Glass Battles | Los Globos | 5/24/14

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I don’t do it as much as I used to, but I’ve always enjoyed going out to check out bands for the first time at venues I’ve never been to. An Instagram friend let me know of an independent artist showcase she was putting together through her company Badd Lemonade at Los Globos in Silverlake, and I decided to check out some new music.

The first band I saw perform was a band called Glass Battles, a five piece band indie pop band whose synch-rock sound is definitely conducive to movement on the dance floor.

http://www.youtube.com/watch?v=ZkSFVyKPLUA

The show at Los Globos was their first show in Los Angeles this year, and they were appreciative to be back rocking their hometown. Their next Los Angeles performance is Sunday June 8th at the LA PRIDE festival in West Hollywood. Follow them on Facebook to keep up with their other performances.

Los Globos is a pretty cool venue, but I found it terribly hard to snap good pics with their low and frenetic lighting. Proof that I’ll have to save up a couple of Gs to invest in some quality lens.

 

 

Charles Bradley | The Fonda Theatre | 5/17/14 [PHOTOS]

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Charles Bradley is living proof that the American Dream is still alive.  After learning about his life from the documentary “Soul of America”, I made an effort to catch his afternoon set at FYF Fest in 2013. His performance was a highlight of that day. When I heard that he was to perform at the Fonda Theatre, I knew that it was a show that I couldn’t miss, so I bought myself some tickets, knowing that it would be a show that would ultimately leave a smile on my face, and put a groove in my step.

I’d been dreaming about seeing Mr. Bradley perform in a club venue since the first time I saw him perform. His performance at FYF Fest opened my ears to his music, but it was talking to him at the festival that really left an impression on me. He specifically told me that if I loved his show, that I should catch him in a more intimate venue. With a photo pass in hand, in a venue like The Fonda, I figured that this would be about as imitate as it would get for me.

Mr. Bradley’s performance was otherworldly. Watching him perform though the lens of my camera, I could see the all of the emotion emoting from his soul. The intense emotions expressed while singing “Why Is It So Hard” to the wild dance moves he bust out throughout the set, amazed me that a man at 65 could perform with such fervor. His voice, weathered by the rough life he has lived, covered the entire emotional spectrum, from passionate moans, to indignant rebellion, to tender cooing. It was all there.

Perhaps the most impressive thing to me was the love he openly expressed: his love for his band (the Extraordinaires), his love for the music, his love for the opportunity to perform … but most importantly, his love for his fans. It was a sentiment that was echoed by him throughout the evening.

“I love you!” he shouted out to the audience, “I love you so much. If it wasn’t for you,” he said pointing to the audience, “I,” moving his hands over his heart, “wouldn’t be here, singing for you all.”

His love was infectious. So much so, that he even had me yelling from the photo pit, “I love you, Mr. Bradley!” He glanced down in my direction after I yelled like a child, so I think he may have heard me.

But I wasn’t the only one reciprocating the love back to the stage. For as much as Mr. Bradley gave to the audience, the audience gave it right back to him tenfold. After finishing up his encore, he jumped off the stage to hug fans who were lined up at the front; each fan giving Mr. Bradley a tight embrace. A fitting conclusion, to a concert that was all about … love.

I couldn’t find a setlist online, so if anybody has it, or knows what it was, please let me know in the comments so I can add it to this post.

Charles Bradley is scheduled to perform a FREE concert on the Santa Monica Pier on September 11, 2014. I suggest you schedule your plans accordingly and attend that show.

 

Bizarre Ride Live | Welcome to Dillaville | El Rey Theatre | 5/12/14

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Following Slum Village’s tribute set to J Dilla, FatLip and SlimKid3 (two of the original members of the essential hip-hop group The Pharcyde), J-Swift and K-Natural performed cuts from Pharcyde’s seminal album, “Bizarre Ride II The Pharcyde.” I had already seen Bizarre Ride Live (what the band calls the performance) last year; in fact it was one of the first topics I blogged about when I started writing this blog, but I was still geeked to be seeing “Ya Mama”, “Oh, Shit”, “Otha Fish, “Soulflower”, and my personal favorite, “Passin’ Me By” (clips of some of the tracks are in the video below) performed live again.

Pharcyde’s relationship to Dilla runs deep. At one point, Dilla was even the group’s DJ. Dilla helmed the majority of production duties for The Pharcyde’s sophomore album, “Labcabincalifornia”, producing the hit single “Runnin’,” which peaked at #55 on the Billboard Hot 100.

Though I wished that all of the original members were performing the hip-hop tracks I listened to all throughout high school, there was absolutely no reason to complain. Each of J-Swift and K-Natural admirably performed the verses originally recorded by Imani and Bootie Brown. Fittingly, they concluded their set with a performance of “Runnin'”.

I don’t have a setlist to the songs that were performed that evening, but all you you have to do is listen to the album, and that’s all you need to know.

Slum Village | Welcome to Dillaville | El Rey Theatre | 5/12/14

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There’s a special place in my heart for James Dewitt Yancey, pka J Dilla. I’ve already written about the impact his music has had on my life, so I won’t rehash it here, but let’s just say his music has meant a lot to me. When I heard that Slum Village and Bizarre Ride Live (The Pharcyde’s Fatlip and SlimKid3 backed by Bizarre Ride producers J-Sw!ft and LA Jay) were paying homage to J Dilla with a  concert aptly titled “Welcome To Dillaville”, I made some calls to make sure that I could attend the event.

Slum Village is a hip hop group from Conant Gardens, Detroit Michigan that has gone through a lot of changes since it’s inception. Originally consisting of J Dilla, Baatin, and T3, only T3 remains as an original member, with both J Dilla and Baatin passing on way before their time (rest in peace). Currently the group is on record as featuring T3, Young RJ and Illa J (J Dilla’s younger brother), but for this show it seemed that only T3 and Young RJ handled MC duties.

With the ever sublime instrumentals produced by J Dilla, Young RJ and T3 faithfully spit verses from some of my favorite Slum Village tracks: “Fall In Love”, “Get Dis Money”, “Players” and, my personal favorite, “Tainted” (clips of which are all below). They had a couple of surprises appearances from specials guests, including Frank Nitt (a frequent J Dilla collaborator) and one other rapper that I didn’t know (but whose picture is below).

Before Slum dove into their set, Young RJ and T3 gave the audience a little presentation about their beloved, lost member. They gave a slideshow presentation of never seen before letters, track sheets, personal affirmations, and photos, telling stories that only they would know, and it was truly a pleasure to watch them reflect so fondly on their lost comrade.

I couldn’t find a setlist online anywhere, but if anyone has it, please let me know, and I’ll update this post accordingly.

 

 

Cinquanta: Celebrating 50 Years Of Maynard James Keenan | Failure, A Perfect Circle & Puscifer | Greek Theatre | 5/10/14

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I won’t front. Back when I was freshman in high school, I wasn’t into Tool. The rock music that I was into at the time was more along the lines of Depeche Mode (who released “Violator”), Nine Inch Nail (who released “Head Like A Hole”) and INXS (who released “X”). I was a narrow minded, music snob then (which I truly regret), and I wasn’t willing to open my mind to other bands’ music.

It wasn’t until I had graduated from college that I really took the time to listen to what Maynard James Keenan’s music had to offer, and it was the first album from his second band, A Perfect Circle, that got me hooked. With “Mer de Noms”, songs like “Judith” and “3 Libras” sent shivers down my spine. I was a fool to have waited so long to discover that Maynard was a monster, rock vocalist. Not only able to belt out tunes like it’s nothing, he also adds a level of emotions to the underlying lyrics he sings, which sets him apart from other rock vocalists.

I first saw Maynard perform at Coachella in 2013 with his band Puscifer. Though the music was different from A Perfect Circle, I thought that it was one of the highlight performances of the day. It was fun, sexy and raunchy all at the same time. I still have the Puscifer Airlines candy that they threw out to the crowd from that day.

Cinquanta, a two night celebration of his 50th birthday at the Greek Theatre, was a ticket that any Maynard fan couldn’t pass up. Billed as a concert with Puscifer as a headliner with A Perfect Circle and Failure (who had reunited in late 2013 and acted as Tool’s supporting act for Tool’s recent tour) as “support”. But each band rotated sets  every 15-30 minutes, even collaborating with each other on certain songs, throughout the evening. Green Jelly (a band that Danny Carey- the drummer of Tool- and Maynard were members of) made a surprise appearance to perform “Three Little Pigs”Neil Hamburger made an appearance to sing “New York, New York”, and 3/4 of Tool (minus Adam Jones) performed the Tool classic “Sober”. Personally, I thought one of the out-of-the-box highlights of the show was when Carina Round sang the lead on “The Package”; a superb rendition.

Based on my notes, and what I was able to find online, below was the setlist:

  1. Failure: “The Nurse Who Loved Me” (w/ Maynard James Keenan, Billy Howerdel and Carina Round)
  2. Failure: “Saturday Savior”
  3. Failure: “Dirty Blue Balloons”
  4. A Perfect Circle: “Weak and Powerless”
  5. A Perfect Circle: “Orestes”
  6. A Perfect Circle: “The Noose”
  7. Puscifer: “Vagina Mine”
  8. Puscifer: “Trekka”
  9. Puscifer: “Polar Bear”
  10. Puscifer: “Breathe”
  11. Puscifer: “Oceans”
  12. Puscifer: “Monsoons” (w/ Billy Howerdel)
  13. Puscifer: “Horizons”
  14. Failure: “Another Space Song”
  15. Failure: “Frogs”
  16. Failure: “Solaris” (w/ Maynard James Keenan)
  17. A Perfect Circle: “The Hollow”
  18. A Perfect Circle: “Rose”
  19. A Perfect Circle: “The Package” (featuring Carina Round)
  20. Puscifer: “Conditions of My Parole”
  21. Puscifer: “Man Overboard”
  22. Puscifer: “The Undertaker” (w/ Ken Andrews)
  23. A Perfect Circle: “Counting Bodies Like Sheep To The Rhythm
  24. A Perfect Circle: “3 Libras”
  25. A Perfect Circle: “By and Down”
  26. Failure: “Blank”
  27. Failure: “Wet Gravity” (w/ Jeff Friedl)
  28. Failure: “Heliotropic”
  29. Puscifer: “New York, New York” (w/ Neil Hamberger)
  30. Puscifer: “Cuntry Boner” (An Electric Sheep cover w/ “Hildy” and Danny Carey)
  31. Puscifer: “3 Little Pigs” (w/ Green Jelly and Danny Carey)
  32. Puscifer: “Sober” (Tool cover w/ Justin Chancellor, Danny Carey and , and Zac Rae)
  33. Puscifer: “Humbling River” (w/ Danny Carey)

Wow.  Just looking at this setlist is making think that the $40 I spent on the ticket was definitely money well spent. Even if a song or two may not have been to one’s liking, the action on  stage, with the casual stage setting of lawn chairs and constant filling of chalices (presumably filled with adult beverages) gave the audience something to watch  as there was something going on onstage at all times, whether it was Maynard pouring drinks for others, performers taking selfies onstage, or individuals having private conversations in front of everybody, it was a concert that truly felt like a party. And when the audience sang along? The hairs on my arms stiffened. When they closed with “Humbling River”? I got shivers.

It was an amazing show. I don’t know what else to say. Happy Birthday, Maynard. You did it right. Simply kick-ass.

I wasn’t able to get permission to shoot the show, so all of the photos below were on my Sony Cyber-shot G, point and shoot that I couldn’t live without.

 

Dead Sara | The Echo | 5/6/14 (PHOTOS)

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Dead Sara, a Los Angeles based, hard rock band consisting of Emily Armstrong (lead vocals, rhythm guitar, Sean Friday (drums), Siouxsie Medley (lead guitar) and Chris Null (bass guitar), have been in the studio recording music for their highly anticipated sophomore album for the past half year. Having recently finished recording said album, they decided to bless their L.A. fans with three club gigs throughout the month of May (at The Echo 5/6/14, The Bootleg 5/14/14 and the Satellite on 5/21/14). I was lucky enough to snag a ticket (before all three shows sold out) to their gig at their first show of the year at The Echo.

I’m a huge fan of this group. When I heard the opening riffs of “Weatherman” for the first time, it was like love at first listen. When Emily started wailing over the music, I was hooked. I saw them perform twice in 2013 (once at the El Rey Theater and also as the headliner for the Lobster Festival at the Port of Los Angeles). Their live performance solidified my love for this group. They rock, and they rock hard. My passion for this group’s music was enough for me to get “inducted” as a member of “The DEADicated” (a group of die-hard fans that will go to great lengths, and travel great distances- across continents- to see Dead Sara rock).

The day of the show, The DEADicated arrived at the venue at 10:30am to secure their spots up front. I wasn’t there, but if I stopped dating a girl because she didn’t like their music (true story), I feel like I earned a right to be a member of The DEADicated too! LOL.

Their set consisted of music from their debut LP and music from their forthcoming release (“Evil”, “Radio”, “Suicidal”, “Traveling Band”, “Something Good” and “Mr. Mr.” were all performed live for the first time ever! Lucky me!). They performed their cover of Rage Against the Machine’s “Killing in the Name” and the audience even sang “Happy Birthday” for Emily, as it happened to be her birthday. Emily prefaced the show stating that the new music were still works in progress, and asked that no one video record them until they were performance proof.

I spent my time trying to find the right camera settings to take decent pics, but leave it to a DEADicated to post up videos  of their older songs from the show. Click through the video and check out other videos of their older songs from the show.

I’m still a newbie at taking concert photos in a venue with tricky lighting, but I think that I was able to snag a few decent shots with my DSLR. If anybody has any suggestions (other than getting a better – more expensive- lens), please chime in below in the comments. Hopefully, the next time I see them perform live, I’ll have it down pat.

Eric Hutchinson | House Of Blues (Sunset) | 4/29/14

 

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Eric Hutchinson is an American, singer-songwriter whose folksy, tenor voice; witty, lyrical writing; and humorous onstage banter always entertains me. I may be a bit biased though (full disclosure) as one of the first albums I really took the legal, paperwork reigns on was his breakthrough independent album “Sounds Like This” … that, and I consistently beat his fantasy basketball teams back when we all had time for that (sorry, Eric… had to throw that in there lol).

He is touring in support of his recently released album, “Pure Fiction”, but his set was mix of songs from his entire catalog. Though it’s been a few years since I’ve seen him perform live, his sound and performance style will still as energetic and soulful as ever.

He performed some of my favorites (not that anyone cares, but “Oh!” is still my favorite song), and cleverly integrated covers of popular songs (though it’s not identified in the photograph of the set list below, I was especially impressed with his inclusion of The Pharcyde’s “Ya Ma Ma” in “You Don’t Have To Believe Me”). Perhaps the most impressive thing to me was how some of his older “classics” have evolved since they were first written. I mean, I still have old demos he recorded from even before he was signed to Maverick Records, and they’ve all evolved into dynamic versions of the original.

Eric bantered to the audience between songs and, to the delight of the audience, even ventured among them to sing a song. It was great seeing Eric perform live again. If you haven’t already checked out his latest release, or even his older albums, I recommend that you do. His music may put smile on your face like it does mine.

I was not issued a photo pass for this concert, and all the photos below  were taken on Sony Cyber-shot.

 

The Warlocks | The Roxy | 4/25/14

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Opening for the Dandy Warhols at the Roxy was the American, psychedelic rock band The Warlocks. Founded in 1998 by Bobby Hecksher, the band has been playing with various lineups since, with Hecksher the only constant member.

With half a dozen albums released since it’s inception (with their latest album, “Skull Worship” being released in November of 2013), The Warlocks concert seemed to cover their entire repertoire (according to a The Warlocks fans standing next to me). When I snagged the setlist (which you can see below) off the lip of the stage, she took a look at it and noted (while giggling) how they abbreviated the names of the songs.

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The Warlocks’ music isn’t for everybody. If you aren’t familiar with them, you may assume that their sound is akin to the Grateful Dead (the Grateful Dead’s first name was The Warlocks), but you’d be wrong. Rather, their sound seems to be heavily influenced by the neo-psychedilia and experimental rock of the Velvet Underground. Personally, I was feeling it. I thought that perhaps the start of the set was a bit too downtempo for my tastes, but as it went on, the energy picked up and had me grooving by the end.

Jhené Aiko | Coachella | 3/13/14 (PHOTOS)

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It took me a couple weeks, but I FINALLY got through all of the photos I took the first weekend of Coachella. The irony of it all was that this last performance was one that I almost didn’t go to. At the request of an Instagrammer (<- Is that what you call them?…), I was urged to take pictures of Jhené Aiko’s performance. I’m certainly glad I did.

Jhené Aiko is an L.A. based singer/songwriter whose music can be classified as contemporary R&B. Her new studio album (her second full length), was released this month and is titled “Souled Out”.

Her performance was solid.  Her sultry looks (the high-cut dress didn’t hurt) perfectly complimented her soulful melodies and she had her fans eating out of the palm of her hand. She debuted a new song off of her forthcoming album (“Spotless Mind”) as well as performed songs she currently has spinning on the radio (‘The Worst”). In my opinion, her professionalism and stage presence needed no assistance, but of course, since this is Coachella, no punches were pulled.

Early in her set, she had Donald Glover p/k/a Childish Gambino join her on stage to perform their collaboration “Bed Peace”. Later in the set, she had Drake join her on stage to perform their duet “From Time” (the second weekend, she brought out her daughter and Kurupt). To be honest, I was at the next tent watching Slash and Motohead tear up “Ace Of Spades” when Drake got on stage, but I ran over to Jhene’s tent to at least snap a picture with my point and shoot camera of Drake.

I couldn’t find a setlist online, but if you happen to know all of the songs she performed, feel free to leave them in the comments and I’ll add them here. Thanks!

 

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Motörhead | Coachella | 4/13/14 (PHOTOS)

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My first taste of Motörhead came in my fraternity days at college. I remember hearing “Ace of Spades” blasting out a brother’s room, and when I asked about the song, my buddy simply said, “You don’t know Motörhead? Lemmy rules!” That’s stuck with me ever since. I’ve had a couple of opportunities to see Motörhead perform live in the past, but for one reason or another (Lemmy’s health or scheduling conflicts), I was never able to make it out to see Motörhead perform live … until Coachella.

Their set was everything I expected. It was a barrage of shredding riffs, thunderous and frenetic drums, accompanied by Lemmy’s gravelly and ominous voice. I was particularly impressed with Mikkey Dee and Phil Campbell’s playing. So vicious. So on point. So raw.

After getting booted from the photo pit, and not wanting to take a risk by joining the swelling masses in the tent for fear of damaging my camera, I meandered over to the next tent to take pictures of another artist. After getting the boot from that photo pit as well, I went back to Motorhead to catch the second half of their set. So thankful that I did. I think I got there for the tail end of “Just ‘Cos You’ve Got the Power”, and after a few songs their set had ended. At least I thought it had ended…

The next thing I knew, the band introduced “a friend” and Slash walked on stage. Holy Shit. Mind blown. Without hesitation, Slash comes in with the opening riff of “Ace of Spades”. Mind doubly blown. My frat brothers would have been going nuts.

Motörhead Setlist Coachella Festival 2014 2014, Aftershock Tour

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