by dklee13 Categories: Concerts, ReviewsTags: "She Bangs The Drums", A$AP Ferg, Afrika Bambaataa, alabama shakes, Alice Smith, Allah-Las, allen stone, Aloe Blacc, Alphabetics, Alune George, Audio Push, Babies On Acid, BABY BABY, Bad Religion, Banks, Banoffee, Beat Connection, beck, Ben Folds, Biffy Clyro, Black Uhuru, Blood Orange, boston, Broken Bells, Bush, Cat Stevens, chance the rapper, charles bradley, Chet Faker, Chris Robinson Brotherhood, Chvrches, City and Colour, Clap Your Hands Say Yeah, Cloud Control, Cloud Nothings, Cocorosie, Cody Chesnutt, Cold War Kids, concert photos, concert review, concert video, Crosses †††, Cults, De Lux, Dead Dawn, dead sara, denitia and sene, Doe Eye, Doja Cat, Dr. Madd Vibe, Dreamland, Drowners, Dum Dum Girls, Ed Sheeran, Elle Varner, Elvis Costello, Empire of the Sun, eric hutchinson, Escape The Fate, Faith Evans, Fall Out Boy, Falling In Reverse, Fartbarf, Fascinator, FEA, Fear, Feathers, Fire In the Hamptons, Fishbone, Forest Swords, Fractures, Future Islands, Gaslamp Killer, Gateway Drugs, Gavin Turek, geographer, girl talk, Glass Battles, Glen Hansard, Goapele, GOAT, GoldLink, Gossling, gramps morgan, Green Gerry, Grouplove, HAIM, Heartless Bastards, Holy Child, Hopeless Jack and the Handsome Devil, Hopeless Jack and The Handsome Devil (1st Performance), Hopeless Jack and the Handsome Devil (2nd Performance), Houndmouth, how to dress well, illumination road, Incubus, iron & wine, Jackson Browne, Jagwar Ma, James Supercave, Jamestown Revival, Jhene AIko, Jill Scott, Joe Fletcher, Joe Pug, Jonathan McReynolds, Josiah Bell, Julian Casablancas, Kevin Lyttle, Kid Cudi, king, King James & The Special Men, Ky-Mani Marley, Lake Street Dive, Lana Del Rey, Laura Mvula, Lecrae, Lenny Goldsmith, Leslie Stevens, Level & Tyson, Linda Perhacs, Linkin Park, Little Dragon, Little Hurricane, Little Wings, LiV Warfield, Lo-Fang, Local Natives, Lorde, Lucinda Williams, Machine, Matt Kivel, Matthewdavid, Maxwell, MØ, Merle Haggard, Metronomy, Midi Matilda, Miniature Tigers, Mod Sun, Morning Parade, Moses Sumney, motorhead, Mr. Little Jeans, Myron & E, Mystery Skulls, Mystic Braves, Nathaniel Rateliff, New Politics, Nick Waterhouse, Nikki Lane, nina diaz, Nina Persson, Ok Go, omar souleyman, Outkast, owenstone, Pastilla, Peanut Butter Wolf, Pet Shop Boys, Pete Molinari, Phantogram, Pharrell Williams, Phebe Starr, Phosphorescent, PINS, pixies, Quantic, Queens of the Stone Age, Rachel Goodrich, Rachel Goodrich & The Grrrls, Ray Campi, Reignwolf, Riff Raff, Rise Against, Rival Sons, robert glasper, Roman GianArthur, Rose Quartz, Rudimental, Run The Jewels, Scars on 45, setlist, Sex Stains, Sharon Jones & the Dap Kings, Shelby Lynne, shy girls, Silver Hands, Slum Village, snarky puppy, snoop dogg, Solander, SPEAK, Speedy Ortiz, Stacy Barthe, Strangers You Know, Sturgill Simpson, System of a Down, Takeoffs & Landings, Talib Kweli, Tank, Tashaki Miyaki, Terrace Martin, the 1975, The Afghan Whigs, The Barr Brothers, The Briefs, The Damned, The Dandy Warhols, The Electric Sons, The Far West, The Filthy Souls, The Futures League, The Grizzled Mighty, The Head and the Heart, The Internet, The Killing Lights, The Kills, The Kokoro, The Lone Bellow, The Men, The Mercy Beat, The Naked and Famous, the national, The Pharcyde, The Preatures, The Record Company, The Replacements, The Scandals, The Slightlys, The Stepkids, The Strypes, The Tontons, The War On Drugs, The Warlocks, the weeks, The Wild Reeds, The Zombies, Thruster!, THURZ, Tiara Thomas, Tkay Maidza, together PANGEA, Tokyo Police Club, Tom Odell, Torches, Valerie June, Walk The Moon, Wanda Jackson, We Met Tomorrow, White Lies, Woodkid, Woods, Wynonna Judd, YG, Young the Giant, Yuna, Yusuf Islam
Wanda Lavonne Jackson is known to many as the “Queen of Rockabilly” or the “First Lady of Rockabilly”. An accomplished singer, songwriter, pianist and guitarist, the success that she had during the 50s and 60s paved the way not only for women, but also for rock and roll and country music genres; and she is duly recognized by the Rock and Roll Hall of Fame as an “Early Influence”.
I was able to get up front for her performance, joining a mixed-age crowd. It didn’t surprise me that she was able to pull kids who couldn’t have been out of their teens to her show. After all, one of her more recent albums, 2009’s “The Party Ain’t Over” was produced by Jack White (which, by the way, was her first album to break into the Billboard Top 200, peaking at number 58.
When the lights dimmed, and the band started playing, I could see a small woman in a flamboyant, pink top make her way downstage. The crowd cheered loudly as their heroine took her steps forward, and when she addressed the crowd with a, “Hello,” the concert hall within the Queen Mary erupted.
Though in her mid 70’s, Wanda Jackson, like Ray Campi, gave a performance with such attitude and passion, that I could only imagine what she would have been like back during her hey-day. She yodeled, she growled, and she punched out notes like a pro, and the audience ate up every second of it … as long as they weren’t singing along with her.
In between songs, she would tell some stories as a segue into what she would perform next. She spoke adoringly about her brief time “dating” (“If you called it that,” as she noted) Elvis before vamping into Heartbreak Hotel. She reminisced about her experience making music with Jack White and the “disagreement” she had with the uber producer about covering Amy Winehouse’s “You Know I’m No Good” before singing it.
I loved watching Wanda Jackson perform. I loved the way she interacted with the audience, marveling at their youth, and even joking about their hair color and body piercings. I loved watching the look in her eyes when the youthful crowd sang along to her classic tunes.
Towards the end of her set, she reached out to those of her fans that were lined up at the front; shaking/holding whatever outstretched hand that was reaching out to her. I reached out as well, and when she grasped my hand, and mouthed, “Thank you,” while looking into my eyes, it was a moment I’ll not soon forget.
I couldn’t find a setlist of the songs that she performed online, but I did take a picture of it (which I know isn’t the correct order, as the “You Know I”m No Good” isn’t even listed, which is included in the photographs below. If you were there, and know the order of the songs performed, please let me know and I’ll add it here.
For the past eleven years, The Queen Mary has been the host of the annual Ink-N-Iron Festival: a weekend inspired by a culture of tats and cars, embodied in their display of pristine vintage cars, three levels of tattoo artists booths, live music, burlesque acts, art displays … you name it, they’ve got it.
I first got turned onto the festival last year to catch a band from Texas that I really like, Girl In A Coma. Even though I don’t sport any ink on my person, I really enjoyed the whole vibe of the festival. It was clean, the people were all courteous, it was a family affair, tickets were reasonably priced ($80 for a weekend pass) … and the music rocked.
When I saw the line-up this year, I jumped on getting a ticket. Although I couldn’t attend the festival on Sunday due to work obligations, I was able to catch a whole bunch of quality acts while hanging out with friends, old and new. Below is the list of the acts that I was able to see perform. To see the pictures that I was able to snap (and video embeds of the performances I could find online) of each of the bands that performed, CLICK THE NAME of the act to get redirected to the blog entry.
June 6, 2014
June 7, 2014
- Hopeless Jack and the Handsome Devil– yup, I saw ’em twice
- The Briefs
- The Damned
- Nick Waterhouse
In the meantime, below are some of the pictures that I snapped from the festival. I would have included more pictures from the burlesque show, but I’m trying to keep this blog PG rated. 😉