Culture Collide 2014 | October 16-18 [Homepage]

If you are music lover living in Los Angeles, and you failed to take advantage of the musical offerings from all around the world at Culture Collide for $30, shame on you.

 

Now in its fifth year, Culture Collide took over the Echo Park area of Sunset Boulevard with a diverse plethora of bands from around the globe. Bands traveled from Korea, Peru, Israel and other far reaches of the globe to bless us with their musical offerings.

 

Whether you are a fan of EDM or disco, hip hop or garage rock, folk or goth, Culture Collide had it all. Below are some of the bands that we were able to catch. If you were able to catch any of these bands at the festival, relive some of those moments by clicking on the links. If you decided to skip out on attending the festival, check out what you foolishly missed out on.

October 16th

October 17th

October 18th

The War On Drugs | Fonda Theatre | 10/3/14 [Photos & Setlist]

THE ACT: The War On Drugs | Facebook | Twitter | Instagram 

SOUNDS LIKE: 

THOUGHTS: When people ask me what music has been turning me on lately, I usually rattle off a list new LP’s that I’ve purchased at the local record shop. The one album that hasn’t left that list? The War On Drugs’ “Lost In The Dream”.

I remember when I bought the LP. I was thumbing through some racks of LPs at Origami Vinyl, when the text of “Limited Edition” and “Purple Vinyl” on the sticker caught my eye: “. Silly as it may be, since I’m a collector, things like that always interest me. I asked the proprietor about the album, and he told me that it was a solid album, giving me the history behind the band (how founding member Kurt Vile left the band in 2011, leaving Adam Granduciel to helm the band) and suggesting that if I purchased it, he was pretty sure I wouldn’t be disappointed. He was correct. In fact, he had gotten me to purchase an album that I have very high on list of “best albums of the year”. Well done, Origami Vinyl.

The album is brilliant. It’s a cohesive masterpiece of brilliantly engaging, dreamy rock, melding understated synths with soaring guitar licks. The album is only 10 tracks deep, and runs slightly over an hour, but the listening experience seems to conclude too early, as if the “dream” is the music causing the listener to get “lost” in it. A dream that you simply don’t want to wake up from. The lyrics, honest and emotional, is Adam’s voice … but really, it’s the voice of the everyman. When he sings about that moment of realizing heartbreak or admitting depression, he’s really writing, whether he meant to or not, for everyone one who has been there.

The War On Drugs’ live show is just as amazing as their album. Pulling from the band’s entire catalog, their set, and pardon the pun, was like an ocean with waves (a song of theirs is titled “An Ocean Between The Waves”). From sublime smoothness, to relentless ardor, the room swelled with the kind of natural energy only great music can create; hitting the right peaks and valleys with an emotional fervor.

And the music was played to perfection. Though they may have jammed out, extending songs longer than what are on the album, I closed my eyes at times and couldn’t hear the difference. The musicianship, and the technicality with which they played, was effortless.

After their performance, I hung out a while to see if I could get Adam to sign the LP that I had lugged with me in my camera bag. As his band was on stage taking down their equipment, I asked a stage hand as to whether Adam would be cool signing the LP for me. He shouted up to Adam and he jumped from the stage to greet me. A very real, and modest man, he was happy to sign my LP and was genuinely pleased (I could see it in his eyes) when I told him that their performance blew my mind. I asked him some more questions about the rest of his tour, and then went on my way; but needless to say, knowing that the man behind the music was as genuine and modest as the other, looking me in the eyes and paying attention to me with my small talk, made me appreciate his art more than ever.

SETLIST:

The War On Drugs | Fonda Theatre

VIDEO CLIPS:

PHOTOS:

Machine | The Garage | 10/1/14 [Photos and Video]

THE ACT: Machine | Facebook | Instagram

SOUNDS LIKE:

THOUGHTS: For a new band, booking venues to play a gig is a hell of a task. I learned that recently when I tried helping a friend’s band out.

 

A few months ago, the drummer of a band I’m really into (Hopeless Jack and the Handsome Devil) let me know that he played in another band that was setting up a regional tour. The name of the band was Machine, a power duo consisting of Pete Thomas on Drums and Madeline Mahrie on vocals and keys. Though they are just a duo (like Hopeless Jack and the Handsome Devil), their sound is lush and mysterious. If you could make a music-baby from the genes of Fiona Apple and Tori Amos, you may get something like Machine.

 

Being the naive optimist that I am, I told him that I thought I could help them find a place to play in Los Angeles. After weeks of looking, though I had the notion before, I fully realized that money talks, and when you don’t have the cash (or can’t guarantee patrons – even on a Wednesday), you don’t get the stage. Thankfully, I was able to find them a place to play (Thanks, Rob, I owe you a Jack … or two).

 

Pete and Madeline played for a small crowd, but played like they were playing for their lives. Even in front of a modest crowd, Madeline poured her soul out as she pounded away at her keys (a REAL portable piano, the first I’d ever seen). Because of the venue’s architecture (glass windows all around, which amplifies and the natural sound of the room), Pete had to reign in the amount of force with which he could bash his drums, but that controlled aggression came through, at least to me, in the performance, adding an even more intense depth to the music.

 

Madeline’s performance was a revelation. While watching her perform, I could only think to myself, “There should really be more people here to watch this music come to life.” There’s an audience for her music and I wanted so badly for more people to witness it. I wasn’t the only one impressed wight he performance. In fact, a woman who books events ended up exchanging contact information with the band with the hopes of booking them for a “Superbowl” event next year. See … I’m not the only one who loved their sound.

 

Take a peek at some of the video clips that I snipped together below. The lighting makes it difficult to see the performance, but it doesn’t matter. Just listen.

VIDEO:

PHOTOS: I used my 50mm prime lens, set my aperture to 1.4 and adjusted my ISO to the highest it would go on my camera. I’m realizing that I need a better camera for these situations. The photos didn’t come out nearly as well as I would have liked, and, heaven forbid, I converted a couple photos to black and white (something that I am not that fond of doing). Oh well … just more impetus for me to catch them again the next time they are in Los Angeles. Hopefully, by then they’ll have a venue with better lighting …. or I’ll have purchased a new camera. We’ll see.

 

 

 

 

 

Jackson Browne | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos & Setlist]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Jackson Browne | Facebook | Twitter 

SOUNDS LIKE: 

THOUGHTS: Closing out the Way Over Yonder festival was Rock and Roll Hall of Fame inductee Jackson Browne. Jackson Browne has recorded and released 14 albums during his prolific career. His latest album, “Standing In The Breach”, was released this year and his set was heavy with new material from the album. Though his music doesn’t necessarily “rock” my world (I’m more of a James Taylor fan), I can still appreciate the impact his music has had on the world. After all, not many artists from the early 70s can be deemed the “quintessential sensitive California singer/songwriter”.

SETLIST:

setlist-image-v1

PHOTOS:

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

Nathaniel Rateliff | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Nathaniel Rateliff | Facebook | Twitter Instagram

SOUNDS LIKE: 

THOUGHTS: If Little Hurricane was my surprise set on Friday, Nathaniel Rateliff was my surprise set on Saturday. Nathaniel is a burly gentleman with a scraggly beard, but his music, for the most part, was blissfully soft and emotional. Playing a set with just his voice and acoustic guitar, for moments, I got lost in his music, and I stopped taking pictures and/or recorded Instagram clips. His music reminded me of Iron and Wine, and it truly seemed to be coming from an intensely emotional place. As I was watching his performance from the eye of my zoom lens, I could see him envelop himself in his music, his eyes seemingly welling up with emotions. It was a personal, powerful set and I could only watch his performance with respect as he lay his soul out for the world (at least at Way Over yonder) to see.

PHOTOS:

 

VIDEO CLIPS:

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To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

Heartless Bastards | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Heartless Bastards | Facebook | Twitter Instagram

SOUNDS LIKE: 

THOUGHTS: I was really looking forward to seeing/hearing Heartless Bastards live, but sound problems at the start of their set didn’t really give me a chance really appreciate what I know this band is capable of. Granted, I only stayed for the first half of their set (I had to photograph another artist whose set had started) and, as you can tell from the Instagram video clips bellows (that I filmed as I was walking to the other state) their sound issues did get better. But, I think I’ll reserved my opinions … until I can catch them in concert again.

PHOTOS:

 

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

Linda Perhacs | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Linda Perhacs | Facebook | Twitter Instagram

SOUNDS LIKE: 

THOUGHTS: I had never heard of Linda Perhacs before Way Over Yonder, but when I googled her name, I found a Wikipedia entry that revealed to me that she had recorded her first album in 1970 titled “Parallelograms”. Further research revealed that this psychdelic folk album, though not commercially successful when it was initially released, was having its own modern day renaissance. Highly rated by many critics and online resources, the album has been reissued on several occasions over the years. It took over 40 years, but Ms. Perhacs finally recorded and released her sophomore album, “The Soul of All Natural Things” earlier this year.

PHOTOS:

 

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

Culture Collide | Los Angeles | October 16 – 18, 2014 [Preview]

One of the more intriguing music festivals to hit Los Angeles is Culture Collide. Now in its fifth year, it’s a music festival that offers attendees the chance to pick among over 60 bands, curated from around the world. Last year, I was able to “discover” a handful of foreign acts like IZA and Jacco Gardner while rediscovering bands like Medicine.

Culture Collide 2014

 

Clearly, De Lux, Cloud Nothings and Clap Your Hands Say Yeah will be major draws for concert-goers, here are a few foreign acts, who you may or may not be able to catch in Los Angeles again, that would suggest checking out.

Mø_at_Way_Out_West_2014

MØ (Denmark): If you are fan of Grimes, I would suggest going to see MØ. This Denmark native, is a singer songwriter whose electronic music has been making waves as of late. Critics have compared her sound to both Siouxsie Sioux and Janet Jackson, and though the comparisons may seem like an odd pairing, her “electro music with guts” is sure to impress.

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Taymir (Netherlands): This band from the Netherlands is a rock band whose sound that made me think that they were the offspring of The Beatles and Oasis. I know really know nothing about this act other than what I’ve heard online, so I’m really interested to see/hear if their sound translates well live.

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tkayTKAY (Australia): We’ve already got Iggy Azalea, so do we really need another hip-hop artist from Australia?  Well, if they’ve got a vibe and sonic imprint like M.I.A., I’ll take my chances to check it out.

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PINS (United Kingdom): I’m always down to check out an an all female post-punk band from the United Kingdom. Their sound has a garage/surf rock vibe, so I’m sure that they’ll have the Echo pretty packed.

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Until The Ribbon Breaks (United Kingdom): The band has merges R&B and electronica in a way that’s somewhat reminiscent of Chet Faker, but perhaps a bit more upbeat. Again, I don’t know too much about this band, but I’ll be sure to check them out at Culture Collide.

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Quantic (Columbia): Will Holland is Quantic, and Quantic is bad ass. Mixing bossa nova, jazz, funk, trip hop, and downtempo into his music, I’m excited to hear his band’s live performance at Culture Collide. If you feel like shaking your money maker to some sweet latin sounds, I suggest that you check this act out.

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Two day passes for the event are only $30. The Culture Collide website also has accommodation options available, but you can always find a deal for housing through other sites (Expedia, AirBNB, etc). If you are and adventurous music-phile, I would suggest buying a pass ASAP, and spending a few evenings in the Silverlake area to get exposed to the sounds of the world.

Chris Robinson Brotherhood | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Chris Robinson Brotherhood | Facebook | Twitter Instagram

SOUNDS LIKE: 

THOUGHTS: Chris Robinson, the Black Crowes frontman, has been recording and releasing music “solo” since 1993 and has at least 10 albums since 1993. Founded in 2011, Chris started the Chris Robinson. Though I don’t have all of the band’s albums, I do have “The Magic Door” (released in 2012) and that album is a solid album that jams with the best of them. The Chris Robinson Brotherhood didn’t let me down. It was a great, mellow vibe that I can only imagine audience would have experienced at a Grateful Dead show back in the day.

SETLIST (Unverified):setlist-image-v1

PHOTOS:

 

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

Joe Pug | Way Over Yonder | Santa Monica Pier | 9/27/14 [Photos]

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!

THE ACT: Joe Pug | Facebook | Twitter | Instagram

SOUNDS LIKE: 

THOUGHTS: Joe Pug is a singer-songwriter whose folk music is as tender and moving as it comes. Performing solo, armed with just his acoustic guitar and a harmonica, Joe’s soothing sound, under the bright red spotlight, mellowed the audience into a blissful trance. His performance was emotional, without being overindulgent. Critics have favorably compared him to Bob Dylan, and I can’t disagree. I like Bob Dylan. I also like Joe Pug.

PHOTOS:

 

VIDEO CLIPS:

To Check Out Other Acts that I Caught At Way Over Yonder, CLICK HERE!