The Barr Brothers | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: The Barr Brothers | Facebook | Twitter | Instagram

SOUNDS LIKE: 

THOUGHTS: The first band that I was able to catch perform on the second day of Way Over Yonder was the Canadian folk quartet The Barr Brothers. Their acoustic sound was a pleasure to listen to during the mid-afternoon, especially with Sarah Page playing the harp on a number of selections. I mean … how often do you get to see a harp played on stage at a non-classical concert? I was particularly impressed with their instrumental arrangements and musicality.

PHOTOS:

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

Cold War Kids | Sunset Strip Music Festival | 9/20/14 [Photos]

To Check Out Other Acts that I Caught At The Sunset Strip Music Festival, CLICK HERE!

THE ACT: Cold War Kids | Facebook | Twitter | Instagram

SOUNDS LIKE: 

THOUGHTS: Honestly speaking, I’m not very well versed in Cold War Kids discography. I was a big fan of their singles back in 2007, but for one reason I stopped following their music. Their set at the Sunset Strip Music Festival put them back on my radar. I still need to educate myself and get caught up on their catalog, but watching them perform “Hang Me Up To Dry” was all I needed to bring me back.

PHOTOS: The lighting was really tough do deal with. Because there were so many photographers, we were broken up into groups of two. I was stuck in group two, set to shoot songs 4 – 6. It looked like the lighting was going to be decent as I noticed bright, clear lights flashing throughout the opening of their set. By the time I got into the pit, the lighting design went predominantly purple. Oh well. I guess thems the breaks.

 

VIDEO CLIPS:

To Check Out Other Acts that I Caught At The Sunset Strip Music Festival, CLICK HERE!

Little Hurricane | Way Over Yonder | Santa Monica Pier | 9/26/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Little Hurricane | Facebook | Twitter Instagram

SOUNDS LIKE: 

THOUGHTS: This was one of my favorite sets at Way Over Yonder. This duo’s dirty blues rock was pretty damn awesome. They’ve got a little bit of a White Stripes vibe, except the drummer smiles a lot more. I definitely need to catch this band again when they’re up in Los Angeles performing.

PHOTOS:

 

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

Rival Sons | The Observatory | 9/19/14 [Photos]

A few weeks ago, I was sitting in a club with a friend and we were talking about bad ass bands, and the name Rival Sons came up. I had never heard of the band previously, so I had I a lot of questions. Where are they from? What kind of music do they play? How many albums have they released? The only I answer I got?

 

“Dude. Just check them out. They will blow your mind.”

 

Considering that my friend plays in a bad ass band as well, I didn’t take the blunt statement of approval lightly. I surfed the web the following day and started doing some “research”. My friend was right. My mind was blown.

 

I really got into rock and roll when I purchased my first Led Zeppilin album, “House of the Holy”. I must have played that CD a hundred times during my four years of college. It shaped the way I listen to music, and has since shaped my sensibilities. Needless to say, I’m a pretty big fan of classic rock.

 

Rival Sons are classic rock revivalists, and they are, quite simply, bad ass. They’ve been releasing records since 2009 with 4 studio albums under their belt, and I’ve been kicking myself in the ass for not having heard of them until recently. The fact that they are based out of Long Beach, California and I hadn’t heard of them until now? Yes … shame on me.

 

I wanted to see them at The Troubadour, but that show had sold out. Though I hardly ever travel outside my comfort zone (Los Angeles) to see bands play, they were embarking on a world tour that’ll basically run through till the end of the year, and I knew that I couldn’t wait until next year to see them perform live. So I sucked up the prospect of an hour long commute, and made my way to a new venue in a foreign territory: The Observatory in Orange County.

 

Thankfully, I had company for the trek, but when I got to the Observatory, I found it to be quite a terrific venue. It was set up so that there was a pretty decent view from anywhere in the audience (unless you had an extremely tall patron in front of you). It wasn’t overpacked and the crowd, at least for this show, was extremely friendly. Enough with the venue … let’s get to the music.

 

In my opinion, they’ve got everything a killer band needs. A charismatic frontman with killer pipes? Jay Buchanan has it in spades. A bad ass guitar player? Scott Holiday and his Dali-esque mustache looked and played as badass as it gets. Dave Beste (bass) and Mike Miley (drums) complete the music puzzle capturing a huge, guitar-driven classic rock sound that many try to copy, but fail to achieve. These guys nail it.

 

These guys nail it, but they aren’t imitators. They take the music that’s influenced them, and create a fresh, rocking sound that, though revivalist, is current and edgy. God damn, it was good. I guess I’ll have to wait until next year to catch them live again. It’s a good thing I’m a patient man. I just hope that the LPs I purchased don’t get worn out before they get back into town.

Rival Sons | Observatory | Setlist

Illumination Road | Hotel Cafe | 8/29/14 [Photos]

I love the Hotel Cafe. It’s a classy and intimate performance venue that has a great sound system and they always seem to find great local (and touring) talent to perform on their small stage.

 

I was excited when I heard that Illumination Road was playing there (full disclosure, I know a couple of the guys in the band), but truth be told I was actually more excited to test out a new 50mm lens with a low aperture that I recently purchased.

 

The band was great. Their set was more mellow than the last time I saw them at the Troubadour. By incorporating an upright bass and keys, their sound was definitely a bit more subdued, but they still rocked it out and performed with the same rock and roll intensity that I remembered from earlier this year. I was particularly impressed with their cover of Radiohead’s “Subterranean Homesick Alien”, which you can check out a clip of below. So killer.

 

 

Because the Hotel Cafe is generally really, really, really dimly lit, I was actually pretty pleased with how my photos came out. I think I’ll need to save some money on a better camera body (something that can take non-noisey, high ISO shot better than my T2i), but I think that these, for the time being, will suffice.

The Record Company | Echo Park Rising | 8/17/14

To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.

THE ACT: The Record Company | Facebook Twitter Website

SOUNDS LIKE:

THOUGHTS: The Record Company. Seeing them perform at Echo Park Rising marks the 5th time I’ve seen them live the past year and a half. Needless to say, I’m a fan of their sound. You can read my thoughts about them here, and here, and here … and … here. A week after Echo Park Rising, I was at First City Festival when another photographer stopped to compliment The Record Company t-shirt I was wearing and agreed that they were a hell of a band. If you are a fan of blues rock, you should probably check them out.

 

 To Check Out Other Acts that I Caught At Echo Park Rising, CLICK HERE.

Nick Waterhouse | Ink-N-Iron | 6/7/14 [PHOTOS & VIDEO]

When retro-soul is done right, I love it. Last year, I was unable to catch Nick Waterhouse’s concert on the Santa Monica Pier. When I heard that he was scheduled to perform at Ink-N-Iron, I was thrilled. Some may argue that a “kid” in his mid-twenties, couldn’t possibly know about retro-soul. I’d have to disagree with them.

Dressed in a dapper suit, and his trademark Buddy Holly glasses, Nick Waterhouse and his full band took to the stage and the anxious crowd roared. They had waited eagerly to hear some music that harkened back vintage 50 and 60s soul, and they got it

Accompanied by backing vocalists, horns, drum, keys and bass, Nick managed and conducted his band through a set of music that really breathed a new kind of funk into the retro-soul genre. The only thing “modern” about the set were the iPads that the horns used for their setlist and (I’m assuming) score.

The band was terrific. Obviously a tightly knit group of players, each instrumentalist played off each other with the kind of synchronicity you would expect from a seasoned Motown band. Hidden in the not so apparent details, Nick Waterhouse’s musicality was on full display. His orchestration, and his musical arrangements, was proof positive to me that his retro-soul sound is no fluke. He may be young, but he’s got it, and he’s got it in spades.

I loved the set. I was grooving in my spot the entire time, and looking around to see how others were reacting, everyone… and I mean everyone … was doing the same. Towards the end of the set, uninvited concert goers even snuck their way onstage to dance and groove to the music. I seriously look forward to hearing- and seeing- more music from him.

I couldn’t find a setlist of his set online, so if you attended the event and know what his setlist was, please post it in the comments, and I’ll add it to the post.

I’m particularly proud of some of the photos I took during Nick’s set. I hope you enjoy them too.

The Damned | Ink-N-Iron |6/7/14 [PHOTOS & VIDEO]

 CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON

IMG_6776

Formed the year I was born, 1976, The Damned are a rock band from London, England. I was particularly interested in checking out there set as they are known to be one of the forerunners of the “gothic” music genre: a music style that is a mix of post-punk and alternative rock. I was especially excited that they were playing Ink-N-Iron because I couldn’t recall the last time they toured the United States.

Though their line-up has changed up over the course of their existence, three of their original members performed on this night on the Queen Mary: lead singer Dave Vanian, guitarist Captain Sensible and keyboardist Monty Oxymoron.

Dave Vanian’s performance was particularly impressive. His dark (dressed in black, with sunglasses and gloves) and mysterious stage presence was quite a contrast from Lee Ving’s performance. He performance demonstrated an understated bravado that really demonstrated, to me, a terrific command of the stage.

The audience, who had just before been moshing with reckless, and violent, abandon the set before, was now bouncing about with more fun and freedom. 37 years after they had formed, it appeared to me that they still had plenty in the tank, with their classically punk attitude in full form.

I couldn’t find a setlist of their set online, so if you attended the event and know what their setlist was, please post it in the comments, and I’ll add it to the post.

Immediately below are some videos I found of The Briefs performing at the festival and also the Ink-N-Iron pre-party. If you know of any other videos that are online, please post the link below in the comments so that I can add it to the playlist.

 

CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON

Fear | Ink-N-Iron |6/7/14 [PHOTOS & VIDEO]

 CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON

IMG_6758

California hardcore punk took shape in the late 70s and early 80s. Heavier and more abrasive than regular punk rock, bands like Black Flag, the Circle Jerks and Fear were the seminal bands that helped paved the way that particular sound and style. Fear’s music and live show is known to be aggressive and confrontational . Their performance on Saturday Night Live back in 1981 is the stuff of legend, as they invited a pack of skinhead slam-dancers on-stage resulting in costly studio damage and even on-mike profanity. That story alone was enough to make me curious enough to catch their set.

I got the stage after the band had already started, but I’m glad that I wasn’t up close to snap pictures. Mosh pits had formed and I’m assuming that either me, or my equipment, could have easily been broken. lol.

Fronting the band is Lee Ving; the only original member of band since its formation in the late 70s. His sharp tongue and vocal thrashing of the mic was still on par. For a man in his mid-60s, his band’s music elicited from the crowd a teenage abandon of angst and straight up punk. Just watching the swirling pits got my juices flowing.

I couldn’t find a setlist of their set online, so if you attended the event and know what their setlist was, please post it in the comments, and I’ll add it to the post.

Immediately below are some videos I found of The Briefs performing at the festival and also the Ink-N-Iron pre-party. If you know of any other videos that are online, please post the link below in the comments so that I can add it to the playlist.

 







 

CLICK HERE TO SEE OTHER ACTS I WAS ABLE TO CATCH AT INK-N-IRON