Takeoffs & Landings | Culture Collide | World Stage | 10/18/14 [Review, Vids & Photos]

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THE ACT: Takeoffs & Landings | Facebook | Twitter

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THOUGHTS  [Written by Kate M.]:

Good band, they got it done.  On lead vocals is Naama, her voice has a unique sound, one you don’t hear often these days in the music age of Electronic and Dance Pop.  Truth, I love this girl’s voice – it’s a slightly raspy, feminine Rock voice that meets some good Indie and unique enchanting sounds.  Naama’s is not a true muscular voice, but it has a cool texture, a little bit of Pop meets Rock with a unique ingénue sound.  I liked it, kind of wanted to see Joan Jett after hearing this band, too.   Naama also has showmanship, an intriguing attraction to her movement with her sound.  Take Offs and Landings is from Lima, Peru and the other members of the band are Dennis, Christian, Chris, Sergio.  Take Offs and Landings was formed recently, in 2013, and is already playing festivals like Culture Collide.  Their music is a blend of sinister girl rock and tones that make it seem like they know something you don’t and you are intrigued enough to follow wherever they are leading, which I I think is one reason the lead vocal’s voice struck me, it all went together – their enchanting sound and lead vocals that compliments the magic.   Their first album is due to drop at the end of the year.

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Torches | Culture Collide | The Methodist Church of Echo Park | 10/18/14 [Review, Vids & Photos]

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THOUGHTS  [Written by Kate M.]:

Pop, Indie Rock, EDM, Punk – one reason I liked this festival is that every band had unique musical stylings and combinations of sounds, and the US band Torches was no exception.  Torches is an Indie, Rock, Electronic blend and the second band of the night with a traditional string instrument, a violin.   This band had an Empire of the Sun vibe and sounded like Phoenix, if Phoenix went Indie Rock.   If you’re a Friendly Fires fan, you will like this band, but they can’t capture a stage like a Friendly Fires or a Phoenix.  Their performance was bland, but it was a church stage and the Festival itself was not well trafficked.   Azad Cheikosman, Eric Fabbro and Adrian Acosta make up this Los Angeles-based band and I would have liked to have seen their EP Release show at The Bootleg Theater to get better sense of what they can do, but I listened to their tracks again at home and Torches is tight!  I can see some mainstream pop, alternative and electronic sounds with defined rhythmic drums.  I thought they sounded like Arcade Fire, Cut Copy, The Mighty Lemon Drops and similar artists, which makes sense because according to their bio they have worked with David Newton (The Mighty Lemon Drops) and Jeff Lipton (Arcade Fire).  If you like any of the artists mentioned, or another band I love, The 1975, I would definitely check out Torche.   Torches dropped their EP, Endlessly Repeating, on June 19, 2014.

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MS MR | The Roxy | Red Bull Sound Select’s “30 Days In LA” | 11/2/14 [Photos]

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THE ACTMS MR | Facebook | Twitter | Instagram

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Lizzy Plapinger and Max Hershenow are MS MR, respectively. Though there are a lot of solid electronic music groups fronted by a male and female duos these days (i.e. Phantogram and The Naked and Famous), MS MR distinguish themselves in my eyes because of their stage presence. Lizzy Plapinger is a whirlwind on stage. Her infectious smile is contagious, and her stage presence, whether its cradling the microphone or dancing across the stage, reveals an almost effortless energy. Even Max, positioned behind his keyboard, danced to the music (you can see it in a video clip below). With a sound that embraces elements of both trip hop and pop, combined with extremely capable vocals, handling both delicate ballads and uptempo dance grooves, MS MR appears to be the total package. I have a feeling that I’ll probably be seeing/hearing more from this band especially since it was revealed/announced at the show that Max had just moved to Los Angeles. Welcome to L.A., MR!

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Feathers | The Roxy | Red Bull Sound Select’s “30 Days In LA” | 11/2/14 [Photos]

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Feather’s set was shorter than anticipated. Though I’m not absolutely certain, I think it may have been a result of the technical difficulties that they seemed to be dealing with; which in turn seemed to affect Anastasia Dimou’s (the founder and lead singer) stage presence. The bold music could have used more assertive body language. Notwithstanding the short set, and the technical difficulties, I was really hoping for more as the music was growing on me. I’m a huge Depeche Mode fan, and a thought that crossed my mind was, “this is like a female version of Depeche Mode.” Heavy on synths, with dark and broody overtones, it was music that I could imagine Dave Gahan singing over.

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The Electric Sons | The Roxy | Red Bull Sound Select’s “30 Days In LA” | 11/2/14 [Photos]

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THE ACTThe Electric Sons | Facebook | Twitter | Instagram

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This band from Altanta Georgia impressed me. Their polished synth and drum driven melodies had the packed house at the The Roxy moving to their beat, and it was pretty clear to see/hear why Red Bull Sound Select decided to showcase their music this month. Having never seen/heard their music before, their live show had a terrific energy that definitely left a very solid first impression on me. With the right material (songs) and the right push (marketing) this band has all of the potential to break into an already crowded market.

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Alphabetics | Culture Collide | Main Stage | 10/18/14 [Review, Vids & Photos]

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THE ACT: Alphabetics | Facebook | Twitter | Instagram

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This was one of my favorite live performances of the day. This band from Costa Rica’s metal tinged, alternative rock was a lot of fun. What made it more fun was their stage presence. The bassist and guitarist played with so much energy, highlighted by their playing off of each other in a “dueling electric guitar/bass” moment, that I couldn’t help but get pumped. They call their music “dance punk” and it was true. This music … music that I’d never heard before … had me moving in the photo pit.

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Solander | Culture Collide | The Methodist Church of Echo Park | 10/18/14 [Review, Vids & Photos]

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THE ACT: Solander | Facebook | Twitter

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THOUGHTS: [Written by Kate M.]

Described as a Pop, Indie, Folk band, Solander is the quintessential example of this, and The United Methodist Church was an apropos venue to hear this poetic and artistic band from Sweden. The duo, Fredrik Karlsson and Anja Linna, are supported by Albin Johansson and Adam Hjertström and, together on stage, they produced music that was a blend of story-telling, artistry and dramatic sounds.   The prominent cello melodies from Linna resonated in the church and I thought, “I think this is what Arcade Fire and Lykke Li (who I love!) would sound like if they went completely Folk, or, what Bon Iver would sound like if he went completely Electronic Pop.”   Solander’s music was poetry, musical artistry and story-telling set to prominent cello riffs and illuminated by chanting beats of smooth drums and synthesizer melodies. Folk is not my personal music listening choice, but I closed my eyes once or twice and the music took me through heavy movement in my mind and gripping emotional journies.   Being an LA native . . . their sound was like the music you would hear in the background of a poignant movie scene . . . if you ever wanted to feel like you were in a movie, this band’s smooth, but dramatic sound and storytelling harmonies takes you there.   Their sound is consistent, each song similar, the same rhythm, beats and sounds, but differentiated by their arrangement and inspiration. It seemed to me to me they did this to represent different emotions (this is the movie scene reference).   Karlsson, lead vocals, referenced a Swedish poet as inspiration for his song and personal experiences that brought them to this performance.   Solander has and has had numerous tour dates, including SWSX this past year, so look online for dates near you.   Their third album, Monochromatic Memories, was released February 4, 2014.

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We Met Tomorrow | Culture Collide | The Methodist Church of Echo Park | 10/18/14 [Review, Vids & Photos]

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THE ACT:  We Met Tomorrow | Facebook Instagram

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I got to the festival earlier than my writer, so I decided not to waste any time and headed over to the church to check out a band that another music writer recommended. I’m glad I took her suggestion. A little bit of folk … a little bit of blues … a touch of alternative rock … We Met Tomorrow had a solid set that sounded very, very polished. Their tunes were filled with catchy hooks that truly reeled me in (pun intended). They are from Sweden, but I wouldn’t have been able to tell because their English pronunciation was accent-less. For an early afternoon set, it was a terrific start to a long day of music.

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The Kokoro | Culture Collide | Lot 1 Cafe | 10/17/14 [Review, Vids & Photos]

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THE ACT:  The Kokoro | Facebook Instagram

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THOUGHTS: [Excerpted from M. Sloves full-day review that you can read HERE.]

“[…] The band is fronted by Lee Triffon on lead vocals and guitar and Adi Feher on keytar. Yes, keytar. Bonus points already earned. Approaching the microphone in full-body spandex jumpsuits and Wonder Woman meets Battlestar Galactica jewelry, they both fit the stereotype I have in my mind of a crazy-attractive (and/or crazy, attractive) Tel Aviv woman. The music was pretty intense shit. Heavy electronic pageantry with heavy breaks underpinning Triffon’s strong vocals. At times the whole thing was really hot. At others, it felt like an EDM version of Nora Dunn and Jan Hooks doing the Sweeney Sisters on SNL. Kinda rad but also kinda comical when they break into these eletro beat brown notes, ditch the instruments, face each other, and start gyrating and jerking around as if they were at some post-IDF Koh Phangang full moon beach party. Remember, the venue was the size of a walk-in closet. But that’s part of what’s so captivating about The Kokoro. They seem totally oblivious to the limitations of their surroundings […].”

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Nina Persson | Culture Collide | The Methodist Church of Echo Park | 10/17/14 [Review, Vids & Photos]

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THE ACT:  Nina Persson | Facebook | Twitter Instagram

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THOUGHTS: [Excerpted from M. Sloves full-day review that you can read HERE.]

“[…] She sounds good. Not pop. Channeling some Chrissie Hynde type of energy […] [T]his woman can belt it out. Talk about presence! Compared to all the falsetto twink 20-something little duders in skinny jeans who’d been on stage all night, she was a veritable lioness, a fine wine blending hints of Florence and the Machine with aromatic accents of The Bangles. And like Susannah Hoff, she may be a tiny lady but she’s gorgeous and one hell of a pro jock on the microphone. Like her or not, she was in full command of that room and it was no coincidence that she was the first performer of the evening to fill the church hall.”

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