After being ushered out of the photo pit for Grouplove, I decided to head over to the Outdoor Theatre in order to grab a bite to eat before setting up to take pictures of HAIM. A$AP Ferg was on stage bringing it with the A$AP Mob when all of a sudden I notice A$AP Rocky running on stage. In an almost instinctual motion, I started running towards the stage with my camera in tow.
Although photographers are typically only allowed to photograph either the first three songs or first 15 minutes, of an artist’s set in the photo pit, I somehow finagled my way into the photo pit and was able to take a few pictures of both A$AP Ferg and A$AP Rocky on stage together at Coachella.
Looking down at my watch I noticed that there was about 15 minutes left to his set, I decided to keep taking pictures until A$AP Ferg had donned a jacket that seemed to spray, streams of steam out of the sleeves. Considering that I had rented my lens, I decided that that was a good a time as any to leave the photo pit and grab a bit to eat. It was the first “special appearance” of an artist at the festival, and I think that one of the pics I snapped with Ferg and Rocky is a keeper. What do you think?
I knew that Grouplove’s music was fun, but I had no idea I’d be having so much fun taking pictures of them while they were performing. The energy that they emit from the stage while performing induced everybody, myself included, to jump and dance around, even in the sweltering desert heat. The expressiveness on their faces, and in their actions, while performing songs in the their set was really a pleasure to shoot. Hopefully, I’ve been able to capture some of that contagious energy in a few of my pics.
As a side note, after looking at their set list (below) I noticed that they covered both an A$AP Rocky and a Beyonce songs. Both artists, by the way, made special guest appearances over the weekend. Hmm … if you happen to be at Coachlla during week 2, and you happen to catch Grouplove’s set, keep an ear out to hear what songs they cover in their set. Maybe they know something we don’t know… just saying’…
Jagwar Ma is three piece, Australian psychedelic/dance band that formed in Sydney. Their first full length album, Howlin’, in my opinion, reminded me a bit of the Stone Roses, and being a Stone Roses fan, I wanted to check out their live set. After my time in the photo pit had ended (side note: I had problems with my camera settings, and a lot of the pics that I thought were good came out underexposed <- insert sad face here), I spend another 15 minutes laid out on the grass under the shade of the the tent to let their clean, unique sound envelope me. If I hadn’t had a schedule of bands I wanted to shoot over the weekend, I would have bought myself a beer, and stayed there sprawled on the grass, in the shade, until the their set had ended. I’ve been a bit hesitant to purchase their LP, but I think I’ll need to remedy that the next time I’m at the local record shop.
I’m a fan of Dee Dee Penny (nee Kristin Welchez) and her sound. Based on some of her more recent work (like “Too True To Be Good” and “Coming Down”), her voice and style reminds me of some of the female rock-pop fronted bands I grew up with (off the top of my head, maybe an amalgam of Lucious Jackson, Siouxsie Sioux and Mazzy Star).
When the band took to the stage, wearing their trademark black, Dee Dee brought a little “shock and awe” wearing a sheer top with strategically placed pasties. The band launched into their 12 song, 45 minute set under in the sweltering desert sun, but didn’t let the heat hold them down, bringing it instead. I enjoyed what I heard and I plan on keeping tabs on the band’s music to see how it develops from here.
I hadn’t planned on checking out their set, but a good friend of mine suggested that it’d be worth my time. I’m glad I took the suggestion, because GOAT was a perfect mid-afternoon band for me.
This band from Sweden, with their fusion of experimental rock, afrobeat and acid rock, really, I found my feet moving to the rhythmn while I was taking pictures as if I were at a Phish concert. With their two female vocalists dancing about the stage in their lively costumes, it was hard not to enjoy myself. I loved taking pictures of this band, and hopefully I captured their liveliness through the lens.
At 12:30 I walked over check out the first band on the Main Stage; an Alternative rock band from Australia named The Preatures. The lead singer, Isabella Manfredi, exhibited “rock-and-roll charisma,” performing with a confidence that was hard not to be captivated by. To be performing on the largest stage at Coachella, and to have such a command over the performance and audience, it’s easy to see why Australia loves them. I think with the right type of exposure in the U.S., they can leave their mark here too.
I couldn’t find a setlist online, but I happen to stumble across it, I’ll add it here. If any of you The Preatures fans know the names of the songs that they performed that afternoon, please let me know.
The first act I caught at Coachella at noon on Friday was British, Singer Songwriter, Tom Odell. A solid singer songwriter who I believe can have a long and fruitful career so long as he can keep writing songs that his fans can relate to.
I couldn’t find a setlist online, but I happen to stumble across it, I’ll add it here. If any of you Tom Odell Fans know the names of the songs that he performed that afternoon, please let me know.
This year, I was lucky enough to get approved for a media/photo pass for the first weekend of Coachella. The photo pass allows me to take pictures from the photo pit of each stage, and being armed with an incredible lens, I’ve taken some pretty amazing pictures so far, and I can’t wait to sift through them all and post what I’ve been able to capture.
There were a few acts that I wish could have snapped pictures for (Muse, Queens of the Stone Age, Beck and Arcade Fire), but being a “newby” in the world of concert photography, I wasn’t selected to by artist management to have the privilege of taking pictures. Hopefully, the pics I post of the bands I saw here will help change their opinion of me for the future.
Each entry will contain a little bulb of my overall thoughts of what I was able to see, with a Instagram video post that I posted (my Instagram account is @Methodman13 … you may as well go there now while you’re waiting for the post to go up) and a photo slideshow. I hope you enjoy the moments I captured as much as I enjoyed shooting it. Click on the name of the artist you want to check out to see the blog entry I put up.
UPDATE: 5/9/14: It was a long, glorious, music-filled weekend of music. I think I may have ruined all of the future music festivals I attend because there really is nothing like being in the photo pit, even for only the first 3 songs, trying to capture “moments” of musicians practicing their craft and giving the audience all that they have. I will forever be grateful for the opportunity. Thank you, Goldenvoice. Thank you, Snoop. You made this music dweeb very, very happy.
FYF FEST | L.A. State Historic Park | August 24 and 25, 2013 (Mikal Cronin, Charles Bradley, The Breeders, Devendra Banhart, The Locust, Deerhunter, TV on the Radio, Yeah Yeah Yeahs, The Orwells, Pional, How To Dress Well, No Age, !!! (ChkChkChk), Shlohmo, MGMT, Solange, and Holy Ghost!)
Coachella 2013 | April 12-14 | Friday (Of Monsters and Men, Passion Pit, Palma Violets, Modest Mouse, Yeah Yeah Yeahs, Jurassic 5, Stone Roses and How To Destroy Angels)
I wanted to catch Savages‘ set at Coachella in 2013. From what little I knew about them at the time, they were an all-female, loud, punk band based out of the United Kingdom. They didn’t have a lot of music out, but from what I was able to hear and watch online, they definitely piqued my curiosity. As fate would have it, I wasn’t able to get to the festival grounds in time and they became one of the many bands that I had to add to the list of band casualties.
But as fate would also have it, a few months later, a buddy of mine emailed me letting me know he had a couple of extra tickets to catch them at the El Rey, July 23, 2013. By that time, tickets for both of their shows had already sold out, so I jumped at the opportunity.
When I got to the venue, the opening act was already onstage performing: Johnny Hostile. Johnny Hostile is a co-founder, along with Savages lead singer Jehnny Beth, of Pop Noire Records and one of the producers of of Savages’ debut album Silence Yourself.
Alone on stage, accompanied for the most part only by a drum machine and guitar pedals, he set the mood right for what was to come. His music was moody, ethereal and heavy. Part synth-pop and part punk, with industrial drums. His set was accented with special appearances by Gemma Thompson (Savages’ guitarist) and Jehnny Beth for various songs. It was truly a perfect appetizer to the main entree of Savages. I ended up purchasing his 7” single that was for sale, and even got him to autograph it after the show. I would have taken a picture of it, but I can’t find it at the moment as it’s lost in my vinyl stack that need to be organized (and listened to).
Dressed in their trademark all black, Savages took the stage to a rousing and wild applause. I was up front about three rows from the stage. I kept my fingers crossed that a crazy mosh pit wouldn’t ensue like the last concert at the El Rey I attended, but as fate would have it, they played their most popular, and aggressive songs first. Yup, there was a mosh pit. I really wanted to get some video of “City’s Full” and “Shut Up”, but I wasn’t going to take a chance at having my camera knocked out of my hand.
Savages are about as intense as a band can get. Jehnny Beth sets the mood with her deep stare that almost makes you nervous to watch her. It’s a threatening stare that intimidates and fits the music that the band creates. Her stage presence is almost menacing, but that only adds to the effectiveness of the show. Ayse Hassan was steady on bass, and Fay Milton was relentless on drums, but I was particularly impressed with the playing of Gemma Thompson. Gemma Thompson was absorbed in her guitar play, creating her own “wall of sound”. Amazing.
Drenched in sweat after the fourth song, I had to leave the front to get some air and dry off. As I pushed my way through the crowd, I noticed that Jehnny was wearing pink pumps. With their all-black apparel, the brightness of the shoes caught me a little off guard but at the same time screamed “punk”. Yup, I had to take a picture of her shoes. I do not have a shoe fetish.
With only one album under their belt, their set was relatively short, but powerful. The set list for the show was a follows:
City’s Full
I Am Here
Shut Up
Give Me A Gun
Strife
Waiting for a Sign
Flying to Berlin
No Face
She Will
Hit Me
Husbands
Fuckers (new song)
When the set ended, I met up with my friend and we both shared our excitement for the show we just witnessed. I hung out front for a minute in case any of the players from the evening popped out to greet fans, and lucky enough I was able to get Johnny Hostile, Gemma Thompson, and Jehnny Beth to sign their respective vinyl releases. I was able to get a picture with Gemma, but was thwarted in my efforts to get a picture with Jehnny as another fan scared her away. I swear that Gemma was all smiles before the picture was taken. Savages sure do take their image very seriously.
I had a brief conversation with Johnny Hostile and I noticed that he had an accent. Slightly confused as I thought the band was UK based, he explained that both he and Jehnny were originally from France. Having studied French growing up, and never having the opportunity to use it, I started a conversation in my broken French and concluded the conversation by saying that Gemma was “tres jolie”. He told me that he would tell her that. Please do, Johnny. Please do.
#DKLPHOTOS 