Similar to Centric TV’s “Centric Certified” initiative, the flagship BET channel “Music Matters” spotlight also aims to highlight the next BET superstars through music, bios, music videos, photos and intimate interviews where the artists explain who they are and what music means to them.
Each artist performed a short set of around 4-5 songs. It was a great opportunity to discover (or rediscover) a number of both up-and-coming and established recording artists do their thing within an afternoon.
Being up close to the artist while they performed gave me the opportunity to take some really good pictures. Please follow me so you can get notified when they get posted.
Similar to Centric TV’s “Centric Certified” initiative, the flagship BET channel “Music Matters” spotlight also aims to highlight the next BET superstars through music, bios, music videos, photos and intimate interviews where the artists explain who they are and what music means to them.
Each artist performed a short set of around 4-5 songs. It was a great opportunity to discover (or rediscover) a number of both up-and-coming and established recording artists do their thing within an afternoon.
Being up close to the artist while they performed gave me the opportunity to take some really good pictures. Please follow me so you can get notified when they get posted.
Similar to Centric TV’s “Centric Certified” initiative, the flagship BET channel “Music Matters” spotlight also aims to highlight the next BET superstars through music, bios, music videos, photos and intimate interviews where the artists explain who they are and what music means to them.
Being up close to the artist while they performed gave me the opportunity to take some really good pictures. Please follow me so you can get notified when they get posted.
Ray Campi is often called The King of Rockabilly. At 80 years old, at Ink-N-Iron, he proved it.
Ray’s legacy in music started in 1944 and has touched numerous genres. From folk to country to rock and roll, Ray has had his trademark double bass sound immortalized on recordings with legends like Bill Haley, Buddy Holly and Gene Vincent.
I was amazed with his vitality on stage. He plucked his double bass with the kind a youthful fervor reserved for young rockers in their early twenties. The passion in him truly left an indelible impression on me.
In between songs, he would sprinkle in some stories about his life in music, but he really opened up when he talked about his other career … as a high-school teacher. He joked that we could all be his students (the crowd seemed relatively young, with an average age being- my best guess- in the mid to late twenties). Truth is, he wasn’t that far off. I think I can speak on everybody’s behalf when I say that we all learned this: Age ain’t nothin’ but a number. Ray Campi is proof of that.
I couldn’t find a setlist of his performance at Ink-N-Iron, so if you happen to know what he performance, let me know in the comments, and I’ll add it later. Thanks!
One of my favorite albums of 2013 was Valerie June’s“Pushin’ Against A Stone”. Produced by Kevin Agunas and Dan Auerbach (the Black Keys), it was album that caught my ear with its seamless mix of roots, blues and folk sung by a voice that seemed to have decades of earnest life lessons behind it.
Valerie June’s voice is unique. It’s a voice that you can’t confuse with another singer’s voice. She is … for lack of a better comparison … what Erykah Badu is to neo-soul/hip hop music. A voice so raw and sincere, singing music so traditional yet new, I found it hard not to fall in love with it upon my first listen, and have been telling my friends since that hers is a voice that will likely stand the test of time.
It was a week after I purchased tickets to see Sharon Jones and the Dap Kings when I found out that Valerie June was added to open the show … and I was ecstatic. At first, it seemed like an unlikely pairing, but upon retrospect, because both artists’ music styles are essentially modern-day approaches to “classic” styles of music, I figured the promoters knew what they were doing assuming that their audiences would be more knowledgeable and appreciative because of the historical slant to the music.
Valerie’s set was short but sweet. Clocking in at just over 30 minutes, it was charming mix of acoustic and band-backed versions of her songs, mostly coming from her latest release. After it was all said and done, I found myself wanting more. Not only that, but I decided then and there that if she would ever perform in a more intimate venue like the Bootleg Theatre, I would be the first person in line.
As an aside, while waiting in line to get into the venue, I noticed a woman with flowing dreadlocks and large sunglasses walk by me. It was Valerie June and I quickly asked the couple behind me to hold my spot as I caught up to her and asked her to autograph the LP I had packed in m bag. I assured her that I wouldn’t draw any more attention, and as we walked around the corner (she was heading to the artist entrance to get ready for her set), I pulled out the LP and professed my adoration of her “Pushin’ Against A Stone”. Her gorgeous smile made my day.
I also asked about her father, mentioning that my own father had heart surgery several weeks ago as well. Our conversation was brief, but in those few minutes I felt like I connected with her on a human level, which only made me appreciate her performance that much more that evening.
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
Excited that Typhoon’s management gave me permission to bring a DSLR camera into the El Rey to snap pics of the gig, I got to the venue early enough to stake out some territory and to play around with the settings of my new camera. While fiddling with my new toy, a Silver Lake based folk band named Miner took to the stage, set up and started playing.
Miner is a friends and family affair, formed around the husband/wife duo of Justin and Kate Miner, along with Justin’s brother Jeremy, his cousin Amanda, and friends Justin Krook and David Schechtman. Perhaps it was that personal relationship they had with each other that gave their performance a certain air of comfort that made the performance feel more intimate than you would have expected at the El Rey. It could have been that … or it could have been the fact that I was up front. LOL. Either way, it was mellow, feel good music that any folk-lover would enjoy.
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, the Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
I didn’t have much of a social life during law school, and that’s probably a good explanation as any as to why my music collection tends to lack albums released during that time of my life. Insofar as I didn’t have a television during that time, and the only recordings I listened to were recordings of lectures explaining aspects of civil procedure or property law, I relied on friends (mostly in law school) to tell me what was hip or “up and coming” in terms of music that was available.
Samuel Beam, professionally known as Iron & Wine, released his first album when I was in law school. A classmate of mine turned me on his music, and I used music from The Creek Drank the Cradle to help me fall asleep after hours of studying, hopped up on caffeine products. Beam’s gruff voice, and tender acoustic guitar playing lends itself to a soothing, mood-mellowing state of mind.
I’ve always been interested in seeing him perform live, and when I saw the announcement that he was to perform at the Orpheum Theater on Halloween Night, I figured that that would be a great venue to see him perform in, other than a grassy festival lawn or the Hollywood Bowl.
I bought two tickets as soon as their availability was announced, about 5 months in advance of the show. I wasn’t dating anybody at the time, but I figured that I couldn’t go to the show alone. I’ve been to these types of shows before. I had a feeling that it would be couples galore. Being overly optimistic, I bought two tickets with my fingers crossed that I’d have a special someone to ask. As it turns out, I did find a date, but I noticed during the show that we were literally the only couple not snuggling during the concert.
Iron & Wine’s setlist for the show at the Orpheum Theatre 10/31/13
The snuggling aside, Iron & Wine’s show was exactly what I expected, and more. Playing most of the show with a full band, each member costumed as a member of The Muppets, Sam Beam wooed the audience with selections spanning his entire catalogue. Playing over two and a half hours of his soul-soothing music, I enjoyed the show completely, but was particularly impressed when the band left the stage, and Sam Beam stood front and center, armed with only his guitar, Kermit tied to his microphone stand, with only two spotlights from the lighting tresses illuminating his position.
His solo set revealed to me the vulnerable and fragile tenderness of Iron & Wine’s music. Though the subject matter of his music tends to lean towards the darker facets of life and love, listening to his stories through lyrics, you always still had a sense of there being a silver lining through it all. I, like the rest of the audience, was drawn into Iron & Wine’s world, and enjoyed it all. Though, I probably would have enjoyed it more with someone to snuggle with… lol. I’ll keep that in mind for the next time I see him live.
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This year (2013), Snoop’s wife’s company, Boss Lady Entertainment, signed an artist from Poland named Iza Lach. I’m a huge fan of her sound/voice, so when I found out that she was slotted to perform several sets during Filter Magazine’s Culture Collide music festival, I was giddy. I was even more giddy when I saw the impressive number of foreign bands set to perform. I had a wedding in Santa Barbara to attend Saturday, October 12th, so I’d have to miss out on The Ravonettes, Alice Russell, Rhye, King Khan & The Shrings, and a handful of other lesser known acts, but I still managed to get a press pass (my first of the year!) to check out some of the bands playing Thursday and Friday.
Now, there are a lot a music festivals that go on throughout the year, all across the United States, but the Culture Collide festival is particularly unique in that it’s an extremely affordable way to see different kinds of bands from all over the world- 24 countries (including the United States) were represented this year. I sat next to a couple for Jacco Gardner who echoed that sentiment by telling me that they, “go to this festival every year. It’s only $30, and to get to hear great music from places I know I’ll never get to go? It’s totally worth it.”
Below are the bands that I was able to catch (click through the names of the bands to check out the entries that I wrote up). Hopefully this music festival has another go at it next year, as I certainly would attend, with or without a press pass.
Hollie Fullbrook, a folk singer-songwriter from New Zealand, is Tiny Ruins. She made some waves in 2011 when the BBC Wold Service programme The Strand named her album first full length album one of the top five albums of 2011. With such glowing reviews, I marked it down as a set that I wanted to check out.
It was an intimate set in a modestly sized church. With just her voice and guitar, she filled the churches’ architecture with a soft, mellow, etherial sound. The lighting was subdued and appropriate, and the only criticism I had of the venue was that they didn’t turn-off the buildings fans prior to the start of her performance. A video clip of Hollie performing one of her songs is below, and you’ll note the fan noise in the background.
As it was my first time listening to her music, I wasn’t as committed to her lyrics, for which she is known, so I suppose that I didn’t appreciate the music as much as I possibly could have. When I have some more time, I plan on listening toSome Were Meant For Seawith an open ear. I won’t be able to attend her upcoming gig at the Silverlake Lounge on October 23, but for $8, I definitely think it’s worth the cover.
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#DKLPHOTOS 