Dead Sara | The Echo | 5/6/14 (PHOTOS)

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Dead Sara, a Los Angeles based, hard rock band consisting of Emily Armstrong (lead vocals, rhythm guitar, Sean Friday (drums), Siouxsie Medley (lead guitar) and Chris Null (bass guitar), have been in the studio recording music for their highly anticipated sophomore album for the past half year. Having recently finished recording said album, they decided to bless their L.A. fans with three club gigs throughout the month of May (at The Echo 5/6/14, The Bootleg 5/14/14 and the Satellite on 5/21/14). I was lucky enough to snag a ticket (before all three shows sold out) to their gig at their first show of the year at The Echo.

I’m a huge fan of this group. When I heard the opening riffs of “Weatherman” for the first time, it was like love at first listen. When Emily started wailing over the music, I was hooked. I saw them perform twice in 2013 (once at the El Rey Theater and also as the headliner for the Lobster Festival at the Port of Los Angeles). Their live performance solidified my love for this group. They rock, and they rock hard. My passion for this group’s music was enough for me to get “inducted” as a member of “The DEADicated” (a group of die-hard fans that will go to great lengths, and travel great distances- across continents- to see Dead Sara rock).

The day of the show, The DEADicated arrived at the venue at 10:30am to secure their spots up front. I wasn’t there, but if I stopped dating a girl because she didn’t like their music (true story), I feel like I earned a right to be a member of The DEADicated too! LOL.

Their set consisted of music from their debut LP and music from their forthcoming release (“Evil”, “Radio”, “Suicidal”, “Traveling Band”, “Something Good” and “Mr. Mr.” were all performed live for the first time ever! Lucky me!). They performed their cover of Rage Against the Machine’s “Killing in the Name” and the audience even sang “Happy Birthday” for Emily, as it happened to be her birthday. Emily prefaced the show stating that the new music were still works in progress, and asked that no one video record them until they were performance proof.

I spent my time trying to find the right camera settings to take decent pics, but leave it to a DEADicated to post up videos  of their older songs from the show. Click through the video and check out other videos of their older songs from the show.

I’m still a newbie at taking concert photos in a venue with tricky lighting, but I think that I was able to snag a few decent shots with my DSLR. If anybody has any suggestions (other than getting a better – more expensive- lens), please chime in below in the comments. Hopefully, the next time I see them perform live, I’ll have it down pat.

Eric Hutchinson | House Of Blues (Sunset) | 4/29/14

 

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Eric Hutchinson is an American, singer-songwriter whose folksy, tenor voice; witty, lyrical writing; and humorous onstage banter always entertains me. I may be a bit biased though (full disclosure) as one of the first albums I really took the legal, paperwork reigns on was his breakthrough independent album “Sounds Like This” … that, and I consistently beat his fantasy basketball teams back when we all had time for that (sorry, Eric… had to throw that in there lol).

He is touring in support of his recently released album, “Pure Fiction”, but his set was mix of songs from his entire catalog. Though it’s been a few years since I’ve seen him perform live, his sound and performance style will still as energetic and soulful as ever.

He performed some of my favorites (not that anyone cares, but “Oh!” is still my favorite song), and cleverly integrated covers of popular songs (though it’s not identified in the photograph of the set list below, I was especially impressed with his inclusion of The Pharcyde’s “Ya Ma Ma” in “You Don’t Have To Believe Me”). Perhaps the most impressive thing to me was how some of his older “classics” have evolved since they were first written. I mean, I still have old demos he recorded from even before he was signed to Maverick Records, and they’ve all evolved into dynamic versions of the original.

Eric bantered to the audience between songs and, to the delight of the audience, even ventured among them to sing a song. It was great seeing Eric perform live again. If you haven’t already checked out his latest release, or even his older albums, I recommend that you do. His music may put smile on your face like it does mine.

I was not issued a photo pass for this concert, and all the photos below  were taken on Sony Cyber-shot.

 

The Dandy Warhols | The Roxy | 4/25/14

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When The Dandy Warhols played the Wiltern Theater last year (June 13, 2013), I kicked myself in the bum. Not only were they a band that I had wanted to see perform live since high school, but they were, at the time, also celebrating the 13th Anniversary of their seminal album “Thirteen Tales of Urban Bohemia”, which they played in its entirety. SMH. I’m still regretting it.

When I heard that they were playing two gigs at The Roxy, I immediately jumped on purchasing a ticket. Even though I knew that they probably weren’t going to play many of the songs from “Thirteen Tales”, I had to see them perform in such an intimate venue.

Courtney Taylor-Taylor, Peter Holmström, Zia McCabe and Brent DeBoer took the Roxy stage and unleashed their brand of psychedelic, alternative rock to an appreciative crowd. Though they didn’t perform many songs from “Thirteen Tales” (in fact, I think they only played “Get Off” if memory serves me well), they did perform many of their singles.

The setlist I found below doesn’t seem to list all of the songs that they performed that night. If you Dandy Warhols fans know if there should be additions, let me know and I’ll edit it.

 

The lighting at the Roxy was tricky for me, and I feel like a camera with better aperture could have suited me better, but I thought that I got a few keepers … especially of Zia. Still a babe.

How to Dress Well’s “Repeat Pleasure” (Part 1 of 3 “What Is This Heart?” trilogy) (Official Video)

Tom Krell p/k/a How To Dress Well.
Tom Krell p/k/a How To Dress Well.

I’m a fan of Tom Krell’s music. Performing under the stage name “How To Dress Well”, his music has always has always resonated a sadness or longing in me. Whether its his airy falsetto, or the generally dark lyrical topics of his compositions, his music always makes me want to lay on a coach and contemplate life, love, at other personal topics.

When I saw him perform at The Roxy earlier this year, Tom performed “Repeat Pleasure” and noted it was a song about controlling emotions even though you know that “if you do something once, you’ll probably do it again”. He also noted that it was perhaps the most “poppy” songs he had had ever written.

That being said, I suppose one would have expected a music video with an airier, light hearted mood, but I think if that had been done, it would have been so out of character for Tom, his fans, myself included, would have said, “Huh?”

Tom’s music video for “Repeat Pleasure”, which is apparently part 1 of the “What Is This Heart?” (the name of his forthcoming album) trilogy, will pull on your heartstrings. It seems to tell the story of a young man who’s grandfather is gravely ill, and his efforts to take him somewhere familiar before passing. The video is appropriately “How To Dress Well”, and I fully appreciate Tom’s creative vision for his music.

The Warlocks | The Roxy | 4/25/14

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Opening for the Dandy Warhols at the Roxy was the American, psychedelic rock band The Warlocks. Founded in 1998 by Bobby Hecksher, the band has been playing with various lineups since, with Hecksher the only constant member.

With half a dozen albums released since it’s inception (with their latest album, “Skull Worship” being released in November of 2013), The Warlocks concert seemed to cover their entire repertoire (according to a The Warlocks fans standing next to me). When I snagged the setlist (which you can see below) off the lip of the stage, she took a look at it and noted (while giggling) how they abbreviated the names of the songs.

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The Warlocks’ music isn’t for everybody. If you aren’t familiar with them, you may assume that their sound is akin to the Grateful Dead (the Grateful Dead’s first name was The Warlocks), but you’d be wrong. Rather, their sound seems to be heavily influenced by the neo-psychedilia and experimental rock of the Velvet Underground. Personally, I was feeling it. I thought that perhaps the start of the set was a bit too downtempo for my tastes, but as it went on, the energy picked up and had me grooving by the end.

Jhené Aiko | Coachella | 3/13/14 (PHOTOS)

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It took me a couple weeks, but I FINALLY got through all of the photos I took the first weekend of Coachella. The irony of it all was that this last performance was one that I almost didn’t go to. At the request of an Instagrammer (<- Is that what you call them?…), I was urged to take pictures of Jhené Aiko’s performance. I’m certainly glad I did.

Jhené Aiko is an L.A. based singer/songwriter whose music can be classified as contemporary R&B. Her new studio album (her second full length), was released this month and is titled “Souled Out”.

Her performance was solid.  Her sultry looks (the high-cut dress didn’t hurt) perfectly complimented her soulful melodies and she had her fans eating out of the palm of her hand. She debuted a new song off of her forthcoming album (“Spotless Mind”) as well as performed songs she currently has spinning on the radio (‘The Worst”). In my opinion, her professionalism and stage presence needed no assistance, but of course, since this is Coachella, no punches were pulled.

Early in her set, she had Donald Glover p/k/a Childish Gambino join her on stage to perform their collaboration “Bed Peace”. Later in the set, she had Drake join her on stage to perform their duet “From Time” (the second weekend, she brought out her daughter and Kurupt). To be honest, I was at the next tent watching Slash and Motohead tear up “Ace Of Spades” when Drake got on stage, but I ran over to Jhene’s tent to at least snap a picture with my point and shoot camera of Drake.

I couldn’t find a setlist online, but if you happen to know all of the songs she performed, feel free to leave them in the comments and I’ll add them here. Thanks!

 

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Motörhead | Coachella | 4/13/14 (PHOTOS)

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My first taste of Motörhead came in my fraternity days at college. I remember hearing “Ace of Spades” blasting out a brother’s room, and when I asked about the song, my buddy simply said, “You don’t know Motörhead? Lemmy rules!” That’s stuck with me ever since. I’ve had a couple of opportunities to see Motörhead perform live in the past, but for one reason or another (Lemmy’s health or scheduling conflicts), I was never able to make it out to see Motörhead perform live … until Coachella.

Their set was everything I expected. It was a barrage of shredding riffs, thunderous and frenetic drums, accompanied by Lemmy’s gravelly and ominous voice. I was particularly impressed with Mikkey Dee and Phil Campbell’s playing. So vicious. So on point. So raw.

After getting booted from the photo pit, and not wanting to take a risk by joining the swelling masses in the tent for fear of damaging my camera, I meandered over to the next tent to take pictures of another artist. After getting the boot from that photo pit as well, I went back to Motorhead to catch the second half of their set. So thankful that I did. I think I got there for the tail end of “Just ‘Cos You’ve Got the Power”, and after a few songs their set had ended. At least I thought it had ended…

The next thing I knew, the band introduced “a friend” and Slash walked on stage. Holy Shit. Mind blown. Without hesitation, Slash comes in with the opening riff of “Ace of Spades”. Mind doubly blown. My frat brothers would have been going nuts.

Motörhead Setlist Coachella Festival 2014 2014, Aftershock Tour

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Lana Del Rey | Coachella | 4/13/14 (PHOTOS)

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Lana Del Rey’s fans are some of the most dedicated and passionate fans that I have ever met. Prior to her set, I chatted with several of them who were up at the very front of the barricade, with at least ten thousand other festival goers behind them. I asked them how long they waited where they were standing, and one of them said at least an two hours, having made their way up to the front during the prior act’s (Neutral Milk Hotel) set.

I scanned the line of fans at the railing (the greater majority of whom were young women … some of them probably girls) and most of them had their eyes fixated on the stage, as if they wanted to catch a glimpse of their songstress before the show began. One girl, standing between two friends who were having an animated conversation, was standing there quietly, when I noticed – no joke – her eyes well up with tears. Her friends paid no attention to her, but I sure noticed the tear that fell before she wiped her eyes with her left hand.

Almost on cue, security was called over to another side of the barricade as a girl was lifted from the crowd, apparently having passed out among the masses. Then another. I could feel the anticipation of the audience and its weight was palpable.

When the lights dimmed, the audience erupted. The music for “Cola” started playing, the shrieks got louder. When Lana took the stage, I was grateful I had invested in a pair of high quality earplugs. It was that loud. The payoff for the fans who had waited patiently for their siren to take the stage were rewarded when Lana made her way past the photo pitt to give out hugs to a lucky few.

Another highlight for her fans was the premier live performance of the first single off of her forthcoming, Dan Auerbach produced, album: “West Coast”.

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Little Dragon | Coachella | 4/13/14 (PHOTOS)

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I absolutely adore Little Dragon‘s music. Ever since their 2007, full length self-titled debut, I’ve been dying to see their music manifest live. It’s taken 7 years, but I finally got the chance to see them perform at Coachella, at it was absolutely marvelous.

I was pleased to see that they had packed the tent they were performing in, especially since their set was matched up against uber DJ Calvin Harris on the main stage, but this band from Gothenberg, Sweden (consisting of lead vocalist Yakimi Nagano, Kakan Wirenstrand, Erik Bodin and Fredrik Kallfren Wallin), proceeded to smack the audience in the face with their brand of downtempo, trip hop, and gave us exactly what we wanted.

Yukimi Nagano, in her flowing, bulbous dress captivated the audience with her understated vocal performance as the band expertly explored and delved into the futuristic sound that is present on all of their albums. Simply put, I loved their set at Coachella and I kicked myself wondering what took me so long to see them perform live. Well, better later than never. Though they’ve already wrapped up their west-coast tour engagements, I will certainly be keeping my eye out for tickets for when they are back in Los Angeles in the future.

As an aside, I just noticed that this year at Coachella there were many acts fronted by asian females (The Naked and Famous, Little Dragon, and Jhene Aiko [whose blog entry is forthcoming]). Being Asian (Korean) myself, and knowing how hard it is for Asians to break into the music industry, I am particularly proud of the fact that we were represented so strongly by women whose stage presence left a lasting, positive impression. Okay, enough of the social mumbo-jumbo. Enjoy the pics. 🙂

Little Dragon Setlist Coachella Festival 2014 2014

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AlunaGeorge | Coachella | 4/13/14 (PHOTOS)

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AlunaGeorge are an English electronic music duo from London, consisting of Aluna Francis (vocals and songwriting) and George Reid (production and instrumentation). 2013 seemed to have been a good year for AlunaGeorge: they were shortlisted for the 2013 BRIT Award of Critics’ Choice and also nominated  for the Sound of 2013 poll, in which they finished in second place. They also had their first UK top 40 hit , a collaboration with Disclosure on “White Noise“. I found their video of “Your Drums, Your Love” the week before the festival, liked what I heard, and I decided that I would go check out a bit of their set before prepping for Little Dragon’s set.

AlunaGeorge has limited tour dates in the United States, Coachella being one of only two festival appearances that I was able to find on their US tour schedule (the other being the Governors Ball Festival in New York, June 8th). I would have imagined that they would have pushed the goodwill generated from the success of their debut album in the UK to land more gigs stateside.

As for their set, I feel like I would have appreciated it so much more in a smaller, intimate closed setting. Coachella will definitely bring the masses to get you more exposure, but as a personal preference, I think that I would have preferred seeing their brand of sultry, electronic R&B in a venue where music from other tents doesn’t bleed into the space during breaks between songs. Again, this is just a personal preference.

I had to run to another stage to catch another act, so I wasn’t able to stay for the entire set. If any of the setlist below is incorrect, please let me know in the comments so I can address it below. Thanks!

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