CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!
Below are Instagram clips from most, if not all, of the songs from James Supercave’s set at the Santa Monica Pier as part of the Twilight Concert Series. Enjoy.
CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!
FEA (pronounced FAY-ah) is the feminine form of the Spanish word for “ugly”. It’s also the name of a Riot Grrrl, side project of some bad ass rockers from Texas.
Back in 2012, I discovered the music of a band from Texas named Girl In A Coma. It was love first listen. The trio consisting of Jenn Alva and sisters Nina and Phanie Diaz steamrolled my ear drums with their brand of San Antonio flavored indie rock.
As Nina Diaz recently recorded her own solo project (and who’ll be Southern California Thursday July 24th at Alex’s Bar in Long Beach and Friday July 25 at Levitt Pavillion in MacArthur Park supporting her latest album), Phanie and Jenn decided to put together a new band, FEA, with singer Theresa Moher and guitarist Aaron Lee Magana. Raw with no frills, FEA’s music puts the punk back into punk rock.
The venue they played at, AMPLYFi, seemed to be the perfect setting for their Riot Grrrl music. It was a small, unassuming venue that seemed to be on par with the “do it yourself” Riot Grrrl mentality of the 90s. Their set was relatively short but it was as aggressive and shredding. They even threw in a little rockabilly flavor covering Wanda Jackson’s “Fujiyama Mama”.
Only time will tell whether Phanie and Jenn keep this musical incarnation going; I’m just glad I got to see them do their thing.
I’ll have to admit, I had a difficult getting any real quality shots at this venue. I used my DSRL, but lacking true proficiency at adjusting settings to accommodate for the quickly change lighting and the low light, and not having the greatest aperture, I’m thinking I probably could have snapped better pics with my point and shoot. C’est la vie. Practice, practice, practice … I’m hoping, will lead to perfect.
When retro-soul is done right, I love it. Last year, I was unable to catch Nick Waterhouse’s concert on the Santa Monica Pier. When I heard that he was scheduled to perform at Ink-N-Iron, I was thrilled. Some may argue that a “kid” in his mid-twenties, couldn’t possibly know about retro-soul. I’d have to disagree with them.
Dressed in a dapper suit, and his trademark Buddy Holly glasses, Nick Waterhouse and his full band took to the stage and the anxious crowd roared. They had waited eagerly to hear some music that harkened back vintage 50 and 60s soul, and they got it
Accompanied by backing vocalists, horns, drum, keys and bass, Nick managed and conducted his band through a set of music that really breathed a new kind of funk into the retro-soul genre. The only thing “modern” about the set were the iPads that the horns used for their setlist and (I’m assuming) score.
The band was terrific. Obviously a tightly knit group of players, each instrumentalist played off each other with the kind of synchronicity you would expect from a seasoned Motown band. Hidden in the not so apparent details, Nick Waterhouse’s musicality was on full display. His orchestration, and his musical arrangements, was proof positive to me that his retro-soul sound is no fluke. He may be young, but he’s got it, and he’s got it in spades.
I loved the set. I was grooving in my spot the entire time, and looking around to see how others were reacting, everyone… and I mean everyone … was doing the same. Towards the end of the set, uninvited concert goers even snuck their way onstage to dance and groove to the music. I seriously look forward to hearing- and seeing- more music from him.
I couldn’t find a setlist of his set online, so if you attended the event and know what his setlist was, please post it in the comments, and I’ll add it to the post.
I’m particularly proud of some of the photos I took during Nick’s set. I hope you enjoy them too.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
Formed the year I was born, 1976, The Damned are a rock band from London, England. I was particularly interested in checking out there set as they are known to be one of the forerunners of the “gothic” music genre: a music style that is a mix of post-punk and alternative rock. I was especially excited that they were playing Ink-N-Iron because I couldn’t recall the last time they toured the United States.
Though their line-up has changed up over the course of their existence, three of their original members performed on this night on the Queen Mary: lead singer Dave Vanian, guitarist Captain Sensible and keyboardist Monty Oxymoron.
Dave Vanian’s performance was particularly impressive. His dark (dressed in black, with sunglasses and gloves) and mysterious stage presence was quite a contrast from Lee Ving’s performance. He performance demonstrated an understated bravado that really demonstrated, to me, a terrific command of the stage.
The audience, who had just before been moshing with reckless, and violent, abandon the set before, was now bouncing about with more fun and freedom. 37 years after they had formed, it appeared to me that they still had plenty in the tank, with their classically punk attitude in full form.
I couldn’t find a setlist of their set online, so if you attended the event and know what their setlist was, please post it in the comments, and I’ll add it to the post.
Immediately below are some videos I found of The Briefs performing at the festival and also the Ink-N-Iron pre-party. If you know of any other videos that are online, please post the link below in the comments so that I can add it to the playlist.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
California hardcore punk took shape in the late 70s and early 80s. Heavier and more abrasive than regular punk rock, bands like Black Flag, the Circle Jerks and Fear were the seminal bands that helped paved the way that particular sound and style. Fear’s music and live show is known to be aggressive and confrontational . Their performance on Saturday Night Live back in 1981 is the stuff of legend, as they invited a pack of skinhead slam-dancers on-stage resulting in costly studio damage and even on-mike profanity. That story alone was enough to make me curious enough to catch their set.
I got the stage after the band had already started, but I’m glad that I wasn’t up close to snap pictures. Mosh pits had formed and I’m assuming that either me, or my equipment, could have easily been broken. lol.
Fronting the band is Lee Ving; the only original member of band since its formation in the late 70s. His sharp tongue and vocal thrashing of the mic was still on par. For a man in his mid-60s, his band’s music elicited from the crowd a teenage abandon of angst and straight up punk. Just watching the swirling pits got my juices flowing.
I couldn’t find a setlist of their set online, so if you attended the event and know what their setlist was, please post it in the comments, and I’ll add it to the post.
Immediately below are some videos I found of The Briefs performing at the festival and also the Ink-N-Iron pre-party. If you know of any other videos that are online, please post the link below in the comments so that I can add it to the playlist.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
The Briefs are a punk rock band from Seattle, Washington. Critics have described their brand of punk rock as a throwback to 70’s British punk and early 80’s L.A. bands. However you may want to classify them, their music rocks.
I tried doing some research about the band before the festival to learn more about them, but other than their Wikipedia entry and their Facebook Fan Page, there wasn’t much press I could find about them. Based on what I could glean, the band took a little hiatus sometime around 2007 as one of their members joined a new band.
Notwithstanding the little info I could find about them, and based on what I watched and listened to on youtube, I decided I’d check them out. I’m glad I did.
Rapid power chord progressions with catchy hooks, and performed with a cocksure attitude, these guys were a fun kind of punk that really got me ramped up. I may not have been keen on their lyrics (as I was basically being exposed to their music for the first time), but what I heard was good enough for me to make me want to check out there music some more.
I couldn’t find a setlist of their set online, so if you attended the event and know what their setlist was, please post it in the comments, and I’ll add it to the post.
Immediately below are some videos I found of The Briefs performing at the festival and also the Ink-N-Iron pre-party. If you know of any other videos that are online, please post the link below in the comments so that I can add it to the playlist.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
Last year, I got the royal treatment at the BET Experience. Not only did I get the chance to see Beyonce, Snoop, Kendrick Lamar, J. Cole, R. Kelly, New Edition and The Jacksons perform on the main stage, but I was able to score an “Artist Pass” for the entire weekend, which allowed me to roam freely backstage at Staples Center. Armed with only a small Sony Cybershot G, I took photographs the best I could and actually ended up with some decent shots. After that weekend, I decided to take concert photography more seriously, because I determined that it was something that I truly had a passion for. Since that weekend, I’ve invested in some “professional” photography equipment that I could afford and have been self teaching myself how to snap, what I think, are decent concert photographs.
This year, I didn’t use any of my entertainment contacts to score a special tickets or photo/media passes. Rather, I applied independently as a blogger. Though I didn’t get any media or photo passes for any of the main evening concerts, I was approved for certain daytime events at the BET Experience at L.A. Live on Saturday and Sunday. The daytime events on Saturday and Sunday were free and open to the public, and it’s my opinion that anybody who is fan of soul, R&B and hip-hop music, and didn’t go to witness any of the events, missed out on a hell of an opportunity.
As fate would have it, I Complex Magazine saw fit to award me tickets to see the Friday evening concert featuring Jill Scott and Maxwell. I tried to sneak my DSLR and lenses into the Staples Center for that show, but ended up having to check my bag at guest services. However, I was able to use my trusty Sony Cybershot G point and shoot to take a handful of pictures that I think are worth posting on my blog.
Below is a list of all of the wonderful singers/rappers/performers that I was able to capture with my cameras. You’ll notice below that for each performance, I’m posting two separate pages: one for Instagram video captures, and one for photographs and my thoughts on the performance. I tried to take Instagram videos of each of the songs all of the artist’s performed. I don’t know everything about each artist, so if you know the names of the songs an artist sings, please let me know in the comments so I can add it to the post.
I hope that what I’ve captured gives you a sense of what I experienced over the weekend. The photo/review pages will be posted in due course, as a solo blogger, editing and selecting pictures “worthy” of sharing takes a little bit a time. Hey, I took over 2000 pictures! Cut me some slack! LOL.
6/27/14 (Friday)
6/28/14 (Saturday)
6/29/14 (Sunday)
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
Fresh off their late-night gig in the Queen Mary’s bar the night before, Hopeless Jack and the Handsome Devil took to one of the main stages at the festival to bring their raucous sound to the masses. I could recognize faces from the night before, and they filled the previously empty hall with the others who joined in to catch them play.
Their performance from the night before must have been a warm up, cause they took it up a notch for their late afternoon set, and tore the stage up. Their music was loud and rocking; their energy relentless and unstoppable. As they played their set, more and more people kept trickling into the room. Clearly, it was the music that was drawing them in.
Now, I love taking pictures, but I’m far from a “professional”. I still tinker with settings during sets, and I end up taking tons of pictures – thank god there’s digital, or I’d be spending a years salary on film. I’ll kick myself in the ass every once in a while when I miss a shot. The featured shot of this blog post was a shot that I almost didn’t get. Granted, I had to mess with the photo’s setting to enhance certain aspects, but of all of the “imperfect” shots I’ve ever taken, this is one my favorites.
At that moment, the crowd was going nuts. It was the last song, and the crowd was whooping and hollering all throughout, watching the Handsome Devil standing over, and smashing, his drum kit. The finale reached its climax when he mounted his drum kit- all while playing – and on the last beat, jumped into the sky. I could feel the room hold its breath. Everyone’s eyes were fixated on the tatted up drummer leap through the air, and there was a collective exhale when he landed, followed by instant cheers from fans old and new.
To me, that moment was surreal. This two man band commanded a stage that 10 piece bands had occupied the other day, and they filled the room with an insane energy that people couldn’t keep talking about after it was all said and done.
I overhead people in the audience proclaim,”That was the best thing I’ve seen in a while,” and “That’s got one of the best sets of the weekend”. I wasn’t going to disagree.
Follow them on Facebook. They’re my favorite band that you’ve never heard of. I want to see if I can change that.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
The first time I saw Hopeless Jack and the Handsome Devil perform live, it was Ink-N-Iron in 2013. I saw them perform one other time since Ink-N-Iron 2013, so when I heard that they were playing TWO sets this year, I knew that I had to catch both of their sets.
The first set they played was a late night, after hours gig in one of the bars of the Queen Mary. In fact, it was so late night, that it was literally the last act to perform that day. Drunk festival goers who were lucky enough to book a room on the ship had all congregated to the bar to top off their buzz. They were in for a treat.
Hopeless Jack and the Handsome Devil ripped into their set and bar patrons took notice. Heads at the bar turned as soon as the loud blues/roots rock blasted through the speakers. The music must have attracted others from the down the halls of the legendary ship as more and more people kept filing into the room to join the party.
I spent most of their performance enjoying the show, so I didn’t take that much video or snap too many shots. I figured I’d make up for it, as they were going to be the first band that I checked out the next day.
Do yourself and follow them on Facebook. You’ll want to catch their live show if they end up in your neck of the woods.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
Merle Ronald Haggard revolutionized country music when he and his band, The Strangers, developed the Bakersfield Sound in the 1950s; a style of country music that was born in Bakersfield, California. Inducted into the Country Music Hall of Fame in 1994, he has continued to record and release music since, and at the ripe age of 77, he put on a show at Ink-N-Iron that proved why his music, and sound, has withstood the test of time.
Now, I may not have the greatest knowledge of country music, but listening to him sing a song like “Workin’ Man Blues”, and other songs that reach out to the common man and their daily life, really left an impression on me. Just him and his band playing music for the people.
He played both his guitar and his fiddle, and his voice seemed unaffected by age. In fact, I’d even say that at his age, his voice, based on the early recordings of him that I happen to have on iTunes, has only matured like a fine wine. Definitely smoothed out and in control.
If someone is going to open my ears to a different kind of country other than Rascal Flatts, I’m happy to report that Merle just may have done it. Hell, if a living legend couldn’t do it, then I don’t know who could have.
I couldn’t find a setlist online, so if anybody knows what songs he performed, and the order that he performed them in, let me know in the comments, and I’ll add it there.
CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON
#DKLPHOTOS 
