Glen Hansard, The Head and the Heart and Iron & Wine | Hollywood Bowl | 8/10/14 [REVIEW]

There’s nothing I love doing more on a beautiful summer’s eve than catching a show, any show, at the Hollywood Bowl.

 

As luck would have it, a dear friend of mine had an extra ticket for her box seat in the terrace for Iron & Wine, The Head and the Heart and Glen Hansard. It would be my first Hollywood Bowl show of 2014, and it couldn’t have been a more sublime soundtrack for a summer’s eve feast under a Super Moon.

 

Opening the concert was Sam Beam aka “Iron & Wine”. I last saw Iron & Wine perform Halloween at the Orpheum Theatre. For that concert, he was backed by a full band, and played a set that was over two hours long. This time, it was just him and his guitar.

 

He joked with the audience that he was “dinner entertainment” as everyone in the audience was busy unpacking their picnic baskets to dine. Though the audience may have been a little distracted consuming food, it was hard not be entranced by Sam’s beautiful folk melodies.

 

In between songs, when audience members up in the privileged pool and orchestra sections began yelling out song titles, he joked with the audience that, “you get one, I get one,” though I’m not sure he really took the suggestions yelled from the audience.

 

His performance was much more subdued than the performance I saw at the Orpheum, but it worked well to exhibit the nuances of his music, especially the tender, emotional sentiments phrased in his lyrics. So powerful was his music, that by the end of his short set, the rustling of paper bags, plastic dinnerware, and the idle dinner chatter, subsided, as the audience was moved, literally, to silence when he finished his set. You could hear a pin drop. Chills. Wonderful chills.

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I first saw The Head and the Heart perform at Coachella a few years back. They caught my attention then, and I had a few songs that I was hoping to hear.

 

A Seattle based band, The Head and Heart’s folk revival is influenced by Americana, country-rock and pop. Their performance this time around seemed to be much looser and more self-assured from what I remembered at Coachella. They brought an energy to the Bowl that really got the crowd excited.

 

They expressed their sincere disbelief that they were sharing the Hollywood Bowl stage with Iron & Wine and Glen Hansard, when they closed with my favorite song of theirs “Rivers and Roads”.

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I went to the restroom after The Head and the Heart finished their set, and on my in, I noticed a familiar face pass by me. It was Chris O’ Dowd, the actor who plays the police officer/romantic interest in “Bridesmaids”. Seeing him walk by me, I figured that there were a whole lot of Irish celebrities in the audience.

 

When Glen Hansard took the stage, he walked to center stage by himself, armed with just his acoustic guitar, and ripped into a phenomenal cover of Van Morrison’s “Astral Weeks.” When I say phenomenal, it’s no exaggeration. I was floored by his intense energy.

 

The rest of his set was a collection of original songs and covers, demonstrating his ability to take any song and make it his own. A highlight of the evening was when he performed one of the wildly popular tunes from his motion picture “Once”, “When Your Mind’s Made Up”.

 

I was hoping that Marketa Irglova would have made a special appearance (it IS the Hollywood Bowl, after all), but no luck.

 

The only criticism of the concert was that it was just too damn short. With the Hollywood Bowl strictly adhering to it’s 10pm curfew, Glen acknowledge to the audience that he had lost track of time, and that he was, unfortunately, out of it, promising that he’d come back and do a proper three hour show.

 

He closed with a traditional Irish folk song, “The Auld Triangle” and, lo and behold, he called up Chris O’Dowd to sing a verse with him up on stage. Thereafter, Sam Beam and The Head and the Heart each took turns singing verses with Glen to end the concert in a rousing fashion.

 

Though I wish he would have performed “Falling Slowly” (I have a really personal connection to that tune), and though I wish Glen’s set could have been longer, it was a perfect show for my first concert at the Hollywood Bowl for 2014.

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I tried to get photo pass for this concert, but I wasn’t approved. The photos below were taken with my pocket-sized Sony Cybershot G.

 

Jagwar Ma | Twilight Concert | Santa Monica Pier | 8/7/14 [PHOTOS & REVIEW]

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In conjunction with G’Day USA, the Twilight Concert series presented “Australia Rocks The Pier”.

The headliner for the evening was the killer Australian band Jagwar Ma. I first got to see them perform at Coachella, and after my time in the photo pit expired, I made it a point to keep up with their music because I was duly impressed.

When I found out that they were scheduled to perform at the Santa Monica Pier, I circled the date in my calendar. Seriously … I was pumped to see a full set. In fact, being a music dweeb, I even lugged my LP of “Howlin” (their debut album) to the pier on the off chance that I could get some of the fellas to sign it.

Their set was terrific. They basically played their entire album (excluding “Did You Have To” and “Backwards Berlin”), and even threw in a couple covers. I was especially impressed with their cover of Nirvana’s “All Apologies”. It was unexpected, but truly great to hear.

Follow Jagwar Ma on Facebook by CLICKING HERE

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Wynonna Judd | KCRW’s “Country In The City” | 8/2/14 [PHOTOS & REVIEW]

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Closing KCRW’s final, concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” was one of the most popular and revered female country artists of her, and perhaps all, time: Wynonna Judd.

It’s funny. If you had asked me in high school if I wanted to go to a country concert, I would have played the “too cool for school” card and scoffed at the idea. Growing up in Southern California during the early 90’s, I was more interested in West Coast hip hop, ska and punk. Country music was far off my radar.

Flash forward to after I had graduated from college, and during my heavy R&B phase, I heard a cover of Brian McKnight’s “Back At One” … as a country tune … and I liked it. It was covered by Mark Wills, and it was at that moment I realized that good music is good music was good music, regardless of whether it’s sung with a twang or not.

Though I didn’t tout it to my friends, I started adding country music to my music collection with Rascal Flatts and Garth Brooks CDs, which has, over the years, exposed me to artists that I love like Loretta Lynn, Sugarland and Valerie June. When I got approved to be in the photo pit for Wynonna Judd’s set, I nearly lost my mind. I was so excited, that I actually posted a status update on my Facebook page about getting approved to … I guess … brag about it to my friends; even if a greater majority of them aren’t country fans themselves.

Look, we’re talking about an artist who has achieved legend status. With The Judds (an American country music duo with her mother, Naomi), she won seven straight Academy of Country Music awards for Top Vocal Duo, three straight Country Music Association Vocal Group of the Year awards, four straight Country Music Association Vocal Duo of the Year awards, and five Grammy Awards for Best Country Performance by a duo or Group with Vocal. As a solo artist, Wynonna has won an Academy of Country Music Female Artist of the Year award and earned a star on the Muisc City Walk of Fame. Wynonna isn’t just a country singer. She’s a country legend. Period.

Wynonna’s performance was a revelation.

Having started her career at the age of 16, she demonstrated her easy command of the stage. She expressed her whole range emotions during each of her songs, but would engage the audience in between songs with playful banter and sincere thanks.

She joked about having to be in a tour bus with her mother. When the audience laughed, she deadpanned, “It’s not funny. Have you ever been in a bus with your mom?”

While throwing out guitar picks to ravenous fans in the front row, she joked that she was, “here to satisfy all of your musical needs,” and kept throwing out music pics.

After performing “Why Not Me”, a song she labeled as The Judds’ theme song, someone in the audience yelled out another song titled with the hopes of it being performed. Wynonna looked in the direction of the over anxious fan and said, “Hold your horses, sister. I’ll get to it. And if you don’t hear your song tonight … I got one word…” (insert dramatic pause for effect), “Download.” The crowd erupted with laughter.

When she wasn’t being humorous, she told life stories and imparted personal, positive life mantras, at one point proclaiming that “We need to be mindful of what we have now… What makes it complete for me is seeing you all here enjoying my music,” and explaining that, “In country music, we take tragedy and turn it into triumph,” before talking about the accident that took her husband’s leg and the doctors who told him that he’d never play the drums again.

“Doctors are not god. My husband is now the bionic man,” point to he husband at his drum kit, revealing his prosthetic leg.

They had a special guest, bassist Nathan East, join them onstage for a song before they played their last song of the set.

“I love a funk man with a bass,” she said.

When Wynonna and the band left the stage, the crowd clearly didn’t want to leave, and an encore was in order. Her husband, and drummer, Cactus Mosher, reintroduced Wynonna, “Please welcome back the queen onto the stage.”

“Does that mean you want more?  All right, I don’t want to go anyways,” Wynonna slyly smiled.

She introduced her encore by reminiscing that she’s been performing for the past 30 years, and that she is planning on touring more this year, “getting away with as much as [she] could get away with”, hinting what was to come by stating that she grew up listening to roots rock.

And with that, she and the band jumped into a cover of Led Zeppelin’s “Rock and Roll”. Waling away during the chorus, the crowd was jamming to her rendition when it started to rain. Yup … Wynonna Judd made it rain. Now, that’s the stuff of legend.

The Big Noise – Band Members:

  • Cactus Mosher – Drums
  • Justin Weaver – Guitar
  • Tom Hannum – Steel guitar
  • Peter King – Keyboard/B3
  • Dow Tomlin – Bass

Set List: Wynonna Judd didn’t release a setlist, but I took a partial picture of what may have been the setlist for this setthat was taped on the bongos of her drummer’s drum kit. If you were at the show, and know what songs she performed, please put them in the comments and I’ll include them into the post.

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Nikki Lane | KCRW’s “Country In The City” | 8/2/14 [PHOTOS & REVIEW]

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Opening for Wynonna Judd at the third, and final, concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” was Nikki Lane.

Originally from Greenville, South Carolina, Nikki spent part of life in Los Angeles working in the fashion industry before heading out to New York City. In the city that never sleeps, she went through heartbreak that inspired her to write some music about her emotional roller coaster. Thank god for break-ups, otherwise Nikki would never have been on the stage performing in front of an enthusiastic Los Angeles crowd.

Accompanied to the stage with her band and her mother, Nikki started into her set with a series of songs about her failed marriage. You could tell that the music was her therapy. She gave brief explanations, and regrets, about the first several songs.

“I should have followed the lyrics to the song. Sorry, mom,” she said with a smirk as she look stage left to acknowledge her mother.

Her music was country music for the modern audience. Since relocating to Nashville, her latest album, “All or Nothin'” was produced by The Black Key’s Dan Auerbach, and you can tell that Dan’s musical influence had rubbed off on her. The tunes were as country as county comes, but also had a little something extra from other genres to make a finicky music lover’s ears perk up with interest.

Before parting the stage, she thanked the audience and KCRW for inviting her to perform, acknowledging that this was the largest audience she’s ever played for. She definitely picked up a few fans from her performance, myself included.

I had the good fortune of meeting Nikki as she was selling her goods at the merchandise table. I purchased a couple of her LPs at the concert, and had her sign my copies. If she keeps on making good music, I’m willing to bet that won’t be selling her own merchandise for long.

Nikki Lane – Band Members

  • Nikki Lane: Acoustic Guitar and Lead Vocal
  • Ben Eyestone: Drums
  • Eric Whitman: Bass Guitar
  • Alex Munoz: Electric Guitar
  • Matt Stoessel: Pedal Steel

Set List:

  1. Good Man
  2. I Want My Heart Back
  3. Man Up
  4. You Can’t Talk To Me Like That
  5. Seein’ Double
  6. Faded
  7. 700,000 Red Necks
  8. Gone, Gone, Gone
  9. All or Nothin’
  10. Right Time

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

The Slightlys | Twilight Concert | Santa Monica Pier | 7/31/14 [PHOTOS & REVIEW]

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Opening for De Lux and Omar Souleyman was a local band named The Slightlys. Performing in a local “battle of the bands” contest, they won their right to play the pier after weeks of competition.

This preteen band (the oldest member of the band is only 18) took the stage and put on a very impressive show. Their sound was clean and their stage presence was impressive. If they had jitters, it wasn’t noticeable. I was particularly impressed with the catchy hooks of several of their songs. Their music reminded me a little bit of mix of Fall Out Boy and Jellyfish.

Whoever picked them as the winner of the competition picked well. Only time will tell if this band will stick together to record and play more music, after all, it’s tough to keep a band together especially when college is around the corned. Hopefully, they keep making music and developing their sound.

Follow The Slightlys on Facebook by CLICKING HERE.

I had a couple chances to take some actions shots, but I was woefully unprepared as I think I set my aperture too wide and parts of the action in the pics were too blurry. Oh well, you live and you learn.

 

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Shelby Lynne | KCRW’s “Country In The City” | 7/26/14 [PHOTOS & REVIEW]

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Headlining the second concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit, Country: Portraits of an American Sound,” was Grammy Award winning, country recording artist Shelby Lynne.

I found out about her and her music when she gave her now legendary Grammy Award acceptance speech in 1999 for Best New Artist. “13 years, and 6 albums to get here,” she said. It still gets me everytime.

A prolific recording artist, she has recorded 13 studio albums, and a handful of EPs, her latest effort being a 5 track EP released on December 10, 2013 through her own independent record label Everso Records. With so much music under her belt, her set consisted of music covering her entire career.

Opening her set with the heart-wringer “Your Lies”, then performing the first song she ever wrote, “Leaving”, covering a tune by Dusty Springfield, to performing “Life Is Bad” and “Where I’m From” (off her seminal album “I Am Shelby Lynne”), it was a concert filled with her “greatest hits”, and the crowd ate it up.

Perhaps the most poignant moments of her performance was when she sang songs for the heartbroken. The emotion espoused through her impassioned  lyrics, sung with her seemingly delicate contralto voice, left the audience moved. It may have been the lighting, but I could swear I could even see her eyes well up during several of the songs.

As an added treat, Shelby was able to get Jonathan and Zach of Jamestown Revival to come onstage to join her for the last song of her set (a cover of Neil Young’s “Are You Ready for the Country”). Reading lyrics from an iPhone, it was a light and carefree performance that brought the stellar acts of the evening onto the stage to bid the crowd goodnight.

Set List

  1. Your Lies
  2. Leaving
  3. Life is bad
  4. Easier
  5. I Only Want to Be With You
  6. Gotta Get Back
  7. Why Can’t You
  8. Look’n Up
  9. She Knows
  10. Should’ve Been
  11. Dreamsome
  12. Black Light Blue
  13. Wind
  14. Where I’m From
  15. Call me up
  16. This Road
  17. Walking
  18. Are You Ready for the Country — Neil Young cover with Jamestown Revival

It was a joy being in the pit shooting Shelby. I hope you like the the pics that I snapped. I sure like ’em.

 

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Jamestown Revival | KCRW’s “Country In The City” | 7/26/14 [PHOTOS & REVIEW]

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Opening for Shelby Lynne at the second concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” was Jamestown Revival.

Founded by Jonathan Clay and Zach Chance (best friends since the age of 15), Jamestown Revival is a band whose music blends tight harmonies with west coast melodies and a southern twang.

Their most recent album, “Utah” (which was, in fact, recorded in Utah!) is a solid debut album, with tracks that are skillfully written and reveal their heady grasp of a vast array of musical genres. Country. Folk. Rock… the 11 tracks on their album suggest that they have what it takes to break into the mainstream. Their live show proved it.

Backed with full band, Jonathan and Zach dazzled the audience with their upbeat music, and their grateful personalities.  In between songs, reaching for the beers at their feet, they seemed to revel in being able to perform in front of a large audience, and for being given a chance to be a part of the KCRW family.

“I remember when our manager called and told us we’d be on morning become eclectic,” Jonathan said shaking his head side-to-side as if he was still in disbelief, “Zach and I have dreamed about doing this since we were 15.” The crowd’s cheers brought him back to reality.

Before the last song of their set, Jonathan told the audience that though he and Zach are from Texas, California had become a second home to them. In a fitting end, as the sun set in the west, they started into their song inspired by their life in the Golden State with “California (Cast Iron Soul)”. It really couldn’t have been more perfect. Hopefully, they don’t go home too soon, though (<-you should pay attention to lyrics!) I want to see them play more shows in Los Angeles.

Set List:

  1. Fur Coat Blues
  2. Revival
  3. Medicine
  4. Golden Age
  5. Wandering Man
  6. Heavy Heart
  7. Trouble Is
  8. Born on the Bayou (Creedence Clearwater Revival cover)
  9. California (Cast Iron Soul)

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

Nina Diaz | Alex’s Bar | 7/25/14 [PHOTOS]

One of my favorite female rock vocalists is Nina Diaz. Usually the front woman for the punk rock band Girl In A Coma, she’s decided to take a little hiatus from the band to record some music solo. The results are a set of music that is wrought with emotional expressions of melody that act as confessional. Continue reading

Gregg Allman | KCRW’s “Country In The City” Concert Series | 7/19/14 [REVIEW]

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Donato Sardella/Getty Images for Annenberg Foundation
Donato Sardella/Getty Images for Annenberg Foundation

Headlining the inaugural concert of the County In The City concert series, inspired by The Annenberg Space for Photography’s newest exhibit,Country: Portraits of an American Sound,” was Gregory LeNoir “Gregg” Allman, an American rock and blues singer-songwriter who was the founding member of the The Allman Brothers Band. Inducted with the band into the Rock and Roll Hall of Fame in 1995, and named one of the “100 Greatest Singers of All Time” by Rolling Stone magazine, Gregg Allman brought his vast catalog of music to the adoring Century City crowd

Dressed in a jeans, a t-shirt and a leather jacket, Gregg stepped onto the stage with his eight piece band and sat behind his now-trademark Hammond organ, his waist-long pony tail swaying from side to side.

Gregg has had a tough go at it this year. He’s been hospitalized on several occasions due to a variety of ailments (bronchitis, a wrist injury, and other undisclosed health issues) and he did look a bit gaunt to me has he perched himself atop his organ bench. I noticed in between songs that he’d quickly reach for tissues from a box perched on his organ. He even took a break midway through his set, I’m assuming to catch his breath and recharge.

Donato Sardella/Getty Images for Annenberg Foundation
Donato Sardella/Getty Images for Annenberg Foundation

He may have been under the weather, but his performance was not noticeably effected by it. With his right foot steady on the organ’s pedal, his left foot vigorously tapped to the beat of each song throughout the set.  His voice still had that soulful blues tenor rasp that got me interested in The Allman Brothers Band in the first place. Was he ill? I doubt anybody really noticed.

Being a fan of his repertoire, I was just thrilled to be able to see him performing live. “Black Hearted Woman/Hot Lanta”. “Melissa”. “Midnight Rider”. Those songs, especially “Melissa”, made my night.

The only letdown for me was when he performed “Whipping Post”. Maybe it was because he wanted to use the full sound of the band, but the arrangement of it was a little to nouveau for my tasted. In my opinion, “Whipping Post” is supposed to be raw and gritty. This version was more sass and flash. The chorus (“Sometimes I feel / Sometimes I feel / Like I’ve been tied / To the whipping post / Tied to the whipping post /Tied to the whipping post  /Good lord I feel like I’m dyin’) is supposed to wail. The arrangement that was performed that night was a bit anticlimactic.

That’s not to say that I did not love his performance. “Whipping Post” aside, I have no other complaints. Any chance to see a rock legend perform is a privilege. Any chance to hear one of the greatest voices in rock and roll live is privilege.  I was privileged just being there.

Set List (actual order might have been slightly different)

  1. STATESBORO
  2. ANGEL
  3. DON’T KEEP ME WONDERING
  4. STORMY MONDAY
  5. AINT WASTING TIME
  6. BULLETS
  7. I FOUND A LOVE
  8. SWEET FEELING
  9. James Brown medley (GA BREAK)
  10. -BAND INTROS-
  11. BLACK HEARTED WOMAN/HOT LANTA
  12. (MEDLEY)
  13. MELISSA
  14. MIDNIGHT RIDER
  15. LOVE LIKE KEROSINE
  16. WHIPPING POST
  17. Encore: ONE WAY OUT

CLICK HERE To Check Out The Blog Entries Of The Other Acts Performing At KCRW’s “Country In the City” Concert Series

LiV Warfield | BET Experience: Centric Certified | 6/29/14 [PHOTOS]

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On the second day of the BET Experience at L.A. Live, I decided to watch the various acts performing on the main stage of the convention center. Each of the acts performed short sets to give the audience a sampling of what their music was all about.

The first act I was able to catch was LiV Warfield, a powerful R&B vocalist and member of Prince’s New Power Generation. Prince is high on LiV, and the public should be too.

Passionate, soulful and dynamic, her live performance is one that engages the audience and gives everyone a serious case of happy feet. It certainly didn’t hurt that she was supported by a first class band (with Prince’s NPG Hornz).

I was duly impressed with her set, and I highly recommend catching her perform live when she is in your town.

Like her Facebook page by CLICKING HERE to keep updated on her touring.

Setlist:

  1. The Unexpected
  2. NotGVNGUP
  3. Soul Lifted
  4. Why Do You Lie
  5. Black Bird

CLICK HERE to check out a collection of Instagram videos of most, if not all, of the songs LiV Warfield performed at this concert.

CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE