I knew that Grouplove’s music was fun, but I had no idea I’d be having so much fun taking pictures of them while they were performing. The energy that they emit from the stage while performing induced everybody, myself included, to jump and dance around, even in the sweltering desert heat. The expressiveness on their faces, and in their actions, while performing songs in the their set was really a pleasure to shoot. Hopefully, I’ve been able to capture some of that contagious energy in a few of my pics.
As a side note, after looking at their set list (below) I noticed that they covered both an A$AP Rocky and a Beyonce songs. Both artists, by the way, made special guest appearances over the weekend. Hmm … if you happen to be at Coachlla during week 2, and you happen to catch Grouplove’s set, keep an ear out to hear what songs they cover in their set. Maybe they know something we don’t know… just saying’…
Jagwar Ma is three piece, Australian psychedelic/dance band that formed in Sydney. Their first full length album, Howlin’, in my opinion, reminded me a bit of the Stone Roses, and being a Stone Roses fan, I wanted to check out their live set. After my time in the photo pit had ended (side note: I had problems with my camera settings, and a lot of the pics that I thought were good came out underexposed <- insert sad face here), I spend another 15 minutes laid out on the grass under the shade of the the tent to let their clean, unique sound envelope me. If I hadn’t had a schedule of bands I wanted to shoot over the weekend, I would have bought myself a beer, and stayed there sprawled on the grass, in the shade, until the their set had ended. I’ve been a bit hesitant to purchase their LP, but I think I’ll need to remedy that the next time I’m at the local record shop.
I’m a fan of Dee Dee Penny (nee Kristin Welchez) and her sound. Based on some of her more recent work (like “Too True To Be Good” and “Coming Down”), her voice and style reminds me of some of the female rock-pop fronted bands I grew up with (off the top of my head, maybe an amalgam of Lucious Jackson, Siouxsie Sioux and Mazzy Star).
When the band took to the stage, wearing their trademark black, Dee Dee brought a little “shock and awe” wearing a sheer top with strategically placed pasties. The band launched into their 12 song, 45 minute set under in the sweltering desert sun, but didn’t let the heat hold them down, bringing it instead. I enjoyed what I heard and I plan on keeping tabs on the band’s music to see how it develops from here.
I hadn’t planned on checking out their set, but a good friend of mine suggested that it’d be worth my time. I’m glad I took the suggestion, because GOAT was a perfect mid-afternoon band for me.
This band from Sweden, with their fusion of experimental rock, afrobeat and acid rock, really, I found my feet moving to the rhythmn while I was taking pictures as if I were at a Phish concert. With their two female vocalists dancing about the stage in their lively costumes, it was hard not to enjoy myself. I loved taking pictures of this band, and hopefully I captured their liveliness through the lens.
At 12:30 I walked over check out the first band on the Main Stage; an Alternative rock band from Australia named The Preatures. The lead singer, Isabella Manfredi, exhibited “rock-and-roll charisma,” performing with a confidence that was hard not to be captivated by. To be performing on the largest stage at Coachella, and to have such a command over the performance and audience, it’s easy to see why Australia loves them. I think with the right type of exposure in the U.S., they can leave their mark here too.
I couldn’t find a setlist online, but I happen to stumble across it, I’ll add it here. If any of you The Preatures fans know the names of the songs that they performed that afternoon, please let me know.
The first act I caught at Coachella at noon on Friday was British, Singer Songwriter, Tom Odell. A solid singer songwriter who I believe can have a long and fruitful career so long as he can keep writing songs that his fans can relate to.
I couldn’t find a setlist online, but I happen to stumble across it, I’ll add it here. If any of you Tom Odell Fans know the names of the songs that he performed that afternoon, please let me know.
This year, I was lucky enough to get approved for a media/photo pass for the first weekend of Coachella. The photo pass allows me to take pictures from the photo pit of each stage, and being armed with an incredible lens, I’ve taken some pretty amazing pictures so far, and I can’t wait to sift through them all and post what I’ve been able to capture.
There were a few acts that I wish could have snapped pictures for (Muse, Queens of the Stone Age, Beck and Arcade Fire), but being a “newby” in the world of concert photography, I wasn’t selected to by artist management to have the privilege of taking pictures. Hopefully, the pics I post of the bands I saw here will help change their opinion of me for the future.
Each entry will contain a little bulb of my overall thoughts of what I was able to see, with a Instagram video post that I posted (my Instagram account is @Methodman13 … you may as well go there now while you’re waiting for the post to go up) and a photo slideshow. I hope you enjoy the moments I captured as much as I enjoyed shooting it. Click on the name of the artist you want to check out to see the blog entry I put up.
UPDATE: 5/9/14: It was a long, glorious, music-filled weekend of music. I think I may have ruined all of the future music festivals I attend because there really is nothing like being in the photo pit, even for only the first 3 songs, trying to capture “moments” of musicians practicing their craft and giving the audience all that they have. I will forever be grateful for the opportunity. Thank you, Goldenvoice. Thank you, Snoop. You made this music dweeb very, very happy.
I don’t know what they are feeding their kids across the pond, but I would suggest that we bring whatever they have over there and start feeding it to our kids in the States.
It was a last minute decision, but having missed out on seeing Jake Bugg perform at The Wiltern, I decided that I wouldn’t miss out on catching The Strypes, a four piece blues/garage rock band from Cavan, Ireland , finish up their U.S. tour with a stop at the El Rey. Their music is a throwback to some of the great rock bands of the 60s and 70s … and they are only 16-18 years old.
The crazy thing is, if you didn’t know how old they were, I guarantee that you would have never guessed that they were so young. Their music is fast and loud, and they carried an attitude on stage that made them appear older than they actually are. It was an 18+ show, but it didn’t surprise me that that their audience was equally split between those still in high school, and those who grew up with music from bands like The Kinks (whose rendition of “Louie, Louie” they faithfully covered as their finale) and the Yardbirds. It no surprise that legacy artists like Elton John (full disclaimer, Elton is managed by the same company that manages The Strypes) have been raving about the group for some time.
Their music is accessible by disparate age groups because though they perform with their naturally youthful energy and swagger that could make any pre-teen girl squeal, they also have the musical chops to impressively sound like that music form the glory days of classic rock-and-roll. I mean, the lead singer, Ross Farrelly (who I understand is only 16 years old) has a voice that quite faithfully covered classic by Bo Diddley, The Specials, Ramones and Kinks.
These kids are impressive. Their stage present and their seems to indicated that they have the potential to keep on making great sounding rock-and-roll for years to come. I’m keeping my fingers crossed that their sound doesn’t change too much with puberty.
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
On March 30, 2014, Cody ChesnuTT restored my faith in R&B music.
Over a decade ago, I first learned about Cody ChesnuTT when he was featured on The Roots cover of his own recording titled “The Seed.” I made a mental note then to keep an ear out for more music from him, but for whatever reason, his music and my ears just didn’t cross paths.
Fast forward over a decade, and somehow I stumble on a live, radio-station, video performance of Cody performing songs off his latest release titled “Landing On A Hundred” without a backing band. I’m immediately amazed.
It was a sound so raw and soulful, it made me think of all of those legendary R&B and soul singers of the 70s. Music from the heart. Music from the soul. I absolutely fell in love with the music. Some people have compared Cody to Marvin Gaye. After listening to “Landing On A Hundred”, I’m willing to make that comparison as well.
As soon as my iPhone notified me that tickets for a show of his at the Troubadour were on sale (god-bless concert related iPhone apps!), I purchased tickets. Having gotten permission from Cody’s management to snap pics of the gig, I got to the venue early with a friend to get up close and personal. I just knew, in my gut, that it was going to be a mind-blowing performance. I was right.
When Cody, with his trademark helmet cocked on his head, and his band took to the stage, the audience erupted with a joy that I haven’t felt from an audience in a good while. A sudden emotional warmth enveloped The Troubadour, almost as if the venue itself exhaled at that moment. It was, at least for me, a surreal moment.
Cody’s performance was beyond enjoyable. In fact, with the breadth of emotion he revealed during his time on the stage; from pain, frustration and struggle, to joy, love and hope, I can truly say his performance is on my list of “favorites of all time”. Being able to capture some of those moments with my camera, gave me visual proof after the fact that I wasn’t just imagining it.
What made the performance so real was Cody’s interaction with the crowd. He engaged us. He talked TO us. He made us understand why the music he was singing meant so much to him. For example, he told us how the music on The Headphone Masterpiece saved his life; and though the music from that album came from a different time and space, having its own unique vibe, he could sing some of those tracks in the present because they matched and marched with his current vibe. He explained that “Love Is More Than A Wedding Day” was his favorite song off “Landing On A Hundred”, further preaching to the audience that it takes effort to overcome martial struggles. He openly reminisced about the story of how his wife bought him his first guitar from a pawnshop; and how her belief in him and his dreams makes him want work that much harder to keep the relationship fresh.
Before he performed “5 On A Joyride,” he explained that that track was written after he had gotten dropped by Hollywood Records and ended up in a car with four friends tripping on magical mushrooms cruising the streets of Los Angeles. He even took a moment to give a shoutout to Suge Knight for being a man who actually gave him the creative freedom to create during his stint on Death Row Records.
I was blown away with Cody’s live show. If you are a fan of R&B and Soul music that speaks from the heart, I beg you to attend one of his shows. You won’t regret it.
For the setlist, please click through the slideshow.
Opening for Cody ChesnuTT at The Troubadour was a band billed as Madd Vibe. Now, I usually do my due diligence before I go to a concert when there’s a band performing that I’m unfamiliar with. In this instant, for whatever reason, I didn’t. When I got to the venue and the band took to the stage, I noticed that the frontman of the band looked familiar to me. I quickly pulled out my iPhone and Googled “Madd Vibe” to discover that Dr. Madd Vibe is the solo project of Angelo Moore, the founder and frontman of the seminal, Los Angeles based ska/punk/rock/funk band Fishbone! For those of you who don’t know who Fishbone are, they’re just one of the most influential, cult bands of the 1980s, influencing huge bands like No Doubt, Red Hot Chili Peppers and Alice in Chains. And guess what? … they’re one of the acts set to perform on Sunday at Coachella this year.
With the same type of energy that he used while fronting Fishbone when I saw them perform April 2010 at the now closed Air Conditioned Supper Club, he brought his punk-ska fused musical stylings to the Troubadour for a solid set that revealed the strength of his musical ability. Though his music is vastly different than Cody ChesnuTT’s, I think that the seemingly odd pairing was made because the talent bookers thought that anybody going to see Cody perform would appreciate Dr. Madd Vibe’s performance because of the legacy of Angelo Moore and what he has contributed to musical history.
A consumate performer, the energy he and his band had was infectious. I started to get my ska juices flowing at points, and reminisced of the days I rocked khakis, combat boots, a white t-shirt and suspenders. The set times for Coachella haven’t been released yet, but hopefully, I’ll be able to relive some more of my youth in Indio.
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
#DKLPHOTOS 