THOUGHTS: Chris Robinson, the Black Crowes frontman, has been recording and releasing music “solo” since 1993 and has at least 10 albums since 1993. Founded in 2011, Chris started the Chris Robinson. Though I don’t have all of the band’s albums, I do have “The Magic Door” (released in 2012) and that album is a solid album that jams with the best of them. The Chris Robinson Brotherhood didn’t let me down. It was a great, mellow vibe that I can only imagine audience would have experienced at a Grateful Dead show back in the day.
THOUGHTS: Joe Pug is a singer-songwriter whose folk music is as tender and moving as it comes. Performing solo, armed with just his acoustic guitar and a harmonica, Joe’s soothing sound, under the bright red spotlight, mellowed the audience into a blissful trance. His performance was emotional, without being overindulgent. Critics have favorably compared him to Bob Dylan, and I can’t disagree. I like Bob Dylan. I also like Joe Pug.
THOUGHTS: I first saw Jamestown Revival at KCRW’s concert series Country In The City this summer, and they were terrific. Noted music industry blogger Bob Lefsetz called them a “revelation”. I completely agree. In fact, I won’t bother writing any more about them in the post. Rather, I suggest you take a read of what Mr. Lefsetz said about them by CLICKING HERE … after you take a look at some of the photos that I snapped 😉
As much as I like Jay Z, I really can’t stand what he did to Alphaville’s chart topping single from 1984 “Forever Young”. Alphaville’s recording was a song of my youth. For me, it was a song played as the one of the last songs at summer boarding school dances (the other being Don McLean’s “American Pie”) where groups of friends would gather in a circle on the dance floor to sing along and reminisce of the memories they had made the past few months. In my opinion, what Kanye and Jay Z did to that song was a bastardization of the original, and I always flip the tuner on the radio if it starts playing. Sure, it appeals to the modern day youth, but to me? … they should have left good enough alone. I mean the Jay Z rap? … ugh. Just terrible. Terrible lyrics. Terrible sentiment. Just … ugh.
Below are are videos of Alphaville’s original recording and Jay Z’s version. You be judge.
When I noticed that Dirty Loops did a cover of “Forever Young”, I was bracing myself for the worst. I mean, these fellas are amazing musicians, and in the other covers I’ve heard them perform, they usually flip the arrangement into something breathtakingly crazy. I was keeping my fingers crossed when I pressed on the Youtube player, hoping that that they’d keep it somewhat laid back and mellow like the original. I was pleasantly surprise.
Yes, their arrangement is impeccably complex. The bass line? Ridiculous. The vocal runs? Effortlessly fluid. The chord progressions? More sophisticated than a bottle of your finest bottled of scotch. These guys haven’t let me down yet, and I’m glad they did such a phenomenal, and unique, cover of Alphaville’s original. FYI, I didn’t need a chaser.
THOUGHTS: Leslie Stevens sings with a sublime, soprano frailty that reminds me of country singers like Tammy Wynette and Dolly Parton. I don’t know much about her, but I think she is a Los Angeles native (her latest album was recorded at Five Star Studio in Echo Park). There was a wave of country that came out of California with the likes of Merle Haggard … perhaps she cane the catalyst for another California, Country renaissance.
THOUGHTS: These guys were great to watch live. This Brooklyn-based group of transplanted Southerners have a brand of Americana (a rocking and rolling, country sound) that is a perfect soundtrack for a beautiful summer afternoon by the sea. Having released an album in 2013, the group is planning to release their sophomore album in early 2015, and it was produced by Aaron Dessner, a member of The National who writes the majority of their music (Listen to the track by CLICKINGHERE). Look, if The Lone Bellow are good enough for Mr. Dessner, it’s good enough for me.
THOUGHTS: Riff Raff. He started from the bottom now he’s here. He first came onto the scene as a contestant on MTV’s reality show “From G’s to Gents”, and he’s still a G. His eccentric style coupled with crazy lyrics are on full display with his latest album, “Neon Icon”, that was released earlier this year, and his performance at the Sunset Music Festival was filled with his catchy hooks and undeniable swagger. Perhaps the most amusing, and out of the box, moment of his performance was when he went “old school” and got his long, flowing locks braided during a song. Definitely a first for me.
THOUGHTS: Though I typically do my research before attending festivals, I didn’t do so with this year’s Way Over Yonder because I, for the most part, knew a majority of the acts that were scheduled to perform. One of the artist’s that I really had no clue about was Lenny Goldsmith. When I walked into the carousel stage area, I noticed and elderly gentleman seated behind a keyboard, back by a full band and background vocalists. I was at first skeptical of what I was about to hear, that changed as soon as he started singing. Soulful blues music filled the room and I quickly pulled my phone out to see who this man was. It turns out Lenny has had quite the history in the music industry: fronting several bands and performing records that were Billboard #1 singles, mentored by Clive Davis, was, for a time, the lead signer of Tower of Power, it all made sense. I couldn’t stay for his entire performance, but I was glad I was able to hear what I heard.
THOUGHTS: The first band that I was able to catch perform on the second day of Way Over Yonder was the Canadian folk quartet The Barr Brothers. Their acoustic sound was a pleasure to listen to during the mid-afternoon, especially with Sarah Page playing the harp on a number of selections. I mean … how often do you get to see a harp played on stage at a non-classical concert? I was particularly impressed with their instrumental arrangements and musicality.
THOUGHTS: Honestly speaking, I’m not very well versed in Cold War Kids discography. I was a big fan of their singles back in 2007, but for one reason I stopped following their music. Their set at the Sunset Strip Music Festival put them back on my radar. I still need to educate myself and get caught up on their catalog, but watching them perform “Hang Me Up To Dry” was all I needed to bring me back.
PHOTOS: The lighting was really tough do deal with. Because there were so many photographers, we were broken up into groups of two. I was stuck in group two, set to shoot songs 4 – 6. It looked like the lighting was going to be decent as I noticed bright, clear lights flashing throughout the opening of their set. By the time I got into the pit, the lighting design went predominantly purple. Oh well. I guess thems the breaks.