De Lux | Echo Park Rising | 8/15/14

To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.

THE ACT: De Lux

SOUNDS LIKE:

THOUGHTS: I freaking love this band. Having caught their performance at the Santa Monica Pier’s Twilight Concert opening for Omar Souleyman, I made it a point to catch their set for Echo Park Rising. This is post-disco, dance-punk at its best. If you want to be ahead of the music curve, I can only suggest that you jump on the bandwagon now. I have a feeling they’ll keep getting better and better.

 To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.

Matt Kivel | Echo Park Rising | 8/15/14

To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.

THE ACT: Matt Kivel

SOUNDS LIKE:

THOUGHTS: A singer-songwriter whose mellow sounds could serve one well in the bedroom. He performed in the Echo Park Methodist Church. The venue is not performance friendly. It was a warm day, and the church as muggy as all hell. I got to his set a little late, and there were already photographers there. I was about to start taking some photos, when one of the photographers said that he was “good to go” and that it was “okay to turn the lights back down.” Bummer for me, cause I couldn’t really take any decent shots once they dimmed the house light. Oh well … you snooze, you lose, I guess.

 To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.

Reignwolf | Troubadour | 8/13/14 [PHOTOS & REVIEW]

About a year ago, a buddy of mine forwarded me a soundcloud link of a band based out of Seattle named Reignwolf. Knowing that he had good taste in music, I opened the link and and this song played:

 

Whoa. I was like, “Where did this come from, and why don’t I know anything about them?” I quickly remedied that problem. I started following them on Facebook and found out that Reignwolf was Jordan Cook. I started watching videos of his live solo performances on Youtube, and I was  hooked. I had missed out on his performance opening for Black Sabbath at the Hollywood Bowl due to a prior engagement, but when I found out he was headlining a show at the Troubadour, I logged on and bought tickets as soon as they went on sale. I’m glad I bought them when I did, since the tickets for the gig sold out.

 

Before Reignwolf took the stage, the anticipation was palpable. Accompanied by David T. Rapaport on bass and Joseph Braley on drums, Jordan took the stage to loud cheers. The music started and the rock had commenced.

 

It was as good a live show as I’ve ever seen. In fact, I’d say that is was the best club gig I’ve seen this year.

 

With Jordan bouncing around the stage, off the drum kit, and into the audience, the energy was frenetic. He kept the audience guessing as to what was coming next, taking control of the set by ripping out a jaw-dropping performance of “Electric Love” solo, playing the guitar and drums simultaneously, and by playing a song in the audience, using his logo emblazoned bass drum as a pedestal.

 

Midway through the set, I looked over to a friend I had invited to the show to see if she was doing all right. She didn’t have to say anything. Her mouth was agape, and her eyes were fixated on Jordan, with a “what’s the hell am I witnessing right now” look. Yeah, she was enjoying herself.

 

When Reignwolf came back to the stage for their encore, Jordan humbly expressed how lucky he was to be playing in the legendary venue. He mentioned how all of his music idols had once played at the Troubadour, and how he was sincerely appreciative of the chance to do the same. He then slyly looked around the room, pointed to the upstairs balcony area, and announced to the audience that though his sound guy wouldn’t appreciate it, he wanted to play up there.

 

Dragging his amp up to the rafters, he seated himself on the balcony railing, anchored by fans who made sure he wouldn’t fall. The crowds’ frenzy reached it pinnacle. At this point, even MY jaw was on the floor. It was definitely a first for me, and most likely a first for the Troubadour. I’ll not soon forget what I was witness to that evening at the Troubadour, because that show … seriously … was the stuff of legend.

 

Reignwolf Setlist

 

As much as enjoyed the show, I’ll be honest, I wasn’t all that happy with the photos that I snapped. I think part of the problem was that I was moving to the music too much while snapping pics (most of my shots were blurry). Also, I honestly think that the music being so good, I was distracted and missed moments when lights saturated the room. What can I say? It really couldn’t be helped. I was just having too much god-damn fun with the music. Hopefully, I’ll get another chance to redeem myself at some point. Ya hear me, Reignwolf? I want to shoot you again!!!

 

 

 

 

The Futures League | Troubadour | 8/13/14 [Photos]

Opening for Reignwolf at the Troubadour was an LA based rock band named the The Futures League. It was my first time catching them play, so I didn’t know what to expect, but I liked what I heard.

A mix of psychedelic and garage rock, with catchy riffs and a solid groove, it was a sound that definitely piqued my curiosity … so much so, that I started to record a video clip of them so I could remember what it was that interested me when I got home. I shut it down quickly though when a bouncer gave me the stare down and a hand gesture that indicated that I should shut it down asap. Needless to say, I liked them on Facebook. I’m interested to hear more of what the guys have to offer.

Setlist (unconfirmed)

  1. Give My Lovin a Try
  2. Too Many Lies
  3. Lucy
  4. Take/Give
  5. Mojo Back
  6. Never See Me Again
  7. I Wanna Go
  8. Digital Dreams
  9. Women Trials
  10. Jesus
  11. Tall Buildings

Glen Hansard, The Head and the Heart and Iron & Wine | Hollywood Bowl | 8/10/14 [REVIEW]

There’s nothing I love doing more on a beautiful summer’s eve than catching a show, any show, at the Hollywood Bowl.

 

As luck would have it, a dear friend of mine had an extra ticket for her box seat in the terrace for Iron & Wine, The Head and the Heart and Glen Hansard. It would be my first Hollywood Bowl show of 2014, and it couldn’t have been a more sublime soundtrack for a summer’s eve feast under a Super Moon.

 

Opening the concert was Sam Beam aka “Iron & Wine”. I last saw Iron & Wine perform Halloween at the Orpheum Theatre. For that concert, he was backed by a full band, and played a set that was over two hours long. This time, it was just him and his guitar.

 

He joked with the audience that he was “dinner entertainment” as everyone in the audience was busy unpacking their picnic baskets to dine. Though the audience may have been a little distracted consuming food, it was hard not be entranced by Sam’s beautiful folk melodies.

 

In between songs, when audience members up in the privileged pool and orchestra sections began yelling out song titles, he joked with the audience that, “you get one, I get one,” though I’m not sure he really took the suggestions yelled from the audience.

 

His performance was much more subdued than the performance I saw at the Orpheum, but it worked well to exhibit the nuances of his music, especially the tender, emotional sentiments phrased in his lyrics. So powerful was his music, that by the end of his short set, the rustling of paper bags, plastic dinnerware, and the idle dinner chatter, subsided, as the audience was moved, literally, to silence when he finished his set. You could hear a pin drop. Chills. Wonderful chills.

setlist-image-v1

 

I first saw The Head and the Heart perform at Coachella a few years back. They caught my attention then, and I had a few songs that I was hoping to hear.

 

A Seattle based band, The Head and Heart’s folk revival is influenced by Americana, country-rock and pop. Their performance this time around seemed to be much looser and more self-assured from what I remembered at Coachella. They brought an energy to the Bowl that really got the crowd excited.

 

They expressed their sincere disbelief that they were sharing the Hollywood Bowl stage with Iron & Wine and Glen Hansard, when they closed with my favorite song of theirs “Rivers and Roads”.

setlist-image-v1-1

 

I went to the restroom after The Head and the Heart finished their set, and on my in, I noticed a familiar face pass by me. It was Chris O’ Dowd, the actor who plays the police officer/romantic interest in “Bridesmaids”. Seeing him walk by me, I figured that there were a whole lot of Irish celebrities in the audience.

 

When Glen Hansard took the stage, he walked to center stage by himself, armed with just his acoustic guitar, and ripped into a phenomenal cover of Van Morrison’s “Astral Weeks.” When I say phenomenal, it’s no exaggeration. I was floored by his intense energy.

 

The rest of his set was a collection of original songs and covers, demonstrating his ability to take any song and make it his own. A highlight of the evening was when he performed one of the wildly popular tunes from his motion picture “Once”, “When Your Mind’s Made Up”.

 

I was hoping that Marketa Irglova would have made a special appearance (it IS the Hollywood Bowl, after all), but no luck.

 

The only criticism of the concert was that it was just too damn short. With the Hollywood Bowl strictly adhering to it’s 10pm curfew, Glen acknowledge to the audience that he had lost track of time, and that he was, unfortunately, out of it, promising that he’d come back and do a proper three hour show.

 

He closed with a traditional Irish folk song, “The Auld Triangle” and, lo and behold, he called up Chris O’Dowd to sing a verse with him up on stage. Thereafter, Sam Beam and The Head and the Heart each took turns singing verses with Glen to end the concert in a rousing fashion.

 

Though I wish he would have performed “Falling Slowly” (I have a really personal connection to that tune), and though I wish Glen’s set could have been longer, it was a perfect show for my first concert at the Hollywood Bowl for 2014.

setlist-image-v1-2

 

I tried to get photo pass for this concert, but I wasn’t approved. The photos below were taken with my pocket-sized Sony Cybershot G.

 

Jagwar Ma | Twilight Concert | Santa Monica Pier | 8/7/14 [PHOTOS & REVIEW]

CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!

In conjunction with G’Day USA, the Twilight Concert series presented “Australia Rocks The Pier”.

The headliner for the evening was the killer Australian band Jagwar Ma. I first got to see them perform at Coachella, and after my time in the photo pit expired, I made it a point to keep up with their music because I was duly impressed.

When I found out that they were scheduled to perform at the Santa Monica Pier, I circled the date in my calendar. Seriously … I was pumped to see a full set. In fact, being a music dweeb, I even lugged my LP of “Howlin” (their debut album) to the pier on the off chance that I could get some of the fellas to sign it.

Their set was terrific. They basically played their entire album (excluding “Did You Have To” and “Backwards Berlin”), and even threw in a couple covers. I was especially impressed with their cover of Nirvana’s “All Apologies”. It was unexpected, but truly great to hear.

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Snarky Puppy | The Troubadour | 8/2/14 [PHOTOS]

Ever since Snarky Puppy beat my favorite neo-soul band of 2013, Hiatus Kaiyote for the Best R&B Performance Grammy this year, I had to look them up and figure out who they were.

I’ll admit … the first video clip  supporting their release of “Family Dinner- Volume 1”. It was Lalah Hathaway singing a song titled “Something” … and she harmonized with herself… let me say that again … SHE HARMONIZED WITH HERSELF!!!

That video was mind blowing, and I’ll have to admit the music, separate from the mind-blowing vocal gymnastics performed by Lalah, was pretty damn good.

Based out of New York, the band is led by Michael League, a Grammy Award-winning bassist. It’s players are part of collective that features nearly 40 musicians. They affectionately refer to themselves as “The Farm” and for this evening, they had 9 of them play at The Troubadour.

With the 10 players cramped on the stage, their music, which is a fusion of jazz, rock and funk, was loud and funky. I won’t lie, though … if you were hoping for some vocalists to jump onto the stage to join them for a song or two, you would have been disappointed. It was an all instrumental set with only the audience singing along with the chants on a song … the name of which totally escapes me, but you can see the video below.

I’m not one to complain though. When you have that many talented musicians on stage, it’s easy for me to get lost in some robust, Grammy Award winning music.

Terrace Martin | The Troubadour | 8/2/14 [PHOTOS]

When Terrace Martin invited me to his gig at The Troubadour opening for Snarky Puppy, lord knows that I couldn’t turn that down, especially when he mentioned that Robert Glasper would be joining him. Terrace Martin, Snarky Puppy AND Robert Glasper in one night at a legendary performance venue? Hell, yeah, I was going.

I arrived at the venue relatively early. Knowing that it was a sold out show, waiting in line would be the only way I could get up front with my camera to take pictures. After all, the lighting in The Troubadour makes it a tough venue to shoot in. Unfortunately, for me, there were about a hundred other people already in line by the time I got in line.

There isn’t much I can say about how dope Terrace’s set was. After all, I’ve already seen him perform twice this year (once at the Virgil in January and again at the Del Monte Speakeasy in February), and I’ve already preached how seriously amazing his live shows have been, so I won’t get into here. His music, and his musicality in interpreting jazz classics, is what modern jazz should aspire to be. As far as I’m concerned, he’s an ambassador of the West-Coast Jazz movement that I’ve noticed gained traction recently.

Though I usually never convert my photos to black and white, I had to in this instance. The lighting was so low in the venue, the only way I could get some of the images I liked to really pop was to convert them. Though I’m much more partial to having the photos presented in their natural light, without some really high end (and expensive!) photo gear, this was the best I could do. I took pretty decent pics of Cody Chesnutt’s performance at the Troubadour, but I was up in the front for that gig. I guess, with the gear that I’ve got, I’ll have to get up closer to the stage for good pics. You live and you learn.

Wynonna Judd | KCRW’s “Country In The City” | 8/2/14 [PHOTOS & REVIEW]

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

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Closing KCRW’s final, concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” was one of the most popular and revered female country artists of her, and perhaps all, time: Wynonna Judd.

It’s funny. If you had asked me in high school if I wanted to go to a country concert, I would have played the “too cool for school” card and scoffed at the idea. Growing up in Southern California during the early 90’s, I was more interested in West Coast hip hop, ska and punk. Country music was far off my radar.

Flash forward to after I had graduated from college, and during my heavy R&B phase, I heard a cover of Brian McKnight’s “Back At One” … as a country tune … and I liked it. It was covered by Mark Wills, and it was at that moment I realized that good music is good music was good music, regardless of whether it’s sung with a twang or not.

Though I didn’t tout it to my friends, I started adding country music to my music collection with Rascal Flatts and Garth Brooks CDs, which has, over the years, exposed me to artists that I love like Loretta Lynn, Sugarland and Valerie June. When I got approved to be in the photo pit for Wynonna Judd’s set, I nearly lost my mind. I was so excited, that I actually posted a status update on my Facebook page about getting approved to … I guess … brag about it to my friends; even if a greater majority of them aren’t country fans themselves.

Look, we’re talking about an artist who has achieved legend status. With The Judds (an American country music duo with her mother, Naomi), she won seven straight Academy of Country Music awards for Top Vocal Duo, three straight Country Music Association Vocal Group of the Year awards, four straight Country Music Association Vocal Duo of the Year awards, and five Grammy Awards for Best Country Performance by a duo or Group with Vocal. As a solo artist, Wynonna has won an Academy of Country Music Female Artist of the Year award and earned a star on the Muisc City Walk of Fame. Wynonna isn’t just a country singer. She’s a country legend. Period.

Wynonna’s performance was a revelation.

Having started her career at the age of 16, she demonstrated her easy command of the stage. She expressed her whole range emotions during each of her songs, but would engage the audience in between songs with playful banter and sincere thanks.

She joked about having to be in a tour bus with her mother. When the audience laughed, she deadpanned, “It’s not funny. Have you ever been in a bus with your mom?”

While throwing out guitar picks to ravenous fans in the front row, she joked that she was, “here to satisfy all of your musical needs,” and kept throwing out music pics.

After performing “Why Not Me”, a song she labeled as The Judds’ theme song, someone in the audience yelled out another song titled with the hopes of it being performed. Wynonna looked in the direction of the over anxious fan and said, “Hold your horses, sister. I’ll get to it. And if you don’t hear your song tonight … I got one word…” (insert dramatic pause for effect), “Download.” The crowd erupted with laughter.

When she wasn’t being humorous, she told life stories and imparted personal, positive life mantras, at one point proclaiming that “We need to be mindful of what we have now… What makes it complete for me is seeing you all here enjoying my music,” and explaining that, “In country music, we take tragedy and turn it into triumph,” before talking about the accident that took her husband’s leg and the doctors who told him that he’d never play the drums again.

“Doctors are not god. My husband is now the bionic man,” point to he husband at his drum kit, revealing his prosthetic leg.

They had a special guest, bassist Nathan East, join them onstage for a song before they played their last song of the set.

“I love a funk man with a bass,” she said.

When Wynonna and the band left the stage, the crowd clearly didn’t want to leave, and an encore was in order. Her husband, and drummer, Cactus Mosher, reintroduced Wynonna, “Please welcome back the queen onto the stage.”

“Does that mean you want more?  All right, I don’t want to go anyways,” Wynonna slyly smiled.

She introduced her encore by reminiscing that she’s been performing for the past 30 years, and that she is planning on touring more this year, “getting away with as much as [she] could get away with”, hinting what was to come by stating that she grew up listening to roots rock.

And with that, she and the band jumped into a cover of Led Zeppelin’s “Rock and Roll”. Waling away during the chorus, the crowd was jamming to her rendition when it started to rain. Yup … Wynonna Judd made it rain. Now, that’s the stuff of legend.

The Big Noise – Band Members:

  • Cactus Mosher – Drums
  • Justin Weaver – Guitar
  • Tom Hannum – Steel guitar
  • Peter King – Keyboard/B3
  • Dow Tomlin – Bass

Set List: Wynonna Judd didn’t release a setlist, but I took a partial picture of what may have been the setlist for this setthat was taped on the bongos of her drummer’s drum kit. If you were at the show, and know what songs she performed, please put them in the comments and I’ll include them into the post.

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Nikki Lane | KCRW’s “Country In The City” | 8/2/14 [PHOTOS & REVIEW]

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

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Opening for Wynonna Judd at the third, and final, concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” was Nikki Lane.

Originally from Greenville, South Carolina, Nikki spent part of life in Los Angeles working in the fashion industry before heading out to New York City. In the city that never sleeps, she went through heartbreak that inspired her to write some music about her emotional roller coaster. Thank god for break-ups, otherwise Nikki would never have been on the stage performing in front of an enthusiastic Los Angeles crowd.

Accompanied to the stage with her band and her mother, Nikki started into her set with a series of songs about her failed marriage. You could tell that the music was her therapy. She gave brief explanations, and regrets, about the first several songs.

“I should have followed the lyrics to the song. Sorry, mom,” she said with a smirk as she look stage left to acknowledge her mother.

Her music was country music for the modern audience. Since relocating to Nashville, her latest album, “All or Nothin'” was produced by The Black Key’s Dan Auerbach, and you can tell that Dan’s musical influence had rubbed off on her. The tunes were as country as county comes, but also had a little something extra from other genres to make a finicky music lover’s ears perk up with interest.

Before parting the stage, she thanked the audience and KCRW for inviting her to perform, acknowledging that this was the largest audience she’s ever played for. She definitely picked up a few fans from her performance, myself included.

I had the good fortune of meeting Nikki as she was selling her goods at the merchandise table. I purchased a couple of her LPs at the concert, and had her sign my copies. If she keeps on making good music, I’m willing to bet that won’t be selling her own merchandise for long.

Nikki Lane – Band Members

  • Nikki Lane: Acoustic Guitar and Lead Vocal
  • Ben Eyestone: Drums
  • Eric Whitman: Bass Guitar
  • Alex Munoz: Electric Guitar
  • Matt Stoessel: Pedal Steel

Set List:

  1. Good Man
  2. I Want My Heart Back
  3. Man Up
  4. You Can’t Talk To Me Like That
  5. Seein’ Double
  6. Faded
  7. 700,000 Red Necks
  8. Gone, Gone, Gone
  9. All or Nothin’
  10. Right Time

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series