Every year, since 1999, the Port of Los Angeles in San Pedro holds a Lobster Festival where families can enjoy mouth watering, freshly cooked Lobster, in a carnival like setting, overlooking the Pacific Ocean. I’ve been before, but when I did, I went for the food, and not the entertainment. Not this year. When I saw that Dead Sara was slated to headline the Saturday evening entertainment, I decided that I would head out to San Pedro, eat some lobster, check out some new music, and watch one of the hardest rocking, female fronted bands in music today crush it.
Click through the name of the act below to read my thought, see some pictures and watch some video:
My parents raised me on classical music, and having spent years learning how to play the piano and violin, and playing in a my high school’s orchestra, I have a great appreciation for orchestral music and sounds. The Section Quartet is a Los Angeles based band consisting of a cello (Richard Dodd), viola (Lauren Chipman) and two violins (Eric Gorfain and Daphne Chen). They have been performing since 1998 and their music consists of covers of popular rock songs.
Their music served as the perfect soundtrack for the late afternoon at the port, with patrons of the festival, sprawled out on blankets on the lawn in front of the stage, soaking up with last bits of sunlight as the sun set into the Pacific; their stomachs working to digest all of the Lobster consumed. Their classical renditions of popular rock songs the band performed was fun to listen too and was a good appetizer for what was to come the rest of the evening.
The Section Quartet/ (c) Derrick K. Lee, Esq.The Section Quartet/ (c) Derrick K. Lee, Esq.The Section Quartet/ (c) Derrick K. Lee, Esq.The Section Quartet/ (c) Derrick K. Lee, Esq.
Brothers Sam and Django Stewart are legacy in the music industry. After all, their father is Dave Stewart. You know … Half of that really popular band known as the Eurythmics? Yeah. I’d put some money on it that they have music in their blood.
It was the first time I had heard of the band, so I had no expectations or preconceived notions about their music. When doing some research on the band, I read reviews that stated that “’the Cold War Kids with the ambition and control of Arcade Fire’ Nightmare & The Cat is all we love about indie rock: Rough and ready drive with a blues edge.” Hmm…. The band was greeted warmly to the stage, with their female member receiving a few cat-calls from the more inebriated members of the audience.
Musically speaking, the band’s sound was quite polished. Each of the songs were very well written, complex even. I could see the Cold War Kids comparison, but I felt that Nightmare’s sound was a bit more polished. I would have said that they were more Muse than Cold War Kids.
They are currently signed to Capitol Records and have released an EP titled “Simple”. Currently on tour with Bastille, throughout September, you can catch them play at one of these venues.
Nightmare & The CatNightmare & The Cat. I’m assuming this is the cat.Nightmare & The Cat. The Stewart brothers.Nightmare & The Cat.
Deap Vally is a Los Angeles based rock band consisting of Lindsey Troy (guitar and vocals) and Julie Edwards (drums and vocals). From what has been written about them, the two met at a crochet class. Their music, however, is anything but pedestrian. Following the path that the The White Stripes and The Black Keys blazed, Deap Vally’s sound is a mix of hard rock and blues … only they do it a little sexier.
Dressed in halter tops and short jean shorts, they took the stage to even more drunken cat calls than the female in the prior act was subject to. The two girls, visually speaking, at least from my vantage point, couldn’t have been more different. Lindsey was petit and blond. Julie was tall and redheaded. They both looked rock and roll, and they proved it. The cat calls stopped as soon as they started playing.
Deap Vally’s setlis.
Raw and gritty, loud and grimy, and filled with attitude, while watching the rocking duo perform, it was hard for me to not oogle. I was particularly fixated on the drummer. With her curly red hair thrashing around her set, and her long leg stomping the high hat, I’ll have to say that a dirty thought may have crossed my mind here and there.
Some may say that Deap Vally’s style of music may have already been done, but that didn’t seem to bother their fans, who made sure that they told all “newbies” before the set that the band was really good.
I liked their set and wouldn’t mind catching them play a smaller, more intimate gig in Los Angeles.
To check out pictures of other bands I was able to catch at the festival, CLICK HERE.
Holy Ghost!
At the suggestion of my cousin, I decided to see Holy Ghost! rather than My Bloody Valentine as the last band at the festival. This turned out to be a good suggestion as I understood that My Bloody Valentine had a plethora of technical difficulties which put a damper on their set.
In reading up on Holy Ghost!’s history, I read that while dipping their feet in the rap game, Alex Frankel and Nick Millhiser released an album produced by James Murphy, the founder and frontman of LCD Soundsystem. When their rap careers failed to gain traction, James Murphy suggested that they continue making music, but to make it dance music, thus planting the seed for Holy Ghost!.
In what I see as perfect timing, Holy Ghost!’s first album was released the same year LCD Soundsystem called it quits. Being signed to James Murphy’s DFA Records, it would appear that Alex Frankel and Nick Millhiser’s band would be the one to fill the huge gap LCD Soundsystem left behind. Performing at the festival in support of their second studio album, my impression is that they may well be on their way in doing so.
The six member band took to the stage to the applause of a raucous audience. It didn’t seem as if anybody in the crowd was weary from the two days of stage hopping and swirling dust in the air. Influenced by LCD Soundsystem and New Order (with whom they recently toured with), their set was danceable and fun. The large band (consisting of 6 member if I recall correctly) kept the energy up throughout the set.
Holy Ghost!
In a moment of NYC cool (the founding members are from NY) during the set, lead singer Alex Frankel casually lit cigarettes onstage and smoked during a couple songs. It’s been a while since I’ve seen an artist do that, and for some reason I appreciated it. It was almost like having a smoke after successfully completing an arduous task as a symbol of triumph. After two days of great music, it was kinda what I needed.
Alex Frankel of Holy GhostAlex Frankel of Holy Ghost!Nick Millhiser of Holy Ghost!Alex Frankel of Holy Ghost!Alex Frankel of Holy Ghost!
To check out pictures of other bands I was able to catch at the festival, CLICK HERE.
Leaving The Locust, I headed back to the main stage to meet up with some friends and to get a good spot for both TV on the Radio and Yeah Yeah Yeahs. Performing on the main stage, as I was walking toward it, was an experimental noise rock band from Atlanta, Georgia: Deerhunter.
Brandford Cox of Deerhunter at FYF Fest 2013
I wasn’t familiar with the band, but from where I was, and what I could hear, it came off pretty good. I’ll have to admit, I was a little thrown off as I thought the lead singer was a woman. After all, he was wearing a dress and a wig, and his voice was kinda Yoko Ono-ish. It was more shocking than anything when he tore off the wig half way into the set, and for a minute there I was lost in my own confusion.
Though I arrived midway through their set, I could tell that the music hit on elements of alternative, punk and shoe gazing. I was starting to get into it by the time their set came to a close, but before I knew it, Bradford Cox (the lead singer) put his wig back on, picked up a purse from the ground, and walked off stage.
Brandford Cox of Deerhunter at FYF Fest 2013Brandford Cox of Deerhunter at FYF Fest 2013 shredding behind the back.Brandford Cox of Deerhunter at FYF Fest 2013
The line-up for the 10th annual FYF Fest was stellar. For only $99, I was able to attend the two day festival, and though I had tried my darnedest to get a press-pass to no avail, I went guerrilla-style to catch those acts I wanted to see and take the best possible pictures I could. Links to the other acts I was able to catch will be posted when the pictures have been “corrected” and selected, but it’ll take some time going through the over 400 photos I snapped. It’ll take me at least a week to post everything I want to post, so keep an eye out for updates by following my twitter or instagram accounts (both have a @methodman13 handle).
Click through the name of the act to see the pictures and read the write up for the acts I was able to catch:
#DKLPHOTOS 