Talib Kweli | BET Experience: Acoustically Speaking | 6/28/14 [PHOTOS]

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

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Hosted by the former Rap City and 106 & Park host Big Tigger, perhaps my favorite part of the BET Experience FREE Fan Fest was the intimate afternoon of performances at the Acoustically Speaking showcase. Taped live in front of an audience of not more than 300, the performances and interviews gave me an opportunity to “Experience” the sounds of some seriously talented, developing and established recording artists.

Each artist performed a short set of 4-5 songs. Each performance was followed by a one-on-one interview with Big Tigger. The performances and the interviews gave audience members an opportunity to really connect with each of the artists. It was truly a one of a kind performance experience.

The only rapper to perform at the Acoustically Speaking showcase was Talib Kweli, a Brooklyn-bred rapper who started his career collaborating with Mos Def as the collective, Black Star. Accompanied by two horns, a upright, string bass, keys and a guitars, his performance was filled an energy and vibrance that you don’t often get from hip-hop/rap concerts nowadays.

Perhaps one of the more eloquent rappers in the game, Talib Kweli’s interview with Bigg Tigger touched on some of the social topics that he is known to support, like the influence of hip-hop culture on society at large. The interview was as good as the performance, and trust me, the performance was fire.

Hopefully, BET will air the entire performance and interview at some point, but in the meantime, CLICK HERE to check out what video clips have been posted on BET’s website.

CLICK HERE to check out a collection of Instagram videos of most, if not all, of the songs Talib Kweli performed at this concert.

By this time in the day, my second (and last) battery pack was running on empty. My camera intermittently shut off while I was shooting this performance, and I didn’t really have time (or the battery) to set the camera to the right settings, so I shot with whatever setting my camera was already set at. I wish the photos could have been better, but I guess I’ll have to live with them. Next time, I’ll remember to bring a THIRD battery pack. LOL.

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

Dear Kanye … Your Stage Production is Overrated, And What’s Up With The Cheescake?

THIS ENTRY WAS WRITTEN 11/30/14 BY A. LEVEL AND IS REPRINTED HERE BY PERMISSION.

A Level: "About to walk into a pool of darkness, with the quasi-naked beekeepers writhing behind him on the cheesecake."
A Level: “About to walk into a pool of darkness, with the quasi-naked beekeepers writhing behind him on the cheesecake.”

Dear Kanye:

Could you please fire your entire production design team? Honestly, who thought it was a great idea for you to perform in a series of masks for virtually the entire concert? And why did you steadfastly refuse to stand *in* the spotlight? If there’s a pool of light and you stand 15 feet off to the side – wearing black clothes and a black mask – you are invisible. When I’ve paid a good amount of money and trekked out to the Staples Center to see you, I’d like to actually *see* you.

It’s a good thing that your ego is so large that it has its own gravitational pull. That at least gave you enough stage presence to compensate somewhat for the completely bizarre (and not in a good way) staging. For most of the show, you were standing on an island that looked like a slice of cheesecake, periodically surrounded by a dozen women in nude body stockings and what looked like beekeeper masks. Then, there was the guy who followed you around from time to time, wearing a get-up that may have been stolen from Sweetums from the Muppets.

Later, you moved onto a main stage that my companion was calling the Fortress of Solitude but that I thought looked like either one of those volcanoes that 3rd graders make out of papier-mâché or like an ice cream cake. The sparker-style fireworks at the end of the show did nothing to dispel those images.

Oh, and rather than having any sort of design, it looked like they’d just turned on the house lights for the back ¼ of the arena. That meant that while you were invisibly perched on the cheesecake, all the techies around the main stage were bathed in harsh, white light. I couldn’t even figure out where you were part of the time, but I had a great view of the quasi-naked acolyte ladies roaming around in the wings and of the dj off to the side. Oh, and nice job on the spike tape – glad to know that your crew uses fluorescent yellow to mark where the equipment should be.

While I’ve sat in what seems like every possible area of the Staples Center over the years, these were also the seats with the worst acoustics I’ve ever experienced there. Was it the location, or was it the sound crew? It’s not clear, but I couldn’t understand a word you said all night. When you add in the incomprehensible Confederate flag merchandise (which I didn’t see firsthand but my companion told me about), this was definitely one of the weirder Odes to One’s Own Greatness. While I can’t say I was at all surprised by your sense of self-importance, I was massively disappointed by the show – when the music is completely forgotten in the process of putting on a show, it’s time to rethink your approach.

Ms. Unknown: "About to walk into a pool of darkness, with the quasi-naked beekeepers writhing behind him on the cheesecake."
A. Level: “About to walk into a pool of darkness, with the quasi-naked beekeepers writhing behind him on the cheesecake.”
Ms. Unknown: "Here, he went from wearing black and standing in the dark to wearing white and standing in front of a white set. Not a big improvement. The monster thing is above him, halfway up the Fortress of Solitude."
A. Level: “Here, he went from wearing black and standing in the dark to wearing white and standing in front of a white set. Not a big improvement. The monster thing is above him, halfway up the Fortress of Solitude.”
Ms. Unknown: "Cheesecake in the front, volcano project/ice cream cake in the back." Friend: "looks like Exhibit A of wedding-cakes-gone-wrong"
A. Level: “Cheesecake in the front, volcano project/ice cream cake in the back.”
Friend: “looks like Exhibit A of wedding-cakes-gone-wrong”

THIS ENTRY WAS WRITTEN 11/30/14 BY A. LEVEL AND IS REPRINTED HERE BY PERMISSION.

This Blog entry is considered editorial. The opinions expressed herein are not the opinions of MusicOfMyMind14, but those of a third party.

Talib Kweli | BET Experience: Acoustically Speaking | 6/28/14 [Instagram Videos]

CLICK HERE TO SEE THE OTHER PERFORMANCES/EVENTS THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

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One of the BET Experience Fan Fest events that I was given permission to cover was the Acoustically Speaking series. I had absolutely no problem with that. Scheduled from 2pm – 6:30, various artists performed a short set of songs “unplugged” followed by an interview with the host, Big Tigger. It was a taped event, so I’m sure that these episodes will be edited for broadcast. Based on who I saw perform, I can affirmatively say that each artist is worth tuning in for.

Being up close to the artist while they performed gave me the opportunity to take some really good pictures. Please follow me so you can get notified when they get posted.

CLICK HERE TO SEE THE OTHER PERFORMANCES/EVENTS THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE

A$AP Ferg | Coachella | 4/11/14 (PHOTOS)

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After being ushered out of the photo pit for Grouplove, I decided to head over to the Outdoor Theatre in order to grab a bite to eat before setting up to take pictures of HAIM. A$AP Ferg was on stage bringing it with the A$AP Mob when all of a sudden I notice A$AP Rocky running on stage. In an almost instinctual motion, I started running towards the stage with my camera in tow.

Although photographers are typically only allowed to photograph either the first three songs or first 15 minutes, of an artist’s set in the photo pit, I somehow finagled my way into the photo pit and was able to take a few pictures of both A$AP Ferg and A$AP Rocky on stage together at Coachella.

Looking down at my watch I noticed that there was about 15 minutes left to his set, I decided to keep taking pictures until A$AP Ferg had donned a jacket that seemed to spray, streams of steam out of the sleeves. Considering that I had rented my lens, I decided that that was a good a time as any to leave the photo pit and grab a bit to eat. It was the first “special appearance” of an artist at the festival, and I think that one of the pics I snapped with Ferg and Rocky is a keeper. What do you think?

CLICK HERE TO CHECK OUT BLOG ENTRIES OF OTHER BANDS I SAW AT COACHELLA!

Yancy Deron, Yung Miss & Quiz | The Virgil | 1/22/14

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Opening for Terrace Martin at the Virgil, were three acts: Quiz, Yung Miss and Yancy Deron. Each held their own, performing their sets admirably and with good energy, positively setting the table and mood for the evening’s headliner.  Below are video clips of their performances and a slideshow with some pictures from the evening. I was particularly impressed with Yung Miss’ set. Her vocal ability had a rawness that evoked memories of a younger Lauren Hill.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Mistah F.A.B. on Sway In The Morning: The Best Freestyle of 2013?

The first time I ever heard of Mistah F.A.B. was while I was working on Snoop‘s ninth solo album Ego Trippin’. Snoop recorded a song called “Life of da Party” featuring Too Short and Mistah F.A.B. It was a hot single, due in large part to the stellar features,  even making it onto some of Billboard’s charts.

A buddy of mine forwarded me a link (on 8/29/13) of Mistah F.A.B.’s freestyle on the radio show “Sway in the Morning”.  He absolutely killed it. The freestyle also seemed to come genuinely off the dome as Sway even threw out topics during the freestyle  for the rapper to ruminate on. Mistah F.A.B. didn’t miss a beat. He killed it.

To me, this is what hip hop is about. A true M.C. does what Mistah F.A.B. did. He’s definitely set the bar high for the rest of the year.  I doubt we’ll be hearing any other rappers freestyle in the immediate future. There’s really no way you can compete with this.

I hope you enjoy this as much as me.