I hadn’t planned on checking out their set, but a good friend of mine suggested that it’d be worth my time. I’m glad I took the suggestion, because GOAT was a perfect mid-afternoon band for me.
This band from Sweden, with their fusion of experimental rock, afrobeat and acid rock, really, I found my feet moving to the rhythmn while I was taking pictures as if I were at a Phish concert. With their two female vocalists dancing about the stage in their lively costumes, it was hard not to enjoy myself. I loved taking pictures of this band, and hopefully I captured their liveliness through the lens.
At 12:30 I walked over check out the first band on the Main Stage; an Alternative rock band from Australia named The Preatures. The lead singer, Isabella Manfredi, exhibited “rock-and-roll charisma,” performing with a confidence that was hard not to be captivated by. To be performing on the largest stage at Coachella, and to have such a command over the performance and audience, it’s easy to see why Australia loves them. I think with the right type of exposure in the U.S., they can leave their mark here too.
I couldn’t find a setlist online, but I happen to stumble across it, I’ll add it here. If any of you The Preatures fans know the names of the songs that they performed that afternoon, please let me know.
The first act I caught at Coachella at noon on Friday was British, Singer Songwriter, Tom Odell. A solid singer songwriter who I believe can have a long and fruitful career so long as he can keep writing songs that his fans can relate to.
I couldn’t find a setlist online, but I happen to stumble across it, I’ll add it here. If any of you Tom Odell Fans know the names of the songs that he performed that afternoon, please let me know.
This year, I was lucky enough to get approved for a media/photo pass for the first weekend of Coachella. The photo pass allows me to take pictures from the photo pit of each stage, and being armed with an incredible lens, I’ve taken some pretty amazing pictures so far, and I can’t wait to sift through them all and post what I’ve been able to capture.
There were a few acts that I wish could have snapped pictures for (Muse, Queens of the Stone Age, Beck and Arcade Fire), but being a “newby” in the world of concert photography, I wasn’t selected to by artist management to have the privilege of taking pictures. Hopefully, the pics I post of the bands I saw here will help change their opinion of me for the future.
Each entry will contain a little bulb of my overall thoughts of what I was able to see, with a Instagram video post that I posted (my Instagram account is @Methodman13 … you may as well go there now while you’re waiting for the post to go up) and a photo slideshow. I hope you enjoy the moments I captured as much as I enjoyed shooting it. Click on the name of the artist you want to check out to see the blog entry I put up.
UPDATE: 5/9/14: It was a long, glorious, music-filled weekend of music. I think I may have ruined all of the future music festivals I attend because there really is nothing like being in the photo pit, even for only the first 3 songs, trying to capture “moments” of musicians practicing their craft and giving the audience all that they have. I will forever be grateful for the opportunity. Thank you, Goldenvoice. Thank you, Snoop. You made this music dweeb very, very happy.
I don’t know what they are feeding their kids across the pond, but I would suggest that we bring whatever they have over there and start feeding it to our kids in the States.
It was a last minute decision, but having missed out on seeing Jake Bugg perform at The Wiltern, I decided that I wouldn’t miss out on catching The Strypes, a four piece blues/garage rock band from Cavan, Ireland , finish up their U.S. tour with a stop at the El Rey. Their music is a throwback to some of the great rock bands of the 60s and 70s … and they are only 16-18 years old.
The crazy thing is, if you didn’t know how old they were, I guarantee that you would have never guessed that they were so young. Their music is fast and loud, and they carried an attitude on stage that made them appear older than they actually are. It was an 18+ show, but it didn’t surprise me that that their audience was equally split between those still in high school, and those who grew up with music from bands like The Kinks (whose rendition of “Louie, Louie” they faithfully covered as their finale) and the Yardbirds. It no surprise that legacy artists like Elton John (full disclaimer, Elton is managed by the same company that manages The Strypes) have been raving about the group for some time.
Their music is accessible by disparate age groups because though they perform with their naturally youthful energy and swagger that could make any pre-teen girl squeal, they also have the musical chops to impressively sound like that music form the glory days of classic rock-and-roll. I mean, the lead singer, Ross Farrelly (who I understand is only 16 years old) has a voice that quite faithfully covered classic by Bo Diddley, The Specials, Ramones and Kinks.
These kids are impressive. Their stage present and their seems to indicated that they have the potential to keep on making great sounding rock-and-roll for years to come. I’m keeping my fingers crossed that their sound doesn’t change too much with puberty.
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
On March 30, 2014, Cody ChesnuTT restored my faith in R&B music.
Over a decade ago, I first learned about Cody ChesnuTT when he was featured on The Roots cover of his own recording titled “The Seed.” I made a mental note then to keep an ear out for more music from him, but for whatever reason, his music and my ears just didn’t cross paths.
Fast forward over a decade, and somehow I stumble on a live, radio-station, video performance of Cody performing songs off his latest release titled “Landing On A Hundred” without a backing band. I’m immediately amazed.
It was a sound so raw and soulful, it made me think of all of those legendary R&B and soul singers of the 70s. Music from the heart. Music from the soul. I absolutely fell in love with the music. Some people have compared Cody to Marvin Gaye. After listening to “Landing On A Hundred”, I’m willing to make that comparison as well.
As soon as my iPhone notified me that tickets for a show of his at the Troubadour were on sale (god-bless concert related iPhone apps!), I purchased tickets. Having gotten permission from Cody’s management to snap pics of the gig, I got to the venue early with a friend to get up close and personal. I just knew, in my gut, that it was going to be a mind-blowing performance. I was right.
When Cody, with his trademark helmet cocked on his head, and his band took to the stage, the audience erupted with a joy that I haven’t felt from an audience in a good while. A sudden emotional warmth enveloped The Troubadour, almost as if the venue itself exhaled at that moment. It was, at least for me, a surreal moment.
Cody’s performance was beyond enjoyable. In fact, with the breadth of emotion he revealed during his time on the stage; from pain, frustration and struggle, to joy, love and hope, I can truly say his performance is on my list of “favorites of all time”. Being able to capture some of those moments with my camera, gave me visual proof after the fact that I wasn’t just imagining it.
What made the performance so real was Cody’s interaction with the crowd. He engaged us. He talked TO us. He made us understand why the music he was singing meant so much to him. For example, he told us how the music on The Headphone Masterpiece saved his life; and though the music from that album came from a different time and space, having its own unique vibe, he could sing some of those tracks in the present because they matched and marched with his current vibe. He explained that “Love Is More Than A Wedding Day” was his favorite song off “Landing On A Hundred”, further preaching to the audience that it takes effort to overcome martial struggles. He openly reminisced about the story of how his wife bought him his first guitar from a pawnshop; and how her belief in him and his dreams makes him want work that much harder to keep the relationship fresh.
Before he performed “5 On A Joyride,” he explained that that track was written after he had gotten dropped by Hollywood Records and ended up in a car with four friends tripping on magical mushrooms cruising the streets of Los Angeles. He even took a moment to give a shoutout to Suge Knight for being a man who actually gave him the creative freedom to create during his stint on Death Row Records.
I was blown away with Cody’s live show. If you are a fan of R&B and Soul music that speaks from the heart, I beg you to attend one of his shows. You won’t regret it.
For the setlist, please click through the slideshow.
Opening for Cody ChesnuTT at The Troubadour was a band billed as Madd Vibe. Now, I usually do my due diligence before I go to a concert when there’s a band performing that I’m unfamiliar with. In this instant, for whatever reason, I didn’t. When I got to the venue and the band took to the stage, I noticed that the frontman of the band looked familiar to me. I quickly pulled out my iPhone and Googled “Madd Vibe” to discover that Dr. Madd Vibe is the solo project of Angelo Moore, the founder and frontman of the seminal, Los Angeles based ska/punk/rock/funk band Fishbone! For those of you who don’t know who Fishbone are, they’re just one of the most influential, cult bands of the 1980s, influencing huge bands like No Doubt, Red Hot Chili Peppers and Alice in Chains. And guess what? … they’re one of the acts set to perform on Sunday at Coachella this year.
With the same type of energy that he used while fronting Fishbone when I saw them perform April 2010 at the now closed Air Conditioned Supper Club, he brought his punk-ska fused musical stylings to the Troubadour for a solid set that revealed the strength of his musical ability. Though his music is vastly different than Cody ChesnuTT’s, I think that the seemingly odd pairing was made because the talent bookers thought that anybody going to see Cody perform would appreciate Dr. Madd Vibe’s performance because of the legacy of Angelo Moore and what he has contributed to musical history.
A consumate performer, the energy he and his band had was infectious. I started to get my ska juices flowing at points, and reminisced of the days I rocked khakis, combat boots, a white t-shirt and suspenders. The set times for Coachella haven’t been released yet, but hopefully, I’ll be able to relive some more of my youth in Indio.
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
Sharon Jones. My, my, my … that woman is a force of nature.
I’m a big fan of the classic R&B sound. There are a good number of male recording artists that I follow (i.e. Charles Bradley, Lee Fields, etc.), but there really is only one female R&B artist that really knocks it out of the park for me, and that’s Sharon Jones.
In June of 2013, when I heard that the release of her album “Give The People What They Want” was going to be delayed because she had been diagnosed with Stage II pancreatic cancer, my heart broke. Though I didn’t know her on a personal level, I can say that her fun and funky album “100 Days, 100 Nights” (released late 2007) helped relieve a lot of stress I was dealing with at the time. I mean, “Be Easy”, with the hook “Oh, just be easy, baby/ That girl will come a runnin’ to you/ If you just be easy, baby/ Ah, she’ll be easy too”, has 32 plays registered on my iTunes. Though “she” never came runnin’ to me, that song still stands out as a pretty particular part of my life.
When I had read that she beat the cancer that threatened her life, I was relieved. When I heard she was touring to support the album, I went out and bought a ticket.
After having the band warm the crowd up for 15-20 minutes, the indomitable Ms. Sharon Jones grooved onto the stage to the Dap-Kings big band sound, her head shaved and her face beaming. The crowd went wild. Clearly, everybody was as excited to see her grace the stage as I was.
It was my first time seeing her perform live, and it was every bit as funky, and soulful as her albums. If she had had it difficult recovering after her chemotherapy, you would have never guessed it. Her voice was as powerful as it was on her albums, and her stage presence was overwhelmingly energetic, even giving the audience a little lesson in dance history as she demonstrated every “old-school” dance in the book from The Jerk to The Twist. Towards the end of her set, she even allowed fans, who were lucky enough to score bracelets to the orchestra pit, a chance to dance on stage with her.
Sharon Jones and the Dap Kings gave it everything they got, and it truly blew mind. If you are lucky enough to see them perform live, I guarantee your mind will be blown too.
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
One of my favorite albums of 2013 was Valerie June’s“Pushin’ Against A Stone”. Produced by Kevin Agunas and Dan Auerbach (the Black Keys), it was album that caught my ear with its seamless mix of roots, blues and folk sung by a voice that seemed to have decades of earnest life lessons behind it.
Valerie June’s voice is unique. It’s a voice that you can’t confuse with another singer’s voice. She is … for lack of a better comparison … what Erykah Badu is to neo-soul/hip hop music. A voice so raw and sincere, singing music so traditional yet new, I found it hard not to fall in love with it upon my first listen, and have been telling my friends since that hers is a voice that will likely stand the test of time.
It was a week after I purchased tickets to see Sharon Jones and the Dap Kings when I found out that Valerie June was added to open the show … and I was ecstatic. At first, it seemed like an unlikely pairing, but upon retrospect, because both artists’ music styles are essentially modern-day approaches to “classic” styles of music, I figured the promoters knew what they were doing assuming that their audiences would be more knowledgeable and appreciative because of the historical slant to the music.
Valerie’s set was short but sweet. Clocking in at just over 30 minutes, it was charming mix of acoustic and band-backed versions of her songs, mostly coming from her latest release. After it was all said and done, I found myself wanting more. Not only that, but I decided then and there that if she would ever perform in a more intimate venue like the Bootleg Theatre, I would be the first person in line.
As an aside, while waiting in line to get into the venue, I noticed a woman with flowing dreadlocks and large sunglasses walk by me. It was Valerie June and I quickly asked the couple behind me to hold my spot as I caught up to her and asked her to autograph the LP I had packed in m bag. I assured her that I wouldn’t draw any more attention, and as we walked around the corner (she was heading to the artist entrance to get ready for her set), I pulled out the LP and professed my adoration of her “Pushin’ Against A Stone”. Her gorgeous smile made my day.
I also asked about her father, mentioning that my own father had heart surgery several weeks ago as well. Our conversation was brief, but in those few minutes I felt like I connected with her on a human level, which only made me appreciate her performance that much more that evening.
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
What intially hooked me to How To Dress Well’s music was twofold. First, the music leaned dark, simple and atmospheric; the kind of music you could press play on a rainy day, lie on a couch and let it sooth you to sleep. Second, I was very partial to Tom’s tender and vulnerable vocals stylings. A lot of male singers can use their falsetto, but not all male singers can use it the way Tom does.
Before the set started, I scanned the room to see what kind of audience was in attendance. I didn’t have to ask. By the looks of it, I may have been the oldest one in the room. I was a bit impressed insofar as the music that’s been released thus far is quite mature (both lyrically and musically). I asked the two fresh faced kids standing to the right of me (who weren’t wearing drinking bracelets) how they got into How To Dress Well’s music, and they said Spotify. I asked the young girl standing to my right the same question. She said Spotify. A quick non-sequitor … even if major recording artists are complaining about the amount they get paid from streaming services like Spotify, it would appear that Spotify led at least 3 kids to spend their extra cash to buy a ticket to see an act like How To Dress Well perform at a Hollywood club on a Tuesday night. Just saying …
The music of the evening was stellar. I knew that Tom was in the process of recording new material, but I wasn’t expecting that he’d be showcasing a lot of the new songs at the gig. It was truly a pleasant surprise for me. He had the drummer from Broken Social Scene play with him (he used a drum machine at FYF Festival) and that added a new life to the music’s live effect. I was again impressed with the way he used his two-mic set up (one mic without reverb and one mic with) to give his songs layers of depth and feeling.
And I was right about wanting to see him perform in an intimate venue. The concert-going experience was magnified 10 fold for me. For How To Dress Well’s music, you want to be captivated. You want to focus on the emotion that Tom is purging from his body and hang on very word/note. Being in an intimate venue afforded Tom the ability to interact and really connect with the audience. When introducing songs, I really got the sense that Tom wanted the audience to connect with its meaning, and it’s a lot easier to do so when the audience is captivated rather than tent-hopping at a festival. When I say intimate, I don’t necessarily mean a small club venue. In fact, if could pick another venue for Tom to perform in, I’d love to see him perform at The Orpheum.
I didn’t quite catch the names of all of the new songs (some of them were still untitled) but I did my best to list them below, together with little concert notes that I took.
“Two Years” (?): A song about his father
“The Power” (?)
“What You Wanted” (?): A song about how you feel when you have a desire that you can’t control
“Cold Nites”: After he sang this song, he told that audience that he got shivers while he was singing it stating, “That felt really good”
“If You Were My Girl” (?): A dance song
“No More Death” (?): He asked for the venue to turn the lights down since it was a “really dark song”
“I Don’t Know What’s Best For Me” (?)
“Suicide Dream 1”: A song about a friend
“Childhood Faith in Love” (?): Inspired by “You Can Have The Best Of Me” by the Starting Line
“Repeat Pleasure”: A song about controlling emotions even though you know that “if you do something once, you’ll probably do it again”, Tom suggested that this was perhaps the most “poppy” songs he’s written and that it was going to be a big hit
“Words I Don’t Remember” (?)
“Set It Right”
Encore
“Baby” (?): Tom mentioned that in the next part of his life, he wants a baby, but that this song is his fear of the fragility of babies, derived from a fear of wondering if a baby is alive while its sleeping (A cappella)
“Lovers Start” (A cappella)
Unfortunately, the Flickr slideshow below is not available on mobile devices. If you are on a mobile device, please click THIS LINK to get redirected to the set of photos. If the slide show below isn’t working, then Flickr has disabled their embed option for WordPress and hasn’t yet updated their HTML code, which totally BLOWS! If you can see the slide show below, hooray!
#DKLPHOTOS 