Stevie Wonder | Songs In The Key Of Life | Nokia Theatre L.A. Live | 12/21/13

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Have you ever thought about what you would say or do if you were in a room with one of your childhood idols?

One of my childhood idols was Stevie Wonder. I discovered his music by way of the 1993 cover of “Lately” by Jodeci. When I started doing some research browsing the CD racks at the local library, the first CD I pulled of the rack was “Songs In The Key Of Life”. I must have been too eager to play the music, as I started with disc 2 rather than disc 1, and the first song I heard was “Isn’t She Lovely”. I was hooked.

Since then, I’ve amassed a considerable collection of his music (on CDs and LPs) even spending hours making a detour to an HMV while I was touring Japan with my college singing group to search for albums I hadn’t ever seen before. While the rest of the group members were doing touristy things, I found a copy of Stevie Wonder’s  harmonica album “Eivets Rednow” (that’s his name spelled backwards if you couldn’t tell).

Fast forward to the relative present, I had to pick up a paycheck at my bosses’ business manager’s office. I stepped into the elevator, and with the doors closing to take me up, a hand jammed in the middle to open the doors back up. One man walked into the 5ft by 5ft compartment, followed by another man directing an older gentleman wearing a daishiki and sunglasses. That man was Stevie Wonder.

All of a sudden, my stomach turned and my palms got sweaty. My mind started racing, searching for something to say, but as the elevator came to a stop, it’s doors opened and my teenage idol slowly departed the space, with me there silently watching … watching him walk away as the doors closed me in.

Ever since then, I’ve repeatedly thought to myself what I could have said in that space of a few seconds …”I used the lyrics of ‘Send One Your Love’ for my best friend’s wedding toast” …  “‘Sugar’ and “Anything You Want Me To Do” are my favorite songs form “Signed, Sealed and Delivered” … “‘Music Of My Mind’ changed my life.” …  “I plan on using ‘Ribbon in the Sky’ as a song at my wedding, whenever that happens” … Yeah, I guess you can say that I’ve thought about what I’d say to Stevie the next time I was ever in a room with him.

When I heard that Mr. Wonder would be performing “Songs in the Key of Life” in its entirety for his annual “House Full of Toys” charity concert in Los Angeles, I used my industry connections to ask for orchestra seats that had been announced on Ticketmaster as being “sold out”.  Weeks went by, and it wasn’t until the week before the event that I was notified that a pair of tickets would be held at will call for me. I was set, and I could only eagerly count down the days before attending a concert whose music meant so much to me and my life.

When I picked up the tickets at will call, I was surprised to find that with my tickets were VIP passes to the private bar of the venue. I’m not typically a VIP kind of guy, but knowing that the venue was huge (maximum capacity is over 7000), I appreciated not having to wait in line for a beer.

As me and my guest were about to enter the private bar, a security guard halted our progress. I scanned the room and noticed the hallway to the stage door in front of me and …. AN ELEVATOR immediately to my left. My stomach turned and my palms got sweaty. Sound familiar?

As I nervously joked with my guest that, “I bet you Stevie is in the elevator,” the elevator doors opened, seemingly in slow motion … in a way that made it seem like the universe was playing some twisted joke on me … and the man of the evening, Stevie Wonder, stepped out of the elevator with his entourage.

The room was quiet. I was quiet.

My mind racing to retrieve one of the gems I had thought of years before, a woman standing behind me, interrupting my train of thought, yelled, “I love you, Stevie,” and with that my mind yelled out the only thing I could think of…

“I love you too, Stevie” … and with that, he disappeared behind the stage doors.

Epic, EPIC fail. LOL.

My epic fail aside, the concert was everything that I could have hoped for. The list of special guest performers was epic: Greg Phillinganes, Joe, Frederic Yonnet, John Popper, Chick Corea, Eric Benet, Esperanza Spalding, John Mayer, Ledisi, India.Arie, Herbie Hancock … the list goes on.  It was a backing band fit for a king, and Stevie ruled the stage. The Los Angeles Times and Rolling Stone Magazine wrote terrific reviews of the show, so I’ll spare you my rambling.

While you click those links to read what they had to say, I’ll be over here in my corner practicing what I’ll say the next time Stevie Wonder is in the room.

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Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Shy Girls | The Spare Room and Bootleg Bar | 12/12/13 and 12/13/13

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I was driving around town while listening to KCRW when the silky vocals and opening keyboard chord progression of a smooth jam gently flowed through my car’s speaker circuits. A rhythm guitar stealthily crept in, sweeping into a late 80’s, early 90’s, drum program with a subtle flourish line added to the chords that caught my attention. I know it’s dangerous to fiddle with your phone while driving, but I had to open up Shazam to find out who the artist was. It was Shy Girls and the track was “Voyeurs Gaze”. A throwback to the smooth R&B I grew up with.

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When I got home, I immediately got online to listen to more tracks by Shy Girls. After listening to tracks from their latest EP “Timeshare”, I pulled out my credit card and purchased the LP. I’m selective about the vinyl that I buy, only purchasing records that I could let the pin drop and let play without having to get back up to skip tracks. For me, “Timeshare” was one of those albums.

After finding the artist’s Facebook page, I noticed that they had two scheduled performances the following week in Los Angeles, one at the Spare Room and the other at the Bootleg Bar. Being that the artist was from Portland, Oregon, I decided that this may be my only chance to see them perform for a while, so I planned on attending both shows.

I had a feeling that the shows would have been perfect for a date with a significant other, but c’est la vie en Los Angeles. The music is sensual. Being single, and living in Los Angeles (where convincing people that the music you like is in fact good is like pulling teeth), I’ll admit that I had second thoughts at the idea of going solo. I shrugged it off.

I was right. On both nights, Dan Vidmar and his band brought a mood I haven’t heard at a concert since I saw at Maxwell at the Hollywood Bowl. Like Maxwell, Dan Vidmar made good use of his breathy, falsetto singing engaging the audience to willingly become seduced. If I were at the show with a date, I would have made my move after the first song.

If “Timeshare” is the precursor to a full length album, there’s a lot for me to look forward to, and hopefully, by the time he goes on tour to support that album, I’ll have a date for the show.

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The lighting in the venues was extremely difficult to deal with, but I did what I could. Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Hiatus Kaiyote | Skirball Cultural Center | October 30, 2013

Nai Palm of Hiatus Kaiyote
Nai Palm of Hiatus Kaiyote

Hiatus Kaiyote is one of two bands who I’ve seen perform live 3 times this year. Clearly, I’m a big fan of their music. They blew my mind at the Del Monte Speakeasy in March, and amazed me at the Bootleg Theater in July. Performing for the last time in Los Angeles in 2013, I jumped at the chance to buy tickets to their show at the Skirball.

Once again, they delivered beyond my expectations.  Like their show at the Bootleg Theater, their musicality was on full display. Though I knew all of their music, what I heard that evening was beyond unreal. They took the musical themes of almost every song, and improvised and jammed new life into them. It was as if the audience was being treated to master-class remixes of the original recordings. It was wonderfully brilliant. If you are already familiar with their music, you should check out the video snippets from the show below. I think you’ll catch my drift.

IMG_3106They played a couple new songs that they were working on for their next album (“Breathing Under Water” (titled “Breathing” on the setlist) and “Don’t Mind With My Atoms” (titled, I think, “Bordershiine” on the setlist). After their gig, I caught up with some of the band members who told me they were going to head back home to write and record their next album. That being said, I realized that their next trek through Los Angeles wouldn’t probably be until they support their next album. Their performance at the Skirball will hold me over for a spell, but I have a feeling that I’ll be jonesing to see them live by Spring of 2014.

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Add Hiatus Kaiyote on Facebook, and follow them on Instagram and Twitter using the handle @HiatusKaoiyote. You should follow them. You need to see them perform live. Do it.

Iza | Culture Collide | 10/10/13

Click here to check out the other bands that I saw perform at Culture Collide 2013

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Earlier this year (2013), Snoop threw up some beats he had cobbled together onto his Soundcloud account, giving other musicians on Soundcloud the opportunity to record melodies and lyrics on top of them for fun. It so happened that an amazingly unique vocalist from Poland caught Snoop’s ear. Her name was Iza Lach p/k/a “Iza” and Snoop decided to scoop up this hidden jewel of a talent before anybody else could releasing several EPs executed produced by Snoop (as Berhane Sound System) and released under Snoop’s wife’s imprint label “Boss Lady Entertainment”.

When I heard the tracks she had recorded, I got excited. Like, being a kid and finding the toy in the cereal box kind of excited. Iza’s voice and vocal technique is so unique that I couldn’t really compare it to anything that I’ve heard before … and I listen to a lot of music. Maybe a souled out Portishead with a Sade vibe? I don’t know. All I know was that I wanted to hear more.

When management told me that she would be performing in Los Angeles, I knew that I had to buy a ticket. She performed three sets at Culture Collide, but unfortunately I was only able to attend her first one on Thursday as I was already attending a friend’s wedding on the Saturday she was scheduled to perform twice.

The performance I attended was in a small lounge of a restaurant, and it couldn’t have been a more perfect setting to watch her perform live for the first time. Backed by a full band (drums, guitar, bass and Iza playing keys), the music filled the intimate setting, drowning out the drunken chatter of the guys hitting on girls at the bar.

Iza's setlist at the first of three of her scheduled performances at Culture Collide.
Iza’s setlist at the first of three of her scheduled performances at Culture Collide.

She played songs that I was familiar with, and also sang some songs that I didn’t remember hearing before. But the part of the performance that really impressed me was when Iza shed her coy and seductive sound and rocked out the refrain of a song. It was unexpected, but pleasantly surprising. I loved it.

I probably would have loved watching her performance that was scheduled in the church venue, but c’est la vie. One can only hope that she gets to perform in Los Angeles sooner rather than later.

To check out some of Iza’s music, check out her Bandcamp page. Support independent music!

Unfortunately, the Flickr slideshow below is not currently available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos.

Click here to check out the other bands that I saw perform at Culture Collide 2013

Aloe Blacc | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Allen Stone) at The Beach Ball Festival: Soul Revue.

Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

My first exposure to Aloe Blacc‘s music was years ago (late 90’s) when he was performing as a rapper/singer in a hip-hop group called Emanon with the producer Exile, but it wasn’t until 2010 that I really started to get interested in his sound. The HBO series Entourage had just ended, and its fans (like me) were anxiously waiting for HBOs new series How to Make It in America, hoping that it would have the same kind of energy and characters of its predecessor.

I was always impressed with Entourage’s soundtrack, so I anticipated How to Make It in America to have as good a soundtrack. As soon as the show’s intro song  played, I had to run to my computer and perform a google search to find out the name of the song and who performed it.  It was Aloe Blacc’s “I Need a Dollar“, a modern recording with a vintage sound, a sound that I am very partial too, and strong social commentary.

As a native Southern Californian, his closing of the Soul Revue festivities was apropos. Backed by a full band with a terrific horn section, and dressed in a form fitted black suit with a fedora, his set was both visually and sonically the embodiment of traditional soul music. His doting fans lapped up the performance and clearly appreciated every theme of Aloe’s music which ranged from groove shakers to songs of substance.

During his set he called the well known poet, IN-Q, to the stage to recite a poem titled “85”. By that point in the evening, the camera in my battery was dead, so I couldn’t video record it, but thankfully, a video of it being performed at Witzend was posted Jan 11, 2013. A truly lovely performance.

IN-Q performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
IN-Q performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]

After his set closed, Aloe was cheered back to the stage for an encore. The audience clearly didn’t want the day of soul music to end, but curfew ordinances are curfew ordinances and the glorious day of soul music had come to an uplifting conclusion. I went backstage to get some water before moving on with my evening, and happened to see Aloe hanging out with some friends and/or fans. I “happened” to have his 12” single recording of “Get Down” in my backpack so I asked his manager if  he could sneak me a signature. He graciously obliged, and not only did I get an autograph, but I also got a pic with Aloe . As I’m typing this right now, I’m wondering why I don’t have an LP copy of Aloe’s “Good Things” (would totally be worth having on vinyl).

Me and Aloe Blacc (with his 2006 12'' Single of "Get Down") at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Me and Aloe Blacc (with his 2006 12” Single of “Get Down”) at The Beach Ball Festival 9/21/13 [ig: @methodman13]

It was a terrific day of soul music, and I hope that the festival organizers can put together another strong line-up for the soul revue next year. Kudos are deserved for KCRW and The Echo for putting together a terrific lineup. It was a great way to end the summer.

Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Aloe Blacc performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Allen Stone) at The Beach Ball Festival: Soul Revue.

Allen Stone | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Allen Stone at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone at The Beach Ball Festival 9/21/13 [ig: @methodman13]

About a year ago, while searching the web for new music, I came across a youtube video of a white soul singer from Seattle, Washington singing a soulful, acoustic version of one of his own compositions.  The chorus of the song, and the voice the singer, hooked me instantly.  The songs was called “Another Break Up Song” and the singer’s name was  Allen Stone.

On October 19, 2012, I was able to see him perform at The Fonda Theatre. His performance that evening was so good that it made it into the top 10 of the concert events I went to in 2012. Since I missed his early afternoon set at Coachella this year, I was ecstatic to hear that he would be performing at the Beach Ball Soul Revue.

If you are unfamiliar with Allen Stone, I would describe this self-professed “hippie with soul” as a throwback to those soul legends who sang lyrics embedded with social commentary. Stevie Wonder, Marvin Gaye, Donny Hathaway … I’m talking the heavy hitters. Lofty comparisons for a relative newbie in the music industry, but with a tenor voice as soulful as his, and poingnant songwriting ability, it’s hard for me not to make them.  Back in October 2012, I professed on my Facebook page that Allen Stone could be an artist that we’d see performing at the Hollywood Bowl or Greek Theatre sooner rather than later. I’m going to stick to my guns.

His performance at the Beach Ball was as good as I remembered him at the Fonda, if not more energetic. He fed off the energy from the crowd, who sang along to Allen’s more well known songs. The crowd loved his performance, and clearly loved the messages of love and togetherness Allen professed throughout his set.

After all of the concert festivities for the evening had concluded, I meandered to my “Cheers” (Ye Old Kings Head in Santa Monica) for a few drinks with friends. Out of the corner of my eye, I noticed that Allen and his crew were tucked away in a corner of the bar. Being the gregarious person I am … though, I’m sure the double Dewars I had just consumed also helped … I walked over to Allen’s table and introduced myself. I recall telling him that I was at his show at the Fonda, that I enjoyed his set on the pier, and how I’m always hoping that I’d get to hear him perform “Another Break Up Song”.

Me and Allen Stone at the Kings Head after the Ball Festival 9/21/13 [ig: @methodman13]
Me and Allen Stone at the Kings Head after the Ball Festival 9/21/13 [ig: @methodman13]

I offered to buy him a drink, but he told me that it was his turn to be the designated driver. I think I may have bought his manager a drink though. Not wanting to be a leech, I told Allen that I was really looking forward to hear his next album, and snapped a quick pic before minding my own. A friend of mine who manages the Kings Head has offered to hang a picture of me and Snoop on the celebrity wall of the Kings Head, but I’ve always refused because Snoop’s never been to the Kings Head.  I just may have to give him my picture with Allen.

Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Allen Stone performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Maceo Parker and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Maceo Parker | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

 

Lee Fields at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Lee Fields at The Beach Ball Festival 9/21/13 [ig: @methodman13]

If you’re a fan of soul or funk music, you’ve probably heard Maceo Parker play … even if you don’t have any of his solo albums.  After all, his sax play is also over James Brown most famous recordings. “Papa’s Got A Brand New Bag”, “I Got You (I Feel Good”), “Sex Machine”, “Cold Sweat” … yup … that saxophone solo? That sound that’s a building block of funk music? That’s Maceo. That’s his sound.

What’s that you say? You’re not a James Brown fan? What about Parliament-Funkadelic, Keith Richards, Red Hot Chili Peppers, De La Soul, Prince, Deee-Lite or Living Colour? Well, he’s played on their records too. Point? The man is an integral part of music history. Perhaps, one of the most prolific sidemen in the history of music. But let’s not get it twisted. His solo albums are pretty damn good too. I was excited to have the opportunity to watch this saxophone legend play up close at the Beach Ball Festival. I was ready to get funky and to shake my groove thing.

Maceo and his band brought their musicality and funk to the stage. Maceo not only played like the legend he is known to be, but he also brought a level of showmanship that could only come with years of seasoning. His set seemed to cover the entire the breadth of his career (as a solo artist and sideman), touching on a few James Brown classics and even incorporating a tribute to one his greatest influences, Ray Charles, during which Maceo donned a pair of sunglasses. He gave time to each of his players to allow them to shine on their instruments, proving that each was capable of holding their own, but at the end of the day, as the sun set into the Pacific, it was Maceo who shined the most.

Lee Fields at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker and his band performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker and his band performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
Maceo Parker performing at The Beach Ball Festival 9/21/13 [ig: @methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Lee Fields and the Expressions, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Lee Fields and the Expressions | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]

Lee Fields has been doing his thing for over 40 years, but I only got really familiar with his music this year. A work associate was selling some LPs in his collection, and while I was looking through his rack, he pulled out Lee Fields LP “Problems”. He assured me that it was an excellent listen, and I trusted him. I’m so glad I did.

When I played “Problems” on my record player, I was immediately immersed in some deep, soulful funk that I was embarrassed to realize I was unfamiliar with. “Problems” was released in 2002,  and I realized that I was over 10 years late to the party … but as they say, “better late than never”.

I found out later that he was scheduled to perform at the Troubadour in support of his most recent album “Faithful Man”, but was saddened to discover that the show had sold out. I didn’t see any tickets for sale on second hand ticket brokers websites, so I can only assume that those who were lucky enough to snag tickets, were keeping them for themselves. My extreme loss. Thankfully, for my sake, he was scheduled to perform at the Beach Ball Festival.

Critics compare Lee Fields to artists like Wilson Pickett and James Brown, but those critics should really just focus on what Lee Fields brings to the current music scene. Perhaps, if Lee’s latest albums were released back in the hey day of soul music (i.e. the 60’s), he may have been talked about in the same breath with the soul stars of that time. But, they weren’t. Rather, the albums are part of the current music scene, and they are diamonds in the rough. Current artists, and popular music, don’t make albums like Lee Fields. There are only a handful of artists today (Sharon Jones and Charles Bradley, to name a few) that provide modern day music fans with the kind of throwback soul that existed back in soul’s hey day. That kind of music is unique in today’s musical landscape, and should be judged on their own merits. Just my thoughts …

Lee Fields brought his brand of retro-soul to the stage, and knocked the audience out. Dressed in his bright red, yellow and blue, plaid blazer, he brought an infectious energy to the stage that the crowd couldn’t help but feel. Interacting with the crowd, strutting and dancing back and forth across the stage, swooning and belting the lyrics to his music, his performance was the embodiment of soul music, and he had me smiling dimple to dimple throughout the whole set.

My "Problems" LP signed by  Lee Fields!
My “Problems” LP signed by Lee Fields!

After his performance, I head back to the back stage area with the hopes of meeting Mr. Fields. Some people may think that I take my music too seriously, but I felt compelled to bring along my copy of the “Problems” LP in case I was lucky enough to meet him to get it signed. The soul stars must have been lined up, because as soon as I made my way back, Mr. Fields was snapping some pictures with a photographer for the event. I got him to sign my LP and snap a picture, told him how much I enjoyed the show and wished him the best for the rest of the tour.

Mr Fields, terrific set. The pleasure was all mine.

Me and Lee Fields.
Me and Lee Fields.

Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields performing at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields in repose at The Beach Ball Festival 9/21/13 [@methodman13]
Lee Fields in repose at The Beach Ball Festival 9/21/13 [@methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Myron & E, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

The Beach Ball Festival: Soul Revue | Santa Monica Pier | September 21, 2013

Instagram: @methodman13
Instagram: @methodman13

I LOVE soul music. I listen to all genres, but if I had to guess, I’d venture to guess that probably a third of my music collection (iTunes indicates that I have 19,452 songs that last 54.4 days) consists of soul tracks and about half of my vinyl collection consists of soul LPs. From Aretha Franklin to Amy Winehouse, Marvin Gaye to D’Angelo, I have a thing for soul music. Period.

When I heard that KCRW, in association with the Echo/Echoplex, was having a Soul/Reggae Festival, I was excited. As soon as I saw the line-up, I bought tickets. The Bay Area soul duo, Myron and E; The prolific and enduring Lee Fields; one of the architects of Funk, Maceo Parker; the hippie with soul, Allen Stone; and the former rapper turned soul-man, Aloe Blacc: I knew and respected all of these artists and there was no way I was going to miss out on this full day of soul music. I bought an “early bird” VIP ticket which only cost me $45, and my Saturday, September 21st was set.  Below is a list of the artists whose performances I had the pleasure of catching.  Click through on their names to read my thoughts, see pictures and watch performance snippets.  If there is a “(pending)” notice next to the name, follow my blog, twitter (@methodman13) or Instagram (@methodman13) for updates.  Hey…. these entries just don’t write themselves! LOL.

  1. Myron & E
  2. Lee Fields and the Expressions
  3. Maceo Parker
  4. Allen Stone
  5. Aloe Blacc

Beach+Ball++Soul+Revue++Reggae+Fest+BBPOSTER11x17_FIN

Myron & E | The Beach Ball Festival: Soul Revue | September 21, 2013

Click here to check out the blog entries of the other acts I was able to catch (Lee Fields, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.

Myron & E at The Beach Ball Festiva 9/21/13 [@methodman13]
Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron & E are a soul duo based in the Bay Area. They are currently signed to one of my favorite independent labels, Stones Throw, so even though I wasn’t too familiar with their catalog, I was relatively sure I would be pleased with their music.

The Stones Throw website introduces the band as follows: “The vocal duo is something of a rarity. There have been countless solo stars, trios, quartets and quintets, but the pairing of equally talented singers isn’t nearly as common. Sam and Dave, Ashford and Simpson, the Righteous Brothers and the Everly Brothers comprise a short list of standouts. Enter Myron & E.” A tall order to live up to, for sure, but I’m willing to bet that the Stones Throw folk know what they’re co-signing on.

They had the earliest set in the day so the crowd hadn’t reached critical mass yet, but they had their die-hard fans in the trenches, wearing their screen-print Myron & E T-shirts, and they performed with the type of gusto to satisfy their own, and to drawn in new fans. Half way through their set E mentioned it was Myron’s birthday, and the crowd joined in on an impromptu singing of “Happy Birthday”.

It was a solid set to establish the “soul” mood for the rest of the day, though at times I felt that some of the vocal tuning was a bit off, which I could attribute to the blazing midday sun, but it was good enough want me to follow them on Facebook so to keep up with their music and see how their sound develops.  You should too.

They are touring domestically and throughout Europe throughout the fall, so check them out when they are in your neck of the woods.

Myron & E at The Beach Ball Festiva 9/21/13 [@methodman13]
Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
E of Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
E of Myron of Myron & E at The Beach Ball Festival 9/21/13 [@methodman13]
 

Click here to check out the blog entries of the other acts I was able to catch (Lee Fields, Maceo Parker, Allen Stone and Aloe Blacc) at The Beach Ball Festival: Soul Revue.