each other an nodded in approval with her performance. If we were both duly impressed, I’m sure you will be too. Hopefully, BET will air the entire performance and interview at some point, but in the meantime, CLICK HERE to check out what video clips have been posted on BET’s website.

Follow Alice Smith on Facebook by CLICKING HERE  to be updated about her upcoming performances and musical releases.

CLICK HERE to check out a collection of Instagram videos of most, if not all, of the songs Alice Smith performed at this concert.

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

Stacy Barthe | BET Experience: Acoustically Speaking | 6/28/14 [PHOTOS]

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

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Hosted by the former Rap City and 106 & Park host Big Tigger, perhaps my favorite part of the BET Experience FREE Fan Fest was the intimate afternoon of performances at the Acoustically Speaking showcase. Taped live in front of an audience of not more than 300, the performances and interviews gave me an opportunity to “Experience” the sounds of some seriously talented, developing and established recording artists.

Each artist performed a short set of 4-5 songs. Each performance was followed by a one-on-one interview with Big Tigger. The performances and the interviews gave audience members an opportunity to really connect with each of the artists. It was truly a one of a kind performance experience.

The first artist to perform was Stacy Barthe. Though you may not know much about her, you certainly know her music. She co-wrote “Hummingbird Heartbeat” for Katy Perry. She wrote “Everywhere You Go” for Kelly Rowland. She co-wrote “Cheers (Drink to That)” for Rihanna. Yeah, you’ve heard her music.

This was my first time listening to her music, and based on what I learned of her through her interview with Big Tigger, I could really feel how much emotional capital was invested into her music. Her struggles, her triumphs … her life … was all on display, and it was a revelation. Hopefully, BET will air the entire performance and interview at some point, but in the meantime, CLICK HERE to check out what video clips have been posted on BET’s website.

Her album is scheduled to be released on October 28th. Follow her on Facebook [StacyBartheOfficial] to get further updates.

CLICK HERE to check out a collection of Instagram videos of most, if not all, of the songs Stacy Barthe performed at this concert.

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

James Supercave | Twilight Concert Series | Santa Monica Pier | 7/10/14 [PHOTOS & REVIEW]

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

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James Supercave is a five piece alternative rock band based out of Los Angeles. I made an effort to beat L.A. traffic to make it up to the pier in time to catch their set. After all, if KCRW’s Jason Bentley listed this band as on of the top “5 LA Musicians to watch in 2014”, I wanted to see/hear what the rave was all about.

Insofar as they’ve only release one EP, their setlist wasn’t too long, but each of their tunes provided an impressive punch.  Their sound is hard to describe. Maybe a more pop inclined Modest Mouse that utilized more electronic elements? Maybe a sprinkle of The Flaming Lips?

Maybe its a disservice to try to compare them to another musical act. After all, they are a new band and still have room to develop and expand upon their sound. All I know is that I really enjoyed what I heard. The music was breezy and eclectic. A very appropriate sound to open a summer of music on the Santa Monica Pier.

CLICK HERE to check out a collection of Instagram videos of most, if not all, of the songs James Supercave performed at this concert.

I found two videos on Youtube from their performance that you can watch below:

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

Maxwell | BET Experience | 6/27/14 [PHOTOS]

 CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

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I’ve seen Maxwell in concert twice before. This was my first time going to a concert of his solo. I’ll have to admit, not having a date/guest for the show was a little different from the times before. The next time I go, I’ll have to try a little harder to get a female companion to go with me.

Ever since the release of his album “Maxwell’s Urban Hang Suite” in 1996, I’ve been a fan. When it comes to male soul singers, Maxwell is up there on the top of my list. There aren’t many male vocalists who have the kind of command over their falsetto like Maxwell. As a former musician, I appreciate the talent.

His live performances have always lived up his albums. If you have any doubt of the quality of vocal ability, just purchase his “MTV Unplugged” album. His cover of Kate Bush’s “This Woman’s Work” is prima facie evidence of his ability.

The women at the Staples Center that evening were ready for Maxwell and the sexiness he was about to unleash. His live show even got a little bawdy when he asked the women whether their “juices” were flowing yet. After singing songs like “Fire We Make”, “Fortunate”, “Lifetime” and his other radio hits, I kinda figured the answers were, “yes”.

My only criticism of the show had to do with the audience. Rule number one of concert-going is that you never leave until the house lights go up. I don’t care if you’re concerned about the traffic or if there’s a bar you want to hit up … if you have tickets for a show, why leave early? Odds are, you’re going to miss something that you wanted to see/hear.

Earlier in the evening, I heard a woman preach to her friend that she wanted to hear “Pretty Wings” performed “soooo bad”. Maxwell finished the main part of his set, before coming back on stage for an encore. By that time, I had noticed that the woman had already left (as did a fairly large chunk of the crowd). Maxwell didn’t perform “Pretty Wings” for his first encore (he performed “Ascension”), but he was back on stage for a second encore, and he performed “Pretty Wings” to close the night out. Literally a third of the audience had left in between encores, which is a shame, because Maxwell killed it.

I didn’t feel sorry for the young lady who left the show early. It just goes to show that you never leave a concert until the house lights go up. Her loss.

I wasn’t able to find a setlist online, but you can CLICK THIS LINK to get directed to a collection of Instagram Videos with snippets of most, if not all, of the songs that were performed at this concert.

I wasn’t approved for a photo pass for this performance, so I was only armed with my trusty, pocket-sized point and shoot camera. Not the best, but not to shabby sitting several hundred fee away if you ask me.

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

Jill Scott | BET Experience | 6/27/14 [PHOTOS]

 CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

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I have been a fan of Jill Scott since the first time I heard her track “Do You Remember?”. That song moved me like no other. Her incredible voice, together with lyrics that spoke to a love remembered, hit the money spot in my musical soul.

Screen Shot 2014-06-10 at 5.38.46 PMSpeaking of money, money was kind of tight, and since I wasn’t approved for a media pass for this concert, it looked like I wouldn’t be able to attend the show. Desperate to find a way into the concert, I even tried to send Ms. Scott a letter over Twitter to see if she could get me in to the show.  She never responded to my tweet. Wishful thinking, I know.

Thinking that all hope was lost, I went as far as to register to win tickets through other venues.  I entered to win tickets through Complex Magazine, and as the fates would have it, I won. Lucky me.

Jill Scott’s set was everything that I had been waiting for since 2000. Her voice was as powerful and as delicate as ever, singing both classic tunes from her repertoire and a handful of new songs. I only wished that her set was an hour longer as she clearly couldn’t perform all of the songs that I loved in her hour long time slot.

I wasn’t able to find a setlist online, but you can CLICK THIS LINK to get directed to a collection of Instagram Videos with snippets of most, if not all, of the songs that were performed at this concert.

I wasn’t approved for a photo pass for this performance, so I was only armed with my trusty, pocket-sized point and shoot camera. Not the best, but not to shabby sitting several hundred fee away if you ask me.

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

Metronomy | The Fonda Theatre | 6/17/14 [PHOTOS & VIDEO]

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When it comes to buying music, I’m old school. I like to sift through racks of CDs or vinyl records to discover music. As a vinyl collector/lover, I often find myself spending hours at local record stores looking for new albums to add to my collection.

One Saturday, I was over at Origami Vinyl to purchase concert tickets to see The War On Drugs. As per usual, I got sidetracked and started looking at some of the records that were on display.

Then, as if it were pulled from the scene in “High Fidelity” where John Cusack’s character plays the Beta Band single “Dry The Rain”, some music started playing out of the store speakers that caught my attention.Neil Schield, the owner of the echo park record store, was manning the register when I asked what album it was. He told me it was the Beta … Metronomy, and that he was spinning their latest album, “Love Letters”. I left the store two of Metronomy’s albums, and I’ll have to say that “Love Letters” is on my list of favorite albums of 2014 (so far). I had to get a ticket for their show at the Fonda when I found out about it.

Yup. It kinda happened just like that.

When the English band (Anna Prior, Gabriel Stebbing, Joseph Mount and Oscar Cash) too the stage, the audience erupted with an enthusiastic cheer. The men, dressed in their matching white suits, and the female drummer, in a similar white matching ensemble, jumped into a set of breezy synth pop that had the sold-out crowd dancing where space permitted.

Their music was extremely polished and on point. The mix at the Fonda was excellent, and the great sound of the venue definitely enhanced the band’s live performance. The played with joy and vigor, and it was clearly self evident with the steady smiles on their faces. They noted that this was their last performance on this particular tour and emphasized how much they were pleased to be playing the last gig of their current tour in Los Angeles.

I roamed the venue during their set to get an idea of whether their energy transferred up into the balcony. It did. Even in the balcony, fans were dancing the the isles. Even I couldn’t resist shaking my booting when I wasn’t trying to find a shot.

Metronomy is back in the United States for more touring in September and are back in Los Angeles October 21st at the Regent Theatre. I suggest you follow them on Facebook to know when they are back in your neck of the woods.


Getting a photo pass only allows photographers to take pictures during the first 3 songs of each set. I wish I had more time to take more pictures of Metronomy. Their stage set up allowed for great lighting at certain moments. I wish I had noticed the lighting patterns earlier. Oh well. Enjoy the pictures!

Cloud Control | The Fonda Theatre | 6/17/14 [PHOTOS]

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Opening for Metronomy at The Fonda Theatre was an award-winning indie alternative rock band from Australia: Cloud Control.  This Aussie quartet consisting of Alister Wright, Heidi Lenffer, Ulrigh Lenffer and Jeremy Kelshaw, released their first album, “Bliss Release” to great regional praise. So much critical adoration, in fact, their debut was nominated for two ARIA awards in 2010 for Best Rock Album and Breakthrough Artist, and was the winner of the 6th annual Australian Music Prize, among other accolades. They released their sophomore album, “Cloud Control”, on September 17, 2013, and had been supporting its release with international tours.

As this was my introduction to their music, I went in with open ears and came out a fan. Their performance was solid and their music was rather good. I could definitely understand why they are popular in Australia. Their music definitely has a psychedelic vibe, but it’s more Tame Impala than The Dandy Warhols. Their set had both upbeat dance numbers and mellow “chill-out” cuts, and I found that it was a great setlist. So great, that I even purchased a copy of the their newest album on wax (and got it signed!) after the show.

I always find it interesting when  bands have great support in their home countries, but take a while to break out in other territories. I spoke briefly with Heidi (the keyboardist and vocalist) and asked her what her thoughts were about that point. She exclaimed that that’s exactly what they were aiming to impact during this last round international tour dates. She explained that she hoped that touring with Metronomy and sneaking in festival and other performance dates earned them new ears and fans.

I hope it worked for them. Hey, at least it worked for me. Follow them on Twitter (@Cloud_Control) or Facebook (CloudController) and make sure you catch them when they are in your neck of the woods.

The setlist for their performance is below:

  1. Dojo Rising
  2. The Smoke
  3. Moon Rabbit
  4. Promises
  5. Gold Canary
  6. Nothing In The Water
  7. Scar

I wasn’t able to find any video clips of their performance online, so enjoy a playlist from their Souncloud account below.

The lighting for their set was rather dim, so I had to set my ISO higher than normal. Still think I took a couple decent pics though.