CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!
Below are Instagram clips from most, if not all, of the songs from James Supercave’s set at the Santa Monica Pier as part of the Twilight Concert Series. Enjoy.
CLICK HERE to check out other acts performing a Twilight Concert at the Santa Monica Pier!
CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE
I have been a fan of Jill Scott since the first time I heard her track “Do You Remember?”. That song moved me like no other. Her incredible voice, together with lyrics that spoke to a love remembered, hit the money spot in my musical soul.
Speaking of money, money was kind of tight, and since I wasn’t approved for a media pass for this concert, it looked like I wouldn’t be able to attend the show. Desperate to find a way into the concert, I even tried to send Ms. Scott a letter over Twitter to see if she could get me in to the show. She never responded to my tweet. Wishful thinking, I know.
Thinking that all hope was lost, I went as far as to register to win tickets through other venues. I entered to win tickets through Complex Magazine, and as the fates would have it, I won. Lucky me.
Jill Scott’s set was everything that I had been waiting for since 2000. Her voice was as powerful and as delicate as ever, singing both classic tunes from her repertoire and a handful of new songs. I only wished that her set was an hour longer as she clearly couldn’t perform all of the songs that I loved in her hour long time slot.
I wasn’t able to find a setlist online, but you can CLICK THIS LINK to get directed to a collection of Instagram Videos with snippets of most, if not all, of the songs that were performed at this concert.
I wasn’t approved for a photo pass for this performance, so I was only armed with my trusty, pocket-sized point and shoot camera. Not the best, but not to shabby sitting several hundred fee away if you ask me.
CLICK HERE TO SEE THE OTHER PERFORMANCES THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE
FEA (pronounced FAY-ah) is the feminine form of the Spanish word for “ugly”. It’s also the name of a Riot Grrrl, side project of some bad ass rockers from Texas.
Back in 2012, I discovered the music of a band from Texas named Girl In A Coma. It was love first listen. The trio consisting of Jenn Alva and sisters Nina and Phanie Diaz steamrolled my ear drums with their brand of San Antonio flavored indie rock.
As Nina Diaz recently recorded her own solo project (and who’ll be Southern California Thursday July 24th at Alex’s Bar in Long Beach and Friday July 25 at Levitt Pavillion in MacArthur Park supporting her latest album), Phanie and Jenn decided to put together a new band, FEA, with singer Theresa Moher and guitarist Aaron Lee Magana. Raw with no frills, FEA’s music puts the punk back into punk rock.
The venue they played at, AMPLYFi, seemed to be the perfect setting for their Riot Grrrl music. It was a small, unassuming venue that seemed to be on par with the “do it yourself” Riot Grrrl mentality of the 90s. Their set was relatively short but it was as aggressive and shredding. They even threw in a little rockabilly flavor covering Wanda Jackson’s “Fujiyama Mama”.
Only time will tell whether Phanie and Jenn keep this musical incarnation going; I’m just glad I got to see them do their thing.
I’ll have to admit, I had a difficult getting any real quality shots at this venue. I used my DSRL, but lacking true proficiency at adjusting settings to accommodate for the quickly change lighting and the low light, and not having the greatest aperture, I’m thinking I probably could have snapped better pics with my point and shoot. C’est la vie. Practice, practice, practice … I’m hoping, will lead to perfect.
CLICK HERE TO SEE THE OTHER PERFORMANCES/EVENTS THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE
Below are clips of each of the songs that Jill Scott performed at this show. I may have missed a song or two. I hope you enjoy it.
CLICK HERE TO SEE THE OTHER PERFORMANCES/EVENTS THAT I CAUGHT DURING THE BET EXPERIENCE AT L.A. LIVE
Nicholas Jame Murphy is Chet Faker, and chicks dig him. After hearing a couple of cuts from his latest album “Built on Glass” on NPR- God bless public radio- I scoured the internet to listen to more of his work. I was instantly hooked. To me, his take on electronic music reminded me of James Blake with a more soulful edge. When I heard he was wrapping his U.S. tour with a performance at The Roxy, I jumped at purchasing tickets as soon as they went on sale. Tickets for the show went so fast that The Roxy added scheduled another concert earlier in the week to accommodate the high demand.
Chet Faker is a producer, and his performance was, for the most part, just him, his console and his keyboard. For a couple of songs throughout his set, he brought on additional musicians (a guitarist and drummer) to fill out the sound, but in the dimly lit venue, it was essentially just him and the audience. Some reviews suggest that his performance was perhaps not best suited for a live setting, but I think that sentiment needs a qualifier.
Perhaps if he was performing at the Hollywood Bowl, or a venue whose capacity exceeds 1000, the performance could have used a full band or better stage design (i.e. lighting and effects), but we’re taking about the Roxy Theatre here (an intimate venue whose capacity is only 500), and in my opinion, the intimate setting, coupled with the intimate music, with the artist performing alone to the audience, was completely appropriate, and really the only way Chet should have be introduced to his legion of new fans for the first time. In fact, I thought his cover of Jeff Buckley’s “I Want Someone Badly” (the highlight of the show for me, considering that Jeff Buckley is a major favorite of mine) could have only performed by himself.
Speaking of fans, they were a mix of crazed young females who occasionally screamed, “I want to lick your beard,” to drunk frat boys who were trying to flirt with the girls who were fixated on main act. I could have done with the loud drunk frat boys (ok, maybe not frat boys … but definitely college aged kiddies who had no concept of how to handle their booze) as I actually had a 5 second stare down to get one of them to shut the hell up during one of the songs, but the show was everything good that I anticipated.
Chet Faker is scheduled to perform at the sold-out FYF Fest in Los Angeles, August 23rd, and I am able to find- god, willing- a tickets, I’ll be anxious to see how his set then compares to what I saw at The Roxy.
Every Memorial Day weekend for the past 28 years, UCLA has hosted a music festival called the JazzReggae Festival. Originally, the first day was devoted to Jazz and the second day was devoted Reggae. Though the first day has morphed to a “Jam” day, the festival has always been able to pull in outstanding talent for the price of admission. If you are ever in Los Angeles during the Memorial Day weekend, and looking to enjoy a music festival at an extremely reasonable price, I suggest that you check out the lineup to see if any artists you like are on the bill.
Armed with a photo pass for the event, I was able to take pictures of the artists listed below. Click on the link to check them out!
May 25th, 2014:
May 26th, 2014
Working for Snoop, I’ve gone to my fare share of his concerts. One would think that after going to more shows than I can count on my fingers and toes, I’d be bored or indifferent to watching him perform. This is far from the truth.
Snoop’s passion for his art always impresses me. His live show, which features a live band, is always entertaining and is simply superior to those acts who rap over series of pre-recorded beats. Though this performance may have been lacking in some familiar faces (R.I.P. Uncle June Bugg), it was filled with all of his hits spanning his over two decades of hit-making.
Though it was Jazz Day, and not Reggae Day, he opened his set with one of my favorite tracks off his reggae album “Reincarnated”, “Here Comes The King”. He paid tribute to Nate Dogg with his performance of the 213 songs “So Fly”. He performed his verses from 50 Cent duet of “P.I.M.P.” He performed “Lodi Dodi,” “Gin & Juice,”Drop It Like It’s Hot,” “Who Am I (What’s My Name)” and on and on and on. He even dropped his verse from Katy Perry’s single, “California Gurls” in the middle of his set.
Snoop, dressed in a custom made, all-black, UCLA jersey with the number 19, stitched on, played to the crowd and used his charming stage-manner to his have the crowd vibing off of him throughout the entire set. It was either that, or the copious amounts of weed that was being lit up while he was performing. As an aside, UCLA has a campus-wide no-cigarrette smoking policy. In fact, I was forced to toss my cigarettes into a trash can before entering the festival grounds, and even noticed security actively enforcing the policy all throughout the day. But weed smoking? Naw. That’s all good. LOL.
When Snoop closed his set with “Young, Wild & Free,” he had the entire crowd singing along. He finally took his sunglasses off to address the crowd to keep singing along. When the music ended, and he hustled off stage to head off to his DJ gig in Las Vegas that evening, the crowd was still buzzing, perhaps still high from the weed that was smoked during the set, but more likely high from the hit filled set that they had just listened too.
I couldn’t find a complete setlist for Snoop’s performance at this event online, so if anybody happens to know what it was, please post it in the comments so that I can add it into this post. Thanks!
CLICK HERE TO CHECK OUT OTHER ARTISTS I WAS ABLE TO SNAP PICTURES OF AT THE FESTIVAL!
I was a fan of Aloe Blacc before he was … Aloe Blacc. Being a fan of the underground, L.A., hip-hop scene back in the mid 90s, I was listening to Aloe Blacc’s music before he broke-out, commerically, with “I Need A Dollar” in 2010.
I saw Aloe Blacc first perform at The Beach Ball Festival: Soul Revue September of 2013. As much as I liked his hip-hop leaning music from back in the day, I absolutely love his soulful leaning music that he’s focusing on today, so not hearing his jams like “Blind World” or “Close To Me” was something I could easily accept … although, I wouldn’t mind him sprinkling in a song or two in future sets.
Dressed in a classy fitted suit, topped with a sharp fedora, he took the sun drenched stage and dazzled the audience with his bright personality and hit singles. From “I Need A Dollar” to “Wake Me Up” to “The Man”, the audience was treated to songs that have been permeating the radio airwaves for the past several years. He even performed a slowed-down cover of Michael Jackson’s “Billie Jean” that really had the audience eating out of his hands.
I wasn’t able to find a set lit of the of the songs that Aloe Blacc performed at UCLA’s Jazz Reggae Fest, so if you happen to know which songs were performed, please leave them in the comments below and I will add them to this post.
CLICK HERE TO CHECK OUT OTHER ARTISTS I WAS ABLE TO SNAP PICTURES OF AT THE FESTIVAL!
I saw a lot of bands at Coachella this year (2014), but there was one band that was on my list, that I regret missing: The Internet.
The Internet is a neo-soul band consisting of Odd Future members Syd the Kyd and Matt Martians as well as Tay Walker, Patrick Paige and Christopher A. Smith. They debuted in 2011, and released their debut album, “Purple Naked Ladies” that same year. They released their sophomore album, “Feel Good” in 2013, and have been touring in support of it since its release. When I found out they were performing at UCLA Jazz Reggae Festival, I knew I had to make it in time to see their afternoon set.
The Internet’s performance at Jazz Reggae Fest was, in truth, my first real introduction to the band. Sure, I was familiar with some of the Odd Future music by Tyler, The Creator, Frank Ocean and Earl Sweatshirt’s music, but I really didn’t know too much about The Internet other than the video clips I was able to find on Youtube. Watching them live, I was impressed with what I saw and heard.
Their take on late ’90s neo-soul/R&B was something that really hit the spot for me. Syd and the band played a set that really was perfect for the mid-afternoon. Syd’s smooth and understated voice and the band’s clean groove, together with their improvisational playing and singing abilities really demonstrated to me how capable they were as musicians and how smart they were as performers.
The catalog of music is relatively small having only released two albums, but they covered one of my favorite GAP band songs (“Outstanding”) and I was especially impressed with their cover of Jamiroquai’s “We’re Too Young To Die” (one of my favorited cuts off of “Emergency on Planet Earth”, an album that really pushed the boundaries of British funk/acid jazz to new limits). That cover alone would have been enough to convert me as a fan. It’s an extremely tough song to sing. A clip of that performance is in the video below. Maybe it will make you a fan as well.
I couldn’t find the band’s setlist online, so if you were there and know what songs they performed, let me know in the comments below and I’ll add it to the post.
CLICK HERE TO CHECK OUT OTHER ARTISTS I WAS ABLE TO SNAP PICTURES OF AT THE FESTIVAL!
I don’t do it as much as I used to, but I’ve always enjoyed going out to check out bands for the first time at venues I’ve never been to. An Instagram friend let me know of an independent artist showcase she was putting together through her company Badd Lemonade at Los Globos in Silverlake, and I decided to check out some new music.
The second band I saw perform was a band called Owenstone: a five piece indie rock band hailing from Echo Park, Los Angeles. On their Facebook page, they cite a wide range of musical influences ranging from Radiohead to Kasabian to Queens of the Stone Age to Hot Chip. Whatever their influences, they play solid contemporary rock and roll. Below is the video to the official video of their single “This Face”. I dig their sound.
I’m not the only one who appreciates their sound. Apparently, music coordinators like them as well as apparently their music has been selected to be a part of the “Sharnado 2” motion picture soundtrack. Considering that the first “Sharnado” is a cult film that was viewed over 5 million times worldwide, I’m guessing that this synchronization opp for the band will help the band get some more exposure.
Los Globos is a pretty cool venue, but I found it terribly hard to snap good pics with their low and frenetic lighting. Proof that I’ll have to save up a couple of Gs to invest in some quality lens.
#DKLPHOTOS 